These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
Complete Monster: Though his plan is smaller in scale than his film counterpart's, Ian Fleming's original version of Sir Hugo Drax is no less vile. Born "Hugo von der Drache" in Germany and an avid fan of Hitler, Drax ran undercover missions against Britain for the Reich until he was mistakenly wounded by his own side and nursed back to health by the British. Stealing the identity of a MIA soldier with a similar name and feigning amnesia, Drax murdered the first rich man he could find after leaving the hospital for startup money and began plotting to avenge Nazi Germany's defeat. Using his family's holdings in rare metals, Drax paid out of his own pocket to design the Moonraker, a state-of-the-art nuclear missile meant to defend Britain from the Russians, with Drax's philanthropy elevating him to a national hero. The only problem was, the missile was set to destroy London on its first test-firing with a real atomic bomb. When Drax describes the intended death toll for this catastrophe to him, Bond, a hardened killer himself, is left almost catatonic. Other crimes include running a motorist off the road and over a cliff due to the mere possibility he might've been a spy, and having people tortured for information with welding torches. For Drax, the mere destruction of their greatest city was not enough; he made himself into the British people's greatest hero just so their collective spirits would be crushed when the nuke hit.
Complete Monster: Hugo Drax is a cold, snobbish, understated Control Freak who wishes to exterminate the human race. He has enough of a God complex to engineer a plan to wipe to wipe out humanity, build a secret billion-dollar space station and claim that he alone can credit for it, and tell his crazy Nazi space-cult that future generations will look up and "know that there is order in the Heavens" after their insane Evil Plan is completed. Drax gives you plenty of reasons to hate him throughout; setting his dogs on his assistant Corinne is probably one of the nastier moments in the series. Indeed, the sheer scale and horror of his plans combined with his utter lack of redeeming features just might make Drax the single most evil villain in the entire Bond franchise; he certainly has the most terrifying scheme to date, and he is one of the least likeable bad guys overall, both for his cold Smug Snake attitude and for the fact that his explicit reason for not simply shooting the secret agent (and presumably, for every other person he has killed in gruesome ways) is that he wants Bond's death to amuse him. A truly nasty piece of work through and through.
Critical Dissonance / Critic Proof: This movie is widely regarded as one of the worst Bond movies, if not the worst, but it was the highest grossing film in the franchise until GoldenEye was released.
Crowning Moment Of Awesome: The scene where Bond disables the station's gravity is truly impressive when you bear in mind this was filmed pre-CGI. The scene features the largest number of weightless actors ever filmed (on wires).
Jumped the Shark: It's generally agreed that both Moonraker and Die Another Day both mark a point at which the Bond films had become over-the-top parodies of themselves, with the following installment having to be dialed back to redeem the franchise.
It is easier to say that Moonraker is exactly the opposite case of On Her Majestys Secret Service. Moonraker was loved by movie goers thank to the Star Wars craze -which explains why this was the highest grossing movie on the whole franchise by quite a while- but hated by the fandom. OHMSS was reviled by critics and movie goers (who just wanted more Sean Connery), but loved by the fandom. Let's just say time has been a lot more forgiving to OHMSS than Moonraker.
Magnificent Bastard: Drax redecorating a gas filled laboratory and turning it into a beautiful Venetian lounge in less than a day, then waiting for Bond, M and the Mister of Defence to show up with gas masks just so he can see the look on Bond's face, just plain reeks of this trope.
Needs More Love: It's not one of the great Bond films, but it's pretty solid until the raygun battle near the end pushes it into sheer ridiculousness.
The special effects in space are still decent.
And it's got one of the best Bond girls in Holly Goodhead, one of the most sinister and ruthless Bond villains in Drax, and not one, but two awesome boat chases. Plus, the humor, especially from Richard Kiel's near-silent performance, is legitimately funny, even sweet in the love story between Jaws and Dolly - as opposed to the horribly forced comic relief of J. W. Pepper in Live and Let Die and The Man with the Golden Gun. Overall, despite its demerits (many of which are because of the dated stuff which couldn't have been predicted at the time), it's at least as good as LALD. Although LALD absolutely curb stompsMoonraker for sweet, sweet racism.
Sequelitis: It is widely considered one of the most ridiculous Bond films.
The writers were reluctant to give Jaws a love interest in this film (or at least, a love interest like Dolly), but Richard Kiel fought for it. When people said it was silly that Jaws would have such a diminutive girlfriend, he retorted that his own wife was exactly the same height.
Which, had the writers thought about it, of course she was. What's a guy with acromegaly supposed to do, join GigantismSingles.com?