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YMMV: Atonement
  • Alternate Character Interpretation: Briony's actions regarding the happy ending she gives to Robbie and Cecilia in her novel: is she genuinely making amends to people she wronged the only way she can and knows how, or is she selfishly, cravenly and dishonestly attempting to rewrite history and cover up her own actions to make herself feel better, and hiding behind atonement as a justification?
    • Lola and Paul - a rape or consensual affair? Lola is clearly worried about her family's financial state and shows an interest in the rich businessman. When Briony finds them, she doesn't cry out for help. She merely repeats she is sorry over again. She also doesn't seem too anxious around Paul at dinner.
  • Best Known for the Fanservice: A good amount of the interviews for the movie were regarding the library tryst.
  • Genius Bonus: After Briony has accused Robbie of raping Lola, she is shown standing in front of a stained-glass window of St. Matilda, the patroness of the falsely accused, and also the subject of a nursery rhyme that begins "Matilda told such awful lies/ She made one gasp and stretch their eyes..."
  • Narm: Some of the drama about the obscene letter leads to this in the movie. Especially when the word "Cunt" is flashed on the screen, leading to unintentional hilarity. According to screenwriter Christopher Hampton, the scene was meant to play out like a comedic farce, to make the turn for the tragic all the more shocking. This is a departure from the book where the horror of the situation is mostly played straight.
  • One-Scene Wonder: Vanessa Redgrave as Briony in the present day.
  • Retroactive Recognition: One of Benedict Cumberbatch's earliest roles. He also uses an unusually high-pitched voice to add to the Upper-Class Twit feel, making him harder to recognize now.
  • Tear Jerker: When Briony reveals that what we have been watching was her book with a falsified ending and that Robbie and Cecilia died and never had their chance of happiness entirely because of her actions. She grants them in fiction what she denied them in life. It's the only way she could deal with the guilt of what she had done.
  • What an Idiot: Cecilia knows Briony has an overactive imagination. She's clearly afraid of Briony showing the letter to her mother. You'd think as soon as everyone was looking for the twins, she'd at least take Briony aside and explain the situation.

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