YMMV: Deep Rising
- Awesome Music: While Jerry Goldsmith's entire score is excellent, the real standout is his kick-ass Main Theme.
- Cult Classic: The film may have been a flop upon theatrical release and ended up on the Roger Ebert Most Hated Film List, but over the years it has garnered a cult following amongst Sommers fans for being considered as arguably one of his best works and the most Darker and Edgier entry of his directing career due to its R-rated nature of gore, profanity and violence (blending with the usual Sommers adventurous wit) in contrast to his more memorable PG-13 rated works The Mummy Trilogy, Van Helsing and G.I. Joe: The Rise of Cobra and his earlier Disney works Adventures of Huckleberry Finn and The Jungle Book (until his recent R-rated entry Odd Thomas).
- Hilarious in Hindsight: You really have to wonder if the final scene was the major inspiration for Lost.
- Retroactive Recognition: Viewers who are also Marvel fans can spot Jean Grey, Azazel and Korath the Pursuer in this movie.
- The Scrappy: Joey, as he is mostly irritating and does nothing to help or further the plot, yet survives over many other more useful characters by dumn luck. One can wonder if this unlikable nature of this character is what led his actor play villainous characters in Sommers' later films like The Mummy, Van Helsing and G.I. Joe: The Rise of Cobra in contrast to Joey who was on the side of this film's heroes.
- Special Effects Failure: The creatures do look very good for the time, but whenever they're about to appear for an attack, it's quite obvious the actors are standing in front of a blue-screen for the effects work. This hurts several attacks that were clearly meant to be a surprise.
- When the two leads escape the boat on the jet ski. They're obviously in front of a blue screen. The fact that their hair isn't moving (as if blowing in the wind) is what gives it away.
- Take That, Scrappy!: Sometimes, you can't blame Trillian treating Joey like crap for no reason after she's just met him or Hanover shooting him in the leg to save his own skin from the monster, considering Joey being mostly irritating and does nothing to help or further the plot.
- Visual Effects of Awesome: The creature itself was designed by Rob Bottin (The Howling, The Thing (1982)) with CGI by ILM and Dream Quest Images. There's also a scene with a half-digested Billy by Blur Studio.