Green Hill Zone. The first experience of Sonic for those who have been with him from the very beginning. It would stick into many fans' minds for the impressive scenery, the ability to just run forward, the crumbling terrain, and especially the moment where Sonic spins into a pipe and suddenly gets launched high up into the air. As such, it's an icon of the series that has been repeatedly homaged and sometimes outrightreappeared in future games.
Star Light Zone for being the other level to really showcase the speed.
Breather Level: Star Light Zone's greatest hazard is the long gaps and the sparce checkpoints, but there isn't much else to complain about compared to its preceding level, Labyrinth Zone.
Dancing Bear: The game was sold on and became popular for two aspects. One, it was a blistering fast game for its time, allegedly thanks to the brazenly marketed "Blast Processing" abilities of the Sega Genesis. To a lesser extent, it was also for having a mild streak of edge to it that was lacking from the more vanilla Super Mario World and Sega's own previous Mario wannabe, Alex Kidd, while still having the lighthearted cartoon appeal lacking from Sega's other arcade ports and more mature games for their console.
Fan Nickname: The "Checker Wrecker" for the very first boss fight in the series, which was the name given for it in the Archie comics, but nowhere else. Plus, it sounds much catchier than the boss's canon name of Egg Mobile-H.
The Roller enemies in Spring Yard Zone, which move incredibly fast and appear quickly.
Burrowbots in Labyrinth Zone and Act 3 of Scrap Brain Zone are hidden in the ground except for their drill noses, so an impatient player may easily get blindsided by them as they leap into the air.
Goddamned Boss: The final fight has you playing a round of whack-a-mole against Eggman. Two out of four pistons will move and you must guess which one the doctor is hiding in. It can be quite troublesome when doing a speedrun, especially when the two middle pistons pattern comes up.
The Labyrinth Zone boss can also be quite intense, given it's heavily dependant upon timing - both in your jumps and the movement of spears emerging from the walls - and how much air Sonic has left, in addition to having to chase Eggman up through an incredibly small pathway. It's this, along with the overall difficulty of the zone, that contributed to the rearrangement of the stages.
In the original version, once you finished a level, if you were airborne while offscreen as the "level complete" score tallies came up, the game wouldn't take control away from you. This not only means you can continually jump past the goal post to rack up bonus points, you can also jump back into a bonus ring you may have accidentally missed.
In the 2013 remake, it's possible to get Knuckles and Tails together via glitching.
The choral "SEGAAAAAA" at the opening of the game. It's reached memetic levels due to how soothing and cool it sounds.
The opening bars to Labyrinth Zone may not seem this way at first but they're always the first thing you hear after the drowning music if you manage to save yourself from drowning. It sounds like a musical version of a sigh of relief. Similarly, the "wo-WA!" noise Sonic makes as he breathes the bubble is one of the most beloved sounds in gaming.
The infamous drowning music, which would become a recurring jingle in most games in the franchise with bodies of water that don't act as automatic Bottomless Pits. And since Labyrinth Zone is considered the hardest of the water levels in the series, you can expect to hear this a lot.
The "Roller" enemies in Spring Yard Zone appear out of nowhere.
The 2013 iOS and Android re-release, contrast to the Game Boy Advance port, and it's handled by Christian "The Taxman" Whitehead, who worked on the enhanced re-release of Sonic CD before it, in collaboration with Stealth. This version of the game features true widescreen support, the ability to play as Tails (and have him follow Sonic) and Knuckles, couple of other features new to this version of the game such as a Debug Mode that can give a variety of options other than bending the rules.
Porting Disaster: The Game Boy Advance port Sonic the Hedgehog Genesis, which features terrible and even glitchy physics (due to not using the original game code), butchered audio, and slowdown. To make matters worse, this massacre of a classic was released to mark the 15th anniversary of the series on the same day as Sonic the Hedgehog (2006), which had similar problems. The port of the game on the Sega Dreamcast's Sega Smash Pack: Volume 1 compilation fared better, but was also marred by butchered audio. The DS port included in Sonic Classic Collection is much better, smaller screen notwithstanding.
Scrappy Mechanic: The "spike bug" for those used to playing the sequels and later versions of the game, which lack this behavior.
Signature Scene: Sonic popping up and finger wagging while smirking at the player in the title screen, and the entirety of Green Hill Zone, are the series most iconic elements by far.
Squick: Sonic was originally going to have a human girlfriend named Madonna. This concept art◊ shows him covered in her kisses.
