History CerebusSyndrome / Webcomics

* Webcomic/{{Erma}}: Erma started out as a weekly gag comic following the daily life of a CuteGhostGirl and her friends. Many of the earlier strips were standalone jokes with minimal continuity. Over time though, Erma started having increasingly fleshed-out story arcs, with more serious moments mixed in here and there. The biggest turning point is The Reunion Arc, a lengthy storyline that's primarily focused on the family drama of the Yureimoto clan and ends with [[spoiler:the Yokai Thug Trio kidnapping Erma, then attempting to kill her by feeding her to a [[WhenTreesAttack Jubokko]], only for to break free with a TraumaticSuperpowerAwakening and lash out at both her captors and a large portion of the nearby town. In the aftermath Erma is left [[MyGodWhatHaveIDone traumatized]] and seems to have captured the attention of all the supernatural world's major players]]

* ''[[http://www.200-20.com 200:20]]'' is a great example of this, the series itself seems to want to keep a comedic tone but keeps getting drawn into a more serious subject matter as the story goes along. The creator didn't agree with this, and wanted to keep the story light hearted so it was rewritten. [[http://www.200-20.com/pilot.html Three]] [[http://www.200-20.com/soc.html times]]. Although it is up to debate whether or not that the series won't take another turn for more serious subject matter, it would appear that for now the comic itself is keeping the drama within the story to a minimum successfully.
* ''[[Webcomic/EightBitTheater 8-Bit Theater]]'', while remaining a comedy strip, has had a few of what could be called "Cerebus Arcs". It dipped into it during the battle against Lich, and went quite a bit deeper into it during the battle against Kary, which resulted in [[spoiler:Black Belt]]'s death. It seems to be there again, although in ''8-Bit Theater's'' case, it tends to abandon the Cerebus arcs abruptly. It's also been known to tease and then not deliver Cerebus arcs, such as the "battle" against Kraken.
** Though another possible example could be the [[DesignatedHero Light Warriors]] themselves. They change from being relatively harmless characters who are comedic as result of extreme character flaws, to THE worst people their world has ever seen. Fighter goes from merely being stupid to an enabler. Red Mage, originally so deluded regarding the power of D&D rules that he was too incompetent to implement his terrible plans, has become more powerful, but not smarter, resulting in brilliant train-wrecks. Thief has remained relatively the same throughout the strip, but was always a greedy sociopath; the only difference later on is that he manages to convince Red Mage, Black Mage and sometimes even Fighter to assist him. Then there's Black Mage, who was always hell bent on destroying everything in existence, but was previously too weak to harm anything, as exemplified by his only powerful spell which he only has the strength to cast once a day, and even then with horrible aim.

* ''Webcomic/{{Aisopos}}'' was a little depressing, starting with a young and cheerful child losing both of his parents and being forced to be a slave, but the third part is where the drama and the overly sad tone are more clear, with the protagonist continuing to be slave to his family's killer, being treated in a more awful way and almost dying from crossing.
* Zig-zagged in the defunct comic ''Alice!''. While it did feature gag-a-day like random newspapers, it started to get some dramatic storylines in place such as Alice's conflict with her dad's girlfriend, Joan, and Dot having an out of body experience. The story would resolve, but then go ''right'' back to gag-a-day strips and the title character's ''ComicStrip/CalvinAndHobbes'' like imagination.
* ''Webcomic/AllRosesHaveThorns'': The comic starts taking itself much more seriously after a few chapters, with the initial pages being filled with fourth wall breaking notes, chibis, and cartoony violence. This is another reason why the artist is working on remaking the first chapters to make this seem more serious.

* ''Webcomic/BittersweetCandyBowl'' started out as generally plotless fun, and now has developed into an epic tale of lovecrossed kitties with a [[http://www.bittersweetcandybowl.com/introduction.html recommended minimum introduction of 191 pages.]] The humour's still there in abundance, though.

* ''Webcomic/CastlevaniaRPG'' started as an extremely light hearted action-comedy that managed to stay lighthearted even during the more serious arcs (Blacula's rise to power, the alternate world, etc). Then, towards the end of the second major arc, [[spoiler:they party accidentally unleashes an Elder God. Long story short, [[TotalPartyKill Alec, Princess and Darkmoon die horrible, painful deaths, Katrina's CatGirl curse mutates and turns her fully cat with absolutely no hope of reverting back, and Angel is possessed by the Elder God, who then states his plan to subjugate the world]].]]

* ''Webcomic/TheChosenFour'' began zany and wild at first, though more plot driven as it went on. Then came the Moonside arc, which had no humor at all, with a nightmarish preview of Giygas. It went back to comedy afterward, but didn't quite recover all of the old wackiness.

** It's possible that the author started the entirely gag-based "Sillies" sub-comic shortly after that to satisfy people that feel it's getting too serious.

* ''Webcomic/DanAndMabsFurryAdventures'' has mostly kept the syndrome out of the main comic, limiting it to side-stories. Recently, it seems to have crept in, [[spoiler:particularly when Hannah is KilledOffForReal by Dark Pegasus in a flashback]]. The story in question did have its funny moments, although it kinda depends on the reader's sense of humor. The event that preceded it were also rather funny, since Dan's moral-guidance animal got into the liquor cabinet and proceeded to get drunk. [[HilarityEnsues Given that it's also poisonous...]]
** That said, the aforementioned side-story has more than enough darkness, angst and bad things to make up for any hesitance shown by ''DMFA'' proper. On the subject of Abel's Story, the author had this to say:

* ''Webcomic/DarthsAndDroids'' has been shifting this way during the Episode III story arc, as the players' personal lives (Jim and Annie's in particular) start impacting the way they play the game and causing fractures within the role-playing group. There's also a nasty air of ForegoneConclusion hanging over the whole thing, since ''Webcomic/DarthsAndDroids'' loosely follows the plot of the ''Franchise/StarWars'' movies and Episode III... didn't end well.
* ''Webcomic/DeathAndTheMaiden'' starts out as a MagicRealism romantic comedy, before the main characters life began to be seriously threatened.

* ''Dub This!'' Quirky anime in-jokes and satire quickly falls to melodrama by the buckets.

* ''Webcomic/ElfOnlyInn'' started out as an online chat room and, after a year-long hiatus, came back a complex RPG story.
* ''Webcomic/ElGoonishShive''. After the heavily plot-based, action-packed "Painted Black" arc, the author admitted that he didn't really feel comfortable with that sort of thing. His next arc was about the interpersonal relations of the cast; it was still dramatic, but in a different way. The series continues to shift between drama, humor, and outright weirdness. There are definitely more serious storylines, and [[CerebusRetcon previous weirdness is often explained away]] but the author refuses to go all the way and sacrifice humor entirely - even the villains contrast with Damien by having their own moments of humor and absurdity and generally have sympathetic aspects, unlike his dead-serious personality with barely any sign of positive qualities. The obvious authorial intent is more mature storylines in substance rather than just being edgy.
* ''Webcomic/EmergencyExit'' does this with surprisingly good results. Starting as nothing more than a strip of wacky cartoonish hijinks and a vague plotline about college roomies, it abruptly takes a darker, edgier turn around the time they do a crossover with ''Webcomic/ParallelDementia'' and plunges into a rather gripping dramatic stortyline. It tends to remember its comic roots, however, and doesn't hold back on quips, zingers, and punchlines. Character death has thus far been scarce, but it doesn't hold back on other brutalities, such as [[http://eecomics.net/?strip_id=568 ripping the face off one of the main characters.]]
* Webcomic/{{Erma}}: Erma started out as a weekly gag comic following the daily life of a CuteGhostGirl and her friends. Many of the earlier strips where standalone jokes with minimal continuity. Over time though, Erma started having increasingly fleshed out story arcs, with more serious moments mixed in here and there. The biggest turning point is The Reunion Arc, a lengthy storyline that's primarily focused on the family drama of the Yureimoto clan, and ends with [[spoiler:the Yokai Thug Trio kidnapping Erma, then attempting to kill her by feeding her to a [[WhenTreesAttack Jubokko]], only for to break free with a TraumaticSuperpowerAwakening and lash out at both her captors and a large portion of the nearby town. In the aftermath Erma is left [[MyGodWhatHaveIDone traumatized]] and seems to have captured the attention of all the supernatural world's major players]]

* ''Webcomic/ForestHill'' began as a SliceOfLife story about a family moving to a new town but ended up turning into a story about children recovering from the sexual abuse they have gone through. The author of the comic has said that [[WritingByTheSeatOfYourPants they didn't originally plan for the comic to go in this direction]] when they started the comic. The reason why author did this is because they realized that [[KnightOfCerebus Benni's]] violent and possibly sexual behavior could be a sign that he was being abused, and [[PlotTumor this plot ended up taking over the whole comic.]]

* ''Webcomic/{{Goats}}'' went from basically being ''Dilbert'' with beer, to a sprawling, dadist, universe hopping epic about the nature of reality.

* ''[[http://godmodeonline.com/ God Mode]]'' did this ''twice''. Plot slowly took over the comic, and after a while the creator just said "Screw it". The comic then continued on as if the plotline never happened. It got serious again, and another reboot was needed. The comic got a new artist/writer after each reboot.

* ''Webcomic/{{Homestuck}}'' quickly develops several intricate story arcs during the second and third acts, and by the time the BigBad is revealed in Act 4, the series has gotten much, ''much'' darker and more dramatic than when it first started. Though, it hasn't lost its sense of humor ''entirely'' - the DiscOneFinalBoss [[MemeticMutation IS A DOG WEARING SUNGLASSES]].

