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* Mission 94 shows what happens if you put the [[BadassFamily Forger Family]] into a (attempted)-murder mystery setting. Loid calmly tends to the backstabbed victim who survives thanks to him, fixes the cut phone lines to get help from the police and uses his detective skills to determine that the culprit is one of the people present. Anya and Bond do their StoryBreakerPower thing and instantly figure out who the culprit is and when they'll try to kill again, then manipulating Loid to catch the culprit red-handed and cleans up what would traditionally span a few chapters as an arc into a solved case by the time the police arrive in the morning to take the culprit away.

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* Mission 94 shows what happens if you put the [[BadassFamily Forger Family]] into a (attempted)-murder (attempted-)murder mystery setting. Loid calmly tends to the backstabbed victim - who survives thanks to him, him - fixes the cut phone lines to get help from the police police, and uses his detective skills to determine that the culprit is one of the people present. Anya and Bond do their StoryBreakerPower thing and [[StoryBreakerPower thing]], instantly figure figuring out who the culprit is and when they'll try to kill again, then manipulating the former manipulates Loid to catch the culprit red-handed and cleans up during the night (while Yor keeps watch over Anya). As a result, what would traditionally span a few chapters as an arc into a is solved case by in the span of a night, just in time for the police arrive in the morning to take the culprit away.away the next morning.
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* Mission 94 shows what happens if you put the [[BadassFamily Forger Family]] into a (attempted)-murder mystery setting. Loid calmly tends to the backstabbed victim who survives thanks to him, fixes the cut phone lines to get help from the police and uses his detective skills to determine that the culprit is one of the people present. Anya and Bond do their StoryBreakerPower thing and instantly figure out who the culprit is and when they'll try to kill again, then manipulating Loid to catch the culprit red-handed and cleans up what would traditionally span a few chapters as an arc into a solved case by the time the police arrive in the morning to take the culprit away.
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** Loid overhears the SSS agents discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because he reasoned this one bomb isn't nearly enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''rips the entire clock off its post''. Running with all haste, he throws the bomb off the ship... [[LaserGuidedKarma which leaves it to detonate right above Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.

to:

** Loid overhears the SSS agents discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because he reasoned this one bomb isn't nearly enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''rips the entire clock off its post''. Running with all haste, he throws the bomb off the ship... [[LaserGuidedKarma which leaves leads it to detonate right above Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.
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** Nightfall ''absolutely loses it'' as she notices Wheeler try to tear off Twilight's disguise, causing her to use UninhibitedMusclePower. Wheeler's HyperAwareness initially sees her reckless attack easy to counter... and to his horror, Nightfall moves ''way'' faster than she should be able to, forcing him to block, yet she hits so hard that the blow ''breaks his arm as well as her own''.

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** Nightfall ''absolutely loses it'' as she notices Wheeler try to tear off Twilight's disguise, causing her to use UninhibitedMusclePower. Wheeler's HyperAwareness initially sees her reckless attack as easy to counter... and to his horror, Nightfall moves ''way'' faster than she should be able to, forcing him to block, yet she hits so hard that the blow ''breaks his arm as well as her own''.
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** Anya ''finally does it.'' Through intense study and hard work, Anya actually manages to earn a stella star through academic achievement, blitzing past all her contemporaries and scoring second in her entire grade in Classical Language studies. That she got a tonitrus bolt for failing so hard in math is, as noted by Twilight himself, immaterial next to just how much work she put in to achieve her third stella.
** Not only does Anya earn a stella, her overall class ranking ''surges'' upward as well, with Becky noting Anya went from a pathetic 213th place to an actually adequate 168th.

