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* EarlyInstallmentWeirdness: When the series began, the Fleischers relied more on the Rotoscope to animate the Clown. He didn't even have a name yet.

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* EarlyInstallmentWeirdness: When the series began, the Fleischers relied more on the Rotoscope to animate the Clown. He didn't even have a name yet. Also, Max Fleischer was the only live actor in the Bray shorts.
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* EarlyInstallmentWeirdness: When the series began, the Fleischers relied more on the Rotoscope to animate the Clown. He didn't even have a name yet.
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* FunnyAnimal: Koko's canine companion, Fitz.
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[[caption-width-right:230:Koko The Clown, pictured here with creator Max Fleischer.]]

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[[caption-width-right:230:Koko The Clown, pictured here with creator Max Fleischer.Creator/MaxFleischer.]]
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* LighterAndSofter: The 1960s shorts toned down the surrealism and anarchic humor, though it still kept the framing of the real world, Koko being drawn on paper at the beginning of each episode and the idea of characters going on exciting adventures.

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* LighterAndSofter: The 1960s shorts toned down the surrealism and anarchic humor, though as well as the idea of characters playing tricks on the artist being omitted altogether. Despite this, it still kept the framing of the real world, Koko being drawn on paper at the beginning of each episode and the idea of characters going on exciting adventures.


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** In the 1960s shorts, Koko took over this role to the supporting characters for the most part.
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* TookALevelInKindness: Koko became a bit more easygoing in the 1960s shorts, though he still had his mischievous moments.
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* LighterandSofter: The 1960s shorts toned down the surrealism and anarchic humor, though it still kept the framing of the real world, Koko being drawn on paper at the beginning of each episode and the idea of characters going on exciting adventures.

to:

* LighterandSofter: LighterAndSofter: The 1960s shorts toned down the surrealism and anarchic humor, though it still kept the framing of the real world, Koko being drawn on paper at the beginning of each episode and the idea of characters going on exciting adventures.
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* LighterandSofter: The 1960s shorts toned down the surrealism and anarchic humor, though it still kept the framing of the real world, Koko being drawn on paper at the beginning of each episode and the idea of characters going on exciting adventures.
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* OnlySaneMan: Max Fleischer, the boss and animator, is considered this whenever Koko and/or Fitz would cause mischief.
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A quick history of this series can be found on [[http://en.wikipedia.org/wiki/Out_of_the_Inkwell this article]], courtesy of Wiki/{{Wikipedia}}.

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A quick history of this series can be found on [[http://en.wikipedia.org/wiki/Out_of_the_Inkwell this article]], courtesy of Wiki/{{Wikipedia}}.
Website/{{Wikipedia}}.

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