** To put it all into perspective, the beginning's problems were fake arms, cake, the creepiness of Lil' Cal, stone wizards, and elusive pets. After they all started up Sburb? [[spoiler: We've seen more onscreen deaths than we can count, seen the slaughter of an planetary army, seen the assassination of royalty, seen the DiscOneFinalBoss given god-like powers, watched nearly all the main characters [[DeathIsCheap die]] AT LEAST ONCE (if you count watching their dreamselves die), see WV be scarred for life and him slowly go crazy because of it, and met the creators of the universe. Of course, we also watched them die.]] But yes, the silliness doesn't go away. We have references to [=SBaHJ=] often (but even that has been depleting in frequency), watched Jack be [[WeaksauceWeakness tempted by Snausages]], [[http://www.mspaintadventures.com/?s=6&p=005590 been given John's derpiest face ever,]] and a fundamental chunk of the plot comes from 'Film/ConAir''.

* ''Webcomic/KhaosKomix'' started as a cute, funny story about queer teenagers and has been slowly getting darker ever since, by this point containing abuse, rape, transphobia and ''lots'' of angst.

* ''Webcomic/TheLastDaysOfFoxhound'' begun as a ridiculously over-the-top parody of hilariously [[CharacterExaggeration exaggerated]] (and violent) versions of the bosses of VideoGame/MetalGearSolid. As the strip went on, it slowly turned into a story-driven, over-the-top parody of the hilariously [[CharacterExaggeration exaggarated]], violent and [[ClusterFBomb filthy-mouthed]] versions of the bosses of VideoGame/MetalGearSolid, with an overarching, compelling and deep plot.

* ''Webcomic/LookingForGroup'' broke a record in this category - it started as a random parody of ''VideoGame/WorldOfWarcraft'', but right after the first few pages the writer decided to go for a fantasy action-comedy (reason was that he was commissioned at first then decided to keep going after the comission was done and elaborate the universe). This has not stopped the constant parody elements and reference jokes thrown in, though only that people stay dead instead of needing a healer.
* ''Webcomic/TheLounge'': Originally a gag-a-day strip, inclusion of longer story arcs led to some more serious plots being incorporated, culminating [[spoiler:in serious family conflict between Italy Ishida and her father, and the introduction of the children of her father's former business partner, hellbent on destroying the family business]]

* ''Webcomic/AModestDestiny'' had continuity and all that goes along with it from the start, but as time went on the story got progressively DarkerAndEdgier. The first turning point would probably be the dinner party, where the silliness was interrupted by the murdering of a bunch of innocents, a whole lotta backstabbing and the near-death of the main character. It just kept going from there.

* ''[[http://z11.invisionfree.com/WOAM/index.php?showtopic=603 Oak Fable]]'' [[TakeThat parodies]] Ceberus Syndrome by setting a new record in how quickly comedy succumbs to drama: It takes effect in ''the second issue.''

* ''Webcomic/{{Outsiders}}'' is a somewhat dramatic piece from the start, following the lives of same-sex lovers Siobhan and Ebony, and the general challenges they face for their relationship. However, in [[spoiler: Volume 11, the two girls are beaten half-to-death by a pair of homophobic bar patrons, leaving Siobhan physically disfigured and Ebony emotionally unstable. This moment represents a significant tonal shift in the story, which had been, up to that point, much more lighthearted; but was now much colder and darker]].

* ''Webcomic/PrincessPi'' fell victim to this in the appropiately-titled "Princess Pi vs. Cerebus Syndrome". In it, Pi marries ComicBook/{{Cerebus|TheAardvark}}, catches his syndrome, and subsequently speaks only in overly grim or sad stories. One of them details how she avenged her mother's death by [[spoiler: killing her palace's invaders, the US Army, and America's dictator, all in one day, with her bare hands]].

*** Which also leads to some [[{{Fridgehorror}} Fridge Horror]] when you realize how Pintsize was treated in early strips.
*** Faye's alcohol consumtion was a RunningGag at first, which led to her talking in a Southern accent and spouting haikus. Then Angus left to seek his fortune in New York, and Faye went from HardDrinkingPartyGirl to full-blown alcoholic, got fired from Coffee of Doom for drinking on the job and drank herself into the hospital. While things have lightened up significantly since then, Faye has been on the verge of relapse several times, and exactly ''none'' of these incidents have been played for laughs.

** Rain's brother Aiken changes this in Chapter 12: Drab, being outright hateful towards both Rain and towards his ex-fiancee Jessica for being transgender. The story shifts focus outside the school at this point.
** Then comes Rain's sister Kellen and Chapter 25: Wings: [[spoiler:Kellen [[TraumaticHaircut cuts Rain's hair short while she's sleeping]] and Rain promptly [[IHaveNoSon disowns her.]]]]

* ''{{Webcomic/Roommates}}'' consistently shifted from comedy to dramedy, but still [[CerebusRollercoaster zigzags in tone like crazy]], by actually not doing much just pushing its metafictional subtext into text and beyond. Earlier characters were hit with [[TheoryOfNarrativeCausality narrative inevitability]] as punchline, now it's more likely to the Story to gloat as they suffer.

* ''Webcomic/SamAndFuzzy'' started out as a episodic comedy {{webcomic}} about a taxi driver and his psychopathic bear friend, but once the Ninja Mafia is introduced it ends up as a long but still hilarious tale of deception, murder, demons and ninjas.

*** In 2007 it got even darker. A light-hearted storyline about getting paid eight times for the corpse of an archenemy and wearing party hats to his funeral ends with [[spoiler:the Toughs mind-wiped and made to think Petey abandoned them, as an upbeat ending -- the UNS and Admiral Emm were perfectly willing to murder all of them and hand Schlock over to a Mengle-esque Fleet doctor for ongoing torture to hide the existence of Project Laz'R'Us from the public. The only ray of hope in the ending is that Schlock remembers everything due to his bizarre alien biology.]] It gets no better in the 2008 story arc, where [[spoiler:the Toughs are sent on an obvious suicide mission to deliver food to an anarchic space colony. Brad dies in a hovertank accident, Tag murders thousands in an antimatter explosion to save the lives of millions, and then formally resigns and later commits AI suicide over the matter (including the fact that it was done without orders, since waiting on the Captain ''would have taken too much time and doomed the entire station''),the Touch and Go is wrecked beyond repair from bouncing around ''inside'' the space colony without power, and the Toughs wind up accidentally installing an untested rogue AI as supreme overlord, who later turns the colony into a hyperspace cannon superweapon]]. It's a statement of how dark this arc is, when Schlocktoberfest is a relatively light-hearted breather from the action.

* ''Webcomic/SequentialArt'' Twice the artist has taken a few months to due long arc stories involving our plucky characters combating dangerously powerful adversaries like the Denizens or Oz, only to have that conflict resolved and go right back to the "Gag-A-Day" Format.

** Of note is the "Shine or Die" storyline, which marks the transition from gag a day strips to plot-driven action dramedy.

** Later, Leslie goes to another alternate universe to try to find [[spoiler:an alternate Rachel to break up Robin and Joe.]] She discovers that the person who invented the Drama Tag was Galasso's wife, Pamela, who did so to avoid dying of cancer. In the alternate timeline it worked, and there's no drama, but there's no character growth either. [[spoiler:The Walkyverse Rachel]] pulls it so she can go home, and so the Head Alien would be vulnerable to Robin intervening to save Leslie's life. In the canon timeline, the Drama Tag ''didn't'' stop Pamela from dying, but by then she had come to accept her fate.

** ''Its Walky'' as a whole is an example as well, as it is a more drama and action heavy sequel to Willis' previous strip, ''Roomies''. Of course, ''Roomies'' went through its own bout of this starting with [[spoiler:the death of Ruth]].

* ''Webcomic/SluggyFreelance'' was probably the first webcomic to grapple with the tendency towards drama. Different readers locate the turning point at different places, but the early "Vampire Arc" was probably the first arc with ongoing continuity, characterization and character death. The [[http://www.sluggy.com/daily.php?date=981017 final strip of the arc]] hung a little bit of a lampshade on the shift.
** Nowadays, the strip deviates back and forth between dark and dramatic plotlines and light and goofy SliceOfLife plots, currently passing a dramatic peak and becoming somewhat more airy. However, the strip is still somewhat less whimsical than it's early days. For example, the MediumAwareness and NoFourthWall of the early days is pretty much gone or relegated to non-canon guest/bonus strips.

* ''{{Webcomic/Spinnerette}}'' is pretty light-hearted and humorous most of the time (albeit with a few points that hit you right in the feels), but it all changes in Issue 12 when [[spoiler:Spinnerette is mutated by a blast from a C-K reactor and Universe chops off the multiple arms that keep growing from her body, which sends Spinney into despair until she reclaims her 4 extra arms, but it then causes Tiger to feel guilty of putting her in danger and leave the team.]] Then, stuff starts getting a lot more dramatic in the later issues including angst involving [[spoiler:Spinney and MM's Relationship,]] as well as in issue 16 revealing [[spoiler:MM's past and the death of White Heron.]]

* ''[[http://inklingstudioshub.deviantart.com/gallery/59844196/Swageon-and-Glacigeon?set=59844196&offset=48 Swageon and Glacigeon]]'' started off as a ''Franchise/{{Pokemon}}'' QuirkyWork that mixes the series with montage parodies, but later on the series became alot more serious, with a lot more character deaths including [[spoiler: the death of the main protagonists.]] [[Administrivia/TropesAreTools Doesn't stop the comic from being good though.]]

* ''Webcomic/TwistedKaijuTheater'', although (a) the sophomoric humor refuses to stay completely out of the more serious arcs, and (b) the series continues to have strictly-for-laughs one-shots between arcs. Despite this the comic does stray into dark territory at various points and ends up dealing with mature themes like death, betrayal, morality, sacrifice, and political ethics.

