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YMMV: GoldenEye

The movie

  • Adaptation Displacement: The licensed video game is at least as famous as the movie, and in some circles, definitely more so.
  • Awesome Music: Tina Turner's song.
    • Eric Serra's score to some.
  • Badass Decay: At the beginning of the film it seems to have happened with Bond. The mission at the dam doesn't go so well, he's belittled for his womanizing, the Russians no longer take him seriously, the new M looks down on him, even Moneypenny has grown tired of his flirting. Then, he starts tearing through St Petersburg in a tank.
    • Also subverted in real life. Pre-production, many of the financial backers and studio executives were worried that Bond might not have much of a purpose in the Post-Cold War world.
  • Complete Monster: Xenia Onatopp, a psychotically sadistic Russian assassin working for the Janus Syndicate, has the dubious honor of being the most depraved Femme Fatale Bond has ever come across. Initially seen as a charming, elegant woman, Xenia reveals her true nature when in bed with her target, she kills him by crushing him between her thighs to suffocate him, getting clear sexual ecstasy from the murder; she later tries to kill Bond the same way. She steals his security clearance and murders several innocent sailors before eluding Bond. Later, when Xenia arrives in a Russian facility, she massacres all the techs with machine gun fire, getting very visibly aroused by the killings. Even her partner for the mission looks a bit stunned at it. Xenia has one of the largest body counts for a Dragon in the franchise, and unlike the majority of her male counterparts, Xenia is in it for money and thrills. She has no issue helping to use the Goldeneye satellite to plunge England into the dark ages as long as she gets rich from it. The fact that this gives her the opportunity to express her sexualized love for killing is just another perk.
  • Crowning Music of Awesome:
  • Ensemble Darkhorse: Trevelyan. On Bond villain countdowns it's common to find him as the highest-placed character not to have appeared in Fleming, and Yaoi Fangirls also like him for some unknown reason...
  • Evil Is Sexy:
    • Holy crap, Xenia!
    • There are those who would happily trade places with Natalya when Janus is explaining how he and James used to share everything.
  • Fashion-Victim Villain: Boris and his infamous Hawaiian shirt may be just be the trope codifier for this one.
  • Fetish Retardant: Xenia. The only 'real' sex scene she has in the movie is with a balding, overweight guy. And it ends with him being forced to enjoy a good squeeze.
    • Hell, the 'sex' scene with the Admiral is nothing compared to how Bond reacts during his 'sex scene' with Xenia in the sauna. Check out his expression upon being trapped by Onatopp's Murderous Thighs.
      • It should be noted this is the only time "safe sex" is ever mentioned, in any context, in the series' entire history.
    Xenia Onatopp: You don't need the gun... Commander.
    James Bond: Well that depends on your definition of "safe sex".
  • Foe Yay Shipping: 006 and 007. They used to share EVERYTHING. It doesn't help that their reaction to each others' betrayal — real or perceived — comes off looking more like scorned lovers. Yaoi Fangirls took that and RAN.
    • It also helps that the theme song is explicitly about a spurned lover looking for revenge.
  • "Funny Aneurysm" Moment: "Maybe you two would like to finish debriefing each other at Guantanamo, hmm?"
  • Harsher in Hindsight: M tells Bond "If you think I don't have the balls to send a man out to die, your instincts are dead wrong. I've no compunction about sending you to your death. But I won't do it on a whim.". After Skyfall, you'll see that's no idle threat.
    • Lessened by the fact Skyfall openly acknowledges Silva was in over his head with the work he was doing. In Goldeneye, it's more a threat against the boy's club attitude that Bond displays in not showing her any respect, rather than a political matter.
  • Hilarious in Hindsight: Boris ends the movie as a Human Popsicle. He's played by Alan Cumming. And now you know why Nightcrawler was so unnerved by the cold.
  • It Was His Sled: Guess who Janus really is.
  • Magnificent Bastard: Alec Trevelyan
  • Magnum Opus: Considered by many to be one of the best films in the series and the best one with Pierce Brosnan.
  • One-Scene Wonder: As in many Bond flicks, the MI6 officials only appear once in the beginning for mission briefing. However, Judi Dench steals the show in her debut as M, giving Bond a tongue-lashing that her predecessors could have only dreamed of (and contributing, no doubt, to M's increased prominence in subsequent films).
  • Seinfeld Is Unfunny: Modern viewers might raise an eyebrow at the emphasis of Bond being modern. Even though the franchise has been wrangling with that issue, the fact is that it has been a cinematic mainstay for the past twenty years. However, in 1995, the issue was more valid, as The Great Politics Mess-Up was more recent, and Bond had been on a six-year hiatus and changed actors.
  • Special Effects Failure: The two scenes of a cutting laser in the film fail under even casual scrutiny due to the actors: the piton gun laser is an actual laser beam being filmed, which shakes and wiggles off the actual cutting metal regularly and reveals that it's nothing but a light, while the special effects of Bond's watch laser bend as the actor moves his hand out of line with the sparks.
    • A model jetfighter crashes rather awkwardly into a model radar dish.
  • Tough Act to Follow: It's by far the most well-received of Pierce Brosnan's Bond films, and is generally rated as one of the best in the franchise. Then again, this was the film that revived the series after Development Hell.
  • Unfortunate Implications: Bond reveals to General Ouromov that Janus is of Lienz Cossack descent and he'll betray the Russians, not because of their history, but because it's in his nature to do so.
    • Bond is just digging at Alec and making a play at Ouromov's own expected racism. It's a weak ploy but actually seems to unsettle Ouromov.
    • There's also the fact that, in this film, Bond is chastised and talked down to for his attitude toward women - a reflection of changing gender politics. He's countered left and right across the film; Natalya challenges him emotionally, Xenia challenges him physically and sexually, Moneypenny rebukes him professionally after their years of flirting, and M gives him a severe dressing-down with the now famous 'sexist misogynist dinosaur' speech. Fine. Bond is still Bond in the film and nothing much really changes. But then by the next film, M and Moneypenny are actively telling Bond to basically use - with all that implies - a now-married ex-flame for information and joke about Bond having meaningless sex, respectively.
  • Viewers Are Morons: Very minor example, but is there any real reason that Tanner feels the need to describe an EMP as "the idea being to knock out the enemy's communication before he, she, or they can retaliate."? Did the writers think just using one of those pronouns wouldn't have explained it thoroughly enough?
    • EMP's were not very well known in The Nineties, so arguably yes, he did. In fact its movies like this that taught audiences what EMP even was.
    • "He, she, or they" is as a piece of subtle chauvinist irony. Tanner is an old-fashioned chauvinist just like Bond. Having just called his boss "the evil queen of numbers", he now goes out of his way to use an over-the-top PC phrase as an ironic gesture of submission. It's a passive-aggressive Take That at the politically correct culture personified by the new M. It's like he's saying, "Fine, I'll follow your conventions, but look at how silly they are."
  • Win Back the Crowd: After the low-grossing (in America, at least) Licence to Kill and six years of no films, Bond fans and the general public were very happy to see Goldeneye.

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