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These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
YMMV: Childish Gambino
Big Lipped Alligator Moment: On "Zealots of Stockholm (Free Information)", there is a brief clip of a woman saying "I'm a freaky bitch. 5 foot 8, 390, and I am a freaky bitch."
Creator Breakdown: A lot of people think he's had one while working on Because the Internet, due to his demeanor in interviews, quitting Community, and posting a rather disturbing post on Instagram containing his biggest fears.
Critical Dissonance: A weird example. At the beginning of his career, critics generally liked him while the musical community considered him a joke rapper for people who didn't really take hip-hop seriously. Now it's the reverse- because the internet was the subject of huge excitement following its release (even reaching #4 on the annual RapGenius best-of-the-year poll), but was received with a shrug by critics.
"The Longest Text Message Ever" and "Lights Turned On" in terms of songs (the former never appeared on an album and the latter was the penultimate track on a free online EP, but both are fan favorites).
Epic Riff: The recurring distorted, pitched voice sample in the background of "Lights Turned On." The synths count as well.
"All the Shine".
"L.E.S." has an epic violin riff, of all things. The ominous synth line in the chorus qualifies too.
There's a weird, near-incomprehensible vocal snippet that recurs throughout "Zealots of Stockholm"'s industrial middle section. And it is awesome.
Bino expressed some fairly interesting thoughts about why Camp and because the internet are so different in this Westwood interview (around the 4-minute mark).
Fanon: The idea that the Boy's real name is Childish Gambino is one that's fairly well supported by because the internet and generally accepted by the fandom, but never actually confirmed by Donald.
Fridge Brilliance: The non-album track "Yaphet Kotto" samples "One Tender Moment." What band is that song by? Manchild.
"Sweatpants," which is essentially The Boy's theme song and sums up his attitude toward life, features an up-and-coming rapper named Problem.
Growing the Beard: Since he's a relatively new artist, there's plenty of debate over where exactly this occurred. A significant portion of the fandom believes this happened around Culdesac, but there are plenty who won't listen to anything before EP and Camp. There's even a faction of fans who got into him through because the internet and dislike everything that came before it.
Love It or Hate It: Camp and ROYALTY. People who love Camp tend to hate ROYALTY for being such a straightforward hip-hop mixtape, and people who love ROYALTY tend to hate Camp for focusing so heavily on Gambino's childhood issues.
Nightmare Fuel: because the internet becomes increasingly claustrophobic and surreal as it progresses, but it first takes the turn into eeriness with "ii. no exit." The videos accompanying the album exude this trope in their final moments: "v. 3005"'s teasier for "zealots of stockholm" features an empty amusement park with a solitary shadowed figure standing still; while "iv. sweatpants" features everyone in a diner slowly turning into Bino doppelgängers.
Tear Jerker: "All the Shine," "Heartbeat," and the spoken-word section at the end of "That Power."
"Fuck it All." Damn.
"Flight of the Navigator" will make you rip your heart out. As if the context from the album wasn't bad enough (when The Boy wakes up in a hospital after dreaming of drowning and seeing the afterlife afterward), the song was inspired by a death that was personal to Gambino in real life. The somber lyrics and tender beat don't help.
The beach picnic remix of "3005". "In the year 3005...and the world I love is gone..."