These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
YMMV: The Count of Monte Cristo
The original book offers the following tropes:
Alternate Character Interpretation: Although he's presented as/intended as an Antihero, for a large part of the book, the Count is, arguably, a Villain Protagonist. He does manipulate a greedy wife into poisoning almost every single member of her family, including one Kick the Dog moment outside the count's immediate control where she poisons her nine-year-old son.
Complete Monster: Benedetto. While the other antagonists at least show some remorse, or at least some sign of humanity, Benedetto is utterly selfish, happily took advantage of the Count, only to rob him, literally stabbed his accomplice in the back, and burned his adoptive mother alive as a teenager.
The meeting between Cavalcanti Jr. and Sr., where the narration really piles on the sarcasm, as the respectful son hugs his loving father, both secure in the knowledge that they're going to be rich.
Danglars' conversation with his wife, using a Hurricane of Euphemisms to inform her that while he doesn't care that she's cheating on him with the minister's undersecretary, he does care that it's costing him money.
Marty Stu: Arguably protected by Grandfather Clause, but think about it; the Count himself spends several years in prison, and in the meantime, obtains permanent night vision and manages to become a master of every common-for-the-day fighting style and several languages. Though to be fair, the latter two (mastery of multiple fighting styles and his fluency in languages) aren't impossible and in fact an educated man of the 19th century as Dantes became as the Count would be expected to speak multiple languages. Furthermore, he knew several languages as a sailor (Spanish, Italian, and probably bits of other languages), and one can image that he may have learned a little about fighting back then, too, meaning that the only unrealistic aspect is his night-vision. Arguably, just a case of tropes aren't bad.
Misaimed Fandom: Readers are often left fascinated with the Count's overly-elaborate revenge plots, to the point that modern adaptations often just focus on the revenge and none of the moral nuances of the original novel. In fact, the author himself portrays the Count as morally questionable, and the final part of the book is spent on Dantes realizing he went too far and trying to make amends for it.
Older Than They Think: Among other things, the book is one of the first to introduce invisible ink and the treasure map as concepts, and the scheme employed to bankrupt Danglars is not only a version of the con known as "the wire", but is essentially the same trick done in the Eddie Murphy movie, Trading Places. Also, although invisible ink was used earlier by Edgar Allan Poe in his story "The Gold Bug", this novel is one of the earlier uses of the idea before it became a cliche.
An in-universe one: several characters note that Albert apologizing for insulting the count, having learned of his father's behavior, comes off as dishonorable. One claims that "had my father committed ten Janinas, I would only have seen fit to fight ten times".
The various adaptations (radio, films, TV series, etc.) offer the following tropes: