These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
Remixing video game stock footage for a blog that praises the game Portal for being about "non violent conflict resolution" and criticizes "you hardly see" Chell.
Complaining about The Powerpuff Girls' use of the Straw Feminist trope and forgetting the character was revealed to not be a feminist at all (on top of the irony of her caring about appearance). And applying real life problems to things in episode that don't even apply to those problems.
Dismissing Clarice Starling from Silence of the Lambs because she's overshadowed in the cultural memory of the film by a male character (Hannibal) even though Clarice fits her previously established criteria; she has the most screen time in the film, the story arc revolves around her, we see her make decisions and she is the character that the viewer identifies with in a role that earned Jodie Foster her second Oscar along with Anthony Hopkins for his Hannibal Lecter role. It's virtually impossible to describe the plot in a way that makes Hannibal seem anything like the lead character, but Sarkeesian says the exact opposite of this.
She lists Clementine from Eternal Sunshine of the Spotless Mind as a Manic Pixie Dream Girl, even though she is a character who was an outright subversion of this trope who actually says to her romantic foil: "I'm not a concept. Too many guys think I'm a concept or I complete them or I'm going to make them alive, but I'm just a fucked up girl who is looking for my own peace of mind. Don't assign me yours."
Under research failure specifically, this post from another feminist blog argues that understanding the history of certain phrases in the song reveals that "Baby It's Cold Outside" is not actually about date rape. To be fair to Sarkeesian, though, this is one where quitealotofpeople don't do the research.
Another egregious example is the video game Bayonetta. Even leaving aside the fact that the character can easily be interpreted as a satire of the adolescence pandering she accuses her to be (which even at worst, it would suffer the Truffaut Was Right problem. At worst), she gave away many hints that she actually didn't play the game much, if at all. The biggest one is when she says Bayonetta is a single mother, something that is just not true. Bayonetta does play the Action Mom trope, but only metaphorically (Sarkeesian portrays it in the video as if she is a literal single mom). And even that is a stretch considering the girl she takes care of is HERSELF from the past. Made even worse by saying, even stressing, that that's her one and only positive character trait. To be fair, she later rectified and edited the video removing the parts in which she talks about the game itself and left only her complains about the marketing campaign in Japan, which were much more legitimate.
When she opened a Kickstarter campaign to get funds to create a new "Tropes V.S. Women in Videogames" series, it attracted a lot of criticism.
Some were legitimate complaints from other feminists - such as suddenly becoming the voice for a majority of female gamers and her style of feminism - and accusations of transphobia and scamming, the latter of which has given away to a lot of complaints. To this day, there's still argument between activists (militant or otherwise) on both sides of the debate.
Sacred Cow: Although the disallowing of YouTube comments on her videos might suggest that she's preventing more Internet Backdraft, there's a substantial amount of people who believe that she has done all she can to shield herself from any criticism whatsoever. Her fans and those who agree with her messages and use her videos as a means to start discussions seem to also not be able to stand when the discussion turns to her, her style, and her fact checking on her videos. Even Constructive Criticism can be met with substantial Fan Dumb. This is actually justified, as there have been several counter videos to her "Tropes vs. Women" videos that not only have this kind of Internet Backdraft to them, but also highlight some comments that they have received from Anita supporters that have been just as bad of a Backdraft when the videos have been constructive. Any attempt to bring up her Bayonetta video, her college thesis, or her TED conference speech, is met with the same amount of Fan Dumb. Some fans do focus on the extremely bad of the Internet Backdraft to raise support for deletion and/or silencing of any criticisms about Anita. This includes, but not limited to, accusing anyone asking about her thesis and/or other videos of being a Sock Puppet.
The Femme Fatale episode of The Powerpuff Girls featured the main characters, (under FF's influence) refusing to clean their own rooms and giving the Death Glare to a boy roughhousing with a girl. Sarkeesian claims this depiction is disrespectful because women getting disproportionately harassed by men, and doing the lion's share of the housework are Real Life problems, and that the program is whitewashing them by presenting Townsville as unrealistically fair.
She makes a similar point with the Straw Feminist group on Veronica Mars as well; their initial activism is against rape and domestic violence, which are actually huge societal problems and are also common sources of activism among college-age women.
The idea behind her argument that Mattie Ross is not a feminist character (because she promotes more socially-accepted "masculine values" of revenge and violence as opposed to "feminine values" of cooperation and peace) is actually a much more contentious one in feminist circles than Sarkeesian makes it seem. While certainly, the idea that promoting "feminine values" is an essential feminist goal has its supporters (most notably, Harvard sociologist Carol Gilligan in her book In A Different Voice), there are other feminists who disagree, with one of the big reasons being this trope. For starters, many would consider Sarkeesian to be denying Mattie's agency by assuming that she a) only has these values to get along in a "man's world" and b) has never questioned them (questioning =/= abandoning). Additionally, many feminists would also say there is a downside to the more "feminine," cooperative values - such as meekness and submission - which result in women who adopt them having less power and influence, which ultimately hurts women more than it helps them. So perhaps it's better for both genders that we simply uncouple values from gender roles entirely.
She shows a Double Standard toward male and female singers in her criticism of the song "All I Want For Christmas Is You": when it's sung by a girl, it's about how women only want/need a man to be happy; when it's sung by a guy like Justin Bieber, it sounds "stalkerish."
Another double standard: She lists Dracula's female minions as anti-feminist characters because they represent female sexuality as a malevolent force. While this is a valid interpretation, she makes no mention of how the lead villain, Dracula himself (a man), is essentially rape incarnate. While she was explicitly talking about female instances of "evil seducers", it was slightly out of line to discuss the characters so shorn of context.
Another example is Sarkeesian's continuous praise of non-violent resolutions and associating them with feminism. As stated above, while values such as cooperation and peace are good, the topic is much more contentious one in feminist circles than she makes it seem, as there are many different opinions amongst feminists on this subject. These values have always been around in male-dominated societies and aren't necessarily associated with feminism. How this becomes unfortunate is that she seems to give a reverse implication of "feminine is good, masculine is bad."