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** MediaNotes/MotionPictureAssociation slapped the film with a non-negotiable R rating over "containing portray of occultism", but had no problems with AttemptedRape, suicide scenes or teens chain-smoking. Ironically, [[Film/TheCraftLegacy the sequel]] got PG-13, despite having actual occultist running a cult group in it, but had to be squeeky clean in terms of substance use and sex. The resulting 180 turn took mere ''24 years''.

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** The MediaNotes/MotionPictureAssociation slapped the film with a non-negotiable R rating over "containing portray portrayals of occultism", but had no problems with depictions of AttemptedRape, suicide scenes or teens chain-smoking. Ironically, [[Film/TheCraftLegacy the sequel]] got PG-13, a PG-13 rating despite having an actual occultist running a cult group in it, but had to be squeeky squeaky clean in terms of substance use and sex. The resulting 180 turn took a mere ''24 years''.
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** UsefulNotes/MotionPictureAssociation slapped the film with a non-negotiable R rating over "containing portray of occultism", but had no problems with AttemptedRape, suicide scenes or teens chain-smoking. Ironically, [[Film/TheCraftLegacy the sequel]] got PG-13, despite having actual occultist running a cult group in it, but had to be squeeky clean in terms of substance use and sex. The resulting 180 turn took mere ''24 years''.

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** UsefulNotes/MotionPictureAssociation MediaNotes/MotionPictureAssociation slapped the film with a non-negotiable R rating over "containing portray of occultism", but had no problems with AttemptedRape, suicide scenes or teens chain-smoking. Ironically, [[Film/TheCraftLegacy the sequel]] got PG-13, despite having actual occultist running a cult group in it, but had to be squeeky clean in terms of substance use and sex. The resulting 180 turn took mere ''24 years''.
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Trope was cut/disambiguated due to cleanup


* EvilIsSexy: By the time Nancy, Bonnie and Rochelle have undergone a FaceHeelTurn to become the film's true antagonists, they've also gone through an AdrenalineMakeover (Bonnie in particular paying more care to her appearance once her scars vanish). Or as Rachel True put it:
--> "Did you notice that the more power we got, the shorter our skirts got?"
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** UsefulNotes/MotionPictureAssociation slapped the film with a non-negotiable R rating over "containing portray of occultism", but had no problems with AttemptedRape, suicide scenes or teens chain-smoking. Ironically, [[Film/TheCraftLegacy the sequel]] got PG-13, despite having actual occultist running a cult group in it, but had to be squeeky clean in terms of substance use and sex. The resulting 180 turn took mere ''24 years''.
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** When the film came out, Laura's made-up racist slurs were just too ridiculous to be taken serious. At least some of them became ''actual'' slurs over the years since premiere, even if through different sources.

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* SpecialEffectsFailure: Sarah's hair in the film is obviously a wig (due to Robin Tunney shaving her head for ''Film/EmpireRecords''); glaringly so during the glamour scene.

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* SpecialEffectsFailure: SpecialEffectsFailure:
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Sarah's hair in the film is obviously a wig (due to Robin Tunney shaving her head for ''Film/EmpireRecords''); glaringly so during the glamour scene.scene.
** The wide shot of Nancy WalkOnWater scene is blatantly green-screened. What makes it stand out much more is the very next shot, where she is still walking on the surface, reaching the shore, but this one was done with practical effects, still looking impressive.

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** Sarah is constantly referred by the boys from her classes as ugly and unattractive. Unlike previous examples, she's not looked down due to some deformity or acting and dressing up in wildly original way - she's the epitome of GirlNextDoor, which the film ''in the same time'' bizarrely plays up as part of her appeal and allure. No effort is made to even present or suggest that a character played by Creator/RobinTunney isn't attractive, making the constant teasing feeling [[InformedAttribute really forced]].



