It's really the sets that make it. They look like how you'd see a medieval German October if you were on every hallucinagen known to man. Veidt is amazing, as always (killing people while wearing a sweater. How cool is that?), but the real highlight is Werner Krauss, who looks like a malignant owl, especially when he puts his glasses back on at the very end. I'm going to have to go right ahead and call this the best movie ever.
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