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** Anya ''finally does it.'' Through intense study and hard work, Anya actually manages to earn a stella star Stella through academic achievement, blitzing past all her contemporaries and scoring second in her entire grade in Classical Language studies. That she got a tonitrus bolt Tonitrus for failing so hard in math is, as noted by Twilight himself, immaterial next to just how much work she put in to achieve her third stella.
Stella.
** Not only does Anya earn a stella, Stella, her overall class ranking ''surges'' upward as well, with Becky noting Anya went from a pathetic 213th place to an actually adequate 168th.
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* Mission 93:
** Anya ''finally does it.'' Through intense study and hard work, Anya actually manages to earn a stella star through academic achievement, blitzing past all her contemporaries and scoring second in her entire grade in Classical Language studies. That she got a tonitrus bolt for failing so hard in math is, as noted by Twilight himself, immaterial next to just how much work she put in to achieve her third stella.
** Not only does Anya earn a stella, her overall class ranking ''surges'' upward as well, with Becky noting Anya went from a pathetic 213th place to an actually adequate 168th.
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* Mission 5: During the entrance interview for Eden Academy, Mr. Swan, an utter hardball whose deteriorating relationship with his family makes him lash out at other families, hits Anya with a massive curveball when he asks whether she prefers her stepmother, Yor, or her birth mother. Realizing she never had a mother before Yor makes Anya suffer a HeroicBSOD. As Swan continues to be an ass about the less-than-pristine state of the Forger family, [[MamaBear Yor starts menacingly cracking her knuckles]] [[RedEyesTakeWarning as she enters]] [[ProfessionalKiller Thorn Princess mode]], indicating that she's ''seconds away from messily murdering Swan'' for bullying Anya to tears. Before she can, [[RageBreakingPoint Loid reaches his own breaking point for the same reason]] and punches... the table, under the pretense of crushing a mosquito, and ''caving it in with the sound of a gunshot''. Disgusted with Swan, he and his family leave. After they step out of the room, Mr. Henderson ''punches Swan himself'' for being such a jerk. Keep in mind that Twilight/Loid needs Anya to get into this school for his mission, yet he says that if insulting a child's feelings is how things are done in Eden College, then "we're clearly chosen the wrong school". While the Forger family spends the rest of the day sulking about it, [[SweetAndSourGrapes Anya is ultimately granted acceptance into Eden when someone else drops out]].

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* Mission 5: During the entrance interview for Eden Academy, Mr. Swan, an utter hardball whose deteriorating relationship with his family makes him lash out at other families, hits Anya with a massive curveball when he asks whether she prefers her stepmother, Yor, or her birth mother. Realizing she never had a mother before Yor makes Anya suffer a HeroicBSOD. As Swan continues to be an ass about the less-than-pristine state of the Forger family, [[MamaBear Yor starts menacingly cracking her knuckles]] [[RedEyesTakeWarning as she enters]] [[ProfessionalKiller Thorn Princess mode]], indicating that she's ''seconds away from messily murdering Swan'' for bullying Anya to tears. Before she can, [[RageBreakingPoint Loid reaches his own breaking point for the same reason]] and punches... the table, under the pretense of crushing a mosquito, and ''caving it in with the sound of a gunshot''. Disgusted with Swan, he and his family leave. After they step out of the room, Mr. Henderson ''punches Swan himself'' for being such a jerk. Keep in mind that Twilight/Loid needs Anya to get into this school for his mission, yet he says that if insulting a child's feelings is how things are done in Eden College, then "we're "we've clearly chosen the wrong school". While the Forger family spends the rest of the day sulking about it, [[SweetAndSourGrapes Anya is ultimately granted acceptance into Eden when someone else drops out]].
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* Missions 58.1 and 58.2 are a two-parter focusing on Loid and Bond. The two of them end up working together to save a puppy from a burning building and foil a serial arsonist.

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* Missions 58.1 and 58.2 are a two-parter focusing on Loid and Bond. The two of them end up working together to save a puppy from a burning building and foil a serial arsonist.arsonist, with Loid giving the latter a ''vicious'' OHKO when he tries to shank Bond.
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* Mission 59: While under the mistaken impression that Becky's drunk alcohol, Yor (rushing to get to a hospital) sees too late that a car is about to hit her. She simply throws Becky into the air, gets hit and is sent rolling, then before Becky can hit the ground, Yor's back up and catches her while simultaneously running without once breaking stride. When we see the stunned driver who hit her, the car's hood is ''dented''.

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* Mission 59: While under the mistaken impression that Becky's drunk alcohol, Yor (rushing to get to a hospital) sees too late that a car is about to hit her. She simply throws Becky into the air, gets hit and is sent rolling, then before Becky can hit the ground, Yor's back up and catches her while simultaneously running without once breaking stride. When we see the stunned driver who hit her, the car's hood is ''dented''.''dented'', while Yor only suffered a small nosebleed from the impact.
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* Mission 59: While under the mistaken impression that Becky's drunk alcohol, Yor (rushing to get to a hospital) sees too late that a car is about to hit her. She simply throws Becky into the air, gets hit and is sent rolling, then before Becky can hit the ground, Yor's back up and catches her while simultaneously running without once breaking stride. When we see the stunned driver who hit her, the car's hood is ''dented''.

