- Complete Monster: Though his plan is smaller in scale than his film counterpart's, Ian Fleming's original version of Sir Hugo Drax is no less vile. Born "Hugo von der Drache" in Germany and an avid fan of Hitler, Drax ran undercover missions against Britain for the Reich until he was mistakenly wounded by his own side and nursed back to health by the British. Stealing the identity of a MIA soldier with a similar name and feigning amnesia, Drax murdered the first rich man he could find after leaving the hospital for startup money and began plotting to avenge Nazi Germany's defeat. Using his family's holdings in rare metals, Drax paid out of his own pocket to design the Moonraker, a state-of-the-art nuclear missile meant to defend Britain from the Russians, with Drax's philanthropy elevating him to a national hero. The only problem was, the missile was set to destroy London on its first test firing with a real atomic bomb. When Drax describes the intended death toll for this catastrophe to him, Bond (a hardened killer himself) is left almost catatonic. Other crimes include running a motorist off the road and over a cliff due to the mere possibility he might've been a spy, and having people tortured for information with welding torches. For Drax, the mere destruction of their greatest city was not enough; he made himself into the British people's greatest hero just so their collective spirits would be crushed when the nuke hit.
- Complete Monster: Hugo Drax is a cold, snobbish, understated Control Freak who wishes to exterminate the human race. He has enough of a God complex to engineer a plan to wipe out humanity, build a secret billion-dollar space station and claim that he alone can credit for it, and tell his crazy Nazi space-cult that future generations will look up and "know that there is order in the Heavens" after their insane Evil Plan is completed. Drax gives you plenty of reasons to hate him throughout; setting his dogs on his assistant Corinne is probably one of the nastier moments in the series. Indeed, the sheer scale and horror of his plans combined with his utter lack of redeeming features just might make Drax the single most evil villain in the entire Bond franchise; he certainly has the most terrifying scheme to date, and he is one of the least likeable bad guys overall, both for his cold Smug Snake attitude and for the fact that his explicit reason for not simply shooting the secret agent (and presumably, for every other person he has killed in gruesome ways) is that he wants Bond's death to amuse him. A truly nasty piece of work through and through.
- Critical Dissonance / Critic-Proof: This movie is widely regarded as one of the worst Bond movies, if not the worst, but it was the highest grossing film in the franchise until Golden Eye was released. It is worth bearing in mind that Moonraker tends to receive worse reviews now than it did at release, where some critics accustomed to the sci-fi craze marked it highly - the New York Times even called it the equal of Goldfinger!
- Crowning Moment of Awesome: The scene where Bond disables the station's gravity is truly impressive when you bear in mind this was filmed pre-CGI. The scene features the largest number of weightless actors ever filmed (on wires).
- Crowning Moment of Funny: The Gondola chase scene, which has James piloting a hovercraft down the streets of Venice, to various Reaction Shots, including a dog (with a "you gotta be kidding" expression), a pigeon (which double-takes), and a waiter who pours his patron's drink down his back in shock. It also has two No More for Me gags, with a smoker and a wino tourist.
- Crowning Music of Awesome
- Love It or Hate It: Depending on who you ask, it's either a fun, over-the-top amusement park ride of a movie, or the worst thing to ever happen to Bond (well, aside from the other worst thing to ever happen to Bond). Finding someone just neutral about the film is a rarity.
- Magnificent Bastard: Drax redecorating a gas filled laboratory and turning it into a beautiful Venetian lounge in less than a day, then waiting for Bond, M and the Mister of Defence to show up with gas masks just so he can see the look on Bond's face, just plain reeks of this trope.
- Sequelitis: It is widely considered one of the most ridiculous Bond films.
- So Bad, It's Good: For all the problems this film has, it certainly isn't boring.
- Special Effect Failure
- Bluescreening for Jaws jumping between the cable cars.
- Don't forget the ludicrously fake snake Roger Moore wrestles.
- Villain Decay
- Jaws, who was an unstoppable murder-machine in the The Spy Who Loved Me, turns into comic relief in this film, falls in love and even pulls a Heel-Face Turn at the end.
- The writers were reluctant to give Jaws a love interest in this film (or at least, a love interest like Dolly), but Richard Kiel fought for it. When people said it was silly that Jaws would have such a diminutive girlfriend, he retorted that his own wife was exactly the same height.
- Which, had the writers thought about it, of course she was. What's a guy with acromegaly supposed to do, join GigantismSingles.com?
- Visual Effects of Awesome: Now that is a space station. Incidentally, it was the last set built for the Bond films by Ken Adam, who was production designer since Dr. No, and boy, did he leave on a high note.