YMMV / Covert Affairs

  • Anti-Climax Boss: The final faceoff between Annie and Lena. Especially after having a whole episode building up to that one moment.
  • Crowning Music of Awesome: "Can You Save Me"
  • Fan-Preferred Couple: Annie/Auggie is by far the most popular pairing, outstripping Official Couples Annie/Jai and Annie/Ben.
  • Foreshadowing: Probably unintentional, but amusing in light of Season 4. In "Walter's Walk", Auggie and Annie have a discussion about what Annie should do in the event she becomes guardian of her nieces:
    Annie: My sister wants to make me her kids' guardian. What's the CIA policy on that?
    Auggie: Don't tell your family you're on a mission in Colombia.
  • Fridge Brilliance: The plot point of Annie's cardiomyopathy makes a good metaphor for her post-Hong Kong state of mind. She's both heartbroken and in the process of becoming heartless.
  • Hollywood Homely: The embassy representative that Annie must get to turn her remarks that no one pays her any attention because she isn't good looking. Considering a few scenes prior she's wearing (quite well) a cocktail dress that shows off quite a bit, it's... not a convincing complaint.
    • Vivian of the first season episode "I Can't Quit You, Baby."
  • Growing the Beard: Around the second episode of season 2, the series takes a sharp nosedive on predictability and safety, starting to feel more like a proper spy show.
  • Ho Yay: A handful of people are already shipping Auggie/Jai. Well, they are pretty snarky...
    • Jai/Ben is also being considered. One can certainly interpret things into that look that passed between them at the shipyard...
  • Magnificent Bastard: Referenced in-verse. In the fifth episode a retired spymaster appears, whom Auggie nicknames The Prince of Darkness.
    • May also count as a cross-show Shout-Out since sister show Burn Notice (also featuring spies) has used the nickname twice. Maybe it's a spy thing.
  • Special Effects Failure: Much like sister show, White Collar, some of the green screen scenes are... dubious.
    • In London, Annie sits in a park during "I Can't Quit You, Baby" and it's painfully obvious that the park is a green screen.
    • To a lesser extent, the backgrounds during any driving scene where the actors are in the car talking. This may be a deliberate reference to old Chroma Key spy dramas.
  • Tastes Like Diabetes: At the end of the first season's second episode, when Annie and her sister resolve their difficulties in an agonizingly predictable and trite way, complete with tearful hugs and comfort food. Thankfully, it's brief.
    • Most Annie's interactions with her sister qualify: they often quarrel in the beginning of an episode, and their reconciliation near the finish is too far on the sweet side.
    • This aspect has been toned down significantly in the second season; now her sister and civilian life only pop up when important to the spy aspect rather than being shoehorned into every episode.
    • Subverted in "World Leader Pretend.'' Annie's sister kicks her out after finding out she's in the CIA.
    • Thus far into the third season, thanks to Danielle now knowing that Annie's a spy, this dynamic has changed to one of tension where Annie has to balance out telling Danielle how things actually went and telling her the official story. It is suggested that Danielle for her part has often figured out various cover stories but realizes she can't exactly ask what the truth is nor could Annie tell her.
  • The Woobie: Most of the characters, especially Auggie.