That One Boss: Labyrinth Zone's boss is an odd beast - Eggman runs away up a shaft filled with spears and fire-spitting gargoyles, and you don't need to hit him eight times to win (in fact, doing so is almost impossible). The problem is that said shaft fills up with water, and there are no air bubbles to use if you let it catch up with Sonic (or get knocked back into it by a trap, potentially all the way to the bottom - at which point You Are Already Dead). Also, there are no rings between the final checkpoint and the end - so your only protection is a shield before the boss and whatever rings you brought with you. And woe be to those who die and have only the shield to protect them for the boss...
Marble Zone is disliked for being a massive pacebreaker following up the fast and speedy Green Hill Zone, plus its number of booby traps, lava and crushers can make navigating it difficult, especially for the impatient.
Labyrinth Zone. It's a water level, which means you're playing as a slow Sonic in constant danger of drowning for most of it. Then there's the Goddamned Bats in the form of Burrowbots and Orbinauts that can make life miserable (especially if you had the misfortune of failing to get all the Chaos Emeralds beforehand), and to top it off, it ends with That One Boss.
Scrap Brain Zone Act 3 is a Palette Swap of Labyrinth Zone, so all the problems with that level are present and accounted for. However, it's also a Marathon Level, too (unless you take the shortcut at the start, whch makes it almost a non-issue).
Special Stage 3 can be this, since while it's easy to reach the Chaos Emerald in one fell swoop, it's just as easy to rocket straight into Goal blocks, potentially with unwanted assistance from bumpers.
Nightmare Fuel: Labyrinth Zone. Forget everything you know about the 16-bit version's bright, colourful textures and catchy music. This rendition is downright dark with creepy music to match, especially since it contrasts so heavily with both the previous zones (Green Hill, Bridge, Jungle) and subsequent ones (Scrap Brain, Sky Base). Worse yet, the boss is fought not only entirely underwater (slowing Sonic down) but also during the era in which you had no rings for boss fights.
Older Than They Think: The auto-scrolling levels in Sonic Lost World were derided for being out-of-place and painfully slow for the standards of a Sonic game. There has been one example of an auto-scrolling level in a Sonic game dating as far back as this game in the form of Bridge Zone Act 2.
Polished Port: The Sega Game Gear port has a more cramped screen than the Master System version, but much of the level design and boss fights as well as Sonic's sprites are redesigned to alleviate this, making the game much more forgiving in difficulty, especially in regards to Jungle Zone Act 2 and that zones boss, and getting the Chaos Emerald in Labyrinth Zone Act 2.
That One Boss: The Master System Jungle Zone boss is the most irritating boss fight in the game, due to how fast Eggman can drop the metal balls and how slippery the platform you move on is. And remember, you have no rings in the boss encounters, so one slip up will leave you dead. On top of that, the vine platform is above a pit, and its a tricky jump to get over to the area with the capsule, so you can still die even after you defeated Eggman. The Game Gear port, in contrast, keeps Robotnik just low enough to where you can easily hit him and defeat him just seconds after the fight begins.
That One Level: Jungle Zone Act 2 in the Master System version. Unlike the Game Gear port, the vertical oriented stage is subject to Ratchet Scrolling, which forces you to be very careful with your platforming since one slip up can mean falling to your death.
That One Sidequest: Most of the six Chaos Emeralds are fairly easy to find and get (although the Sky Base Emerald hides the platforms leading to it in a rather obtuse way) but the Labyrinth Zone Emerald presents a nasty little challenge in the Master System version—it's hidden in a bed of spikes very close to the end of Act 2, and you have to use an invincibility monitor to get it. Thing is, it's spread out fairly far away from it, the pathway is underwater and there's a vertical tunnel leading to it that you have to rush through with no slip ups, leaving you just barely enough time to grab it before your invincibility wears off. If you fail, you have to deliberately lose a life to get another shot at getting the Emerald. The Game Gear port rectifies this by just putting the Emerald near the end of the stage, unobstructed and in plain sight for you to grab, since the water in that port slows you down so much more that it would've make the aforementioned challenge unwinnable if it were left intact.
YMMVs for both the Genesis and Master System/Game Gear game:
Anticlimax Boss: The final boss for both games. In the Genesis game's case, it is a fairly challenging, if tedious, final boss, and the lack of rings doesn't help, but it's not a particularly exciting battle—you're just locked in a room where Eggman tries to crush you to death with pistons, and then sends electric sparks flying after you. The Game Gear final boss is insultingly easy and pedestrian, where Eggman's weak spot is out in the open and he has no recovery time for his collision damage, with your only threat being your lack of rings, and an easy to dodge combo of floor-mounted flamethrowers and the occasional electric spark flying down at you—he can literally be beaten in less than 30 seconds (this is not the case with the Master System version, which replaces the flamethrowers with an electrified wall and is much harder to beat). Fortunately, both games let you deliver a final blow to Eggman while he's escaping with just the right timing.