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Just what the commented out note says.
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* Another trailer was set to The Guess Who's [[https://www.youtube.com/watch?v=Jg-n5oW-kf0 "Laughing"]].
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%%What's awesome about it? This is zero-context as written.
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* The teaser trailer was set to Jimmy Durante's [[https://www.youtube.com/watch?v=X1dueBI7Bgg "Smile"]], giving an ironic feel that complements the SadClown this iteration of the Joker.
* Another trailer was set to The Guess Who's [[https://www.youtube.com/watch?v=Jg-n5oW-kf0 "Laughing"]].
* Another trailer was set to The Guess Who's [[https://www.youtube.com/watch?v=Jg-n5oW-kf0 "Laughing"]].
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/c209beb6_f65d_4c99_a663_08166e9f5874.jpeg]]
[[caption-width-right:350:[[Film/Batman1989 Did you ever dance with the Devil in the pale moonlight?]]]]
[[caption-width-right:350:[[Film/Batman1989 Did you ever dance with the Devil in the pale moonlight?]]]]
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[[caption-width-right:350:[[Film/Batman1989 Did you ever dance with the Devil
%% Image removed per Image Pickin thread: https://tvtropes.org/pmwiki/posts.php?discussion=16953042970.52220200
%% Please don't add a new image without discussion in
%%
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[[caption-width-right:350:[[Film/Batman1989 Did you ever dance with the Devil in the pale moon light?]]]]
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[[caption-width-right:350:[[Film/Batman1989 Did you ever dance with the Devil in the pale moon light?]]]]
moonlight?]]]]
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[[caption-width-right:350:[[https://www.youtube.com/watch?v=8z5-Wum2enQ Don’t deny you’ve danced like this while listening to “Bathroom Dance”.]]]]
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-----
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* [[https://www.youtube.com/watch?v=8z5-Wum2enQ Bathroom Dance]] is extremely somber and strange, yet it still gives off a blissful, even dreamy feeling as Arthur seems to slowly come to terms with his first murder - finally cementing the first stage of his transformation. The chorus, and the more intense, confident turn the song takes toward the end feels damn near empowering.
to:
* [[https://www.youtube.com/watch?v=8z5-Wum2enQ Bathroom Dance]] is extremely somber and strange, yet it still gives off a blissful, even dreamy feeling as Arthur seems to slowly come to terms with his first murder - -- finally cementing the first stage of his transformation. The chorus, and the more intense, confident turn the song takes toward the end feels damn near empowering.
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* Music/{{Cream}}'s [[https://www.youtube.com/watch?v=8sRehlEy4U4 "White Room"]] when Arthur is hauled away in the police car after murdering Murray Franklin, passing by the rioters torching the city.
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* Music/{{Cream}}'s [[https://www.youtube.com/watch?v=8sRehlEy4U4 "White Room"]] when Arthur is hauled away in the police car after murdering Murray Franklin, passing by the rioters torching the city.city.
----
----
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Changed line(s) 10 (click to see context) from:
* Music/GaryGlitter's [[https://youtu.be/zWakSmT2c3A "Rock and Roll Part 2"]] when Arthur, now fully embracing his Joker persona, goes out on the way to Murray Franklin's show and dances on the stairs.
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* Music/GaryGlitter's [[https://youtu.be/zWakSmT2c3A "Rock and Roll Part 2"]] when Arthur, now fully embracing his Joker persona, goes out on the way to Murray Franklin's show and dances on the stairs. Aided by the RealitySubtext that Glitter is a real life criminal who was already in prison for life.
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Linked to the new page.
Changed line(s) 10 (click to see context) from:
* Gary Glitter's [[https://youtu.be/zWakSmT2c3A "Rock and Roll Part 2"]] when Arthur, now fully embracing his Joker persona, goes out on the way to Murray Franklin's show and dances on the stairs.
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* Gary Glitter's Music/GaryGlitter's [[https://youtu.be/zWakSmT2c3A "Rock and Roll Part 2"]] when Arthur, now fully embracing his Joker persona, goes out on the way to Murray Franklin's show and dances on the stairs.
