Alas, Poor Scrappy: A nonlethal version. Even if you thought Roger was annoying, it's really hard to not feel sorry for him after he's told Jessica was caught playing patty-cake with Acme and looks over their pictures in his wallet with a heartbroken expression.
Award Snub: Bob Hoskins spends much of the movie talking to cartoons while pulling off a comedic while troubled character with a flawless New York accent. (Keep in mind acting with cartoons is significant because he had to act against air and voice actors NOT in his eyeline to film scenes with cartoons).
The film itself was omitted from Best Picture and Best Director nominations (even though Robert Zemeckis was able to earn recognition from the Directors' Guild of America), likely stemming from a bias against its cartoon elements. The film ended up tying Best Picture winner Rain Man for most wins at the Oscars that year (4), which can either be seen as a way of lessening the Award Snub or exacerbating it.
Quite a lot of toons come and go after one scene with minor to no effect on the plot and are never mentioned again. Most notably, the Ducks' piano duel.
And the deleted scene that's sometimes added back in, depending on where you're watching the movie. That was just weird.
Captain Obvious Reveal: With his menacing, ruthless demeanor; his cruel, abusive behavior; the dreadful, eerie score that accompanies him and the fact that you see him straight-up KILL a Toon during his introductory scene, who would've thought Judge Doom would be the Big Bad?
Zig Zagged hard. Judge Doom being a Toon is indeed a surprise, but some foreshadowing waters down the shock. The fact Eddie wasn't all that surprised should tell you this. However, The Reveal that he is the same Toon who killed Eddie's brother is effectively shocking and disturbing.
Dancing Bear: The movie was sold on the spectacle of animated and live action characters seamlessly integrated across a cameo-laden full-length feature film. As it turns out, this worked great, the writing and acting were strong enough to carry it off, and the movie was and is considered to be pretty good.
The entire Toon Patrol has a surprisingly large fanbase. Admittedly most of them are Furry Fans but for villainous characters who not only never get named, but also don't even survive the movie, Smart Ass and his squad sure have a lot of fans.
The Dip is made of chemicals (turpentine, acetone and benzene) which are widely used as cleaners to dissolve dried oil paints and India inks of the type used on animation cels of the period. They were what were used to clean animation cels for later reuse.
Those familiar with Arthurian mythology will spot the connection behind Eddie grabbing the Singing Sword: That particular blade was the weapon of choice of Sir Valiant.
In one scene, Jessica Rabbit tells Eddie Valiant, "I'm not bad, I'm just drawn that way." Imagine that after 23 years, one defense lawyer said the same thing about Amanda Knox when comparing her with Jessica during the appeals trial in that she was no Femme Fatale. Amazingly, it was the same "Jessica Rabbit" defense that got Knox and her co-defendant cleared of murder.
Twice, there are lines that can be construed as referring to films released later in The Renaissance Age of Animation; one is the weasels' hyena cousins, and the other is a throwaway line about Quasimodo. These films would not be released for six to eight years, and naturally were not actually being referencednote In the case of The Hunchback of Notre Dame, Roger was referencing either the original Victor Hugo novel, or the 1939 film version, which had been the most recent movie adaptation of the story to date at the time the events of this movie take place., but it adds a level of depth to the film to work in movies that hadn't been released yet.
Daffy Duck riffing on Donald Duck's speech impediment sounds like Hypocritical Humor, but there is some Reality Subtext there. Mel Blanc once said in an interview, he always hated Donald Duck's voice, and said a character where you can rarely tell what they're saying was a total waste.
Ho Yay: Between Roger Rabbit and Eddie. They kiss, twice.
Hype Backlash: The general opinion is that it's a great film that kickstarted a new era of animation being recognized as art as well as entertainment, but there are professionals and fans who blame Spielberg for changing a cottage industry into a corporate giant (albeit still one with a small reference pool) that doesn't allow for new talent and only cares about making money and selling tickets.
Moral Event Horizon: The death of the cartoon shoe that just happened to be in the wrong place at the wrong time clearly shows how far over the horizon Judge Doom and his minions are. See also Complete Monster above.
