The Legend of the Titanic is a full-length animation based on the infamous Titanic disaster, specifically the recent hit Titanic. It was released in 1999. Not to be confused with that otherTitanic cartoon called Titanic: The Legend Goes On.The plot is set on a voyage of the RMS Titanic, and concerns the romance between a rich man's daughter Elizabeth, and a gypsy who calls himself Don Juan. Maltravers (called Baron Vandertilt in the dub of the sequel) is the unscrupulous owner of a whale hunting company, who wishes to own whaling rights of all seas owned by Elizabeth's father. He intends to marry Elizabeth, and then make her father to sign over all whaling rights to him. Oh, and then he intends to cover his tracks by sinking the Titanic ship afterwards. You know, because it wasn't depressing enough that it was an iceberg that did it. Talking mice, dogs and undersea animals make an appearance.Unlike that other Titanic cartoon though, this one has actually a sequel called In Search of the Titanic, also titled Tentacolino, which takes place three years after the first installment. In Search of the Titanic has little screen time for the actual Titanic ship and most of it takes place in Atlantis. It also features some musical numbers which compete with those in Titanic: The Legend Goes On.The movie was produced by Mondo TV, who prior to making this helped co-produce the anime Cinderella Monogatari with Tatsunoko (a series viewed much more favorably than The Legend of the Titanic). Later they would go on to produce the cartoon Angels Friends (also more well-received than this movie).
Both films provide examples of the following tropes:
In the second film, there's a whole menagerie of villains, so it's kind of hard to tell. But the most vocal and ambitious one is The (self-proclaimed) Emperor.
Conspicuous CG: Looks like the makers tried to show off their CG and it's most commonly seen during long-distance shots of the Titanic, but also elsewhere in the first film and ocean in the second.
Disneyfication: A grossly extreme example. In the first film, the ship is rescued from sinking by a giant octopus atoning for having chucked the iceberg in the ship's way in the first place. And in this one, everyone survives, even the captain and the band. The only possible saving throw is the ending, which implies that the narrator of the story, as a sailor, exaggerates and makes up stuff. This does absolutely nothing to excuse the sequel, which involves mermaids, Atlantis, talking toys, and evil mice.
Talking Animal: Unlike that other Titanic cartoon, humans and animals have no problem communicating with each other. At first, it appears that the heroine Elizabeth has been given a special magical gift due to being in the right place at the right time doing the right thing by accident (namely, shedding a tear at night over the rail of the ship causing it touch a dolphin), but soon afterwards, we see that other human characters have no problems speaking with animals either. In the case of Elizabeth's gypsy love interest, Don Juan, he was supposed to be able to understand the animals because his soul was in tune with Elizabeth's (or something like that).
Vague Age: Top Connors and Ronnie. That they sound even younger in the second movie makes it all the more confusing.
The Legend of the Titanic provides examples of the following tropes:
Aborted Arc: At one point, Don Juan tells the mice that the only people they can trust are his gypsy friends, and that they should search the ship with them to try and uncover Maltravers' evil plot. The gypsies are never brought up again after this scene.
Aristocrats Are Evil: Averted with Elizabeth and her father, but played straight with her stepmother.
Captain Ersatz: There are a few. Thankfully the designs are much better than the ones in the other Titanic cartoon, but one could easily figure out who everyone is based on.
Specifically, Elizabeth is one of Rose, Don Juan is Jack, Maltravers is Cal, and Rachel is Ruth.
Cats Are Mean: Rachel and her sister both own cats. And of course they're vicious.
Fantastic Racism: "There's one thing I'm not, and that's a racist." Keep in mind, we're not even talking about race. We're talking about a male mouse who's being teased for having a crush on a human female.
Fluffy Fashion Feathers: The ostrich plumes in Rachel's hat and the hats of many of the background women. The hats are one of the only things that the movie got right (though in real life they would have not been worn indoors like Rachel does in the dinner scenes).
Grow Old with Me: Top Connors and Stella seem to have been married a long time after the events of the movie. Both of them are still alive at least 80 years later! (Ronnie is said to have gone back to Brazil. No word if he's alive or not.)
Hoist by His Own Petard: Maltravers, Rachel, Jeffrey, and Rachel's sister leave in a lifeboat just before the Titanic hits the iceberg. Maltravers planned to have Mr. Ice guide them to his whaling ships. But Mr. Ice was defeated, and his message never went out, and thus they are left to be drowned at sea.
Impossibly-Low Neckline: For a very Disney-esque movie, the animators sure didn't have a problem with making Elizabeth's neckline very low for the time period. Same goes for her stepmother.
More like Love at First Smell of the Glove, for the gypsy prince.
Magic A Is Magic A: Thrown out the friggin' window. Elizabeth can talk to animals because her tear was caught in a net of magic moonbeams, and the initial magic was enhanced by the dolphins. No, really. How, then, does Maltravers' henchman understand the sharks? It's never explained. We don't even get so much as A Wizard Did It.
Mood Whiplash: The group of mice try to fix the telegraph by having one of the mice use their mustache to connect the wires with hilarious results of the signal going through but then he dies.
Nice Job Breaking It, Hero: The Mice sabotage the telegraph on the ship to prevent Maltravers from sending the "open season" message to his whaling fleet. Unfortunately, this later prevents the Titanic from calling for help after it strikes the iceberg.
