These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
Angst? What Angst?: Juliette and Edda are actually pretty excited that they're a lovechild and -grandchild, respectively; even Gran's pleased that her first child was with the passionate and artistic Kiesl rather then the conservative and possibly brain-damaged Bill. Subverted when they actually meet Kiesl and tell him he's a fool for letting Edna get away and then wasting the rest of his life pining for her.
Averted with Edna and Bill's son Roger, who is understandably less-than-thrilled about recent revelations and now considers himself to be only half-siblings with lovechild Juliette:
Soon followed by "Are They Still In The Fifties?" Apparently someone told Brooke to wrap it up so we don't seehear anything about Bill and Edna's relationship other that he was a good man.
And currently on "Are They Still In France?" The flashback has been running from November 2013 to February 2015, with no end in sight. Let's just say that as a rule, flashbacks in this strip go on for an extremely long time.
Crowning Moment of Heartwarming: After Sister Steve helps Diane with childbirth, Diane gave her newborn daughter the name "Florence Anne" (which was Sister Steve's name before she joined the novitiate); Sister Steve asks for ten more boxes of tissues and the door be closed behind her.
Ending Fatigue: Every time it seemed that the WWII flashback would end, another complication appeared to extend things further. One would think it would have ended when Edna and Kiesel reunited and absconded to Vienna to get married, but then Edna's son Roger unexpectedly showed up at Edda and Seth's apartment. There was additional drama with Roger setting off Seth's don't-call-it-gaydar, than Seth falling for a woman while Roger suddenly accepted that he's gay.
To add to that: Diane is an ex-nun and her baby-daddy is an ex-priest who both worked at Edda's old high school.
Fan Hater: Brooke McEldowney has a long-standing history of loathing critical fans, even taking on critics on wikipedia and comics.com, and frequently takes jabs at them in the commentary of his other comic, Pibgorn.
Fetish Retardant: A critic, wondering why the faces bothered him, suddenly realized that all the women looked like Gadget Hackwrench minus the mouse ears. There's also the toothy grins sported by the women when they're in the mood.
Nightmare Fuel: To some readers, Brooke's art style is such that whenever a character opens their mouth wide it results in this — "this" being pitch-black holes with rows of teeth — teeth which outright refuse to acknowledge anything even remotely resembling the actual anatomy of the human mouth.
Squick: Even among people as close as Juliette and Edda, is it normal for mothers and daughters to ask if they're wearing the sexy-print bras they bought each other? Also, Gran telling her sexual past to her daughter, with her granddaughter and her entire ballet class listening in. And now Juliette and Edda swapping masturbation aides I mean fantasies about Seth in various historical settings while he's standing right there (he should have never brought up his "Have I Mentioned I Am Heterosexual Today?, 'cause I'm totally dating all these hot chicks" phase to Edda).
Brooke is his own hand-jive model and Edda is based on his daughter, who is a ballerina and allegedly as wordy as her dad.
Strangled by the Red String: Subverted with Edna and Bill. The outward trope signs are there (Bill and Edna end up together despite her spending most of her time and affection with Peter Kiesl), but it's clear that this supposed to be a massive mistake on all their parts: Edna choosing Bill because of a promise, Kiesl letting her do so without even a token fight, and Bill not making himself known to her for a decade, then accepting her (and her unborn child), rather than sending her off to be with the man she truly loved.
Values Dissonance: Juliette's (and Edda's) reaction to finding out she's the love child of a Nazi officernote Yes, Kiesl considered himself a Austrian officer who's superiors just happened to be Nazis, but how many readers would really make that distinction, much less characters in-universe during the 40s-50s? boils down to "Really? Cool!"
Roger is (understandably) disapproving of his mom's "affair" (he practically disowns his sister) and disturbed that his parents' marriage may have been a loveless lie while he's trapped in his own (maybe) loveless marriage, and with 11 kids to boot.
Seth suddenly proposing to Fernanda after learning she/her art was a virgin. He might just be doing it to protect her from shame in her (presumably) really Catholic country, (Where she doesn't even live anymore) though.
The above straw-feminist "preaching pro-choice when she's actually no-choice" (to paraphrase the author).
The implication that Gran wanted Edda to have the baby despite the fact that, love for her children aside, her own unplanned pregnancy caused her to go from a burgeoning career as an opera singer in New York City to a passionless marriage in a small, presumably artistically sterile Midwestern town. A moot point, since it turned out to be a Pregnancy Scare.
Viewer Gender Confusion / Gender-Blender Name: A lot of casual readers seem to be unaware that Brooke is a man. One critic thought that this was the only reason he hasn't been completely removed from syndication since readers would protest the canceling of a strong, creative, and sexually-independent female author.