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* [[https://www.youtube.com/watch?v=LjEcqPx0EwE Subway]] starts off quiet and tense, gradually building up into what can only be described as a flourish of unrelenting evil. Unhinged rage flares through the violins and drums, as Arthur violently guns down the three [=WayneTech=] employees harassing him - and it is ''perfectly'' suiting for Arthur's first major step down into hate-driven madness.
to:
* [[https://www.youtube.com/watch?v=LjEcqPx0EwE Subway]] starts off quiet and tense, gradually building up into what can only be described as a flourish of unrelenting evil. Unhinged rage flares through the violins and drums, as Arthur violently guns down the three [=WayneTech=] employees harassing him - and it is ''perfectly'' suiting for Arthur's first major step down into hate-driven madness. It gets a calmer, [[DarkReprise even more sinister]] version [[https://youtu.be/7MyoI_RoJc8 as Joker exits the subway to go to Murray Franklin's show]], and summarizes better than any other track both how steeply Arthur has fallen, and the epitome of evil; the nadir of Gotham City that is the Joker.
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* The best one of them all would have to be [[https://www.youtube.com/watch?v=gSwbYHJYskM Call Me Joker]], playing in the penultimate scene where Arthur finally lets go of himself to fully become the Joker. The song very slowly builds up, sounding both triumphant and tragic before finally erupting as a powerful serenade that not only closes out Arthur's tragedy, but accompanies the 'happy' ending that he had worked so hard for, and finally finishing the creation of the single greatest supervillain of all time.
to:
* The best one of them all would have to be [[https://www.youtube.com/watch?v=gSwbYHJYskM Call Me Joker]], playing in the penultimate scene where Arthur finally lets go of himself to fully become the Joker. The song very slowly builds up, sounding both triumphant and tragic before finally erupting as a powerful serenade symphony that not only closes out Arthur's tragedy, but accompanies the 'happy' ending that he had worked so hard for, and finally finishing the creation of the single greatest greatest, vilest supervillain of all time.
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This reads like a comma splice.
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* [[https://youtu.be/utLzVzjpUCY Penny Taken to the Hospital]], the tempo and the note variations perfectly captures a person's life falling apart with all their sanity and beliefs fading away.
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* [[https://youtu.be/utLzVzjpUCY Penny Taken to the Hospital]], the Hospital.]] The tempo and the note variations perfectly captures capture a person's life falling apart with all their sanity and beliefs fading away.
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* [[https://youtu.be/utLzVzjpUCY Penny Taken to the Hospital]], the tempo and the note variations perfectly captures a person's life falling apart with all their sanity and beliefs fading away.
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Icelandic composer Hildur Guðnadóttir's Oscar-winning soundtrack is hauntingly glorious, with many outstanding tracks that fit the film's tone perfectly.
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Icelandic composer Hildur Guðnadóttir's Music/HildurGudnadottir's Oscar-winning soundtrack is hauntingly glorious, with many outstanding tracks that fit the film's tone perfectly.
Changed line(s) 8 (click to see context) from:
* The best one of them all would have to be [[https://www.youtube.com/watch?v=gSwbYHJYskM Call Me Joker]], playing in the penultimate scene where Arthur finally lets go of himself to fully become the Joker. The song very slowly builds up, sounding both triumphant and tragic before finally erupting as a powerful serenade that not only closes out Arthur's tragedy, but accompanies the 'happy' ending that he had worked so hard for, and finally finishing the creation of the single greatest supervillain of all time.
to:
* The best one of them all would have to be [[https://www.youtube.com/watch?v=gSwbYHJYskM Call Me Joker]], playing in the penultimate scene where Arthur finally lets go of himself to fully become the Joker. The song very slowly builds up, sounding both triumphant and tragic before finally erupting as a powerful serenade that not only closes out Arthur's tragedy, but accompanies the 'happy' ending that he had worked so hard for, and finally finishing the creation of the single greatest supervillain of all time.time.
* Gary Glitter's [[https://youtu.be/zWakSmT2c3A "Rock and Roll Part 2"]] when Arthur, now fully embracing his Joker persona, goes out on the way to Murray Franklin's show and dances on the stairs.
* Music/{{Cream}}'s [[https://www.youtube.com/watch?v=8sRehlEy4U4 "White Room"]] when Arthur is hauled away in the police car after murdering Murray Franklin, passing by the rioters torching the city.
* Gary Glitter's [[https://youtu.be/zWakSmT2c3A "Rock and Roll Part 2"]] when Arthur, now fully embracing his Joker persona, goes out on the way to Murray Franklin's show and dances on the stairs.
* Music/{{Cream}}'s [[https://www.youtube.com/watch?v=8sRehlEy4U4 "White Room"]] when Arthur is hauled away in the police car after murdering Murray Franklin, passing by the rioters torching the city.
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Neither of these semicolons are necessary.