Off Model: The animators of North Korea's SEK Studios have quite a few problems regarding perspective at several different scenes. Most obvious ones are some of the objects or character not having a consistent size.
Connor's model changes slightly here and there, missing whiskers, and having different ear and facial shapes.
Satellite Character: Rachel's sister has an identical personality to Rachel herself, and serves no real purpose besides collaborating with the villains. And to top it off, both of them have evil cats, who serve no purpose at all.
She only speaks twice in the film (both times in unison with Rachel), and only once do any of the other characters acknowledge she exists.
Unreliable Narrator: This was implied (whether or not on purpose) at the end of the movie, when Top Connors, the grandfather mouse, finishes telling his grandchildren the story. His wife Stella (who had also been on the Titanic as a passenger) tells the kids that "your grandfather loves to tell stories, but like all sailors you must not take everything he says seriously." (The narrator is absent in the sequel, though.)
Voodoo Dolphins: The explanation for why Elizabeth can talk to dolphins doesn't explain why she can talk to mice, or cephalopods for that matter.
What Happened to the Mouse?: The introduction indicates that the film will feature some explanation of why the Titanic is remembered as sinking with tremendous loss of life, and even provides an easy way out by hinting that there's some magic that can turn people into dolphins. But no, the passengers simply arrive safely in New York, with no explanation of why it's remembered as such as disaster.
Wicked Stepmother: Elizabeth's stepmother Rachel, who is much crueler than the stepmother from the other Titanic cartoon. Rachel is in league with Maltravers, wants Elizabeth to marry him, and even betrays her husband to Maltravers. She also has a cat named Lucifer. Rachel escapes with Maltravers after he sinks the ship. Makes you wonder why she didn't just leave her husband and marry Maltravers.
Elizabeth: (to Rachel) If Mr. Maltravers is so important to you, then you marry him!
Your Size May Vary: Most notably, Tentacles, who starts off about three times the size of the dolphins and sharks, then just a few scenes later is almost as big as the Titanic itself.
Likewise in the Framing Story, those are either really small skyscrapers or really huge mice.
In Search of the Titanic provides examples of the following tropes:
Ambiguously Gay: Pingo, the toy fish adviser to the King of Atlantis, talks in a stereotypical gay lisp. He also has long eyelashes and is constantly smiling.
Anachronism Stew: Plenty. For example, the submarine looks more modern than the one in 1915. Also, some of the toys in Atlantis look more like modern toys (especially the Barbie look-alikes - one of them is even wearing Barbie's original 1950s swimsuit) than toys that existed at the time.
Demoted to Extra: Both Maltravers and the Duke of Camden; the former only appears in three scenes, never interacts with the main characters, and has little purpose in the movie; while the latter only gets to appear in one scene and doesn't even get any dialogue.
Elizabeth herself counts too. She mainly just appears in the background, has maybe 5 lines, and is only really featured in the beginning and at the end. And she was practically the main character in the first movie!
Electric Jellyfish: A rather interesting example. Jellyfish in here are used by Mr. Ice to send telegraphed messages to Baron Maltravers.
Everyone Loves Blondes: The male characters seem romantically interested in Elizabeth, despite her being married to Don Juan.
The Faceless: Re, the king, which just makes him even more suspicious.
Face Palm: A "facetentacle" happens when the shark finishes his musical number.
Fate Worse than Death: The rats are committed to an insane asylum and the head doctor announces that they'll stay there forever, with a menacing voice and pointy teeth no less. Oh, and the protagonists aren't feeling the slightest bit of guilt or sympathy either.
Flying Dutchman: The Titanic becomes this when you think about it. She can never return to her home port of Liverpool, or any human port, since the now-immortal Don Juan and Elizabeth are her captains and can never go to the human world again.
The Masquerade: Inhabitants of Atlantis don't want their city to be revealed.
Obviously Evil: Re, despite being supposedly on the side of the good. He chuckles maniacally, keeps his face hidden, holds two people and their animal friends hostage in his city, and maroons said people on an island with no one else around for miles. Yeah, this is the kind of guy who should be in charge of a city.
Only Sane Man: The mouse points out the clear flaws of the kingdom, the King seeming more like a Big Bad for starters.
Stockholm Syndrome: The only possible explanation for the protagonists having no resentment at all towards the people of Atlantis, after the latter tricked the former into drinking the Elixir of Life, which forces them to stay in Atlantis for the rest of their lives. Throughout the rest of the movie, they continue to worry about a plot to overthrow Atlantis, but apparently have forgotten their friends and family (even weirder when you consider that Top Connors should be married).
What The Hell, Heroes?: Laughing and smiling at the fact that the mouse rebels have been locked up in a horrible insane asylum forever.
Tempting Fate: "Honestly, there really isn't anything to worry about." Then sharks arrive.
Took A Level In Dumb Ass: Don Juan, who advocates in favor of drinking strange liquids as long as they have pretty colors. He also never once questions The King or any of the other dubious events that happen.
Villain Decay: In the first film, Maltravers and the sharks were portrayed as sinister, genuinely threatening villains, capable of planning the Titanic's demise. However, in this film, they are portrayed in a more foolish, light-hearted way (the shark's leader even getting a rap).
Villain Song: In this case, it is a shark in the second film who gets to sing.