These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
Accidental Innuendo: Pete Townshend has said that "Squeeze Box" is about nothing more than a woman who plays accordion to the annoyance of her family. But John Entwistle said that when he first heard the song, he knew "it was about tits." According to this, however, "[Squeeze Box was] Intended as a poorly aimed dirty joke."
Awesome Moment of Crowning: In a symbolic way. Jimmy Page was looking to re-form the Yardbirds and had asked Keith Moon and John Entwistle about who he could get. Moon joked that he and Entwistle could join but that the lineup "would go over like a fucking lead balloon." From that Page got the band name Led Zeppelin, though Moon was technically right: the initial Supergroup lineup of Led Zeppelin did not work out.
Awesome Music: Several, but the version of "A Quick One" from The Rolling Stones' Rock and Roll Circus featured in The Kids are Alright stands out. Part of the reason the Stones sat on the footage for several years was because they couldn't take being upstaged by a rival band in their own film.
"See Me, Feel Me", "Won't Get Fooled Again", "The Real Me", etc.
Oh hell, just take your pick! "My Generation", The Who Sell Out, Tommy, Who's Next, Quadrophenia, and so on...
Big Lipped Alligator Moment: The end of "I Believe In Everything" from Entwistle's first solo album suddenly breaks into the whole band (including an incredibly drunk-sounding Keith Moon) singing "Rudolph the Red-Nosed Reindeer"
Broken Base: The disputes over whether the band should have quit after Moon's death have been...energetic, especially with Kenney Jones and the 1989 Tommy tour. It got better (mostly) after Zak Starkey became the drummer.
Covered Up: They are often the coverers though: "Young Man Blues" (Mose Allison), "Eyesight to the Blind" (Sonny Boy Williamson II), "Summertime Blues" (Eddie Cochran), "Leaving Here" (Eddie Holland, Jr.), "Baby Don't You Do It" (Marvin Gaye).
Keith Moon. According to Alice Cooper, only a fraction of the rumors about rockers like Ozzy, Iggy Pop, and Alice Cooper are actually true. All the stories about Keith Moon are true... and you've only heard a fraction of them.
Not just Moon either - their appearance on the Smothers Brothers Comedy Hour, and their reaction to Tommy Smothers' teasing, as well as smashing his (unstrung) acoustic guitar after the bigger-than-planned explosion. A lot of that was scripted, though the big explosion certainly wasn't. Tommy was a big fan of the Who, and decided to have them on after he saw them at the 1967 Monterey Pop Festival. Moon had a knack for going off-script.
Ear Worm: A lot of their songs. Particular examples are "Who Are You" and "Pinball Wizard".
Epic Riff: "My Generation", "Baba O'Riley", "I'm Free"...and a few others.
"Won't Get Fooled Again" contains an epic synthesizer riff. Actually, a Lowrey Berkshire Deluxe TBO-1 organ run through an EMS VCS3 synthesizer.
Face of the Band: This wasn't always the case. The Who now consists of Pete, Roger, and those two guys who aren't John and Keith. One could also argue that Endless Wire is a Pete Townshend solo album featuring Roger Daltrey on guest vocals.
Fanon Discontinuity: Some have ignored the band's work after Moon's or after Entwistle's death.
"Funny Aneurysm" Moment: The line "Hope I die before I get old," in "My Generation", after the deaths of Keith Moon and John Entwistle. In another Flip Flop of God, Townshend took in the '90s to claiming that "oldness" is a state of mind, not a descriptor of physical age.
Funny Moments: Usually courtesy of Keith Moon, although each band member was pretty hilarious in his own way. The intro to "A Quick One While He's Away" on Live at Leeds, and many others. You can see a lot of them, including Keith Moon's "striptease" as a bewildered Russell Harty tries (with limited success at best) to interview them, in The Kids are Alright.
A funny story from The Who's travels on the road: Keith Moon, Mr. Crazy Awesome trope codifier, is enjoying his music in his hotel room at a great loud volume, as per the norm. The hotel manager comes round to complain about "the noise". Keith, ever the polite one, invites the manager into the room with a gallant wave. He walks him over to the bathroom, whereupon he lights a stick of dynamite, drops it in the toilet, and closes the door. The dynamite ignites, and Keith, still in polite mode, says to the manager, "That, dear boy, was noise." He then turns up his boombox and says "This... is The Who."
Another time, as The Who were leaving their hotel, Keith yelled "Wait, I forgot something!" He then ran back into their hotel room, grabbed the TV, threw it into the pool, and climbed back into the car as if nothing had happened.
The "Happy Jack" and "Call Me Lightning" music videos.
Most of John Entwistle's compositions (both with The Who and as a solo artist) were written with a rather dark humor.
Any of the videos where they're lip-synching a song. Watch Keith Moon, naturally. He'll usually spend most of the video contentedly bopping his head and occasionally hitting the drums in rhythm with the song.
The band's previously mentioned appearance on The Smothers Brothers Comedy Hour.
Harsher in Hindsight: The cover for Who Are You has a photo of the band with Keith Moon sitting in a chair with the words "Not to be taken away" on the back. Sadly, he died of a drug overdose one month after the album was released. (The reason he was sitting on the chair in the first place was to hide the effects of his alcohol and drug abuse.)
Moment Of Awesome: Woodstock. While they were playing "See Me, Feel Me," the sun rose. The band had a lighting rig - one of the first used in rock concerts - constructed to replicate the effect for future performances.
They Changed It, Now It Sucks: So very, very much with Live at Leeds. Many see the whole point of the album as showing the Who in their raw, live form as the original LP did. The 1995 and 2001 re-releases gave us the whole concert, but with crackling noises removed, some of the vocals re-recorded, and the Tommy section moved to a separate disc.