The toon bullets who help Eddie in his search for Roger before entering Toontown.
Lena Hyena has only 40 seconds of total screen time.
The two ducks, Donald and Daffy.
Droopy as the elevator attendant is also particularly memorable.
The Problem with Licensed Games: The Game Boy version is decent enough (interestingly, Roger solves his own case with the help of his ever-present magnifying glass), but the NES game is infamous for two reasons: the "phone number" Eddie uncovers to call Jessica Rabbit which, when dialed, is supposed to provide players with a clue, is currently a 1-900 number. And two, it was developed by Rare, making it an Old Shame to boot due to their pre-Nintendo days being associated with three, LJN Toys, who was and still in notorious for publishing games that enforced this trope; The Angry Video Game Nerd looked at the game twice and discovered the phone number and a bonus with it detailed below on his second try.
Soltenga: The original intent of the number has long since been discontinued in lieu of a sex chat hotline, but that's arguably a more preferable idea to playing this game.
Signature Scene: Doom's reveal as a Toon is a terrifying and memorable scene. To some there's also the scene featuring Mickey Mouse and Bugs Bunny, likely because it is probably the only time those two animation icons will share a scene together.
The reason Mickey and Bugs are always together is because in getting agreements for the characters to be on screen, Disney and Warner Brother demanded they receive equal screen time.
They Wasted a Perfectly Good Character: After spending the first two acts of the movie as an important interesting supporting character, Dolores just disappeared in the final two arcs and completely lost plot relevance until the very end.
An intentional case, Judge Doom's real eyes. By all accounts, it worked.
Even before the big reveal, Doom's appearance and mannerisms are... off. The makeup job applied to Lloyd made his skin appear to not be quite real somehow, and the stiffness of his movements and the stiltedness of his expressions were all designed to call attention to the fact that there was something just not right about the character. There's also the fact that his cape is always fluttering slightly even when there is no wind. Christopher Lloyd was given specific instructions never to blink on camera; as a result any time you see his eyes, they always have this unnatural stare.
As great as the animation is, the fact that it's all on ones (i.e., one new drawing for every frame) can be a little hard on the eyes after a while.
Villain Decay: This is more of a Base Breaker, but when Doom is revealed to be a Toon, he is either viewed as becoming less threatening as a villain, however others argue that that he becomes more terrifying, especially with his hellishly high-pitched voice and eyes.
Visual Effects of Awesome: Keep in mind this was before CG was employed in movies. Anytime you see a prop or part of the scenery being moved by a toon, the toon isn't there, so a machine had to be invented solely for that movement and placed right there on the set, such as the toon running through a window to make a hole shape of themselves, a glass being lifted into the toon's mouth to drink it, or piano playing! All the animation was hand-drawn on paper, 98% on ones, then painted on real cels, and then sent off to ILM to be optically composited!
However, given the reliance on effects, a few slip-ups were inevitable. One such instance, when Valiant finds Roger in his bed, the edge stays pressed down like Roger is leaning on it when he isn't, then suddenly pops back up several seconds later.
Like most of Richard Williams' animation, the fact that nearly all of it is on ones (that's to say one new drawing for every exposure) can look a bit odd when placed in a live action scene. Justified, in that it did have to match up to pre-shot film that ran 24 fps.
What Do You Mean, It's Not for Kids?: Where do we even start? In general, the whole film feels like an attempt to tear down the Animation Age Ghetto, what with the Double Entendres out the wazoo. Also has the most frightening reveal in an animated film yet. The general assumption is that the movie would've gotten a PG-13 rating had it been released today, and it did in fact get a TV-14 rating when it aired on ABC Family.
Poor Roger; the guy gets yanked around by everybody for the whole movie, and although he's a bit wacky after actually going to Toon Town he comes off as rather mild mannered and sweet.
That poor little toon shoe.
Jerkass Woobie: Eddie Valiant. Yeah, he's alcholic, grumpy and rude. But seeing his tragic backstory where his brother has been killed by a toon - a fact who turned him into a depressive lonely man in contrast to the great Toontown detective he used to be - that shouldn't be a surprise.