YMMV / The Living Daylights

  • Awesome Music: The last Bond film to have a soundtrack written by legendary composer John Barry, the soundtrack also sports one of the better Bond themes of The '80s courtesy of a-ha, and two tracks by Pretenders.
  • Anticlimax Boss: Some might see the final battle between Bond and Whittaker as this, with Bond defeating him by dropping a bust on him despite being outmatched in a tight space by both superior armor and firepower.
    • Koskov himself, who relies more on Necros and his soldiers to take care of Bond at the airbase, before being easily nabbed by Pushkin when he returns to Tangier.
    • Funnily enough, both 002 and 004, the first being taken down by the SAS mere moments after landing while the latter is seen falling to his death by an assassin immediately after.
  • Common Knowledge: It is common for a post-9/11 to see Bond teaming up with the Mujahideen as a "Funny Aneurysm" Moment in part because of the belief that the Mujahideen became the Taliban and, thus, the enemies of the West in the War On Terror. This is incorrect though, because the Taliban were in fact a radical student movement (the name even comes from the Arabic "talib" which means "student") that took over Afghanistan after the Soviets were kicked out and also after the Mujahideen began fighting amongst themselves for control of the country. In other words, the Taliban and the Mujahideen are in fact enemies, and Kamran Shah in particular — being an Oxford-educated freedom fighter who casually teams up with a British spy and a Czech woman — would probably be marked for death as soon as they took power; if anything, the real "Funny Aneurysm" Moment is that the character of Kamran Shah was most likely murdered off-screen at some point after the movie.
  • Ensemble Darkhorse:
    • Necros. He's the best of the Red Grant clones, gets two sweet-ass fight scenes, has his own theme song and gadgets, and is probably the most competent and ruthless of the villains. As a result, he's very well-regarded by Bond fans.
    • Green Four, the badass MI6 agent who has a brutal fight with Necros in the safehouse kitchen, is very popular with the fanbase.
  • Evil Is Sexy: Necros. The swimming pool scene. Oh so very much. In fact, he's one of the very few male examples in the Bond movies.
  • Fridge Brilliance:
    • At the beginning, Koskov is questioning Bond about the sniper Bond disarmed (Kara). Only later in the film do we realize that he was trying to see if Kara had been eliminated to avoid revealing the truth about the "extraction".
    • Bond is also notably curt in cutting off Koskov's line of questioning, giving an answer that essentially lets Koskov draw his own conclusions ("I'd rather not talk about it."). Having clocked that the sniper wasn't a professional, he's got some early suspicions that all might not be as it seems with Koskov's defection.
  • "Funny Aneurysm" Moment: In the denouement, the Mujaheddin (in the same full desert dress and carrying *bandoliers*) burst into the room where Bond and the others are celebrating saying, "Sorry we're late. We had a little trouble at the airport."
    • Thanks to the War On Terror, it's hard to look at Kamran Shah without imagining him as an expy of Osama Bin Laden. Especially since his actor, Art Malik, played a similarly crazed terrorist in True Lies. Of course, when the film was made, Osama Bin Laden was basically a nobody. Also, Kamran Shah is portrayed as being westernized enough to have attended Oxford University. That alone makes him very unlike Bin Laden and also unlikely to support the extremist Taliban when they come to power in the 1990s. In fact, Shah probably has a very bleak future if he doesn't get out of Afghanistan before the Taliban regime takes over.
  • Harsher in Hindsight: In a post-9/11 world, it may be hard for modern audiences not to view Bond's allies at the end of the film as basically being a more romanticized version of the Taliban.
    • It's worth remembering that the Taliban began as an anti-Mujaheddin in this movie, and the two groups were at odds in The '90s, which resulted in the remaining Mujaheddin groups throwing their lot in with the US to get rid of the Taliban. So it is unfortunate, but not as bad as you might think.