* ''Webcomic/{{Untitled}}'' follows the initial description exactly. It began as a low-continuity slice-of-life comic featuring thinly-veiled representations of the author and her friends, and over some years morphed into a dramatic redemption saga. One particularly illustrative example was an attempt to rationally explain an earlier pure-gag, fourth-wall-breaking character who was invisible, and had been initially introduced as "living in the gaps between the panels." Turns out he's really some kind of inter-dimensional alien plainswalker.

* ''Webcomic/WapsiSquare'' undergoes a transition from a light-hearted slice-of-life comedy, to a dark, supernatural drama where the main character has to save the world from a quasi-apocalypse; dropping nearly all of it's supporting cast in the process (although a few do pop in for cameos from time to time), and leaving a large number of unresolved subplots. Aspects of this were hinted at early in the series; but were mostly off-hand comments prior to the appearance of the "Golem Girls"; whose addition to the cast denote the transition point (although it takes a bit longer for the change to really manifest).

* ''Webcomic/{{Yosh}}'' started out as you standard webcomic, with a bunch of weird stuff. By comic 60, the serious starts to set in (although there is a note in comic 59 that said he warned us). By 120, it's pretty obvious it won't be humor even a majority of the time.

* The comic ''Webcomic/AllRosesHaveThorns'' starts taking itself much more seriously after a few chapters, with the initial pages being filled with fourth wall breaking notes, chibis, and cartoony violence. This is another reason why the artist is working on remaking the first chapters to make this seem more serious.

* When ''Webcomic/BobAndGeorge'' started, it was simply a stand-in for another comic the author, Dave, was planning on doing and, as such, was mostly just one-off jokes from comic to comic. After the comic that Dave was working on never managed to lift off the ground, ''Bob and George'' began to get storylines and continuity, although it stayed humorous; the story is mostly told one punch line per comic, with an ending that borders on making a ShaggyDogStory of a two-year storyline.

* ''Webcomic/ElGoonishShive''. After the heavily plot-based, action-packed "Painted Black" arc, the author admitted that he didn't really feel comfortable with that sort of thing. His next arc was about the interpersonal relations of the cast; it was still dramatic, but in a different way. The series continues to shift between drama, humor, and outright weirdness. There are definitely more serious storylines, and [[CerebusRetcon previous weirdness is often explained away]] but the author refuses to go all the way and sacrifice humor entirely - even the villains contrast with Damien by having their own moments of humor and absurdity and generally have sympathetic aspects, unlike his dead-serious personality with barely any sign of positive qualities. The obvious authorial intent is more mature storylines in substance rather than just being edgy.
* Webcomic/{{Erma}}: Erma started out as a weekly gag comic following the daily life of a CuteGhostGirl and her friends. Many of the earlier strips where standalone jokes with minimal continuity. Over time though, Erma started having increasingly fleshed out story arcs, with more serious moments mixed in here and there. The biggest turning point is The Reunion Arc, a lengthy storyline that's primarily focused on the family drama of the Yureimoto clan, and ends with [[spoiler:the Yokai Thug Trio kidnapping Erma, then attempting to kill her by feeding her to a [[WhenTreesAttack Jubokko]], only for to break free with a TraumaticSuperpowerAwakening and lash out at both her captors and a large portion of the nearby town. In the aftermath Erma is left [[MyGodWhatHaveIDone traumatized]] and seems to have captured the attention of all the supernatural world's major players]]

** Indeed, Hussie maintains that every "serious" dramatic event in the story is profoundly silly upon examination: an example of such events include [[spoiler:an [[CaptainErsatz ersatz]] Literature/HarryPotter murdering a girl that comes back to life as an ersatz ''[[Literature/TheTwilightSaga Twilight]]'' vampire who murders him in turn and a {{Juggalo}} (who's crazy from going cold turkey off a FantasticDrug) murdering a CatGirl.]]

* ''Webcomic/PrincessPi'' fell victim to this in the appropiately-titled "Princess Pi vs. Cerebus Syndrome". In it, Pi marries Comicbook/{{Cerebus}}, catches his syndrome, and subsequently speaks only in overly grim or sad stories. One of them details how she avenged her mother's death by [[spoiler: killing her palace's invaders, the US Army, and America's dictator, all in one day, with her bare hands]].

* ''[[http://inklingstudioshub.deviantart.com/gallery/59844196/Swageon-and-Glacigeon?set=59844196&offset=48 Swageon and Glacigeon]]'' started off as a ''Franchise/{{Pokemon}}'' WidgetSeries that mixes the series with montage parodies, but later on the series became alot more serious, with a lot more character deaths including [[spoiler: the death of the main protagonists.]] [[Administrivia/TropesAreTools Doesn't stop the comic from being good though.]]

* ''Webcomic/{{Fanboys}}'' aimed for this after posts on Website/SomethingAwful criticized it for being too generic. It [[{{Wangst}} went too far]], irritated its original fanbase, and toned back down again, trying to find an intermediate stage between shallow humor and angst. The process was lampshaded in what's currently the page picture.

* ''Webcomic/VenusEnvy'', probably due to either a particularly blatant case of WriterOnBoard or a CreatorBreakdown.

* ''Webcomic/ZebraGirl'' has undergone this transition.

* ''[[Webcomic/OneOverZero 1/0]]'' originally started out as a nonsensical gag-based comic without a fourth wall, and eventually developed into an entirely serious affair full of symbolism and metaphor.
** ... which (almost) entirely lacked a fourth wall. Very unusual in this.
** Its also worth noting that despite all of this it still stayed pretty damn funny.

* ''Webcomic/{{Adventurers}}!'' started out as one of those GagPerDayWebcomics that eventually gained a plot. It still remained comedic, though, never getting more serious than an AffectionateParody.

* ''Webcomic/AppleGeeks'' started out -- and is still described on this wiki -- as "a SliceOfLife comic with a few surreal elements," primarily CloudCuckooLander Hawk, straight man Jayce, and various friends. Then Hawk turned out to be a tinkerer/inventor who made RobotGirl Eve, Jayce turned out to have a military-industrialist father who was interested in the technology, Gina had martial-arts champion parents, and even the seven-year-old Alice babysits for wants Hawk dead and has a mother who might be a witch and who caused a FreakyFridayFlip.

* ''Webcomic/CastlevaniaRPG'' started as an extremely light hearted action-comedy that managed to stay lighthearted even during the more serious arcs (Blacula's rise to power, the alternate world, etc). Then, towards the end of the second major arc, [[spoiler:they party accidentally unleashes an Elder God. Long story short, [[TotalPartyKill Alec, Princess and Darkmoon die horrible, painful deaths, Katrina's CatGirl curse mutates and turns her fully cat with absolutely no hope of reverting back, and Angel is possessed by the Elder God, who then states his plan to subjugate the world]].]] [[MoodWhiplash Damn]].
* Parodied in [[http://chex.chainsawsuit.com/d/20051010.shtml this]] ''Webcomic/CheckerboardNightmare'' strip.

* ''Webcomic/{{Collar 6}}'' went through a period of this, but is now going back to comedy.

** It is notable that in his current UltimateUniverse series, ''WebComic/DumbingOfAge'', Willis didn't even try to avoid {{Dramedy}} from the start, showing that he at least has learned to play to his strengths.

** Indeed, Hussie maintains that every "serious" dramatic event in the story is profoundly silly upon examination: an example of such events include [[spoiler:an [[CaptainErsatz ersatz]] Literature/HarryPotter murdering a girl that comes back to life as an ersatz ''Literature/{{Twilight}}'' vampire who murders him in turn and a {{Juggalo}} (who's crazy from going cold turkey off a FantasticDrug) murdering a CatGirl.]]

* ''Webcomic/AppleGeeks'' started out -- and is still described on this wiki -- as "a SliceOfLife comic with a few surreal elements," primarily CloudCuckooLander Hawk, straight man Jayce, and various friends. Then Hawk turned out to be a tinkerer/inventor who made RobotGirl Eve, Jayce turned out to have a military-industrialist father who was interested in the technology, Gina had martial-arts champion parents, and even the seven-year-old Alice babysits for wants Hawk dead and has a mother who might be a witch and who caused a FreakyFriday.

* ''Webcomic/{{Rain}}'' starts out as a somewhat typical slice-of-life school comedy. This slowly starts changing around Chapter 6: Fallen Angel, though only in that at this point, the relationship drama is at a high point, with school really just being a backdrop.

* ''Webcomic/{{Lackadaisy}}'': The humor in this story has always been rather dark, and it's always been violent and full of drama, but the first volume was much more comedic and had more emphasis placed on snarkiness and slapstick. Starting around when Mitzi steals from Wick, it's all downhill from there. One of the previous dark bits of comedy is subjected to a CerebusCallBack that makes it far darker and less amusing and ThePollyanna's ComedicSociopathy starts showing significant tragic fractures.

* ''Webcomic/{{Lackadaisy}}'': The humor in this story has always been rather dark, and it's always been violent and full of drama, but the first volume was much more comedic and had more emphasis placed on snarkiness and slapstick. Starting around the part where Mitzi steals a checking book from Wick, it's all downhill from there. One of the previous dark bits of comedy is subjected to a CerebusCallBack that makes it far darker and less amusing and ThePollyanna's ComedicSociopathy starts showing significant tragic fractures.

* ''Webcomic/{{Rain}}'' starts out as a somewhat typical slice-of-life school comedy. This slowly starts changing around Chapter 6: Fallen Angel, though only in that at this point, the relationship drama is at a high point, with school really just being a backdrop.
** Rain's brother Aiken changes this in Chapter 12: Drab, being outright hateful towards both Rain and towards his ex-fiancee Jessica for being transgender. The story shifts focus outside the school at this point.
** Then comes Rain's sister Kellen and Chapter 25: Wings: [[spoiler:Kellen [[TraumaticHaircut cuts Rain's hair short while she's sleeping]] and Rain promptly [[IHaveNoSon disowns her.]]]]