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Changed: 600

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** When members of the Lady Patriots try to blame Millie for "being selfish" by (in their view) taking for granted the comfortable lives young adults can now lead in Ostania post-war, Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as did those directly in the war; yet she and the others are helping out while these elders are simply blaming others and showing no empathy for how the young adults of Ostania suffered during the war. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that not everyone can be expected to deal with suffering and loss as well as some others do, that emotional abilities vary just as physical strength varies. This reinforces the visual point Yor made earlier, where after the older women state no one should get special treatment, Yor lifts ten stacked boxes and states that since she can do this then that means these women--who all had witnessed Yor's SuperStrength in Mission 65--should also each lift ten boxes.

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** When members of the Lady Patriots try to blame Millie for "being selfish" by (in their view) taking for granted the comfortable lives young adults can now lead in Ostania post-war, Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as did those directly in the war; yet she and the others are helping out while these elders are simply blaming others and showing no empathy for how the young adults of Ostania suffered during the war. war.
**
Camilla and Sharon both back her Yor up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that not everyone can be expected to deal with suffering and loss as well as some others do, that emotional abilities vary just as physical strength varies. This reinforces the visual point Yor made earlier, where after the older women state no one should get special treatment, Yor lifts ten stacked boxes and states that since she can do this then that means these women--who all had witnessed Yor's SuperStrength in Mission 65--should also each lift ten boxes.
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context.


** When members of the Lady Patriots try to blame Millie for "being selfish" by (in their view) taking for granted the comfortable lives young adults can now lead in Ostania post-war, Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as did those directly in the war; yet she and the others are helping out while these elders are simply blaming others and showing no empathy for how the young adults of Ostania suffered during the war. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that not everyone can be expected to deal with suffering and loss as well as some others do, that emotional abilities vary just as physical strength varies. This reinforces the visual point Yor made earlier, where after the older women state no one should get special treatment, Yor lifts ten stacked boxes and states that since she can do this then that means these women should also each lift ten boxes.

to:

** When members of the Lady Patriots try to blame Millie for "being selfish" by (in their view) taking for granted the comfortable lives young adults can now lead in Ostania post-war, Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as did those directly in the war; yet she and the others are helping out while these elders are simply blaming others and showing no empathy for how the young adults of Ostania suffered during the war. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that not everyone can be expected to deal with suffering and loss as well as some others do, that emotional abilities vary just as physical strength varies. This reinforces the visual point Yor made earlier, where after the older women state no one should get special treatment, Yor lifts ten stacked boxes and states that since she can do this then that means these women should women--who all had witnessed Yor's SuperStrength in Mission 65--should also each lift ten boxes.
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** When members of the Lady Patriots try to blame Millie for "being selfish" by (in their view) taking for granted the comfortable lives young adults can now lead in Ostania post-war, Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as did those directly in the war; yet she and the others are helping out while these elders are simply blaming others and showing no empathy for how the young adults of Ostania suffered during the war. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that not everyone can be expected to deal with suffering and loss as well as some other do, that emotional abilities vary just as physical strength varies. This reinforces the visual point Yor made earlier, where after the older women state no one should get special treatment, Yor lifts ten stacked boxes and states that since she can do this then that means these women should also each lift ten boxes.

to:

** When members of the Lady Patriots try to blame Millie for "being selfish" by (in their view) taking for granted the comfortable lives young adults can now lead in Ostania post-war, Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as did those directly in the war; yet she and the others are helping out while these elders are simply blaming others and showing no empathy for how the young adults of Ostania suffered during the war. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that not everyone can be expected to deal with suffering and loss as well as some other others do, that emotional abilities vary just as physical strength varies. This reinforces the visual point Yor made earlier, where after the older women state no one should get special treatment, Yor lifts ten stacked boxes and states that since she can do this then that means these women should also each lift ten boxes.
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Perhaps this was misunderstanding Sharon's words. She was saying that if everyone is emotionally the same, then there is no difference between people who are suffering and those who aren't. She was making a point about different people having different emotional strengths just as physical strength varies.


** When the organizers of the Patriot Party try to blame Millie for "being selfish", Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as did those in the war, yet she and the others are helping out while the organizers are simply blaming others. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that they're all one people, collectively all-but-saying they can shove this entitled "your generation will never know what it's like" BS where the sun don't shine.

to:

** When the organizers members of the Patriot Party Lady Patriots try to blame Millie for "being selfish", selfish" by (in their view) taking for granted the comfortable lives young adults can now lead in Ostania post-war, Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as did those directly in the war, war; yet she and the others are helping out while the organizers these elders are simply blaming others. others and showing no empathy for how the young adults of Ostania suffered during the war. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that they're all one people, collectively all-but-saying they not everyone can shove this entitled "your generation will never know what it's like" BS be expected to deal with suffering and loss as well as some other do, that emotional abilities vary just as physical strength varies. This reinforces the visual point Yor made earlier, where after the sun don't shine.older women state no one should get special treatment, Yor lifts ten stacked boxes and states that since she can do this then that means these women should also each lift ten boxes.
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None


