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YMMV: Mortadelo y Filemón
  • Crowning Moment Of Awesome: Mortadelo is usually the one who saves the day. Whenever another one does it, expect it to be one of these moments.
    • Filemón got an EPIC one at the end of "Las embajadas chifladas". See the Chekhov's Gun entry for that.
    • Superintendente Vicente got his at the end of "El bacilón". See the Did You Just Punch Out Cthulhu? entry.
    • An unrelated example would be when Mortadelo used an ''universe'' disguise in the last panel of "El disfraz, cosa falaz".
  • Crowning Moment of Funny: This comic book would need a whole wiki to show all of them, but here are some stand out examples:
    • The 1978 FIFA World Cup special has the chapter with Mortadelo as a bus driver. It culminates at a point where Mortadelo drives the bus on a raft and uses it to cross the ATLANTIC OCEAN mistaking it for the Parana river. That chapter is one of the most remembered parts of this comic book's story.
    • "El gran sarao" had the chapter where Filemón and the Super wrongly assume that Mortadelo has turned into a Serial Killer who decapitates anybody he encounters.
    • At the end of "La caja de los 10 cerrojos", Mortadelo, Filemón and the Súper throw a huge surprise box to the sea. In the next panel, it's revealed that the huge head that came out of the box contained an equally huge diamond inside, which was what the three men spent so much time working to find. Some fishes comment on how excited would be the surface inhabitants if they found it.
  • Ethnic Scrappy: Black people are usually portrayed as relatively sane, civilized and well articulate. However, they are drawn like in a 1930's cartoon. Chinese people are a different matter - They are both drawn, and act, like in 1930's cartoons! Even Chinese space program engineers are portrayed as buckteethed gnomes who talk (and eat) flied lice!
    • Black people tend to come in two varieties. Regularly-sized, relatively slender fellows who are particularly civilized. And big, muscular men who are easy to anger. An album taking place in New York City included both varieties. Attempts of Filemón and Mortadelo to investigate Harlem and locate a suspected terrorist, constantly end with them beaten by various locals who seem to have white guys as a target for their wrath. When the two agents finally get their suspect, he turns out to be a leader of the community. Their information about a bomb was wrong. His "bomb" was evidence about political corruption and how money supposedly going into urban development, ended up in the wrong hands.
    • This is mostly due of a case of Values Dissonance. Albeit still present, racism is not nearly as big in Spain as in other countries, so this portrayals are seen mostly as Played for Laughs, with no ulterior motives nor messages, conscious or otherwise.
  • "Funny Aneurysm" Moment: The current page image for this trope is a panel from 1992, in which a plane can be seen crashing into one of the Twin Towers of the World Trade Center.
  • Germans Love Clever & Smart: Germany was the country where the series got its biggest sales, second only to Spain. And the margin is pretty narrow. Nowadays (since over a decade) sadly a case of No Export for You.
    • One of their best stories is set in Germany, with M&F going all around the country in their mission (and successfully crossing the Berlin Wall twice!).
      • Interestingly, the parts where they cross the Berlin Wall were replaced with something else in the German edition.
    • And in Denmark (as Flip & Flop). Ibanez even made a story set in Copenhagen in honor of his Danish fans, featuring the Little Mermaid Statue as a main character.
  • Growing the Beard: The comic was an entertaining weekly strip with the traditional few-panels-and-punchline formula, but it wasn't until their first full book, Valor y al toro, that the now standard supporting cast appeared, allowing for deeper storylines and better interactions for the protagonist duo. Ibáñez's drawing style also evolved notably, imitating that of Hergé's Tintin.
  • Seasonal Rot: Most fans agree that it's been going on since The Eighties, though very occasionally a decent album still appears.
  • Values Dissonance: The traditional Spaniard sentiment of disdain towards authority really shows in each album, starting with resident Bad Boss El Súper, who is by far the greatest Jerkass. Real life politicians, wherever they show up, get absolutely no quarter.

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