* The webcomic ''Webcomic/{{Striptease}}'' started out with a cartoony art style, and lighthearted jokes about a comic artist and writer working together and the hijinks they and their friends engage in along the way. After a few chapters, we get not only a major ArtShift to a more semi-realistic style (still quite cartoony, but not compared with earlier strips) but the plot changes to something that would be a hilarious parody of soap operas if it wasn't taken so seriously-complete with evil twins, brain tumors, "I am your father" moments, character makeovers and a lot of other things that make it completely different from the story the readers had initially enjoyed.
* ''[[http://www.polymercitychronicles.com/archive/20000104.html The Polymer City Chronicles]]'' are a good example of this. They [[http://www.polymercitychronicles.com/archive/20000104.html start out]] as a simple four-panel gag comic about games with a wacky cast with minimal backstory. They sometimes feature story arcs, but they only last for a couple of strips and are done mostly for the humor. It then develops into an elaborate adventure story with space travel and demons, which comes to a screeching halt since the author himself seems to have lost track of the plot. He [[LampshadeHanging lampshades]] this himself by revealing the plot to be a ShowWithinAShow and letting the actors complain about the sudden interruption. The rest of the story is [[http://www.polymercitychronicles.com/archive/20020114.html summarized]] in-universe before returning to the gag format for some time - only to start another serious storyline half a year later, which is still in progress.
* ''Webcomic/SluggyFreelance'' was probably the first webcomic to grapple with the tendency towards drama. Different readers locate the turning point at different places, but the early "Vampire Arc" was probably the first arc with ongoing continuity, characterization and character death. The [[http://www.sluggy.com/daily.php?date=981017 final strip of the arc]] hung a little bit of a lampshade on the shift.
** Nowadays, the strip deviates back and forth between dark and dramatic plotlines and light and goofy SliceOfLife plots, currently passing a dramatic peak and becoming somewhat more airy. However, the strip is still somewhat less whimsical than it's early days. For example, the MediumAwareness and NoFourthWall of the early days is pretty much gone or relegated to non-canon guest/bonus strips.
*** For a time, there was a special Sunday series of guest strips, called "Bikini Suicide Frisbee Days," which focused on the light, quirky days of the early days of the early comic, but it is currently discontinued and now sketches adorn the weekend updates.
* ''Webcomic/EmergencyExit'' does this with surprisingly good results. Starting as nothing more than a strip of wacky cartoonish hijinks and a vague plotline about college roomies, it abruptly takes a darker, edgier turn around the time they do a crossover with ''Webcomic/ParallelDementia'' and plunges into a rather gripping dramatic stortyline. It tends to remember its comic roots, however, and doesn't hold back on quips, zingers, and punchlines. Character death has thus far been scarce, but it doesn't hold back on other brutalities, such as [[http://eecomics.net/?strip_id=568 ripping the face off one of the main characters.]]
* ''Webcomic/MegaTokyo'' started out as a light humor strip. This led to CreativeDifferences between writer Rodney Caston, who liked it that way, and artist Fred Gallagher, who preferred a more serious, ongoing plot. Rodney eventually quit, at which point ''Megatokyo'' became more of a {{seinen}} romance manga about the characters Piro and Kimiko, combined with a zombie-horror action story about Largo, and with comedic elements from the early strips.
** It has arguably completed its journey; these days, the artist doesn't even try to make jokes (though he does include ridiculous situations), Largo has become completely [[{{Flanderization}} Flanderized]], and the main romance plot between Piro and Kimiko has become some kind of [[ContemplateOurNavels metaphysical examination about the reality of fictional characters and how people project their fantasies and expectations onto other people]].

* Parodied and played straight while being {{lampshaded}} in ''Webcomic/{{Shortpacked}}'': after Ethan explains to a toy store customer how "Try Me" products come to the store with a tag on the battery which, once pulled, means the battery's unstoppable decay, Robin accidentally pulls the comic's "drama" tag.
** It's also a CallBack to the author's previous {{webcomic}}, ''Webcomic/ItsWalky'', which attempted the transition with varying success; an alternate universe version of the BigBad from that comic shows up when Robin pulls the tag, although in this incarnation he's more of a MetaGuy than a straight villain.
** Later, Leslie goes to another alternate universe to try to find [[spoiler:an alternate Rachel to break up Robin and Joe.]] She discovers that the person who invented the Drama Tag was Galasso's wife, Pamela, who did so to avoid dying of cancer. In the alternate timeline it worked, and there's no drama, but there's no character growth either. [[spoiler:The Walkyverse Rachel]] pulls it so she can go home, and so the Head Alien would be vulnerable to Robin intervening to save Leslie's life. In the canon timeline, the Drama Tag ''didn't'' stop Pamela from dying, but by then she had come to accept her fate.
*** Pretty notably, when Willis [[https://www.itswalky.com/comic/so-you-crossed-universes-to-get-me-back/ re-ran]] it as part of the main WebComic/{{Walkyverse}} storyline, he described this comic as ''Shortpacked!'''s thesis, but it's also a pretty good argument for Cerebus Syndrome as a whole.
--->'''Robin:''' I thought I'd ''ruined'' everything, that drama would inevitably grind all our fun to a ''stop''. But so what if it runs outta juice? Things only ''die'' if they got ''life'' in 'em to begin with. A fake Christmas tree lasts longer than a real one, but it's, y'know, ''artificial''. Because we could have real feelings, it meant I could ''screw up'' and lose you. But at least we had ''life''. An' at the cost of what? A few Batman jokes? You can get Batman jokes anywhere. [{{Beat}}] But there's only one ''Leslie Bean''.
** ''Its Walky'' as a whole is an example as well, as it is a more drama and action heavy sequel to Willis' previous strip, ''Roomies''. Of course, ''Roomies'' went through its own bout of this starting with [[spoiler:the death of Ruth]].
*** {{Lampshaded}} heavily with the [[ShoutOut title of the second]] ''[[ShoutOut Roomies]]'' [[ShoutOut collection]]: [[ComicBook/XMen Giant-Sized]] CerebusSyndrome.
** It is notable that in his current UltimateUniverse series, ''WebComic/DumbingOfAge'', Willis didn't even try to avoid {{Dramedy}} from the start, showing that he at least has learned to play to his strengths.
* ''Webcomic/BreakpointCity'' starts out mostly gag-a-day, but has since begun using more plot (and less ''ridiculous'' plots). It still maintains a good dose of humor, however.
* When ''Webcomic/BobAndGeorge'' started, it was simply a stand-in for another comic the author, Dave, was planning on doing and, as such, was mostly just one-off jokes from comic to comic. After the comic that Dave was working on never managed to lift off the ground, ''Bob and George'' began to get storylines and continuity, although it stayed humorous; the story is mostly told one punch line per comic, with an ending that borders on making a ShaggyDogStory of a two-year storyline.
* Parodied in [[http://chex.chainsawsuit.com/d/20051010.shtml this]] ''Webcomic/CheckerboardNightmare'' strip.
* The webcomic ''Webcomic/ExploitationNow'' started as comedic, but changed into a drama (with the comic's focus shifting from two characters to two ''other'' characters), ending up with a main character KilledOffForReal.
* Done fairly successfully with ''[[Webcomic/TheOrderOfTheStick Order of the Stick]]'' (with LampshadeHanging in [[http://www.giantitp.com/comics/oots0242.html this]] strip). The fact that the comic stayed funny, and the quality of the plot itself, mean that the comic has only grown more popular as the increasingly complex plot unfolds. The strip's creator has even stated that he believes it would never have garnered such a large following without the story. Considering the theme of the series, it's got a similar case of FridgeBrilliance to ''Goblins'' below.
** ''Webcomic/{{Yamara}}'', also a ''D&D''-based comic, did a similar shift fairly early in its run, with a rather more elaborate LampshadeHanging in [[http://yamara.com/yamaraclassic/index.php?date=2005-08-22 this strip.]]
* ''Webcomic/ElGoonishShive''. After the heavily plot-based, action-packed "Painted Black" arc, the author admitted that he didn't really feel comfortable with that sort of thing. His next arc was about the interpersonal relations of the cast; it was still dramatic, but in a different way. The series continues to shift between drama, humor, and outright weirdness. There are definitely more serious storylines, and [[CerebusRetcon previous weirdness is often explained away]] but the author refuses to go all the way and sacrifice humor entirely - even the villains contrast with Damien by having their own moments of humor and absurdity and generally have sympathetic aspects, unlike his dead-serious personality with barely any sign of positive qualities. The obvious authorial intent is more mature storylines in substance rather than just being edgy.