    • While leaving Bratislava, Bond says to Saunders "Go ahead. Tell M what you want. If he fires me, I'll thank him for it." In Licence to Kill, Bond deserts MI-6 to avenge Felix Leiter and his wife. Then, in real life, LTK underperformed in theaters, leading the franchise into a 6-year long Development Hell which saw Timothy Dalton leaving the series.
  • Hilarious in Hindsight: In a case of accidental foreshadowing, while showing Bond profiles of KGB assassins, Q describes one whose method is strangulation with her thighs. Ms. Moneypenny even quips to Bond that "she's just your type". (There might have been some connection, had said assassin not been a Brawn Hilda.)
    • When it was clear that Roger Moore was serious about retiring, it was briefly decided to make the next film a prequel showing James Bond as a young man. Cubby Broccoli shot this down, because he thought no-one would be interested in seeing 007 as a rookie. Flash forward twenty years...
  • One-Scene Wonder:
    • Julie T. Wallace as Rosika Miklos.
    • The agent only known as Green Four who gives Necros a good fight in the MI6 safehouse kitchen.
  • Retroactive Recognition: Christian Shepard as Felix.
  • The Scrappy: John Terry as Felix Leiter, who has all of four minutes of screentime and in the words of one critic has "zero chemistry" with Timothy Dalton's Bond. His brushed-off cameo of an appearance is especially jarring when you consider that it's the first time the character has appeared since all the way back in Live and Let Die, and his long-running chemistry with Bond would be a vital point in the next movie.
  • Seinfeld Is Unfunny: With the Daniel Craig Bond films, it's harder to appreciate Timothy Dalton's portrayal of Bond in this film and Licence to Kill, where the producers were specifically trying to create a darker Bond to differentiate from the often-comical Roger Moore films. The difference between Craig and Dalton is that Craig's Bond completely breaks the formula, whereas Dalton's tries to recreate Ian Fleming's Bond within the established Bond movie formula.
    • Ironically, Dalton's more grim and cynical Bond ("If he fires me, I'll thank him for it!") was one of the things that most divided fans of the franchise at the time. In this sense, Dalton's Bond to some degree has been re-evaluated as being somewhat ahead of its time.
  • Tear Jerker: Saunders's death. It happened just after he finally thawed.
  • Values Dissonance: Bond's alliance with the Afghanistan Freedom Fighters. Though, to be fair, the West is STILL allied with some of them.
    • Bond does get upset that said allies are pushing drugs, even if they are selling them to Soviets.
  • The Woobie: Kara. She has her arm injured as she pretends to be a sniper to aid her Big Bad Friend Koskov's plan to fake his defection (with Koskov fully intending that she be killed by Bond during it), is arrested by the KGB, has her apartment and all her possessions (save for her cello) destroyed, and is duped into believing Bond was faking all the incredibly nice things he'd done for her to betray her to the KGB and aiding Koskov in capturing Bond by drugging him. Then she finds out that Bond was the one who gave her the arm injury, that he actually meant the incredibly nice things he did, and that Koskov lied to her. THEN, Koskov betrays her *again*, outright tells her she's heading to a Fate Worse Than Death (by exile to Siberia). Honestly, you want to hug her by the time you get to the last third of the movie.
  • They Wasted a Perfectly Good Character: General Pushkin was supposed to be a recurring character early on upon his replacement of General Gogol, in the wake of actor Walter Gotell's failing health. Sadly, this did not come to pass, despite the standout performance of John Rhys-Davies in this film. In defense of the producers, this was partly because by the time Russia was again the central focus of a James Bond movie, The Great Politics Mess-Up had occurred.
  • Win Back the Crowd: After the negative reception of A View to a Kill, and in time for the series' 25th anniversary, this film gave as a much more serious, back-to-basics film that was a welcome relief following the lighter nature of the Roger Moore era.

http://tvtropes.org/pmwiki/pmwiki.php/YMMV/TheLivingDaylights