* OnceOriginalNowCommon: It might be lost on younger viewers just how ''different'' the movie was when it first came out. Teen UrbanFantasy was not a mainstream genre, or, for that matter, even regular Urban Fantasy was still this new, uncharted territory at that point. The likes of ''Series/BuffyTheVampireSlayer'' and ''{{Series/Charmed|1998}}'' wouldn't hit the air for a couple of years - producer Andy Wick said "It was before YA. There were very few female heroines like that.", and the notion of a girl-centered teen movie called to mind something like ''{{Film/Clueless}}'' as opposed to anything dark. The filmmakers didn't even know who they were really marketing the film to - until hundreds of goth and punk girls showed up to the preview.
* PeripheryDemographic:
** Both [[Franchise/TheWorldOfDarkness oWoD and nWoD]] players, since the film fits right into the setting. While during the release, it neatly overlapped with the target audience of goths, things changed over the years in terms of who the players are, but not when it comes to them still watching ''The Craft'' and suggesting others to watch it.
** Anime fandom, particularly people into MagicalGirl shows, particularly the DarkerAndEdgier ones. This demographic developed over the years, rather than in the initial release of the film, since the MagicalGirl subgenre itself was in a completely different phase in the mid-90s.



* SeinfeldIsUnfunny: It might be lost on newer fans just how different the movie was when it first came out. Teen UrbanFantasy was not a mainstream genre - the likes of ''Series/BuffyTheVampireSlayer'' and ''{{Series/Charmed|1998}}'' wouldn't hit the air for a couple of years - producer Andy Wick said "It was before YA. There were very few female heroines like that.", and the notion of a girl-centered teen movie called to mind something like ''{{Film/Clueless}}'' as opposed to anything dark. The filmmakers didn't even know who they were really marketing the film to - until hundreds of goth and punk girls showed up to the preview.


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** The shot of Sarah playing with her pencil during a class, first steadying it on its tip and then making it slooowly spin like a drill into her desk - all without using her hands. It's very brief, yet highly memorable.


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* TestosteroneBrigade: This film was attracting goths and metalheads, regardless of their gender.
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trope about IU colorism now


* EthnicScrappy: Rochelle's entire characterization revolves around her race. A deleted scene reveals that it's not just Laura who's a racist bitch; the entire school ostracizes her because she's black (except Nancy, who throws it in Rochelle's face when she and Bonnie try to get her to lay off the magic). Many viewers were annoyed by the film's clumsy handling of racism and that Rochelle had no character beyond that. On the other hand, as mentioned under FairForItsDay, Rochelle avoids some of the more common stereotypes of black characters and some fans were simply happy to have a black character in a mainstream leading role at all (which was pretty rare at the time the film was released). Rachel True has also pointed out that she wore her hair natural at a time when many black actresses, especially in teen movies, [[ButNotTooBlack had to straighten theirs or wear weaves]].

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* EthnicScrappy: Rochelle's entire characterization revolves around her race. A deleted scene reveals that it's not just Laura who's a racist bitch; the entire school ostracizes her because she's black (except Nancy, who throws it in Rochelle's face when she and Bonnie try to get her to lay off the magic). Many viewers were annoyed by the film's clumsy handling of racism and that Rochelle had no character beyond that. On the other hand, as mentioned under FairForItsDay, Rochelle avoids some of the more common stereotypes of black characters and some fans were simply happy to have a black character in a mainstream leading role at all (which was pretty rare at the time the film was released). Rachel True has also pointed out that she wore her hair natural at a time when many black actresses, especially in teen movies, [[ButNotTooBlack had to straighten theirs or wear weaves]].weaves.

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Foe Yay has been cut


** Did Nancy attack Chris in outrage over his [[spoiler: attempted rape]] of Sarah, or was she just jealous that Chris was obsessed with Sarah and not her, even when the infatuation had become disturbing and dangerous? Or, if you think that Nancy was secretly [[LesYay infatuated]]/[[FoeYay obsessed]] with Sarah, could it be that she's jealous of ''Chris''? Either way, she likes being [[ControlFreak in control]] of the other girls in the coven, so perhaps she felt Chris was trying to take Sarah away from her?

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** Did Nancy attack Chris in outrage over his [[spoiler: attempted rape]] of Sarah, or was she just jealous that Chris was obsessed with Sarah and not her, even when the infatuation had become disturbing and dangerous? Or, if you think that Nancy was secretly [[LesYay infatuated]]/[[FoeYay obsessed]] infatuated/obsessed]] with Sarah, could it be that she's jealous of ''Chris''? Either way, she likes being [[ControlFreak in control]] of the other girls in the coven, so perhaps she felt Chris was trying to take Sarah away from her?