* ''Webcomic/SamAndFuzzy'' started out as a episodic comedy {{webcomic}} about a taxi driver and his psychopathic bear friend, but once the Ninja Mafia is introduced it ends up as a long but still hilarious tale of deception, murder, demons and ninjas.
* ''Webcomic/RPGWorld'' went from gaily romping through {{RPG}} {{trope}}s to blank-eyed villains killing people and fetishistically licking the blood off their swords. It slid back into the middle for a while, before it was [[OrphanedSeries dropped entirely]].
* ''Webcomic/SatanAndMe'' starts out as a slice of life where Natalie is mildly inconvenienced by Satan but around the Run Arc it quickly becomes more of a high-stakes drama about the apocalypse.
* ''Webcomic/QuestionableContent'' provides an unusual example, as a general plot has been running since the first strip along with the usual gag-a-day format of jokes; however, a deeper storyline was hinted about main character Faye's life prior to the start of the comic. [[http://questionablecontent.net/view.php?comic=500 Comic # 500]] started an arc entitled "The Talk" which, in Faye's own words, was "like interrupting an intricate waltz with a sledgehammer to the knee." Despite handling the arc and its fallout with realistic seriousness, the comedic element was retained in nearly every strip in the arc and since then.
** The small, sentient robots known as [=AnthroPCs=] were originally just for [[PluckyComicRelief comic relief]], but later strips started discussing seriously what it means to have actual sentient AIs in the world, and how they are treated by humans.
*** Which also leads to some [[{{Fridgehorror}} Fridge Horror]] when you realize how Pintsize was treated in early strips.
*** Faye's alcohol consumtion was a RunningGag at first, which led to her talking in a Southern accent and spouting haikus. Then Angus left to seek his fortune in New York, and Faye went from HardDrinkingPartyGirl to full-blown alcoholic, got fired from Coffee of Doom for drinking on the job and drank herself into the hospital. While things have lightened up significantly since then, Faye has been on the verge of relapse several times, and exactly ''none'' of these incidents have been played for laughs.
* Parodied a few times in the StickFigureComic ''Webcomic/StickmanAndCube''. [[http://www.drunkduck.com/Stickman_and_Cube/index.php?p=243766 The first comic]] has Stickman assure the audience that there will be no Cerebus or First And Ten Syndrome, because "adding drama would probably involve more drawing". Then, [[http://www.drunkduck.com/Stickman_and_Cube/index.php?p=255831 this comic]] has Stickman ''guarantee'' that there will be no Cerebus or First and Ten, only to have Cube then announce he's pregnant. Stickman is not amused.
* The now-defunct ''Webcomic/LifeOfRiley'' suffered from this, starting out with the requisite author-and-his-friends characters in offbeat gaming-related hijinks and ending with an imminent final battle between the arch-demon Lilith and the reincarnation of Christ (in the person of the main character) over an artifact which could literally ''kill God''. Sadly, a series of personal issues and server crashes left the comic [[OrphanedSeries drifting in the ether]] before the insanity could come to a head.

* ''[[Webcomic/OneOverZero 1/0]]'' originally started out as a nonsensical gag-based comic without a fourth wall, and eventually developed into an entirely serious affair full of symbolism and metaphor.
** ... which (almost) entirely lacked a fourth wall. Very unusual in this.
** Its also worth noting that despite all of this it still stayed pretty damn funny.
* ''[[Webcomic/DanAndMabsFurryAdventures DMFA]]'' has mostly kept the syndrome out of the main comic, limiting it to side-stories. Recently, it seems to have crept in, [[spoiler:particularly when Hannah is KilledOffForReal by Dark Pegasus in a flashback]]. The story in question did have its funny moments, although it kinda depends on the reader's sense of humor. The event that preceded it were also rather funny, since Dan's moral-guidance animal got into the liquor cabinet and proceeded to get drunk. [[HilarityEnsues Given that it's also poisonous...]]
** That said, the aforementioned side-story has more than enough darkness, angst and bad things to make up for any hesitance shown by ''DMFA'' proper. On the subject of Abel's Story, the author had this to say:
--->'''Amber''': ''[[TabletopGame/{{Warhammer 40000}} TEARS! TEARS FOR THE TEAR-THRONE!!]]''
*** With [[http://missmab.com/Comics/Vol_1035.php this]] comic, it's safe to say that the syndrome has come on full.
** Really, with the BlackComedy and CrapsaccharineWorld aspects that have been present since the comic's early days, it's hard to really pinpoint where it got darker. Let's not forget that, [[EarlyInstallmentWeirdness when Lorenda Soulstealer was originally introduced]], [[ImAHumanitarian she was a rampant cannibal]] and her (and her mom) eating people was PlayedForLaughs. This was back in [[http://www.missmab.com/Comics/Vol_094.php comic #94.]]
* ''Webcomic/{{Newshounds}}'' began as a comedy strip comic, but as years progressed it started to contain a growing number of more serious plotlines. However, the comedy was still kept as the main point of the comic while the same author explored more serious content in the spin-off comic ''Manifestations''. ''Newshounds'' ended temporarily in 2006 and was revived in 2007 as "Newshounds II". This time, the format changed from a 3-panel strip to a larger comic while also turning the series more serious (though not devoid of comedy, now just lacking the obvious punchlines). Fittingly, another new comic by the same author, ''Something Happens'', was launched during the same year; it's the author's main comedy output now.
* ''Webcomic/NipAndTuck'' started out as a gag-a-strip comic about two young brothers, but became more serious as the two brothers grew up.
* ''Webcomic/VenusEnvy'', probably due to either a particularly blatant case of WriterOnBoard or a CreatorBreakdown.
* ''Webcomic/YetAnotherFantasyGamerComic'' made the jump, complete with a previously humorous villain gaining sudden competence.
* ''Webcomic/{{Adventurers}}!'' started out as one of those GagPerDayWebcomics that eventually gained a plot. It still remained comedic, though, never getting more serious than an AffectionateParody.
* ''Webcomic/GeneralProtectionFault'' started as a light-hearted comic with weirdness and humour, but eventually transformed into a complex story arc with angst, character death, and betrayal. Sometime after the first story arc, the comic designer declared an upcoming arc "even better than the last one".
* ''Webcomic/AModestDestiny'' had continuity and all that goes along with it from the start, but as time went on the story got progressively DarkerAndEdgier. The first turning point would probably be the dinner party, where the silliness was interrupted by the murdering of a bunch of innocents, a whole lotta backstabbing and the near-death of the main character. It just kept going from there.
* ''[[http://www.martianwarmachine.ca Equinox, Defender of the Horde]]'' started out as a light-hearted romp, but progressively became darker and more drama-prone; at the same time, the (deliberately silly) titular character faded into the background.
* Jackie Lesnick's ''Webcomic/{{Wendy}}'' took a straight nosedive into unexpected drama territory after its first "part" was finished, and according to the post-series epilogue was going to get even worse had it finished the way the author originally intended. Thankfully, this change was not without a bit of [[http://jackie.horse/wendy/78 lampshade hanging]].

* ''Webcomic/CtrlAltDel'' has been accused of this, leading to backlash. While the comic has always been more character-based than gag-based (except for the actual gag strips), everything post-[[DramaBomb miscarriage]] has swung a lot more to the dramatic than pre-miscarriage.
** It's possible that the author started the entirely gag-based "Sillies" sub-comic shortly after that to satisfy people that feel it's getting too serious.
** The post-ContinuityReboot comic appears to have returned the comic to its roots (or close enough to it) - said reboot followed a whopper of an arc that ''started'' with the X-Box robots (characters who, up til this point, had been played entirely for laughs) going rogue and killing Lilah, and ended with Ethan getting KilledOffForReal. ''In a comic that used to be nothing but silly video game humor!''
* ''[[http://godmodeonline.com/ God Mode]]'' did this ''twice''. Plot slowly took over the comic, and after a while the creator just said "Screw it". The comic then continued on as if the plotline never happened. It got serious again, and another reboot was needed. The comic got a new artist/writer after each reboot.
* ''Webcomic/{{Goblins}}'' transitioned from a deconstruction of fantasy [=RPGs=] in general and ''TabletopGame/DungeonsAndDragons'' in particular to a more serious story when the original antagonists were discarded in favor of a truly villainous BigBad. ([[KnightTemplar Three]] [[TortureTechnician Big]] [[VisionaryVillain Bads]], actually, and that first probably has a ManBehindTheMan.) The comic arguably [[GrowingTheBeard got better]], as killing off or discarding most of the cast allowed the main characters to become more well-rounded and the strip retained enough humor to keep it from getting too dry.
** Also potential FridgeBrilliance when you realize this is an accurate representation of the progress of many roleplaying groups as the players get gradually more invested in the story.

* ''Webcomic/NanasEverydayLife''. ''So'' hard. It starts out as a random collection of off-color jokes using the cast of some anime, predominantly ''Manga/ElfenLied''. Then, around strip twenty-something, it suddenly drops the jokes almost entirely, to become one of the most tragic webcomics in existence.
** Strip 27, where she drops off of a bridge. Her continued living after this event just serves to highlight her [[TheWoobie misfortune]].
* ''Webcomic/{{Goats}}'' went from basically being ''Dilbert'' with beer, to a sprawling, dadist, universe hopping epic about the nature of reality.
* ''Webcomic/FuzzyKnights''. As with Cerebus itself, it went on to become seriously weird.
* ''Webcomic/TheLastDaysOfFoxhound'' begun as a ridiculously over-the-top parody of hilariously [[CharacterExaggeration exaggerated]] (and violent) versions of the bosses of VideoGame/MetalGearSolid. As the strip went on, it slowly turned into a story-driven, over-the-top parody of the hilariously [[CharacterExaggeration exaggarated]], violent and [[ClusterFBomb filthy-mouthed]] versions of the bosses of VideoGame/MetalGearSolid, with an overarching, compelling and deep plot.
** Not to mention the immense DownerEnding. Although, given its status as a Prequel, that was only to be expected...
* ''Webcomic/SpikyHairedDragonWorthlessKnight'' periodically flips between somewhat humorous strips about a knight who can't touch weapons and a dramatic story about the curse of a family that is tied to dragons, starting at [[http://www.shd-wk.com/index.php?strip_id=275 strip 275.]]

