Re-Written Review — This Time, It's Serious.
Confused Matthew takes on works that he considers over-rated, approaching them with an Aristotelian demand for plot-logic. In doing so, he antagonizes many viewers, who depend more on suggestiveness and emotional effect. Matthew wants movies that make one
think; most people seem to prefer movies that make them
feel. His zeal for promoting logic in films makes him routinely overstate and exaggerate to make his points, amusing some and enraging others.
The main criticisms offered of Matthew's reviews are 1) unnecessary vehemence and 2) medium ignorance. The first is purely a matter of taste: some find his violence amusing, some do not. The latter is more arguable, and depends on fundamental assumptions about the nature of drama itself. Matthew asserts that all the works he reviews present themselves as "films" and should be judged as such. His opponents insist that they belong to different categories from "Traditional Drama," and must be judged on their own terms.
His attacks on
Spirited Away and
2001 have inflamed opinions primarily for this reason. Matthew demands that both fit into a category of drama with a strict succession of events depending on causation; their fans insist that they must be judged under different criteria and by different rules, just as one would judge Titian's "
Assumption
◊" differently from Pollack's "
Blue Poles
◊." The fact that Matthew admits to a bias does not excuse his reviewing such works; rather, it aggravates it —
an arguable position.
Matthew's position
vis-à-vis The Lion King is more straightforward: it
is a "traditional film." Here his attackers clearly are exalting feeling over logic. Matthew might well have expanded his case against this film to include more technical considerations. He
does take into account its moral dimension; he feels the film offers the wrong lessons to its viewers.
This moral attack forms his main objection to
The Incredibles. As
George Bernard Shaw attacked
Macbeth, so he attacks this film for its unnecessarily dark philosophy. Whether one accepts this critique will depend to an extent on one's own
Weltanschauung.
Great moment from the Lion King review. "Lets see, you've been on screen for 45 minutes. Here's a girlfriend." Spot on. Even at 14 when I saw this movie, I rolled my eyes. I'd been a big fan of Aladdin, and like Matthew I immediately found myself comparing that romance to this one.
comment #1606
gibberingtroper
5th Jan 10
Yeah. Confused Matthew's a viewer and he's a moron.
comment #1947
FigmentJedi
28th Feb 10
comment #1967
112.119.4.218
3rd Mar 10
TLK is awesome and CM can hate if he wants to but he's reasons make no sense!!
comment #2797
SpongebobSquarepants
7th Jun 10
comment #2834
Jumpingzombie
11th Jun 10
comment #3681
BigT
2nd Aug 10
Well, I had to reach for a dictionary a couple of times, but I think I understood this review. I don't want to come across as cretinous but in general, writers should use the simplist possible words when they can.
comment #3684
maninahat
2nd Aug 10
comment #3731
depaderico
3rd Aug 10
(edited by: depaderico)
How does Spirited Away not follow a logical progression of events (based on the world in which it is set)?
comment #6409
DracoDracul
13th Feb 11
comment #6416
Phrederic
14th Feb 11
comment #6460
maninahat
17th Feb 11
(edited by: maninahat)
comment #8020
marcellX
8th Jun 11
comment #8039
gibberingtroper
9th Jun 11
comment #8085
marcellX
14th Jun 11
(edited by: marcellX)
comment #8442
marcellX
5th Jul 11
(edited by: marcellX)
comment #8484
silver2195
7th Jul 11
comment #8656
kay4today
15th Jul 11
comment #8694
marcellX
17th Jul 11
(edited by: marcellX)
^You know, when someone says something that has nothing to do with what you said, you're generally supposed to think "Hey, maybe he wasn't responding to me."
comment #8698
eveil
17th Jul 11
comment #8714
marcellX
18th Jul 11
(edited by: marcellX)
comment #10858
Tomwithnonumbers
16th Oct 11
comment #12083
HandyHandel
29th Dec 11
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