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* Portishead's [[https://www.youtube.com/watch?v=F_J2VKumPfw "Scorn"]] (a remix of "Glory Box") is a haunting trip hop song about romance and womanhood that beseeches men to look at things from a woman's perspective, which becomes even more haunting given the context of the scene it plays in: Sarah running through the trees after Chris [[spoiler: attempts to date rape her]].
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* Portishead's Music/{{Portishead}}'s [[https://www.youtube.com/watch?v=F_J2VKumPfw "Scorn"]] (a remix of "Glory Box") is a haunting trip hop song about romance and womanhood that beseeches men to look at things from a woman's perspective, which becomes even more haunting given the context of the scene it plays in: Sarah running through the trees after Chris [[spoiler: attempts to date rape her]].
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Graeme Revell's score for the film is awesome, while the rest of the soundtrack offers a good selection of 90's pop, rock and trip hop.
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"Pretty" is Word Cruft of the bogus qualifier variety.
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Graeme Revell's score for the film is pretty awesome, while the rest of the soundtrack offers a good selection of 90's pop, rock and trip hop.
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Graeme Revell's score for the film is pretty awesome, while the rest of the soundtrack offers a good selection of 90's pop, rock and trip hop.
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* Portishead's "Scorn" (a remix of "Glory Box") is a haunting trip hop song about romance and womanhood that beseeches men to look at things from a woman's perspective, which becomes even more haunting given the context of the scene it plays in: Sarah running through the trees after Chris [[spoiler: attempts to date rape her]].
* Letters to Cleo's cover of Music/TheCars' "Dangerous Type", an upbeat rock song that plays over a montage of the girls delving into witchcraft and [[TookALevelInBadass taking a level in badass]].
* Letters to Cleo's cover of Music/TheCars' "Dangerous Type", an upbeat rock song that plays over a montage of the girls delving into witchcraft and [[TookALevelInBadass taking a level in badass]].
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* Portishead's "Scorn" [[https://www.youtube.com/watch?v=F_J2VKumPfw "Scorn"]] (a remix of "Glory Box") is a haunting trip hop song about romance and womanhood that beseeches men to look at things from a woman's perspective, which becomes even more haunting given the context of the scene it plays in: Sarah running through the trees after Chris [[spoiler: attempts to date rape her]].
* Letters to Cleo's cover of Music/TheCars' [[https://www.youtube.com/watch?v=FsgBnXd-P6w "DangerousType", Type"]], an upbeat rock song that plays over a montage of the girls delving into witchcraft and [[TookALevelInBadass taking a level in badass]].
* Letters to Cleo's cover of Music/TheCars' [[https://www.youtube.com/watch?v=FsgBnXd-P6w "Dangerous
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Graeme Revell's score for the film is pretty awesome.
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Graeme Revell's score for the film is pretty awesome.awesome, while the rest of the soundtrack offers a good selection of 90's pop, rock and trip hop.
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* Portishead's "Scorn" (a remix of "Glory Box") is a haunting trip hop song about romance and womanhood that beseeches men to look at things from a woman's perspective, which becomes even more haunting given the context of the scene it plays in: Sarah running through the trees after Chris [[spoiler: attempts to date rape her]].
* Letters to Cleo's cover of Music/TheCars' "Dangerous Type", an upbeat rock song that plays over a montage of the girls delving into witchcraft and [[TookALevelInBadass taking a level in badass]].
* Letters to Cleo's cover of Music/TheCars' "Dangerous Type", an upbeat rock song that plays over a montage of the girls delving into witchcraft and [[TookALevelInBadass taking a level in badass]].
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Even a mundane word like "track" can be overused in a page like this, especially as cruft.
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* The film opens with the track [[https://youtu.be/8-EG0-83mtQ "Ours Is the Power"]] a mysterious and slightly eerie piece that perfectly establishes the tone of the movie.
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* The film opens with the track [[https://youtu.be/8-EG0-83mtQ "Ours Is the Power"]] Power",]] a mysterious and slightly eerie piece that perfectly establishes the tone of the movie.
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* [[https://youtu.be/Hi3NS7bifBA "Invocation"]], the track that plays when the girls invoke Manon, is an extremely unsettling and eerie track that really gives the sense of foraying into something frighteningly powerful and unknown. The second half of the track especially helps build a sense of dread when the girls see the consequences of the ritual, marking the point in the film where things start getting much darker and more serious.
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* [[https://youtu.be/Hi3NS7bifBA "Invocation"]], the track that which plays when the girls invoke Manon, is an extremely unsettling and eerie track that really gives the sense of foraying into something frighteningly powerful and unknown. The second half of the track especially helps build a sense of dread when the girls see the consequences of the ritual, marking the point in the film where things start getting much darker and more serious.
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Added DiffLines:
Graeme Revell's score for the film is pretty awesome.
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* The film opens with the track [[https://youtu.be/8-EG0-83mtQ "Ours Is the Power"]] a mysterious and slightly eerie piece that perfectly establishes the tone of the movie.
* The mystical and upbeat [[https://youtu.be/MDz2Mwc23MA "Magic Store"]], where the girls formally introduce Sarah (and by extension the viewer) to the world of magic.
* [[https://youtu.be/Hi3NS7bifBA "Invocation"]], the track that plays when the girls invoke Manon, is an extremely unsettling and eerie track that really gives the sense of foraying into something frighteningly powerful and unknown. The second half of the track especially helps build a sense of dread when the girls see the consequences of the ritual, marking the point in the film where things start getting much darker and more serious.
* The unnerving [[https://youtu.be/8FNoR01x9MA "Trouble with Snakes"]]; at times it almost sounds like there are hissing snakes and crawling creatures ''within'' the track itself.
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* The film opens with the track [[https://youtu.be/8-EG0-83mtQ "Ours Is the Power"]] a mysterious and slightly eerie piece that perfectly establishes the tone of the movie.
* The mystical and upbeat [[https://youtu.be/MDz2Mwc23MA "Magic Store"]], where the girls formally introduce Sarah (and by extension the viewer) to the world of magic.
* [[https://youtu.be/Hi3NS7bifBA "Invocation"]], the track that plays when the girls invoke Manon, is an extremely unsettling and eerie track that really gives the sense of foraying into something frighteningly powerful and unknown. The second half of the track especially helps build a sense of dread when the girls see the consequences of the ritual, marking the point in the film where things start getting much darker and more serious.
* The unnerving [[https://youtu.be/8FNoR01x9MA "Trouble with Snakes"]]; at times it almost sounds like there are hissing snakes and crawling creatures ''within'' the track itself.
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