* ''Webcomic/TwistedKaijuTheater'', although (a) the sophomoric humor refuses to stay completely out of the more serious arcs, and (b) the series continues to have strictly-for-laughs one-shots between arcs. Despite this the comic does stray into dark territory at various points and ends up dealing with mature themes like death, betrayal, morality, sacrifice, and political ethics.
* ''Webcomic/ZebraGirl'' has undergone this transition.
* ''Webcomic/AndShineHeavenNow'' underwent this, although it is [[JustifiedTrope justified]] in this case: the creator intended her comic to lead to the [[Manga/{{Hellsing}} darker canon manga]].
** Actually lampshaded a bit: When Millennium asked when they would make their comic appearance, Erin had said that she couldn't go on to the main (canon) storyline until the identity of The She was revealed. [[spoiler: Indeed, with her identity as the remains of Mina Harker revealed, Erin proceeded to head for the main plot.]]
** Of note is the "Shine or Die" storyline, which marks the transition from gag a day strips to plot-driven action dramedy.
* ''Webcomic/WapsiSquare'' undergoes a transition from a light-hearted slice-of-life comedy, to a dark, supernatural drama where the main character has to save the world from a quasi-apocalypse; dropping nearly all of it's supporting cast in the process (although a few do pop in for cameos from time to time), and leaving a large number of unresolved subplots. Aspects of this were hinted at early in the series; but were mostly off-hand comments prior to the appearance of the "Golem Girls"; whose addition to the cast denote the transition point (although it takes a bit longer for the change to really manifest).
* ''Webcomic/AppleGeeks'' started out -- and is still described on this wiki -- as "a SliceOfLife comic with a few surreal elements," primarily CloudCuckooLander Hawk, straight man Jayce, and various friends. Then Hawk turned out to be a tinkerer/inventor who made RobotGirl Eve, Jayce turned out to have a military-industrialist father who was interested in the technology, Gina had martial-arts champion parents, and even the seven-year-old Alice babysits for wants Hawk dead and has a mother who might be a witch and who caused a FreakyFriday.
* ''[[Webcomic/EightBitTheater 8-Bit Theater]]'', while remaining a comedy strip, has had a few of what could be called "Cerebus Arcs". It dipped into it during the battle against Lich, and went quite a bit deeper into it during the battle against Kary, which resulted in [[spoiler:Black Belt]]'s death. It seems to be there again, although in ''8-Bit Theater's'' case, it tends to abandon the Cerebus arcs abruptly. It's also been known to tease and then not deliver Cerebus arcs, such as the "battle" against Kraken.
** Though another possible example could be the [[DesignatedHero Light Warriors]] themselves. They change from being relatively harmless characters who are comedic as result of extreme character flaws, to THE worst people their world has ever seen. Fighter goes from merely being stupid to an enabler. Red Mage, originally so deluded regarding the power of D&D rules that he was too incompetent to implement his terrible plans, has become more powerful, but not smarter, resulting in brilliant train-wrecks. Thief has remained relatively the same throughout the strip, but was always a greedy sociopath; the only difference later on is that he manages to convince Red Mage, Black Mage and sometimes even Fighter to assist him. Then there's Black Mage, who was always hell bent on destroying everything in existence, but was previously too weak to harm anything, as exemplified by his only powerful spell which he only has the strength to cast once a day, and even then with horrible aim.
** The final arc of the comic manages the remarkable feat of completely undoing any and all acts of Cerebus that had previously occurred, first by having Sarda [[spoiler:de-level the Light Warriors, effectively pressing the ResetButton on their capability to commit atrocities]], then having Sarda [[spoiler:turn into Chaos, the original BigBad of the game and comic]], and finally by [[spoiler:having Chaos defeated in an {{anticlimax}} of epic proportions.]] But this is Creator/BrianClevinger we're talking about here, who firmly believes that the best joke is the one played on the reader.
* ''Webcomic/SequentialArt'' Twice the artist has taken a few months to due long arc stories involving our plucky characters combating dangerously powerful adversaries like the Denizens or Oz, only to have that conflict resolved and go right back to the "Gag-A-Day" Format.
* ''Webcomic/SlightlyDamned'' started out as a lighthearted, comedic story about Rhea and Buwaro's adventures in hell. [[spoiler:And then Sakido died]].
** This was the author's intention all along. The first arc of the comic was meant to get the reader attached to the characters, and [[spoiler:Sakido's death]] was planned from the very beginning. While certainly more dramatic than it had been up to that point (and getting [[https://www.sdamned.com/comic/363 even more dramatic]] recently), the comic is still very humorous and lighthearted in tone for the most part.
** To put things in perspective, [[spoiler:the hooded archer]] shot the comedy with an arrow, but [[spoiler:Devenol]] shot it with an arrow, electrocuted it, and then stomped on it for good measure.
* ''Webcomic/SchlockMercenary'' appears to have done this ''on purpose'': the author started light and fluffy (with a side of ''BLAM'', a little ''OMINOUS HUMMMMMMM'', and a bit of ''THOOM''), and quickly got dramatic once the characters were introduced. It got really serious in October.
** And for several Octobers afterward.
*** In 2007 it got even darker. A light-hearted storyline about getting paid eight times for the corpse of an archenemy and wearing party hats to his funeral ends with [[spoiler:the Toughs mind-wiped and made to think Petey abandoned them, as an upbeat ending -- the UNS and Admiral Emm were perfectly willing to murder all of them and hand Schlock over to a Mengle-esque Fleet doctor for ongoing torture to hide the existence of Project Laz'R'Us from the public. The only ray of hope in the ending is that Schlock remembers everything due to his bizarre alien biology.]] It gets no better in the 2008 story arc, where [[spoiler:the Toughs are sent on an obvious suicide mission to deliver food to an anarchic space colony. Brad dies in a hovertank accident, Tag murders thousands in an antimatter explosion to save the lives of millions, and then formally resigns and later commits AI suicide over the matter (including the fact that it was done without orders, since waiting on the Captain ''would have taken too much time and doomed the entire station''),the Touch and Go is wrecked beyond repair from bouncing around ''inside'' the space colony without power, and the Toughs wind up accidentally installing an untested rogue AI as supreme overlord, who later turns the colony into a hyperspace cannon superweapon]]. It's a statement of how dark this arc is, when Schlocktoberfest is a relatively light-hearted breather from the action.
*** But then came the chaotic ''Massively Parallel'' book with its hilarious return to original PerpetualPoverty and Toughs getting in the middle of GambitPileup. In the end [[spoiler:a rogue AI saved them from the mafia and Petey offered to restore their memories]]. Next book was fun too despite its BodyHorror moments.
*** Then in the 2012 storyline Toughs again clashed with UNS and were completely outclassed. [[spoiler:They lost their ship, allowed most of their clients to be killed and barely survived themselves. In hindsight evacuating the artifact and letting the battleplate be massacred by the dark matter entities would've been their best course of action.]] As of early 2013 they've got no ship, they are on the run from the UNS (yet again) and Petey is hesitant to help them. But some alien wants to hire them.
** WordOfGod says that this was caused by the author learning to write bigger, stronger, plots and rely less on gags and fourth-wall breaks as in the Early months.
* When ''Webcomic/{{Lint}}'' began it wasn't the least bit serious. Now it is chock full of drama, romance, and lots and lots of angst. Humour is still incorporated into the story, albeit at a more infrequent rate.
* Happens in ''Webcomic/MaterialGirl'' around half-way through the comic.

* [[http://www.the-avatar.com The Avatar]] went from being so random it [[MindScrew screwed with your head]] to insanely serious while still messing with your head. The turn happens around comic 200 (or when you have "Avatar Psychiatrist").
* ''Webcomic/{{Untitled}}'' follows the initial description exactly. It began as a low-continuity slice-of-life comic featuring thinly-veiled representations of the author and her friends, and over some years morphed into a dramatic redemption saga. One particularly illustrative example was an attempt to rationally explain an earlier pure-gag, fourth-wall-breaking character who was invisible, and had been initially introduced as "living in the gaps between the panels." Turns out he's really some kind of inter-dimensional alien plainswalker.
* ''Webcomic/TriangleAndRobert'', a webcomic about a triangle and a rhombus went from jokes about how a geometrical shape can eat to an epic fight to stop the universe from turning into pudding. Or something like that. [[http://home.comcast.net/~pshaughn/tandr.html And became all the more hilarious for it.]]
** Triangle and Robert's wackiness was amplified by the seriousness it ended up taking on. For example, declaring a new and weird food group is moderately wacky. Declaring it in order to gain tactical advantage and thus secure a crucial victory is VERY wacky.

* ''Webcomic/DeathAndTheMaiden'' starts out as a MagicRealism romantic comedy, before the main characters life began to be seriously threatened.
* ''Webcomic/{{Yosh}}'' started out as you standard webcomic, with a bunch of weird stuff. By comic 60, the serious starts to set in (although there is a note in comic 59 that said he warned us). By 120, it's pretty obvious it won't be humor even a majority of the time.
* ''Webcomic/{{Collar 6}}'' went through a period of this, but is now going back to comedy.
* ''Webcomic/BittersweetCandyBowl'' started out as generally plotless fun, and now has developed into an epic tale of lovecrossed kitties with a [[http://www.bittersweetcandybowl.com/introduction.html recommended minimum introduction of 191 pages.]] The humour's still there in abundance, though.
** [[LampshadeHanging Lampshaded]] in a Project Wonderful ad featuring the characters with the word "ANGST" flashing in the background.
* [[http://www.theappleofdiscord.com The Apple of Discord]] has also gone this way, in spite of the fact that the comic started as (and often is) mostly a "gag-a-day" comic with no continuity.
** Which is even funnier when you realize that Ralph and Bimbo (from the aforementioned [[http://www.exploitationnow.com Exploitation Now]]) joined Apple of Discord's cast right after the shift started to happen.