** When the organizers of the Patriot Party try to blame Millie for "being selfish", Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as much as those in the war, yet she and the others are helping out while the organizers are simply blaming others. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that they're all one people, collectively all-but-saying they can shove this entitled "your generation will never know what it's like" BS where the sun don't shine.

to:

** When the organizers of the Patriot Party try to blame Millie for "being selfish", Yor outright defends her by saying that she's lost her parents, that everyone suffered on the home front as much as did those in the war, yet she and the others are helping out while the organizers are simply blaming others. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that they're all one people, collectively all-but-saying they can shove this entitled "your generation will never know what it's like" BS where the sun don't shine.
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None


** When the organizers of the Patriot Party try to blame Millie for "being selfish", Yor outright defends her by saying that she's lost her parents, and yet she and the others are helping out while the organizers aren't ''at all''. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that they're all one people, collectively all-but-saying they can shove this entitled "your generation will never know what it's like" BS where the sun don't shine.

to:

** When the organizers of the Patriot Party try to blame Millie for "being selfish", Yor outright defends her by saying that she's lost her parents, and that everyone suffered on the home front as much as those in the war, yet she and the others are helping out while the organizers aren't ''at all''.are simply blaming others. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that they're all one people, collectively all-but-saying they can shove this entitled "your generation will never know what it's like" BS where the sun don't shine.
Is there an issue? Send a MessageReason:
None


** When the organizers of the Patriot Party try to blame Millie for "being selfish", Yor outright defends her by saying that she's lost her parents, and yet she and the others are helping out while the organizers aren't ''at all''. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that they're all one people, collectively all-but-saying they can shove this entitled "your generation will never know what it's like" blame where the sun don't shine.

to:

** When the organizers of the Patriot Party try to blame Millie for "being selfish", Yor outright defends her by saying that she's lost her parents, and yet she and the others are helping out while the organizers aren't ''at all''. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that they're all one people, collectively all-but-saying they can shove this entitled "your generation will never know what it's like" blame BS where the sun don't shine.
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None

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* Mission 91:
** When the organizers of the Patriot Party try to blame Millie for "being selfish", Yor outright defends her by saying that she's lost her parents, and yet she and the others are helping out while the organizers aren't ''at all''. Camilla and Sharon both back her up, with the former saying not to lump them in as she comforts Millie, while the latter calmly retorts that they're all one people, collectively all-but-saying they can shove this entitled "your generation will never know what it's like" blame where the sun don't shine.
** Not long after, Melinda has her own cold words for the organizers' attitudes:
--->''(grabbing the woman's arm, stopping her from slapping Yor)'' Stop that. You're embarrassing yourself.
--->Does "supporting each other" mean policing each other's behavior? No, of course not. That would be a return to wartime regression.
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** Facing off a sickle-and-chain-wielding opponent, Yor has some trouble getting close to him, yet Anya comes in for the save by making the whole thing out to be a circus performance. This gets the crowd cheering, which briefly distracts the assassin... which costs him dearly; the moment his gaze is back on Yor, she's ''lunging'' at him with [[NightmareFace the most terrifying expression]]. He attempts to get her, but Yor pins his weapon to the floor with her dagger before grabbing the other end behind him, then - leaping into the air - she promptly chains him up with his own weapon. Still in mid-air, she deftly uses several pressure points to knock him unconscious while standing up, before making a smooth landing herself and giving a bow as 'fellow performers'.

to:

** Facing off a sickle-and-chain-wielding opponent, Yor has some trouble getting close to him, yet Anya comes in for the save by making the whole thing out to be a circus performance. This gets the crowd cheering, which briefly distracts the assassin... which and this costs him dearly; the moment his gaze is back on Yor, she's ''lunging'' at him with [[NightmareFace the most terrifying expression]]. He attempts to get her, but Yor pins his weapon to the floor with her dagger before grabbing the other end behind him, then - leaping into the air - she promptly chains him up with his own weapon. Still in mid-air, she deftly uses several pressure points to knock him unconscious while standing up, before making a smooth landing herself and giving a bow as 'fellow performers'.
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None


** A assassin wielding multiple kunai knives attacks from above, Yor dodging the thrown knives, disarming one of his hands with a kick, and then aiming for him with her RazorSharpHand. To his credit he blocks with yet another kunai (reinforced with both his hands) but is still pushed back quite a distance by the force. After he lands, the kunai Yor struck proceeds to ''shatter'' into pieces.

to:

** A An assassin wielding multiple kunai knives attacks from above, Yor dodging the thrown knives, disarming one of his hands with a kick, and then aiming for him with her RazorSharpHand. To his credit he blocks with yet another kunai (reinforced with both his hands) but is still pushed back quite a distance by the force. After he lands, the kunai Yor struck proceeds to ''shatter'' into pieces.