* FoeYay:
** Does Nancy seem just a little ''[[LesYay too]]'' [[LesYay obsessed]] with Sarah? When welcoming Sarah into the coven, she kisses her a little longer than the others did for each other, and says "that's my girl."
** Nancy and Chris too. If you took a couple of their scenes out of context, she'd look more like a {{Tsundere}} for him.
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*JerkassHasAPoint: “You’re just jealous.” Chris has been a complete jerk and done some terrible things in the movie, but he raises the entirely valid point that Nancy’s fury at him has less to do with his attempted rape of Sarah, but the fact that he likes her INSTEAD of Nancy. Nancy’s reaction doesn’t help her case.

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** This gets even better when you realize the plot even bears similarities to the ''Star Wars'' sequel trilogy, which was released nearly ''twenty'' years later. Sarah’s character arc is rather similar to Rey’s arc in ''Film/TheForceAwakens''; they’re both TroubledButCute girls with [[DarkAndTroubledPast Dark and Troubled Pasts]] (Sarah’s mother died in childbirth, for which she feels guilty, she has trouble making friends and suffered from depression; Rey was abandoned by her parents, lives relatively alone and is essentially a slave in all but name). They’re born with extraordinary abilities but have yet to fully understand their powers or tap into their true potential until the end. They both receive help from a motherly figure with knowledge of magic/the Force (Lirio for Sarah, Maz Kanata for Rey) who tries to guide them and tells them they are strong with the light, but both girls flee in terror and self-doubt after experiencing horrific visions. They both have to face off against an equally powerful villain who uses the dark side and are both AxCrazy [[PsychopathicManchild Psychopathic Manchildren]] with a lust for power (though not devoid of sympathetic traits), who try to get inside their heads and use their weaknesses against them. Just when all hope seems lost, Sarah and Rey both find the courage to ‘surrender to a higher power/use the Force’, embracing their abilities and kicking the bad guy’s ass. They even both give the villains some nasty scars to remember them by (Rey slashes Kylo Ren across the face with a lightsaber, whilst Sarah kicks Nancy into mirror).
** Nancy and Kylo Ren have yet more similarities, as well. They're both [[EeriePaleSkinnedBrunette Eerie Pale-Skinned Brunettes]], both [[EvilWearsBlack wear black constantly]] and generally act like sullen Jerkasses when they're not throwing a screaming fit. They both feel insecure and isolated deep down and cover it up by acting tough. They both generally treat their 'lackeys' like crap and aren't above threatening them. They've also both got parental issues [[spoiler: and both kill their father/father figure]]. And they're both jealous of/obsessed with the hero.

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** In fact, Nancy's wardrobe after she becomes even crazier is actually more flattering to Fairuza Balk than what she'd been wearing previously.

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** In fact, Nancy's wardrobe and hairstyling after she becomes even crazier is actually more flattering to Fairuza Balk than what she'd been wearing previously.



*** Just to be clear though, as they came out nearly 20 years later, it's the Star Wars sequel trilogy plots that bare similarities to the Craft, no the Cract bearing similarities to the later Star Wars films.



* InformedWrongness: Sarah claims that Bonnie has become "totally narcissistic" since her scars vanished. The only real evidence of this is Bonnie wearing a t-shirt in class and flirting with a random guy on the street. Granted she doesn't seem too nice any more but that just seems a result of sloppy writing than her sudden beauty.

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* InformedWrongness: Sarah claims that Bonnie has become "totally narcissistic" since her scars vanished. The only real evidence of this is Bonnie wearing a fitted t-shirt in class and flirting with a random guy on the street. Granted she doesn't seem too nice any more but that just seems a result of sloppy writing than her sudden beauty.



* JerksAreWorseThanVillains: Chris and Laura Lizzie are hated far more than the actual antagonist of the film, Nancy. Chris mostly spreads nasty rumors about Sarah (although it's implied he's done the same to other girls) and Laura Lizzie is mean to Rochelle and a lesser extent Sarah. Nancy meanwhile murders two people, tries to commit sexual assault, intimidates her friends into siding with her, threatens to slit Rochelle's throat, and does her best to torture Sarah into killing herself. But because as the villain, she's allowed a tragic backstory with her sad home life (and one of her victims being [[spoiler: Chris himself]], while the other is [[spoiler:her abusive stepfather]]), she's beloved by the fandom. Chris likely gets hated more because he tries to [[spoiler:rape Sarah]], with Nancy retaliating against him, and his only excuse is that he's an entitled asshole (albeit under a love spell), so Nancy's motives are more understandable to viewers even though they're not justified.