* ''Webcomic/{{Fanboys}}'' aimed for this after posts on Website/SomethingAwful criticized it for being too generic. It [[{{Wangst}} went too far]], irritated its original fanbase, and toned back down again, trying to find an intermediate stage between shallow humor and angst. The process was lampshaded in what's currently the page picture.
* ''Webcomic/{{Concession}}'' started out as a furry comic about the workers of a movie theater, but eventually [[spoiler:half of the characters become gay, quite a few die, and Joel and Artie have supernatural powers]]. Chaos ensues
* ''Webcomic/{{Housepets}}'' follows this trope slightly. While there are still funny talking pets, there is a lot more drama, especially involving [[spoiler:Peanut's crush on Grape, Pete turning Joel into a [[{{squee}} corgi named King]], Tarot's psychic powers, and Sasha and her owner]].
* ''Webcomic/CastlevaniaRPG'' started as an extremely light hearted action-comedy that managed to stay lighthearted even during the more serious arcs (Blacula's rise to power, the alternate world, etc). Then, towards the end of the second major arc, [[spoiler:they party accidentally unleashes an Elder God. Long story short, [[TotalPartyKill Alec, Princess and Darkmoon die horrible, painful deaths, Katrina's CatGirl curse mutates and turns her fully cat with absolutely no hope of reverting back, and Angel is possessed by the Elder God, who then states his plan to subjugate the world]].]] [[MoodWhiplash Damn]].
* ''Webcomic/{{Bunny}}'' went through something that... is closer to this than anything else. It has always been a gag-a-day strip with no storylines, but as it progressed, hints of continuity started to creep in, as the comic started to slowly paint a portrait of the surreal world The Bunny and his friends inhabit rather than just making isolated jokes.
* While it still is largely a comedic strip, ''Webcomic/PvP'' is sometimes accused of this. Mainly, this is due to its decreasing reliance on game-related humor, the increasing importance of the character relationships within the strip, and the development of long-term dramatic storylines. This has been going on so gradually and for so long though that, combined with the tendency for the strip to still use one-off gags from time to time, it sort of underwent this process so subtly that it's actually debatable if it happened or not.

* ''Webcomic/UserFriendly'' started out as a comic about life behind the scenes at a small Internet Service Provider. The latest stories have dealt with Sid getting cancer, and A.J joining the army, being sent to Afghanistan as a combat medic, and getting shot in action.
* ''Webcomic/{{Freefall}}'' was a hard sci-fi comedy. It gradually got more dramatic. Then [[http://freefall.purrsia.com/ff2000/fc01981.htm this]] happened.
** The interesting thing is that ''Freefall'' has been able to keep the individual strips funny while making the overall plot more dramatic.
* ''Webcomic/DarthsAndDroids'' has been shifting this way during the Episode III story arc, as the players' personal lives (Jim and Annie's in particular) start impacting the way they play the game and causing fractures within the role-playing group. There's also a nasty air of ForegoneConclusion hanging over the whole thing, since ''Webcomic/DarthsAndDroids'' loosely follows the plot of the ''Franchise/StarWars'' movies and Episode III... didn't end well.
* Zig-zagged in the defunct comic ''Alice!''. While it did feature gag-a-day like random newspapers, it started to get some dramatic storylines in place such as Alice's conflict with her dad's girlfriend, Joan, and Dot having an out of body experience. The story would resolve, but then go ''right'' back to gag-a-day strips and the title character's ''ComicStrip/CalvinAndHobbes'' like imagination.
* ''[=AsLAN=]'', Leo the lion's [[ShowWithinAShow comic-within-a-comic]] in ''Webcomic/SkinHorse''. [[http://skin-horse.com/comic/02102008/ Originally]] a poorly-drawn gag strip about lions telling a [[TheWarOnStraw Strawman]] antelope his opinions on technology are wrong, and then devouring him, it's [[http://skin-horse.com/comic/todays-comic-602/ now]] about a lion with a drink problem, another with father issues, and an antelope whose imminent death is a matter for serious concern.
-->'''Tip''': This is ... different than I remember.
-->'''Leo''': Yeah, but wait'll you get to all the miscarriages.
* ''[[http://www.200-20.com 200:20]]'' is a great example of this, the series itself seems to want to keep a comedic tone but keeps getting drawn into a more serious subject matter as the story goes along. The creator didn't agree with this, and wanted to keep the story light hearted so it was rewritten. [[http://www.200-20.com/pilot.html Three]] [[http://www.200-20.com/soc.html times]]. Although it is up to debate whether or not that the series won't take another turn for more serious subject matter, it would appear that for now the comic itself is keeping the drama within the story to a minimum successfully.
* The ''VideoGame/WorldOfWarcraft'' comic ''Equinox: Defender of the Horde'' was rather silly and light hearted at first, but near the end of the first series it starts getting more serious and dark, to the point where by the end of the last story it is almost completely serious.
* They're getting faster. ''Webcomic/ModestMedusa'' began in January 2011, began its first serious arc by June, and lampshaded the drama influx by the arc's end in August.
** Lampshaded [[http://www.drunkduck.com/Modest_Medusa/5348020/ here]] : "Hey. Do you remember when we used to do fun stuff?"
* ''Webcomic/TheLounge'': Originally a gag-a-day strip, inclusion of longer story arcs led to some more serious plots being incorporated, culminating [[spoiler:in serious family conflict between Italy Ishida and her father, and the introduction of the children of her father's former business partner, hellbent on destroying the family business]]
* ''Webcomic/{{Sinfest}}'' resisted for a long time, but has been creeping into territory for the last few years. It started with the story of Fuschia the Devil-Girl falling for Criminy and wanting to be human, and since has involved characters falling into various realms (Hell, The Reality Zone, The River Lethe) and angsting over character flaws that had previously been played for laughs. In particular, the arrival of a young feminist on a big wheel condemning nearly every male character for their chauvinistic ways and causing Monique to have the most seriously played character development arc yet caused fans to cry foul. As the strip has gone on and Tatsuya Ishida has become increasingly transphobic, homophobic, anti-porn, and all-around right-wing, this has reflected in his work, to the point that strips often devolve into semi-unrelated symbols and incoherent plots.

* ''Webcomic/{{Narbonic}}'' shifted from "HarmlessVillain {{Mad Scientist}}s bickering among themselves" to "one man's inevitable descent into madness". The storyline that completed the shift also [[http://www.webcomicsnation.com/shaenongarrity/narbonic_plus/series.php?view=archive&chapter=51541&name=narbonic_plus took the time to parody the concept.]]
* ''Webcomic/KhaosKomix'' started as a cute, funny story about queer teenagers and has been slowly getting darker ever since, by this point containing abuse, rape, transphobia and ''lots'' of angst.
* Played with in ''Webcomic/SketchComedy'': Karen, Howard, the cartoonist, and [[http://thesketchy.com/ic/2012/10/22/the-demands-of-the-warehouse-guys even the strip's readers]] have their own opinions on just how serious the comic should be, and try to steer it in their preferred direction.
** Parodied in [[http://thesketchy.com/ic/2011/01/11/comic-anxieties this storyline.]]
* ''{{Webcomic/Sonichu}}'' sort of counts. It was never ([[{{Narm}} intentionally]]) funny, but quickly derailed into Chris-Chan's [[PsychopathicManchild horrible]] WishFulfillment over the course of the series, topping it off in issue 10 where he bloodily murders four people [[DisproportionateRetribution just for parodying him and his electric hedgehog]] [[DesignatedHero "heroes"]]. [[WhatDoYouMeanItsForKids All in a comic supposedly intended for kids]].
* ''{{Webcomic/Spinnerette}}'' is pretty light-hearted and humorous most of the time (albeit with a few points that hit you right in the feels), but it all changes in Issue 12 when [[spoiler:Spinnerette is mutated by a blast from a C-K reactor and Universe chops off the multiple arms that keep growing from her body, which sends Spinney into despair until she reclaims her 4 extra arms, but it then causes Tiger to feel guilty of putting her in danger and leave the team.]] Then, stuff starts getting a lot more dramatic in the later issues including angst involving [[spoiler:Spinney and MM's Relationship,]] as well as in issue 16 revealing [[spoiler:MM's past and the death of White Heron.]]
* ''WebComic/DragonBallMultiverse'': Chapter 6. Prior to then, all fights either ended with knockouts or fairly minor deaths and there was quite a lot of humor. [[spoiler: In Chapter 6, U6 Bojack ''kills U16 Pan by [[NeckSnap breaking her neck]] with his bare hands while she was in Super Saiyan form''.]] The official novelization of the chapter's events has the U18 fighters fully realize they need to take these fights much more seriously afterwards.

* ''Webcomic/CommanderKitty'', which starts off as a purely comedic space adventure, tries to inject some seriousness late in its run by [[http://www.commanderkitty.com/2013/03/24/tough-talk/ putting some confirmed casualties on]] [[AIIsACrapshoot malfunctioning android antagonist Zenith's]] rap sheet. [[http://www.commanderkitty.com/2014/11/22/lights-out-for-mittens/ Not long after that]] ([[ScheduleSlip in-story]]), Zenith's [[AbsentMindedProfessor incompetent creator Fortiscue]] gets [[BodyHorror cyberized]] and zaps Mittens with [[{{Film/TRON}} what looks like some kind of digitizer ray]].
* ''Webcomic/DeepRise'': Starts off looking like college drama ([[InSpace with]] [[StarfishAlien Nobles]]), then spirals into madness.
* ''Webcomic/ButImACatPerson'': Not that the comic didn't have some dark shades from the beginning, but around the second interlude (Walker's Travels) those shades turned a pitch, sinister black.
* ''Webcomic/EightCicadas'' already started off as a rather dark comedy about trying to fit into a small town. After its ninth chapter, it becomes a bleak, blood-splattered dramedy at its softest.
* ''[[http://inklingstudioshub.deviantart.com/gallery/59844196/Swageon-and-Glacigeon?set=59844196&offset=48 Swageon and Glacigeon]]'' started off as a ''Franchise/{{Pokemon}}'' WidgetSeries that mixes the series with montage parodies, but later on the series became alot more serious, with a lot more character deaths including [[spoiler: the death of the main protagonists.]] [[Administrivia/TropesAreTools Doesn't stop the comic from being good though.]]
* ''{{Webcomic/Subnormality}}'': The comic's gotten far less lighthearted and more serious as it went on. Nowadays it is rare to see the campy style of the early comics.
* ''Webcomic/ForestHill'' began as a SliceOfLife story about a family moving to a new town but ended up turning into a story about children recovering from the sexual abuse they have gone through. The author of the comic has said that [[WritingByTheSeatOfYourPants they didn't originally plan for the comic to go in this direction]] when they started the comic. The reason why author did this is because they realized that [[KnightOfCerebus Benni's]] violent and possibly sexual behavior could be a sign that he was being abused, and [[PlotTumor this plot ended up taking over the whole comic.]]
* The first eight pages of ''[[Webcomic/FifteenMinds Blue Moon Blossom]]'' (of a total of 31) barely show the reader anything about the adventure to come- it just appears to be the bunny and the dino enjoying the scenery in some unspoiled wilderness, until we start seeing vague traces of civilization. There are exactly two hints in those eight pages of what's to come, but the significance of only one of them gets made clear anytime soon.

