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Changed line(s) 2 (click to see context) from:
* Grot taking a stand, completely alone and armed only with a wrench, ready to protect the Heart Machine from an angry mob consisting of THE ENTIRE ADULT POPULATION OF THE WORKERS' CITY. Also, the fact that he dares to call them all out for how stupid they have been acting and actually gets them to listen to him. That man's got nerves of steel.
to:
* Grot taking a stand, completely alone and armed only with a wrench, ready to protect the Heart Machine from an angry mob consisting of THE ENTIRE ADULT POPULATION OF THE WORKERS' CITY. Also, Even though they easily overrun him and destroy all the fact that machines, he still dares to call them all out for how stupid they have been acting and actually gets them to listen to him. That man's got nerves of steel.
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No longer necessary
Deleted line(s) 1 (click to see context) :
!![[Film/{{Metropolis}} Fritz Lang's ''Metropolis'']]
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No meta example, see this query
.
.Deleted line(s) 5 (click to see context) :
* Meta-Example: The special effects done on the film, considering the fact there was (obviously) no computer-generated effects in '''1927'''. The design of the city is generally considered to be one of the greatest (if not ''the'' greatest) in the entire history of science fiction cinema.
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Changed line(s) 5,7 (click to see context) from:
* Meta-Example: The special effects done on the film, considering the fact there was (obviously) no computer generation effects in '''1927'''. The design of the city is often considered the greatest in Scifi!
* "Someone ''will'' stay at the machine... ''ME!''"
* Maria’s first scene, where she takes the children of the workers up to the wealthy and simply says "These are your brothers.". Her simple act of kindness and quiet defiance leads Freder to see how things have been run, and to change his behavior.
* "Someone ''will'' stay at the machine... ''ME!''"
* Maria’s first scene, where she takes the children of the workers up to the wealthy and simply says "These are your brothers.". Her simple act of kindness and quiet defiance leads Freder to see how things have been run, and to change his behavior.
to:
* Meta-Example: The special effects done on the film, considering the fact there was (obviously) no computer generation computer-generated effects in '''1927'''. The design of the city is often generally considered to be one of the greatest (if not ''the'' greatest) in Scifi!
the entire history of science fiction cinema.
* "Someone ''will'' stay at the machine...''ME!''"
''ME.''"
* Maria’s first scene, where shetakes brings the workers' children into the Club of the workers up to the wealthy Sons and simply says "These says, "Look! These are your brothers.". brothers!" Her simple act of kindness and quiet defiance leads Freder to see how things have been run, and to change his behavior.
* "Someone ''will'' stay at the machine...
* Maria’s first scene, where she
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Changed line(s) 4 (click to see context) from:
* The Thin Man tries to bribe Josephat to get him to leave his apartment. What does Josephat do? He picks up the money... and slaps The Thin Man in the face with it. Also a SugarWiki/{{Funny Moment|s}}.
to:
* The Thin Man tries to bribe Josephat Josaphat to get him to leave his apartment. What does Josephat Josaphat do? He picks up the money... and slaps The Thin Man in the face with it. Also a SugarWiki/{{Funny Moment|s}}.
Changed line(s) 7 (click to see context) from:
* Maria’s first scene, where she takes the children of the workers up to the wealthy and simply says "These are your brothers.". Her simple act of kindness and quiet defiance leads Freder to see how things have been run, and to change his behavior.
to:
* Maria’s first scene, where she takes the children of the workers up to the wealthy and simply says "These are your brothers.". Her simple act of kindness and quiet defiance leads Freder to see how things have been run, and to change his behavior.behavior.
* Freder and Josaphat ripping a locked metal gate off its hinges so the workers' children can escape the flooding city.
* Freder and Josaphat ripping a locked metal gate off its hinges so the workers' children can escape the flooding city.
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Changed line(s) 6 (click to see context) from:
* "Someone ''will'' stay at the machine... ''ME!''"
to:
* "Someone ''will'' stay at the machine... ''ME!''"''ME!''"
* Maria’s first scene, where she takes the children of the workers up to the wealthy and simply says "These are your brothers.". Her simple act of kindness and quiet defiance leads Freder to see how things have been run, and to change his behavior.
* Maria’s first scene, where she takes the children of the workers up to the wealthy and simply says "These are your brothers.". Her simple act of kindness and quiet defiance leads Freder to see how things have been run, and to change his behavior.
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Changed line(s) 6,9 (click to see context) from:
* "Someone ''will'' stay at the machine... ''ME!''"
!![[Anime/{{Metropolis}} Osamu Tezuka's Metropolis]]
* Kenichi may only be a little kid, but don't underestimate his strength and determination. When he goes to rescue someone, he wont stop until the jobs done.
* Also his uncle [[spoiler: knocking out Rock.]]
