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* ProductionPosse: For actors, the leads will most likely go to Creator/RobertDeNiro or Creator/LeonardoDiCaprio, with Creator/JoePesci, Creator/HarveyKeitel, Victor Argo and Harry Northup in other types of roles. His parents (Charles and Catherine) usually got cameo appearances in his movies and with Creator/DanielDayLewis, Creator/LiamNeeson, Creator/JohnCReilly, Creator/BenKingsley, Creator/AlecBaldwin, Creator/RayWinstone, Creator/NickNolte, Dick Miller, and many others on multiple occasions. For crew, he's worked with:
to:
* ProductionPosse: For actors, the leads will most likely go to Creator/RobertDeNiro or Creator/LeonardoDiCaprio, with Creator/JoePesci, Creator/HarveyKeitel, Victor Argo and Harry Northup in other types of roles. His parents (Charles and Catherine) usually got cameo appearances in his movies until their respective deaths in 1993 and 1995, and with Creator/DanielDayLewis, Creator/LiamNeeson, Creator/JohnCReilly, Creator/BenKingsley, Creator/AlecBaldwin, Creator/RayWinstone, Creator/NickNolte, Dick Miller, and many others on multiple occasions. For crew, he's worked with:
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** and Saul Bass as title designer for Film/Goodfellas, Film/CapeFear, Literature/TheAgeOfInnocence, and Film/{{Casino}} (the last of which would also serve as his final project before his death in 1996).
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** and Saul Bass as title designer for Film/Goodfellas, Film/{{Goodfellas}}, Film/CapeFear, Literature/TheAgeOfInnocence, and Film/{{Casino}} (the last of which would also serve as his final project before his death in 1996).
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Changed line(s) 172 (click to see context) from:
* ProductionPosse: For actors, the leads will most likely go to Creator/RobertDeNiro or Creator/LeonardoDiCaprio, with Creator/JoePesci, Creator/HarveyKeitel, Victor Argo and Harry Northup in other types of roles. His parents (Charles and Catherine) usually got cameo appearances in his movies and Creator/DanielDayLewis, Creator/LiamNeeson, Creator/JohnCReilly, Creator/BenKingsley and many others have collaborated on multiple occasions. For crew, he's got Thelma Schoonmaker as editor[[note]]She edited his first student films, then waited for a decade to get registered in the union before working on Film/RagingBull and has edited all his films since then[[/note]], Paul Schrader, Nicholas Pileggi, Jay Cocks, Creator/JohnLogan, Mardik Martin, and Terence Winter as screenwriters, Sandy Powell as costume designer, Howard Shore and Elmer Bernstein as composers, Dante Ferreti as Production Designer, Rob Legato as Visual Effects supervisor, Michael Ballhaus, Robert Richardson (who worked with him until {{Film/Hugo}}) and Rodrigo Prieto (His current DP) as cinematographers, and Saul Bass [[Literature/TheAgeOfInnocence did]] [[Film/CapeFear some]] [[Film/GoodFellas of]] [[Film/{{Casino}} his]] last titles for Scorsese.
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* ProductionPosse: For actors, the leads will most likely go to Creator/RobertDeNiro or Creator/LeonardoDiCaprio, with Creator/JoePesci, Creator/HarveyKeitel, Victor Argo and Harry Northup in other types of roles. His parents (Charles and Catherine) usually got cameo appearances in his movies and with Creator/DanielDayLewis, Creator/LiamNeeson, Creator/JohnCReilly, Creator/BenKingsley Creator/BenKingsley, Creator/AlecBaldwin, Creator/RayWinstone, Creator/NickNolte, Dick Miller, and many others have collaborated others on multiple occasions. For crew, he's got worked with:
** Thelma Schoonmaker as editor[[note]]She edited his first student films, then waited for a decade to get registered in the union before working on Film/RagingBull and has edited all his films sincethen[[/note]], then[[/note]].
** Michael Ballhaus, Robert Richardson, Michael Chapman, and Rodrigo Prieto as cinematographers.
** Paul Schrader, Nicholas Pileggi, Jay Cocks, Creator/JohnLogan, Mardik Martin, and Terence Winter asscreenwriters, screenwriters.
** Irwin Winkler, Emma Tilling Koskoff, Barbara De Fina, and Rick Yorn as producers.
** Dante Ferretti and Bob Shaw as production designers.
** Sandy Powell as costumedesigner, designer.
** Howard Shore and Elmer Bernstein ascomposers, Dante Ferreti composers.
** Robbie Robertson asProduction Designer, Rob music producer.
** Robert Legato asVisual Effects supervisor, Michael Ballhaus, Robert Richardson (who worked with him until {{Film/Hugo}}) visual effects supervisor.
** Joseph P. Reidy as assistant director andRodrigo Prieto (His current DP) co-producer.
** George A. Aguilar ascinematographers, stunt co-coordinator
** Legato, Aguilar, Reidy, Vic Armstrong, Ellen Karus, and Phil Marco as second unit directors (Legato also served as second unit cinematographer).
** and Saul Bass[[Literature/TheAgeOfInnocence did]] [[Film/CapeFear some]] [[Film/GoodFellas of]] [[Film/{{Casino}} his]] as title designer for Film/Goodfellas, Film/CapeFear, Literature/TheAgeOfInnocence, and Film/{{Casino}} (the last titles for Scorsese.of which would also serve as his final project before his death in 1996).