** When a assassin with grenades threatens the Gretchers, Yor kicks him so hard and fast that he ricochets off the ship ''twice'', and is thrown into the sea before his grenade can go off. Yor proceeds to turn to the rest of the assassins with an enraged expression and ''steam'' coming out of her mouth, and the fight kicks into high gear.

to:

** When a an assassin with grenades threatens the Gretchers, Yor kicks him so hard and fast that he ricochets off the ship ''twice'', and is thrown into the sea before his grenade can go off. Yor proceeds to turn to the rest of the assassins with an enraged expression and ''steam'' coming out of her mouth, and the fight kicks into high gear.
Is there an issue? Send a MessageReason:
None


** A assassin wielding multiple kunai knives attacks from above, Yor dodging the thrown knives, disarming one of his hands with a kick, and then aiming for him with her RazorSharpHand. To his credit he blocks with yet another kunai (reinforced with both his hands) but is still pushed back quite a distance by the force. After he lands the kunai Yor struck proceeds to ''shatter'' into pieces.

to:

** A assassin wielding multiple kunai knives attacks from above, Yor dodging the thrown knives, disarming one of his hands with a kick, and then aiming for him with her RazorSharpHand. To his credit he blocks with yet another kunai (reinforced with both his hands) but is still pushed back quite a distance by the force. After he lands lands, the kunai Yor struck proceeds to ''shatter'' into pieces.
Is there an issue? Send a MessageReason:
None


** Loid overhears the SSS agents discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because he reasoned this one bomb isn't nearly enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''rips it off its post''. Running with all haste, he throws the bomb off the ship... [[LaserGuidedKarma which means it detonates right above Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.

to:

** Loid overhears the SSS agents discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because he reasoned this one bomb isn't nearly enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''rips it the entire clock off its post''. Running with all haste, he throws the bomb off the ship... [[LaserGuidedKarma which means leaves it detonates to detonate right above Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.
Is there an issue? Send a MessageReason:
None


** Loid overhears the SSS agents discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because he reasoned this one bomb isn't nearly enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''tears it off its perch''. Running with all haste, he throws the bomb off the ship... [[LaserGuidedKarma which means it detonates right above Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.

to:

** Loid overhears the SSS agents discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because he reasoned this one bomb isn't nearly enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''tears ''rips it off its perch''.post''. Running with all haste, he throws the bomb off the ship... [[LaserGuidedKarma which means it detonates right above Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.
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None


** Loid overhears the SSS agents discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because he reasoned this one bomb isn't nearly enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''tears it off its perch''. Running with all haste, he throws the bomb aboard... [[LaserGuidedKarma which lands right on top of Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.

to:

** Loid overhears the SSS agents discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because he reasoned this one bomb isn't nearly enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''tears it off its perch''. Running with all haste, he throws the bomb aboard... off the ship... [[LaserGuidedKarma which lands means it detonates right on top of above Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.

Changed: 460

Removed: 386

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* The whole cruise ship arc is one long run of reminding the audience that yes, quirky and lovable as she is, Yor is a killing machine. Between her ridiculous combat skills and a few assists from her handler, all but a few of the opportunistic assassins on the cruise ship end up neutralized or dead by her hands, and the civilian passengers are none the wiser. As for specific moments:



** Facing off a sickle-and-chain-wielding opponent, Yor has some trouble getting close to him, yet Anya comes in for the save by making the whole thing out to be a circus performance. This gets the crowd cheering, which briefly distracts the assassin... which costs him dearly; the moment his gaze is back on Yor, she's ''lunging'' at him with the most [[NightmareFace terrifying expression]]. He attempts to get her, but Yor pins his weapon to the floor with her dagger before grabbing the other end behind him, then - leaping into the air - she promptly chains him up with his own weapon. Still in mid-air, she deftly uses several pressure points to knock him unconscious while standing up, before making a smooth landing herself and giving a bow as 'fellow performers'.

to:

** Facing off a sickle-and-chain-wielding opponent, Yor has some trouble getting close to him, yet Anya comes in for the save by making the whole thing out to be a circus performance. This gets the crowd cheering, which briefly distracts the assassin... which costs him dearly; the moment his gaze is back on Yor, she's ''lunging'' at him with the most [[NightmareFace the most terrifying expression]]. He attempts to get her, but Yor pins his weapon to the floor with her dagger before grabbing the other end behind him, then - leaping into the air - she promptly chains him up with his own weapon. Still in mid-air, she deftly uses several pressure points to knock him unconscious while standing up, before making a smooth landing herself and giving a bow as 'fellow performers'.



