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A christian 18 year old girl lives with her old aunt in California. Later on, she discovers that she is diagnosed with a stomach disease. Her parents are dead and she is totally broke and have no insurance. She has no money for any treatment and knows that she wouldn't live very long. Summer arrived and she lied to her aunt that she was going to a summer camp. She gathered up the only money that she had and decided to live her last wish: meeting her favorite actress. While running into her celebrity, she of course have no food or shelter. She ends up staying with the actress. At first, their relationship is pretty tough due to the hectic life of the star. As time passed, she begins to change the living style of the celebrity and leading her to Christ, making the actress realize that life can be simple and still enjoyable. Their relationship became like the relationship of a mother and a daughter. Towards the ending, the protagonist becomes very ill and her actress discovers her sickness. ( She becomes very desperate to find treatment for her fan.) Sadly, time passes by and she takes her last breath leaving her actress continuing the new life that she had begun.

t you're in danger of making your main character too persuasive and idealized. There needs to be a plausible reason why a celebrity would take in and be converted by a random fan, and it can't be that that fan is always right or naturally persuasive. Maybe the celebrity is gullible. Maybe the fan is manipulative.

Secondly, why doesn't the celebrity return the girl to her aunt? That would be the more sensible course of action than taking someone in who you don't know. And, for that matter, why doesn't the story show more sympathy with the aunt? Isn't she worried?

This story could be interesting, so long as you don't portray your protagonist as a paragon of virtue. Because she isn't. Judging from your premise, she's reckless (leaving her home without making arrangements for food and shelter), stubborn (trying to convert others to her way of thinking), and a bit manipulative (concealing the fact that she is dying from the actress). Show her to be so. Have others call her out on it. Have her be wrong because of it, and have her change, too, instead of just the actress.

A boy and girl who grow up together, as neighbour, quite obviously in love, as they get to the later stages of their teenage years their feelings grow stronger. Although neither wish to ignite or pursue the love as they don't want to risk their friendship. During their teenage years the young girl is always in and out of relationships that don't often work, including an abusive relationship, in which she completely loses trust in herself and her ability to love, which she later gains again as she grows, with the help of the young man. The young man tends to be in not so serious flings that usually start and end within the same weekend, always searching for someone whom resembles the girl he desires. As they leave high school the girl pursues a career in nursing and the boy one in the army. Still neither is willing to admit their feelings until the now man after several marriages and the woman after an extremely tiring marriage and are in their mid 30's are saying farewell once more as the man will be leaving for war the next morning. The woman admits her feelings, and they have one night filled with passion. Three months later the woman hears of the mans death, and cries herself into a dreamless sleep.

I think the plotline is similar to those I've seen a lot before. The author would really have to work to make it fresh...there needs to be a twist somewhere.

Some twists:
- The boy is a pacifist. He wants to be a nurse, too, but he's being pushed into the army by overconservative parents, or drafted.
- One of them has a secret fetish, and is unfulfilled without a partner who will be open to it. The other character is the only one who knows. - They both share an interest/obsession with some topic, which becomes a motif in the story.
- Also, it's kind of a gender stereotype that the female romantic lead will have trouble trusting after abuse, and the male will have trouble committing after a bunch of shallow flings. Maybe you could flip that on its head. Make the male character the abused one who can't trust, and the female the one who has shallow flings.
- One or both of them has autism or asperger's, which makes understanding and relating to people hard for them.