Changed line(s) 8 (click to see context) from:
* The best one of them all would have to be [[https://www.youtube.com/watch?v=gSwbYHJYskM Call Me Joker]], playing in the penultimate scene where Arthur finally lets go of himself to fully become the Joker. The song very slowly builds up, sounding both triumphant and tragic before finally erupting as a powerful serenade; that not only closes out Arthur's tragedy, but accompanies the 'happy' ending that he had worked so hard for; and finally finishing the creation of the single greatest supervillain of all time.
to:
* The best one of them all would have to be [[https://www.youtube.com/watch?v=gSwbYHJYskM Call Me Joker]], playing in the penultimate scene where Arthur finally lets go of himself to fully become the Joker. The song very slowly builds up, sounding both triumphant and tragic before finally erupting as a powerful serenade; serenade that not only closes out Arthur's tragedy, but accompanies the 'happy' ending that he had worked so hard for; for, and finally finishing the creation of the single greatest supervillain of all time.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/c209beb6_f65d_4c99_a663_08166e9f5874.jpeg]]
[[caption-width-right:350:[[https://www.youtube.com/watch?v=8z5-Wum2enQ Don’t deny you’ve danced like this while listening to “Bathroom Dance”.]]]]
Icelandic composer Hildur Guðnadóttir's Oscar-winning soundtrack is hauntingly glorious, with many outstanding tracks that fit the film's tone perfectly.
* First is [[https://www.youtube.com/watch?v=DlQ-XU2PV7s Defeated Clown]], a thoroughly depressing song that helps hammer home the feeling of abject failure; not only for Arthur, but for Gotham's general lifestyle. It also brings a foreboding tone, as if this is where the seeds are first planted for Arthur to bloom as the Joker.
* [[https://www.youtube.com/watch?v=LjEcqPx0EwE Subway]] starts off quiet and tense, gradually building up into what can only be described as a flourish of unrelenting evil. Unhinged rage flares through the violins and drums, as Arthur violently guns down the three [=WayneTech=] employees harassing him - and it is ''perfectly'' suiting for Arthur's first major step down into hate-driven madness.
* [[https://www.youtube.com/watch?v=8z5-Wum2enQ Bathroom Dance]] is extremely somber and strange, yet it still gives off a blissful, even dreamy feeling as Arthur seems to slowly come to terms with his first murder - finally cementing the first stage of his transformation. The chorus, and the more intense, confident turn the song takes toward the end feels damn near empowering.
* The best one of them all would have to be [[https://www.youtube.com/watch?v=gSwbYHJYskM Call Me Joker]], playing in the penultimate scene where Arthur finally lets go of himself to fully become the Joker. The song very slowly builds up, sounding both triumphant and tragic before finally erupting as a powerful serenade; that not only closes out Arthur's tragedy, but accompanies the 'happy' ending that he had worked so hard for; and finally finishing the creation of the single greatest supervillain of all time.
[[caption-width-right:350:[[https://www.youtube.com/watch?v=8z5-Wum2enQ Don’t deny you’ve danced like this while listening to “Bathroom Dance”.]]]]
Icelandic composer Hildur Guðnadóttir's Oscar-winning soundtrack is hauntingly glorious, with many outstanding tracks that fit the film's tone perfectly.
* First is [[https://www.youtube.com/watch?v=DlQ-XU2PV7s Defeated Clown]], a thoroughly depressing song that helps hammer home the feeling of abject failure; not only for Arthur, but for Gotham's general lifestyle. It also brings a foreboding tone, as if this is where the seeds are first planted for Arthur to bloom as the Joker.
* [[https://www.youtube.com/watch?v=LjEcqPx0EwE Subway]] starts off quiet and tense, gradually building up into what can only be described as a flourish of unrelenting evil. Unhinged rage flares through the violins and drums, as Arthur violently guns down the three [=WayneTech=] employees harassing him - and it is ''perfectly'' suiting for Arthur's first major step down into hate-driven madness.
* [[https://www.youtube.com/watch?v=8z5-Wum2enQ Bathroom Dance]] is extremely somber and strange, yet it still gives off a blissful, even dreamy feeling as Arthur seems to slowly come to terms with his first murder - finally cementing the first stage of his transformation. The chorus, and the more intense, confident turn the song takes toward the end feels damn near empowering.
* The best one of them all would have to be [[https://www.youtube.com/watch?v=gSwbYHJYskM Call Me Joker]], playing in the penultimate scene where Arthur finally lets go of himself to fully become the Joker. The song very slowly builds up, sounding both triumphant and tragic before finally erupting as a powerful serenade; that not only closes out Arthur's tragedy, but accompanies the 'happy' ending that he had worked so hard for; and finally finishing the creation of the single greatest supervillain of all time.