* ''Webcomic/{{Outsiders}}'' is a somewhat dramatic piece from the start, following the lives of same-sex lovers Siobhan and Ebony, and the general challenges they face for their relationship. However, in [[spoiler: Volume 11, the two girls are beaten half-to-death by a pair of homophobic bar patrons, leaving Siobhan physically disfigured and Ebony emotionally unstable. This moment represents a significant tonal shift in the story, which had been, up to that point, much more lighthearted; but was now much colder and darker]].
* ''Webcomic/LearningWithMangaFGO'' is a comedic spin on the serious story of ''VideoGame/FateGrandOrder'' in the first place, with the whole "destruction of humanity" thing being brushed under the carpet for a HeroicComedicSociopath abusing her power as [[NoFourthWall the protagonist]] to bully and [[PsychoLesbian (sexually) harass her (mostly female)]] Servants. The comic proper invokes this trope ''and'' [[PlayedForLaughs plays it for laughs]]... to some extent. In Chapter 77 of ''Even More'', FBI Assassin finally fulfills her promise that the strip would shift into a serious battle manga that was made ''a year ago'', as [[CasualDangerDialogue Jeanne points out]], by having an unknown new Lancer impale the protagonist with a spear. The promised change doesn't take, and it's just setup for more BlackComedy since more "fighting" is just par for course.
* ''Webcomic/{{Aisopos}}'' was a little depressing, starting with a young and cheerful child losing both of his parents and being forced to be a slave, but the third part is where the drama and the overly sad tone are more clear, with the protagonist continuing to be slave to his family's killer, being treated in a more awful way and almost dying from crossing.
* ''Webcomic/RomanticallyApocalyptic'' started off as a series of one-off jokes that didn't connect with each other in any meaningful way, and the first story arc (the Lemonade Cult’ was PlayedForLaughs and had no effect on the overall story. The second (Snippy being abducted by aliens) was PlayedForLaughs as well, only for it to lead to [[KnightOfCerebus The Cancer]] showing up; as a result, the overall story became much darker and more continuity-based, and readers were treated to journal entries and flashbacks, making the story much deeper.

* ''Webcomic/CommanderKitty'', which starts off as a purely comedic space adventure, tries to inject some seriousness late in its run by [[http://www.commanderkitty.com/2013/03/24/tough-talk/ putting some confirmed casualties on]] [[AIIsACrapshoot malfunctioning android antagonist Zenith's]] rap sheet. [[http://www.commanderkitty.com/2014/11/22/lights-out-for-mittens/ Not long after that]] ([[ScheduleSlip in-story]]), Zenith's [[AbsentMindedProfessor incompetent creator Fortiscue]] gets [[BodyHorror cyberized]] and zaps [[ComicRelief Mittens]] with [[{{Film/TRON}} what looks like some kind of digitizer ray]].

* ''Webcomic/{{Sinfest}}'' resisted for a long time, but has been creeping into territory for the last few years. It started with the story of Fuschia the Devil-Girl falling for Criminy and wanting to be human, and since has involved characters falling into various realms (Hell, The Reality Zone, The River Lethe) and angsting over character flaws that had previously been played for laughs. In particular, the arrival of a young feminist on a big wheel condemning nearly every male character for their chauvinistic ways and causing Monique to have the most seriously played character development arc yet caused fans to cry foul.

-->'''Robin:''' I thought I'd ''ruined'' everything, that drama would inevitably grind all our fun to a ''stop''. But so what if it runs outta juice? Things only ''die'' if they got ''life'' in 'em to begin with. A fake Christmas tree lasts longer than a real one, but it's, y'know, ''artificial''. Because we could have real feelings, it meant I could ''screw up'' and lose you. But at least we had ''life''. An' at the cost of what? A few Batman jokes? You can get Batman jokes anywhere. [{{Beat}}] But there's only one ''Leslie Bean''.

** ''Webcomic/{{Yamara}}'', also a ''D&D''-based comic, did a similar shift fairly early in its run, with a rather more elaborate LampshadeHanging in [[http://yamara.com/yamaraclassic/index.php?date=2005-08-22 this strip]].

** Really, with the BlackComedy and CrapsaccharineWorld aspects that have been present since the comic's early days, it's hard to really pinpoint where it got darker. Let's not forget that, [[EarlyInstallmentWeirdness when Lorenda Soulstealer was originally introduced]], [[ImAHumanitarian she was a rampant cannibal]] and her (and her mom) eating people was PlayedForLaughs. This was back in [[http://www.missmab.com/Comics/Vol_094.php comic #94]].

* ''Webcomic/SpikyHairedDragonWorthlessKnight'' periodically flips between somewhat humorous strips about a knight who can't touch weapons and a dramatic story about the curse of a family that is tied to dragons, starting at [[http://www.shd-wk.com/index.php?strip_id=275 strip 275]].

* ''Webcomic/TriangleAndRobert'', a webcomic about a triangle and a rhombus went from jokes about how a geometrical shape can eat to an epic fight to stop the universe from turning into pudding. Or something like that. And became all the more hilarious for it.[[http://home.comcast.net/~pshaughn/tandr.html]]

* ''Webcomic/BittersweetCandyBowl'' started out as generally plotless fun, and now has developed into an epic tale of lovecrossed kitties with a [[http://www.bittersweetcandybowl.com/introduction.html recommended minimum introduction of 191 pages]]. The humour's still there in abundance, though.

* ''Webcomic/{{Nedroid}}'' parodies the tendency for gag-a-day comics to develop CerebusSyndrome [[http://nedroid.com/2010/05/webcomics-am-i-right/ here]].

* ''Webcomic/{{Narbonic}}'' shifted from "HarmlessVillain {{Mad Scientist}}s bickering among themselves" to "one man's inevitable descent into madness". The storyline that completed the shift also [[http://www.webcomicsnation.com/shaenongarrity/narbonic_plus/series.php?view=archive&chapter=51541&name=narbonic_plus took the time to parody the concept]].

** Parodied in [[http://thesketchy.com/ic/2011/01/11/comic-anxieties this storyline]].

* ''Webcomic/{{Outsiders}}'' is a somewhat dramatic piece from the start, following the lives of same-sex lovers Siobhan and Ebony, and the general challenges they face for their relationship. However, things are taken UpToEleven after [[spoiler: Volume 11, when the two girls are beaten half-to-death by a pair of homophobic bar patrons, leaving Siobhan physically disfigured and Ebony emotionally unstable. This moment represents a significant tonal shift in the story, which had been, up to that point, much more lighthearted; but was now much colder and darker]].

* Josh Lesnick's ''Webcomic/{{Wendy}}'' took a straight nosedive into unexpected drama territory after its first "part" was finished, and according to the post-series epilogue was going to get even worse had it finished the way the author originally intended. Thankfully, this change was not without a bit of [[http://joshlesnick.com/wendy/?comic=78 lampshade hanging]].

** This was the author's intention all along. The first arc of the comic was meant to get the reader attached to the characters, and [[spoiler:Sakido's death]] was planned from the very beginning. While certainly more dramatic than it had been up to that point (and getting [[http://raizap.com/sdamned/pages.php?comicID=363 even more dramatic]] recently), the comic is still very humorous and lighthearted in tone for the most part.

*** In 2007 it got even darker. A light-hearted storyline about getting paid eight times for the corpse of an archenemy and wearing party hats to his funeral ends with [[spoiler:the Toughs mind-wiped and made to think Petey abandoned them, as an upbeat ending -- the UNS and Admiral Emm were perfectly willing to murder all of them and hand Schlock over to a Mengle-esque Fleet doctor for ongoing torture to hide the existence of Project Laz'R'Us from the public. The only ray of hope in the ending is that Schlock remembers everything due to his bizarre alien biology.]] It gets no better in the 2008 story arc, where [[spoiler:the Toughs are sent on an obvious suicide mission to deliver food to an anarchic space colony. Brad dies in a hovertank accident, Tag murders hundreds of thousands in an antimatter explosion to save the lives of millions, and then formally resigns and later commits AI suicide over the matter, the Touch and Go is wrecked beyond repair bouncing around ''inside'' the space colony without power, and the Toughs wind up accidentally installing an untested rogue AI as supreme overlord, who later turns the colony into a hyperspace cannon superweapon.]] It's a statement of how dark this arc is, when Schlocktoberfest is a relatively light-hearted breather from the action.
*** But then came chaotic ''Massively Parallel'' book with its hilarious return to original PerpetualPoverty and Toughs getting in the middle of GambitPileup. In the end [[spoiler:rogue AI saved them from mafia and Petey offered to restore their memories]]. Next book was fun too despite its BodyHorror moments.
*** Then in 2012 storyline Toughs again clashed with UNS and were completely outclassed. [[spoiler:They lost their ship, allowed most of clients to be killed and barely survived themselves. In hindsight evacuating the artefact and letting the battleplate be massacred by the dark matter entities would've been their best course of action.]] As of early 2013 they've got no ship, they are on the run from UNS (yet again) and Petey is hesitant to help them. But some alien wants to hire them.