** Yor's climactic fight against the main assassin force was awesome to begin with, but in animated form we can fully appreciate the sheer speed and brutality of the fight as Yor shows what she's truly capable of in an extended bout.

to:

** Yor's climactic fight against the main assassin force was awesome to begin with, but in animated form we can fully appreciate the sheer speed and brutality of the fight as Yor shows what she's truly capable of in an extended bout. Between her ridiculous combat skills and a few assists from the Director, all but a few of the opportunistic assassins on the cruise ship end up neutralized or dead by her hands, and the civilian passengers are none the wiser.



** Facing a swordsman without her daggers? Yor proceeds to sword fight with ''kicks'' from her heels.
*** The end of Mission 53 is another one that doubles as Heartwarming. As Yor fights one of the last assassins - a ''very'' capable swordsman on Yor's level of strength - Yor begins to question why she continues her work as an assassin. As she starts to lose the fight, she reflects on the stresses of her double life and the fact Yuri no longer needs her support. Then she remembers why she continues to work as an assassin. To protect people. First Yuri, and now the Forger family.

to:

** Facing a strong swordsman without her daggers? Yor proceeds to sword fight with ''kicks'' from her heels.
*** The end of Mission 53 is another one that doubles as Heartwarming. As Yor fights one of the last assassins - a ''very'' capable swordsman on Yor's level of strength - said assassin, Yor begins to question why she continues her work as an assassin.bloody work. As she starts to lose the fight, she reflects on the stresses of her double life and the fact Yuri no longer needs her support. Then she remembers why she continues to work as an assassin. To assassin: to protect people. First Yuri, and now the Forger family.



** As Yor continues her fight with the lone assassin (unable to get close enough to finish things without her weapon), Anya finds one of Yor's daggers stuck in the floor, and attempts to return it to her. It lands far away where no one saw or heard it... yet when two goons attempt to get at Olka while Yor's distracted, one trips over it and hits his head hard, while inadvertently shooting his partner. This commotion gets Yor's attention, and allows her to retrieve her dagger and end the assassin's life in a SingleStrokeBattle.
** Loid overhears the SSS agents aboard discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because one bomb isn't enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''tears it off its perch''. Running with all haste, he throws the bomb aboard... [[LaserGuidedKarma which lands right on top of Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.

to:

** As Yor continues her fight with the lone assassin (unable to get close enough to finish things him without her weapon), Anya finds one of Yor's daggers stuck in the floor, and attempts to return it to her. It lands far away where no one saw or heard it... yet when two goons attempt to get at Olka while Yor's distracted, one trips over it and hits his head hard, while inadvertently shooting his partner. This commotion gets Yor's attention, and allows her to retrieve her dagger and end the assassin's life in a SingleStrokeBattle.
** Loid overhears the SSS agents aboard discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because he reasoned this one bomb isn't nearly enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''tears it off its perch''. Running with all haste, he throws the bomb aboard... [[LaserGuidedKarma which lands right on top of Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.
Is there an issue? Send a MessageReason:
None


** Loid overhears the SSS discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because one bomb isn't enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''tears it off its perch''. Running with all haste, he throws the bomb aboard... [[LaserGuidedKarma which lands right on top of Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.

to:

** Loid overhears the SSS agents aboard discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because one bomb isn't enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''tears it off its perch''. Running with all haste, he throws the bomb aboard... [[LaserGuidedKarma which lands right on top of Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.