** Thelma Schoonmaker as editor[[note]]She edited his first student films, then waited for a decade to get registered in the union before working on Film/RagingBull and has edited all his films since
** Michael Ballhaus, Robert Richardson, Michael Chapman, and Rodrigo Prieto as cinematographers.
** Paul Schrader, Nicholas Pileggi, Jay Cocks, Creator/JohnLogan, Mardik Martin, and Terence Winter as
** Irwin Winkler, Emma Tilling Koskoff, Barbara De Fina, and Rick Yorn as producers.
** Dante Ferretti and Bob Shaw as production designers.
** Sandy Powell as costume
** Howard Shore and Elmer Bernstein as
** Robbie Robertson as
** Robert Legato as
** Joseph P. Reidy as assistant director and
** George A. Aguilar as
** Legato, Aguilar, Reidy, Vic Armstrong, Ellen Karus, and Phil Marco as second unit directors (Legato also served as second unit cinematographer).
** and Saul Bass
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* SlidingScaleOfIdealismVsCynicism: His movies lean to the cynical side at least as conventionally understood. BeingGoodSucks but BeingEvilSucks too, and even those characters who seem all powerful and secure have their problems and insecurities:
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* SlidingScaleOfIdealismVsCynicism: His movies lean to the cynical side at least as conventionally understood. BeingGoodSucks but BeingEvilSucks too, and even those characters who seem all powerful and secure have their problems and insecurities:insecurities and vulnerabilities:
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** And of course no matter how good your intentions are, and how noble you want to be, whether you are the Dalai Lama and the head of Tibet, or a simple priest on a mission in ''Silence'', or a romantic aristocratic in New York (''The Age of Innocence''), if you are weak, the strong will abuse their power and screw you over, morality and good sense be damned. As Stacy Keach notes in ''Film/ShutterIsland'', "There's no order as pure as the storm we have just seen. There is no moral order at all" and if people want morality, they have to make it happen.
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** And of course no matter how good your intentions are, and how noble you want to be, whether you are the Dalai Lama and the head of Tibet, or a simple priest on a mission in ''Silence'', or a romantic aristocratic in New York (''The Age of Innocence''), if you are weak, the strong will abuse their power and screw you over, morality and good sense be damned. As Stacy Keach Ted Levine notes in ''Film/ShutterIsland'', "There's no order as pure as the storm we have just seen. There is no moral order at all" and if people want morality, they have to make it happen.
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* PyrrhicVillainy: Scorsese will often give his antagonists what seem like victories but with some ''very'' heavy caveats, be it losing their life of glamour and privilege, losing the few they genuinely cared about or just ending up old and forgotten, their achievements not amounting to anything in the long run.
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Martin Charles Scorsese[[note]]Pronounced "scor-SEH-see"[[/note]] (born November 17, 1942) is an American filmmaker of Italian descent, born in UsefulNotes/NewYorkCity and raised in the neighborhood of Little Italy. He began his career as part of the UsefulNotes/NewHollywood generation of film school students, and is regarded as one of America's (if not the world's) greatest filmmakers and one of the most influential in the latter half of the 20th century.
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Martin Charles Scorsese[[note]]Pronounced "scor-SEH-see"[[/note]] (born November 17, 1942) is an American filmmaker of Italian descent, born in UsefulNotes/NewYorkCity and raised in the neighborhood of Little Italy. He began his career as part of the UsefulNotes/NewHollywood MediaNotes/NewHollywood generation of film school students, and is regarded as one of America's (if not the world's) greatest filmmakers and one of the most influential in the latter half of the 20th century.
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* RealitySubtext: Scorsese doesn't share ''Film/{{Casino}}'''s nostalgia for [[EndofanAge the decline of Las Vegas in the early 1980s]]. But, parallels can be drawn between this and the decline of the UsefulNotes/NewHollywood era of filmmaking, after which [[ExecutiveMeddling studios held directors on a much tighter leash]]. Scorsese, like many New Hollywood directors, views that era as the last time directors like him had access to [[UsefulNotes/TheAuteurTheory decent budgets and creative freedom]].
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* RealitySubtext: Scorsese doesn't share ''Film/{{Casino}}'''s nostalgia for [[EndofanAge the decline of Las Vegas in the early 1980s]]. But, parallels can be drawn between this and the decline of the UsefulNotes/NewHollywood MediaNotes/NewHollywood era of filmmaking, after which [[ExecutiveMeddling studios held directors on a much tighter leash]]. Scorsese, like many New Hollywood directors, views that era as the last time directors like him had access to [[UsefulNotes/TheAuteurTheory [[MediaNotes/TheAuteurTheory decent budgets and creative freedom]].
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After the commercial setbacks of ''Film/NewYorkNewYork'' and ''Film/RagingBull'', he entered an uncertain and uneven period in TheEighties, but returned to public and critical favor with ''Film/{{Goodfellas}}'', after which he entered a new prolific period where he has averaged one film every two years since 1990. He remains active well into the 21st century and won UsefulNotes/{{Academy Award}}s for [[UsefulNotes/AcademyAwardForBestDirecting Best Director]] and [[UsefulNotes/AcademyAwardForBestPicture Best Picture]] for ''Film/TheDeparted'' after being a notable case of AwardSnub for more than 30 years.
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After the commercial setbacks of ''Film/NewYorkNewYork'' and ''Film/RagingBull'', he entered an uncertain and uneven period in TheEighties, but returned to public and critical favor with ''Film/{{Goodfellas}}'', after which he entered a new prolific period where he has averaged one film every two years since 1990. He remains active well into the 21st century and won UsefulNotes/{{Academy MediaNotes/{{Academy Award}}s for [[UsefulNotes/AcademyAwardForBestDirecting [[MediaNotes/AcademyAwardForBestDirecting Best Director]] and [[UsefulNotes/AcademyAwardForBestPicture [[MediaNotes/AcademyAwardForBestPicture Best Picture]] for ''Film/TheDeparted'' after being a notable case of AwardSnub for more than 30 years.
