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YMMV: Code Geass Mao Of The Deliverance
  • Alternative Character Interpretation: Subverted in that its portrayal isn't so different from the show, but merely elaborated upon. Seems to take the position that Mao is a Tragic Woobie Anti-Hero with a Jerkass Façade.
  • Anvilicious: When Mao is forced into a Refrain addiction, he spends two days going through severe withdrawals before he gets better, culminating in a line that reads like a drug rehab success story advertisement.
  • Big Lipped Alligator Moment: Chapter 20.
  • Crowning Moment of Funny: Mao trying to steer an airplane for the first time, screaming at the top of his lungs as he attempts to fly through a frickin hurricane!
  • Crowning Moment Of Heartbreaking: Chapter 1, when C.C. abandons Mao whilst he calls out to her, culminating in his collapse at the side of the road because it's just too damn loud.
    • Also several flashbacks of him as a little boy, playing with C.C., as contrasted with his present circumstances.
    • Then there's the time he gets shot by a firing squad while C.C. screams his name
    • And the time in the airport when he and C.C. embrace after he's asked her to help him commit suicide!.
  • Crowning Moment of Heartwarming: A Refrain induced flashback where Mao and C.C. happily cover each other in newborn butterflies.
  • Crowning Music of Awesome: Mao kicking everyone's ass at his first game of poker while the Rolling Stone's "Sympathy For The Devil" plays in the background. Hell yeah!
  • Draco in Leather Pants: Actually averted - though Mao is the protagonist of the story, and it's told from his point of view, his actions, good or bad, demonstrate his descent into villainy. He's actually played more as a Tragic Jerkass Woobie than a whitewashed bad guy.
    • Interestingly, in the story itself, Mao gives C.C. this treatment, refusing to believe that she did anything wrong, even by giving him his Telepathy in the first place , making him completely dependent on her (though this wasn't entirely her fault, she certainly didn't help by promising to be with him forever or having sex with him at such an early age, which the work implies features ( though when C.C. admits that she really does love Mao near the end, it makes more sense), selfishly asking that he kill her, despite knowing how much she means to him and trying to manipulate him into doing so, cruelly abandoning him for refusing and almost attempting to kill him when it becomes apparent he poses a serious threat to her plan to use Lelouch to kill her instead. Pays off in the end though when C.C. finally admits that she loves him too and pledges to keep her promise to stay with him forever through the medium of C's World. Mao does slowly come to think of her as a Broken Bird though as he contemplates her Death Wish and even double-subverts this trope when he admits that though she lied to him, he doesn't care.
  • Fanon: While the work borrowed some novel ideas concerning its titulary character from older fics about Mao, it applies them in original ways and introduces even more new material, which has started to appear in later related stories.
  • Moral Event Horizon: A few things could qualify. His brutal No Holds Barred Beat Down of Rupert Deneuvre. His coercion of Brantley Hall by threatening to kill his son Willy. His More Than Mind Control of Shirley. Mao himself, however, justifies it as the surest way to kill Lelouch at the time and thus save C.C.'s life. Also his later abduction of Nunnally in order to get revenge on Lelouch.
    • Although, his treatment of Shirley is undone when Lelouch makes Shirley forget all of it afterwords. As cruel as it was, the damage wasn't permanent.
    • And with Nunnally, it only seems that way at first, until it's revealed it was all part of a larger planand the bomb was a fake!
    • C.C. herself arguably suffers one in the first chapter due to the callous way she abandons Mao, so much so that much of Mao's subsequent pining after her can make him seem like the Love Martyr.
  • Nightmare Fuel: Mental patients being experimented on with highly addictive drugs, Rolo's uncanny ability to effortlessly switch personalities when he's dealing with children, and some of the gruesome experiments Code-R performed on C.C., and recorded for Mao to view later.
  • Ron the Death Eater: As the story is told from Mao's perspective, Zero/Lelouch comes across this way, at least until Mao himself loses it even more.
  • Squick: Frustrated by the lack of space on his airplane, Mao’s desperation causes him to come up with the idea to use a chainsaw to make C.C. more compact for the trip.
  • Tear Jerker: C.C.'s abandonment of Mao.
  • The Woobie: If ever there was a story that made you feel sorry for Mao....

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