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Rename
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** Quasimodo is a {{Manchild}} with an AmbiguousDisorder, and he mostly acts like a very young child who loves Danisha.
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** Quasimodo is a {{Manchild}} with an AmbiguousDisorder, some kind of mental disorder, and he mostly acts like a very young child who loves Danisha.
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Commenting out Zero-Context Examples
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* DerailingLoveInterests: The ''Claude & Me'' series does this with Phoebus and Esmeralda first, then Frollo and his other mistresses later.
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* TheImmodestOrgasm: [[http://www.angelfire.com/crazy2/scribbler/purple/peaches2.html According to this...]]
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* InsaneTrollLogic: Her theory on what "really happened" in a nutshell.
* ItsAllAboutMe: See SupportingHarem below for details.
* ItsAllAboutMe: See SupportingHarem below for details.
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* OfficialCouple: Frollo and Danisha.
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* ReallyGetsAround: Frollo.
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* SassyBlackWoman: Danisha. Oh boy, Danisha.
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* TimeTravelRomance: The whole point of the "Claude & Me" series.
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trope rename
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* CreatorProvincialism[=/=]WeAllLiveInAmerica: Danisha goes back in time to medieval France. Does she spend time trying the native foods? Listening to the traditional and contemporary music? Learning the history and local stories? Of course not! She--and her companions--spread American culture throughout 15th century Paris. They teach the kids how to play baseball, kickball and other games you will find on American playgrounds. And American history -- or rather, American ''future'' -- as well as American literature. Danisha--and clearly Frollo Freak--is from Indiana, so she puts emphasis on foods like fried chicken, mashed potatoes, pecan pie, ice cream, lemonade, etc. They turn medieval Paris into a small Midwestern town. When they go to the future, Danisha takes Frollo around places Frollo Freak must frequent. It also happens in [[http://crazedwriter.lbbhost.com/fic2003/disney7-1.html The Disney Seven]] where Walroy is described as being in the Midwest.
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* CreatorProvincialism[=/=]WeAllLiveInAmerica: CreatorProvincialism: Danisha goes back in time to medieval France. Does she spend time trying the native foods? Listening to the traditional and contemporary music? Learning the history and local stories? Of course not! She--and her companions--spread American culture throughout 15th century Paris. They teach the kids how to play baseball, kickball and other games you will find on American playgrounds. And American history -- or rather, American ''future'' -- as well as American literature. Danisha--and clearly Frollo Freak--is from Indiana, so she puts emphasis on foods like fried chicken, mashed potatoes, pecan pie, ice cream, lemonade, etc. They turn medieval Paris into a small Midwestern town. When they go to the future, Danisha takes Frollo around places Frollo Freak must frequent. It also happens in [[http://crazedwriter.lbbhost.com/fic2003/disney7-1.html The Disney Seven]] where Walroy is described as being in the Midwest.Midwest.
* CreatorsCultureCarryover: Most of Frollo Freak's medieval characters speak American English, have contemporary American cultural traditions, and care a lot about American history and politics, even though America doesn't exist yet in their timeline.
* CreatorsCultureCarryover: Most of Frollo Freak's medieval characters speak American English, have contemporary American cultural traditions, and care a lot about American history and politics, even though America doesn't exist yet in their timeline.
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* WeAllLiveInAmerica: Most of Frollo Freak's medieval characters speak American English, have contemporary American cultural traditions, and care a lot about American history and politics, even though America doesn't exist yet in their timeline.
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might still count as doxing
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Frollo Freak and [=CrazedWriter=] are the pen names of [[https://crazedwriter.tripod.com/index.html Pamela R. Parker]][[note]]given on official sites as "P. R. Parker", first name given as Pamela on the author's Twitter and Facebook, which the Tripod official site bears links to[[/note]], a FanFic writer focused primarily on ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'', specifically the Franchise/DisneyAnimatedCanon version.
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Frollo Freak and [=CrazedWriter=] are the pen names of [[https://crazedwriter.tripod.com/index.html Pamela R. Parker]][[note]]given on official sites as "P. R. Parker", first name given as Pamela on the author's Twitter and Facebook, which the Tripod official site bears links to[[/note]], a FanFic writer focused primarily on ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'', specifically the Franchise/DisneyAnimatedCanon version.
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None
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Frollo Freak and [=CrazedWriter=] are the pen names of [[https://crazedwriter.tripod.com/index.html Pamela R. Parker]], a FanFic writer focused primarily on ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'', specifically the Franchise/DisneyAnimatedCanon version.