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* JerksAreWorseThanVillains: Chris and Laura Lizzie are hated far more than the actual antagonist of the film, Nancy. Chris mostly spreads nasty rumors about Sarah (although it's implied he's done the same to other girls) and Laura Lizzie is mean a racist bully to Rochelle and a lesser extent rude to Sarah. Nancy meanwhile murders two people, tries to commit sexual assault, intimidates her friends into siding with her, threatens to slit Rochelle's throat, and does her best to torture Sarah into killing herself. But because as the villain, she's allowed a tragic backstory with her sad home life (and one of her victims being [[spoiler: Chris himself]], while the other is [[spoiler:her abusive stepfather]]), she's beloved by the fandom. Chris likely gets hated more because he tries to [[spoiler:rape Sarah]], with Nancy retaliating against him, and his only excuse is that he's an entitled asshole (albeit under a love spell), so Nancy's motives are more understandable to viewers even though they're not justified.



* SignatureLine: '''"We are the weirdos, mister"''', this being Nancy's response to a bus driver telling her and her friends to "Watch out for those weirdos". It's frequently quoted by fans of the film, got a CallBack in the sequel and is often considered representative of the entire movie.

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* SignatureLine: '''"We are the weirdos, mister"''', this being Nancy's response to a bus driver telling her and her friends to "Watch out for those weirdos". It's frequently quoted by fans of the film, got a CallBack in the sequel and is often considered representative of the entire movie.

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* FanPreferredCouple: Sarah and Nancy have their fair share of shippers, even when they're not friends. Doesn't help with Nancy's AmbiguouslyBi moments and her obsession with Sarah (and that Sarah's LoveInterest, Chris, is a sleazy asshole who mistreats her)

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* FanPreferredCouple: Sarah and Nancy have their fair share of shippers, even when they're not friends. Doesn't help with Nancy's AmbiguouslyBi moments and her obsession with Sarah (and that Sarah's LoveInterest, Chris, is a sleazy asshole who mistreats her)her).
* FanPreferredCutContent: The deleted scene that helped bridge Nancy's FaceHeelTurn; Sarah first asks Bonnie and Rochelle about doing a binding spell, but Nancy ambushes them and gives a ReasonYouSuckSpeech. She reminds Bonnie and Rochelle of all she's done for them, also clarifying that they were outright shunned by the school before her. The director cut this, feeling it took power away from the scene in the bathroom where the girls officially turn on Sarah, and thinking it wouldn't make sense for them to remain friends with Nancy after that. The fans have a different attitude however; it explains Rochelle and Bonnie's abrupt FaceHeelTurn (which seems especially surprising for Rochelle, who's an otherwise NiceGirl) by showing they only go along with Nancy out of fear. It also gives a better reason for why Sarah would go on a date with Chris afterwards - in the finished film, she just appears to call him over simple disagreements with the girls. But the deleted scene happens right before this, meaning Sarah was feeling particularly vulnerable. Superficially, the scene shows off some killer acting by Creator/FairuzaBalk.
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Minor edit - spelling and grammar


*** Just ti be clear though, as they came out nearly 20 years later, it's the Star Wars sequel trilogy plots that bare similarities to the Craft, no the Cract bearing similarities to the later Star Wars films.

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*** Just ti to be clear though, as they came out nearly 20 years later, it's the Star Wars sequel trilogy plots that bare similarities to the Craft, no the Cract bearing similarities to the later Star Wars films.
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***Just ti be clear though, as they came out nearly 20 years later, it's the Star Wars sequel trilogy plots that bare similarities to the Craft, no the Cract bearing similarities to the later Star Wars films.
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* SugarWiki/VisualEffectsOfAwesome: Although some scenes do look a bit outdated by today's standards, other scenes involving magic still look very believable, a notable example being the scene where the girls levitate Rochelle.

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* SugarWiki/VisualEffectsOfAwesome: Although some scenes do look a bit outdated by today's standards, other scenes involving magic still look very believable, a notable example being the scene where the girls levitate Rochelle. The scene where Nancy changes her face into Sarah's is more subtle, but also fairly well-done (as well as slightly creepy).

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