!![[Anime/{{Metropolis}} Osamu Tezuka's Metropolis]]
* Kenichi may only be a little kid, but don't underestimate his strength and determination. When he goes to rescue someone, he wont stop until the jobs done.
* Also his uncle [[spoiler: knocking out Rock.]]
to:
* "Someone ''will'' stay at the machine... ''ME!''"
!![[Anime/{{Metropolis}} Osamu Tezuka's Metropolis]]
* Kenichi may only be a little kid, but don't underestimate his strength and determination. When he goes to rescue someone, he wont stop until the jobs done.
* Also his uncle [[spoiler: knocking out Rock.]]''ME!''"
!![[Anime/{{Metropolis}} Osamu Tezuka's Metropolis]]
* Kenichi may only be a little kid, but don't underestimate his strength and determination. When he goes to rescue someone, he wont stop until the jobs done.
* Also his uncle [[spoiler: knocking out Rock.]]
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* SugarWiki/AwesomeMusic: The original score, including the main theme for the movie.
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* SugarWiki/AwesomeMusic: The original score, including the main theme for the movie. The original sci-fi epic should naturally come with an epic score, and it has one by Gottfried Huppertz. [[https://www.youtube.com/watch?v=7hwRQl9w6XQ Have a listen.]]
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Changed line(s) 2 (click to see context) from:
* CrowningMusicOfAwesome: The original score, including the main theme for the movie.
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* CrowningMusicOfAwesome: SugarWiki/AwesomeMusic: The original score, including the main theme for the movie.
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!!![[Anime/{{Metropolis}} Osamu Tezuka's Metropolis]]
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!!![[Film/{{Metropolis}} Fritz Lang's ''Metropolis'']]
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Changed line(s) 4 (click to see context) from:
* The Thin Man tries to bribe Josephat to get him to leave his apartment. What does Josephat do? He picks up the money... and slaps The Thin Man in the face with it. Also a FunnyMoment.
to:
* The Thin Man tries to bribe Josephat to get him to leave his apartment. What does Josephat do? He picks up the money... and slaps The Thin Man in the face with it. Also a FunnyMoment.SugarWiki/{{Funny Moment|s}}.
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Added DiffLines:
* "Someone ''will'' stay at the machine... ''ME!''"
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Changed line(s) 5 (click to see context) from:
* The special effects done on the film, considering the fact there was (obviously) no computer generation effects in '''1927'''. The design of the city is often considered the greatest in Scifi!
to:
* Meta-Example: The special effects done on the film, considering the fact there was (obviously) no computer generation effects in '''1927'''. The design of the city is often considered the greatest in Scifi!
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None
Changed line(s) 5 (click to see context) from:
to:
* The special effects done on the film, considering the fact there was (obviously) no computer generation effects in '''1927'''. The design of the city is often considered the greatest in Scifi!
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None
Changed line(s) 4 (click to see context) from:
to:
* The Thin Man tries to bribe Josephat to get him to leave his apartment. What does Josephat do? He picks up the money... and slaps The Thin Man in the face with it. Also a FunnyMoment.
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Changed line(s) 3 (click to see context) from:
to:
* Grot taking a stand, completely alone and armed only with a wrench, ready to protect the Heart Machine from an angry mob consisting of THE ENTIRE ADULT POPULATION OF THE WORKERS' CITY. Also, the fact that he dares to call them all out for how stupid they have been acting and actually gets them to listen to him. That man's got nerves of steel.
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None
Changed line(s) 5 (click to see context) from:
* Kenichi may only be a little kid, but don't underestimate his strength and determination. When he goes to recue someone, he wont stop until the jobs done.
to:
* Kenichi may only be a little kid, but don't underestimate his strength and determination. When he goes to recue rescue someone, he wont stop until the jobs done.
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Changed line(s) 5 (click to see context) from:
* Kenichi may only be a little kid, but don't underestimate his strength and determination. When he goes to recue someone, he wont stop until the jobs done.
to:
* Kenichi may only be a little kid, but don't underestimate his strength and determination. When he goes to recue someone, he wont stop until the jobs done.done.
* Also his uncle [[spoiler: knocking out Rock.]]
* Also his uncle [[spoiler: knocking out Rock.]]
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Changed line(s) 2,3 (click to see context) from:
* The original score, including the main theme for the movie.
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* CrowningMusicOfAwesome: The original score, including the main theme for the movie.
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Added DiffLines:
!!![[Film/{{Metropolis}} Fritz Lang's ''Metropolis'']]
* The original score, including the main theme for the movie.
* The original score, including the main theme for the movie.
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Changed line(s) 2 (click to see context) from:
* Kenichi may only be a little kid, but don't underestimate his strenght and determination. When he goes to recue someone, he wont stop until the jobs done.
to:
* Kenichi may only be a little kid, but don't underestimate his strenght strength and determination. When he goes to recue someone, he wont stop until the jobs done.