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Frollo Freak and [=CrazedWriter=] are the pen names of [[https://crazedwriter.tripod.com/index.html Pamela R. Parker]], Parker]][[note]]given on official sites as "P. R. Parker", first name given as Pamela on the author's Twitter and Facebook, which the Tripod official site bears links to[[/note]], a FanFic writer focused primarily on ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'', specifically the Franchise/DisneyAnimatedCanon version.
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None
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Frollo Freak and [=CrazedWriter=] are the pen names of Pamela R. Parker, a FanFic writer focused primarily on ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'', specifically the Franchise/DisneyAnimatedCanon version.
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Frollo Freak and [=CrazedWriter=] are the pen names of [[https://crazedwriter.tripod.com/index.html Pamela R. Parker, Parker]], a FanFic writer focused primarily on ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'', specifically the Franchise/DisneyAnimatedCanon version.
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typo fix
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* LostAesop: And how. The ''Claude and Me'' series can't seem to make up its mind on whether sexually empowered women are good or not. On one hand, it portrays Frollo keeping a harem of 30+ mistresses as completely acceptable, and never [[SlutShaming slut-shames]] said mistresses for their involvement with him (although it does portray Danisha as being better and more lovable than the other girls.) On the other hand, it viciously attacks Esmeralda for dancing in public and "tempting" Frollo. So it's good to be sexually empowered, but only if you actually have sex? Or maybe it's only good if you're a member of Frollo's harem? At first, it can seem like this is just an example of clear-cut ProtagonistCenteredMorality, because Danisha is always right and Esmeralda is always wrong even when they're doing the exact same thing, but sequels muddle the waters even more with the introduction of the subplot about Theodora's box. Theodora was a real life Byzantine empress who famously worked as an [[TheOldestProfession "actress"]] before marrying the future emperor, and her sexual exploits are well-recorded (although some are most likely exaggerated.) She was ''also'' an extremely competent and powerful leader who had a lot of influence over her husband, whose legislation greatly expanded women's rights. Needless to say, Theodora, a devout Christian who instituted the death penalty for rape, would probably ''not'' approve of Frollo's attempts to sexually assault Esmeralda. But inexplicably, Danisha loves Frollo ''and'' hero-worships Theodora despite the obvious contradiction, and the audience is expected to like them both, too. Except... are they? The the innuendos about Theodora's "box" are many, to the point where it seems like SlutShaming all on its own. So... are we supposed to like her or not? Are we supposed to approve of her for being generically cool and powerful, and not think too hard about her actual, real-life accomplishments or backstory? What on Earth is the narrative trying to say about sexuality, empowerment, and women's rights??
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* LostAesop: And how. The ''Claude and Me'' series can't seem to make up its mind on whether sexually empowered women are good or not. On one hand, it portrays Frollo keeping a harem of 30+ mistresses as completely acceptable, and never [[SlutShaming slut-shames]] said mistresses for their involvement with him (although it does portray Danisha as being better and more lovable than the other girls.) On the other hand, it viciously attacks Esmeralda for dancing in public and "tempting" Frollo. So it's good to be sexually empowered, but only if you actually have sex? Or maybe it's only good if you're a member of Frollo's harem? At first, it can seem like this is just an example of clear-cut ProtagonistCenteredMorality, because Danisha is always right and Esmeralda is always wrong even when they're doing the exact same thing, but sequels muddle the waters even more with the introduction of the subplot about Theodora's box. Theodora was a real life Byzantine empress who famously worked as an [[TheOldestProfession "actress"]] before marrying the future emperor, and her sexual exploits are well-recorded (although some are most likely exaggerated.) She was ''also'' an extremely competent and powerful leader who had a lot of influence over her husband, whose legislation greatly expanded women's rights. Needless to say, Theodora, a devout Christian who instituted the death penalty for rape, would probably ''not'' approve of Frollo's attempts to sexually assault Esmeralda. But inexplicably, Danisha loves Frollo ''and'' hero-worships Theodora despite the obvious contradiction, and the audience is expected to like them both, too. Except... are they? The the innuendos about Theodora's "box" are many, to the point where it seems like SlutShaming all on its own. So... are we supposed to like her or not? Are we supposed to approve of her for being generically cool and powerful, and not think too hard about her actual, real-life accomplishments or backstory? What on Earth is the narrative trying to say about sexuality, empowerment, and women's rights??