Added: 1192

Changed: 19

Is there an issue? Send a MessageReason:
None


* The whole cruise ship arc is one long run of reminding the audience that yes, quirky and lovable as she is, Yor is a killing machine. Between her ridiculous combat skills and a few assists from her handler, all but two of the opportunistic assassins on the cruise ship end up neutralized or dead, and the civilian passengers are none the wiser. As for specific moments:

to:

* The whole cruise ship arc is one long run of reminding the audience that yes, quirky and lovable as she is, Yor is a killing machine. Between her ridiculous combat skills and a few assists from her handler, all but two a few of the opportunistic assassins on the cruise ship end up neutralized or dead, dead by her hands, and the civilian passengers are none the wiser. As for specific moments:


Added DiffLines:

* Missions 54-55
** As Yor continues her fight with the lone assassin (unable to get close enough to finish things without her weapon), Anya finds one of Yor's daggers stuck in the floor, and attempts to return it to her. It lands far away where no one saw or heard it... yet when two goons attempt to get at Olka while Yor's distracted, one trips over it and hits his head hard, while inadvertently shooting his partner. This commotion gets Yor's attention, and allows her to retrieve her dagger and end the assassin's life in a SingleStrokeBattle.
** Loid overhears the SSS discussing a found bomb, and after donning a disguise proceeds to not only work upon it himself, he also directs all officers on board to search for others (because one bomb isn't enough to sink the ship). Then when he hears word about a bomb found in a clock - due to Anya coincidentally overhearing the location from the Nameless Leader - he sees there's not enough time to disarm it, and physically ''tears it off its perch''. Running with all haste, he throws the bomb aboard... [[LaserGuidedKarma which lands right on top of Snoops and the Nameless Leader; kaboom.]] The last we see of them, sharks are circling.
Is there an issue? Send a MessageReason:
None


** Facing off a sickle-and-chain-wielding opponent, Yor has some trouble getting close to him, yet Anya comes in for the save by making the whole thing out to be a circus performance. This gets the crowd cheering, which briefly distracts the assassin... which costs him dearly; the moment his gaze is back on Yor, she's ''lunging'' at him with the most [[NightmareFace terrifying expression]]. He attempts to get her, but Yor chains his weapon to the floor with her dagger before grabbing the other end behind him, then - leaping into the air - she promptly chains him up with his own weapon. Still in mid-air, she deftly using several pressure points to knock him unconscious while standing up, before making a smooth landing herself and giving a bow as 'fellow performers'.

to:

** Facing off a sickle-and-chain-wielding opponent, Yor has some trouble getting close to him, yet Anya comes in for the save by making the whole thing out to be a circus performance. This gets the crowd cheering, which briefly distracts the assassin... which costs him dearly; the moment his gaze is back on Yor, she's ''lunging'' at him with the most [[NightmareFace terrifying expression]]. He attempts to get her, but Yor chains pins his weapon to the floor with her dagger before grabbing the other end behind him, then - leaping into the air - she promptly chains him up with his own weapon. Still in mid-air, she deftly using uses several pressure points to knock him unconscious while standing up, before making a smooth landing herself and giving a bow as 'fellow performers'.

Added: 261

Changed: 1415

Is there an issue? Send a MessageReason:
None


* Mission 46 has one for Yor's elderly boss. He is able to disarm an assassin, interrogate him and then dispose of him without drawing any attention to himself on a crowded cruise.
* Mission 47 is one long run of reminding the audience that yes, quirky and lovable as she is, Yor is a killing machine.

to:

* Mission 46 has one for Yor's elderly boss. He is able to disarm an assassin, interrogate him (read: break his bones with ease) and then dispose of him without drawing any attention to himself on a crowded cruise.
* Mission 47 The whole cruise ship arc is one long run of reminding the audience that yes, quirky and lovable as she is, Yor is a killing machine.machine. Between her ridiculous combat skills and a few assists from her handler, all but two of the opportunistic assassins on the cruise ship end up neutralized or dead, and the civilian passengers are none the wiser. As for specific moments:
* Mission 47



*** During the briefing of their collective mission to kill Baby Gram and his mother Olga, one of the killers present had the ''gall'' to gleefully suggest making the job easier by murdering every woman and baby on board. He's instantly stabbed in the heart and neck by two rightfully-disgusted assassins, with the Nameless Leader angrily berating him even as his body turns cold.
---->''[[EvenEvilHasStandards Kindly do *not* confuse Assassins with sociopaths such as yourself. Without a Code of Honor and Professionalism, our line of business cannot hope to survive.]]''
---->''(Throws his worthless corpse to the sharks overboard)''
* The whole cruise ship arc is one of these for Yor. Between her ridiculous combat skills and a few assists from her handler, all but two of the opportunistic assassins on the cruise ship end up neutralized or dead, and the civilian passengers are none the wiser.
* Yor's climactic fight against the main assassin force was awesome to begin with, but in animated form we can fully appreciate the sheer speed and brutality of the fight as Yor shows what she's truly capable of in an extended bout.

