Not a Villain is a webcomic by Aneeka Richins. It tells the story of Kleya Smith, who is attempting to reform her hacker ways in a virtual world where hackers are executed on-spot.Richins has also written a novel, The Wanted Child, whose heroine strongly resembles Kleya.The webcomic has nothing to do with the Most Definitely Not a Villain trope.
This webcomic provides examples of:
Actually, I Am Him: Paddy thinks Danni's avatar is a tribute to the late ballerina Daniella Morretti; Danni clarifies that she actually is Daniella Morretti and is still alive.
Adult Fear: Imagine being Danni's parents. Reality has deemed their daughter "useless", and they've been working themselves to death to try and put off that decision. And it all ends up being useless, because their city officials decide that she's not going to be successful in L.i.F.e. or The Game.
After the End: Some unspecified catastrophe called "The Ending" has destroyed civilization except for a few surviving Cities. Kleya is implied to have hacked most of the world's military robots and AI controlled cars in an attempt to kill everyone. But what really did a number on the world was whatever messed up the Earth's geomagnetic field. No one is sure how it happened, but one popular theory posited by The Dude is that Kleya somehow found a way to hack it.
A.I. Is a Crapshoot: Mostly Averted so far. D is explicitly stated in the author's notes to have no will of its own. The L.I.F.E. moderators use him as a hacking defense, and he follows Kleya's commands without fail. That said, he seems to be programmed to provide for Kleya with the best means available, and often attempts to do things to improve her living conditions that Kleya has to stop, as getting too comfortable would give her away.
Allegedly Free Game: in-universe: LiFe is free for Outsiders, but many basic features, such as clothes, cost money.
Anti-Hero: Kleya, though she's trying to just be a hero, period.
Art Shift: Reality looks much darker and grainier, and has more shading.
In fact, the differences in art style even between two characters sharing panel space can be observed here and there. More wealthy LiFe players have more detailed avatars and clothes, where as poorer players are much more basic and flat looking. You can tell that Mae is spoiled by her family, for instance, because her avatar's hair is brighter, skin is less matte, and clothes' actually have color. The differences become even more startling when you compare the largely ignored by the developers LiFe to The Game.
Charlie Brown from Outta Town: Shortly after the avatar Bloody Mary is banned from the Game for killing her teammates, a new avatar named Jane who has a very similar design and uses the same special attack shows up in the qualifiers to join. Waterman tries to get her kicked out for this reason, but fails because she wasn't technically breaking the rules: her punishment was only being forced to make a new character, not being banned entirely.
The Conspiracy: Sandra and Kleya suspect TenKA of sinister intentions.
Cracker: Hackers have caused much mayhem and destruction in the past, so they're the object of paranoia and Witch Hunts.
Crapsack World: Although we haven't seen the outside world, there are enough hints to make it clear that something is very wrong out there. Inhabitants call it 'The Ending' and are still dealing with it after two years. But then again, LiFe isn't exactly sunshine and roses, either.
A sidestory summary showed a range from many survivors in a "stable" area to "miracle" areas of sole survivors of severe trauma who are nearly suicidal from constantly fending off death.
It's implied that something caused a disruption of the geomagnetic field. Cause, effect, and duration (is it still a problem?) are still unknown. Movement in the earth's poles are probably connected.
Don't You Dare Pity Me!: Danni to Kleya, on several occasions when Kleya tries to help her out: after the Death Match tournament, and when preparing for the Game.
Dynamic Character: Kleya is trying to be one. She's a Sore Loser who would rather cheat than lose, but she's trying to change this so she won't get caught — and possibly out of guilt over her past actions.
Face Death with Dignity: Danni, after receiving notice that she will "be replaced" at the end of Reality's day, decides to spend her last hours dancing.
Faceless Masses: or the blobs, the artist has quite a bit of fun with their ambition to get faces in her vote incentives.
Fee Fi Faux Pas: Paddy, when he shows off his mecha avatar. He created it as a gift for his wife, who was an accountant at a mecha company; but the others in the group find it offensive, as many people were killed by mechas during The Ending.
More recently, Dude The Great, a Stick Figure Comic (deliberately simplistic art to allow Anneka to build up a buffer of regular pages) which also demonstrates No Fourth Wall as he can hear the narrator and even starts conversing with her.
Sandra: She messaged me earlier. Said she'd be late. Something about her kids. The Dude: Kids? Bloody Mary has kids?
Ironic Nursery Tune: Bloody Mary recites twisted versions of nursery rhymes before attacking, and slips a few references into her regular conversations as well.
Killer Robot: Shanghai was devastated by hacked military mechs during the Ending. The author's notes below the comic revealing this states that 90% of all military mechs in the world were hacked; Shanghai, having a mech-heavy army, was hit particularly hard.
Monochrome Casting: Justified in L.i.F.e.: the programming only supports one skin color. Danni is taken by surprise when Sandra, using her own server which allows her to have a more customized avatar, appears with dark skin.
Moving the Goalposts: Danni has been struggling with this. Since her City considers her a "costly liability", they've been changing their rules to impose more and more difficult requirements on her to remain in L.i.F.e. They want her to fail so that they can justify taking her off life-support and importing a replacement citizen capable of working on the Farms.
Older Than They Look: Sandra is implied to be older than the appearance her avatar suggests; her husband is in his sixties and says that she retired a year before the Ending.
Online Alias: Most characters use aliases in the Game, and some in LiFe as well. Even "Kleya" is an alias.
The Cracker is hyped in-story as well, with some claiming the person Kleya's suspected of being (still pending confirmation) hacked the geomagnetic field. Reminders that such a thing is impossible are not sticking.
At the same time, however, being a hacker in LiFe is essentially the same as being a Reality Warper.
Show Within a Show: More like a virtual reality within a virtual reality, The Game is inside LiFe, which is not the real world.
Sore Loser: Kleya hates losing, and tends to instinctively hack when she's in danger. It's to the point that her enemies assume she can't possibly be the person they're hunting, since that girl would never forfeit a match.
Special Attack: "Specials" are an important part of the Game. Kleya invents her own.
Stylistic Suck: If you don't have the money to buy an avatar, you have to draw it yourself, and Kleya is a horrible artist. She gets to use one in the Game due to a loophole, and the proportions are so bad she can barely hold her head up.
Token Good Teammate: Deconstructed. Kleya wants to enter the game and become a Hero in a desperate attempt to prove to herself and the world that her real self can still be redeemed and do good. After years of struggling to get on the roster, her team immediately gets their group listed as Villainous because each of her partners was unable or unwilling to complete the introduction level without needless carnage, far counterbalancing the good karma Kleya herself got from a perfect Actual Pacifist run. The realization that her one chance at making people see that she isn't a monster has been destroyed before she even had a chance to try due to the incompetence and spitefulness of others drives her to nearly Rage Quit with near cataclysmic consequences.
Tournament Arc: the Game trials in chapters 2 and 3 are a double-elimination tournament.