YMMV: Countdown to Final Crisis
- Ass Pull: The attempted Authors Saving Throws resulted in this, such as Bob and Solomon actually being on the same side near the end.
- Bile Fascination: A number of people have read this series and picked up the trade paperbacks because they'd heard a number of critics deride it (whether it be their peers or professionals).
- Canon Defilement: Where do we even begin?
- Complete Monster: Superboy-Prime. Imagine Superman with his Silver-Age level powers and absolutely none of his maturity or moral boundaries. You could at least slightly sympathize with him in Infinite Crisis, but the first thing he does here is killing a pregnant woman, then killing that universes Justice League, and then blowing up their entire planet, and then destroying countless other alternate earths during his travels, purely out of spite because they're inferior to his "real" earth. It gets far worse from there.
- Creator's Pet: Forerunner, who the creators obviously thought would be seen as really cool and a breakout character. She even got her own (half a) spinoff miniseries. Fan reaction was tepid at best, and most seemed to view her as The Scrappy. Apparently this eventually got through to the writers, as the last issue of the miniseries has Forerunner transported to a distant planet to rebuild her species.
- Ensemble Darkhorse: The Jokester. Too bad he dies.
- There were also a good amount of people reading only to see where Piper and Trickster's plotline went. Too bad one of them dies.
- Evil Is Sexy: Mary Marvel: 16-year-old Jail Bait who giggles like an idiot over a phallic-looking rod.
- Funny Moments: Mary Marvel's Green Lantern Club.
- The whole series can be this if you take the view that it's so bad it's funny. It's all unintentional, but there are some comedy gems like Jason Todd (the gun-wielding crazy guy) telling a Monitor that he's not fond of gun-wielding crazies, Donna Troy's "I'm Donna Troy BITCH!" and of course "I'LL KILL YOU TO DEATH!" from Superman-Prime. There's also Jimmy's awful Mr. Action costume and Darkseid on Mary Marvel's couch...
- It Gets Better: The Earth-51 arc. It went on (almost) uninterrupted by unrelated things, had a lot of cool fights, some really strong moments (like Jason Todd meeting its Batman and this Batman's death) and ended with a bang. Sadly, right after that, the series became much worse than ever before.
- Memetic Mutation: All together everyone; "I'll Kill You, I'll Kill You to Death!"
- Moment of Awesome: Piper, once armed with the Anti-Life Equation, blows up a planet by playing Queen's "The Show Must Go On". Hell yeah. This may be the only Awesome Moment in the entire fifty-plus issue series.
- Moral Event Horizon: In his first appearance, Superman-Prime kills a pregnant woman and her husband, Dru-Zod (who was that Earth's Superman). And then that Earth's entire Justice League. And finally that entire Earth.
- Narm: A lot, but Superboy-Prime's dialogue probably takes the cake:
"I'LL KILL YOU TO DEATH!"
- Padding: A huge amount of the series is this, with each issue jammed with snippets of several different storylines spread across the entire DC universe introducing plot points that are forgotten three issues later, with special mention to everything having to do with the Monitors ("We should do something!" "Should we do something?" "We should do something!" "Should we do something?"). Also, many of the events happening in Countdown were completely unrelated to the series' plot lines themselves, and were instead random intersections with all the other (and better) stuff happening in the DC universe at the same time, reducing the event to a series of advertisements for plots in dozens of other comic titles. To top it off, Countdown was so incredibly bad, nonsensical, confusing, and unpopular that everything that happened in it with the exception of a few plot points was immediately shunted into Canon Discontinuity, and Final Crisis, the event Countdown was supposed to be, y'know, counting down to, latched on to entirely different events to act as its lead-up, meaning that the entirety of Countdown wound up as one whole year of padding for Final Crisis.
- The Scrappy: See Wangst below.
- They Wasted a Perfectly Good Plot: Jimmy Olsen gets all his Silver Age powers back! Brother Eye merges with Apokolips! Mary Marvel, "deserted" by Captain Marvel, turns to Black Adam! Harley Quinn and Holly Robinson vs. Granny Goodness! A crazy, universe-hopping adventure searching for a character missing for (relative to the reader) years! Paul Dini writing! A lead-up to the biggest Crisis of all! A followup to the beloved 52! A look at the seedy underbelly of the DC universe from the perspective of two repentant Flash villains! The genesis of the Kamandi-verse! What Could Possibly Go Wrong? Short answer: EVERYTHING.
- And a lot of these perfectly good plots were really good when Grant Morrison pitched them for Final Crisis. They were so good in fact that DC decided to shoot their load early and jam them into this, the lead-in to Final Crisis. Which was only the beginning of what went wrong.
- And then there's The Jokester, a mirror-universe Joker who uses comedy to fight evil. He was actually quite well-written, had a compelling backstory, and fans began calling him the saving grace of the series. So of course, he was killed off after about four issues.
- Wangst: Superboy-Prime.
"Everything was better on my earth!""THEY'RE RUINING IT!!!"
- What an Idiot: Mary Marvel, especially after her second Face-Heel Turn.
- Also, Hal Jordan, who blasts off to Oa to get help with the Morticoccus virus and warn off visitors to Earth, only to carry the virus across space, breaching its one-planet quarantine.