to:

*** ** During the briefing of their collective mission to kill Baby Gram and his mother Olga, one of the killers present had the ''gall'' to gleefully suggest making the job easier by murdering every woman and baby on board. He's instantly stabbed in the heart and neck by two rightfully-disgusted assassins, with the Nameless Leader angrily berating him even as his body turns cold.
---->''[[EvenEvilHasStandards --->''[[EvenEvilHasStandards Kindly do *not* confuse Assassins with sociopaths such as yourself. Without a Code of Honor and Professionalism, our line of business cannot hope to survive.]]''
---->''(Throws --->''(Throws his worthless corpse to the sharks overboard)''
* The Mission 48
** Facing off a sickle-and-chain-wielding opponent, Yor has some trouble getting close to him, yet Anya comes in for the save by making the
whole cruise ship arc thing out to be a circus performance. This gets the crowd cheering, which briefly distracts the assassin... which costs him dearly; the moment his gaze is one of these for Yor. Between back on Yor, she's ''lunging'' at him with the most [[NightmareFace terrifying expression]]. He attempts to get her, but Yor chains his weapon to the floor with her ridiculous combat skills dagger before grabbing the other end behind him, then - leaping into the air - she promptly chains him up with his own weapon. Still in mid-air, she deftly using several pressure points to knock him unconscious while standing up, before making a smooth landing herself and giving a few assists from her handler, all but two of the opportunistic assassins on the cruise ship end up neutralized or dead, and the civilian passengers are none the wiser.
bow as 'fellow performers'.
* Missions 51-53
**
Yor's climactic fight against the main assassin force was awesome to begin with, but in animated form we can fully appreciate the sheer speed and brutality of the fight as Yor shows what she's truly capable of in an extended bout.



* The end of Mission 53 is another one that doubles as Heartwarming. As Yor fights one of the last assassins - a ''very'' capable swordsman - Yor begins to question why she continues her work as an assassin. As she starts to lose the fight, she reflects on the stresses of her double life and the fact Yuri no longer needs her support. Then she remembers why she continues to work as an assassin. To protect people. First Yuri, and now the Forger family.
-->'''Yor:''' I don't need to be at peace. (''grasps the assassin's sword and breaks it'') I don't care if I have to bloody my hands. Even if it means living a life that could end at any moment... even if it means having to leave the Forger family...
-->'''Loid:''' (''[[MeaningfulEcho in a flashback to Mission 2]]'') To endure such a harsh job for the sake of another, for the sake of something greater than oneself... I truly admire that.
-->'''Yor:''' I think Loid would respect that. He would understand. (''Yor beats the assassin back'') And that's why... I won't give up this fight!

to:

* *** The end of Mission 53 is another one that doubles as Heartwarming. As Yor fights one of the last assassins - a ''very'' capable swordsman on Yor's level of strength - Yor begins to question why she continues her work as an assassin. As she starts to lose the fight, she reflects on the stresses of her double life and the fact Yuri no longer needs her support. Then she remembers why she continues to work as an assassin. To protect people. First Yuri, and now the Forger family.
-->'''Yor:''' ---->'''Yor:''' I don't need to be at peace. (''grasps ''(grasps the assassin's sword and breaks it'') it)'' I don't care if I have to bloody my hands. Even if it means living a life that could end at any moment... even if it means having to leave the Forger family...
-->'''Loid:''' (''[[MeaningfulEcho ---->'''Loid:''' ''([[MeaningfulEcho in a flashback to Mission 2]]'') 2]])'' To endure such a harsh job for the sake of another, for the sake of something greater than oneself... I truly admire that.
-->'''Yor:''' ---->'''Yor:''' I think Loid would respect that. He would understand. (''Yor ''(Yor beats the assassin back'') back)'' And that's why... I won't give up this fight!
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** A assassin wielding multiple knives of his own attacks from above, Yor dodging the thrown knives, disarming one of his hands with a kick, and then aiming for him with her RazorSharpHand. To his credit he blocks with yet another dagger (reinforced with both his hands) but is still pushed back quite a distance by the force. After he lands the dagger Yor struck proceeds to ''shatter'' into pieces.

to:

** A assassin wielding multiple kunai knives of his own attacks from above, Yor dodging the thrown knives, disarming one of his hands with a kick, and then aiming for him with her RazorSharpHand. To his credit he blocks with yet another dagger kunai (reinforced with both his hands) but is still pushed back quite a distance by the force. After he lands the dagger kunai Yor struck proceeds to ''shatter'' into pieces.

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