Wall Bangers: That Guy with the Glasses
Sometimes, the guys and gals at That Guy with the Glasses royally fuck up.
The Nostalgia Critic
- Some of The Critic's hyperbolic bashings of Princess Peach in his Top 11 Dumbasses In Distress video were actually unfounded criticisms. Her self-aware attitude on being kidnapped is Played for Laughs and not meant to be insulting to Mario or the player. His claim that she's "done nothing in any of the Mario games" is flat out untrue; he only sights Super Mario Bros. 2, in which the entire game was Mario's dream, and the various sport games and the Super Smash Bros. series, which aren't in the main series, but doesn't credit the Super Mario RPG and Paper Mario series in which she's an active character. Him saying that her using "a frying pan and her butt" to fight being "what women in the 40's would use" (Rapunzel AND Flynn Rider would beg to differ on the frying pan!) and her fighting with her emotions being lame just reeks of Real Women Never Wear Dresses. And in general, he seems to project his own feelings onto Mario and wonder why anyone would want to save her when she gets kidnapped all the time. Perhaps Mario just doesn't find "save the princess" adventures as annoying as you do, Critic?
- Admittedly, wondering why Mario bothers to save Peach after she gets kidnapped so much is one of the most common jokes about the series, which has even been lampshaded in a few of the games. Although, by now this joke has probably gotten a little stale.
- While not on the level of Peach, he could be hyperbolic on some of the others too, like Jubilee (which he later admitted to in his "Temple of Doom" review), Mary Jane (the lunchroom scene really didn't count as a Distressed Damsel moment, Doug, just a sweet one for her and Peter, otherwise she'd have been fine if not a little sore and bruised), and especially Lois Lane (arguing that a smarter, more independent Lois should NEVER be kidnapped or in trouble because smart, independent people are apparently invulnerable.)
- At the end of the review of the remake of The Haunting (1999). Good grief. He did a joke where he "impersonated" the director/writer of the remake, and said that his movie was more mature than the original cut, all the while getting louder, whinier, and more childish. It could've passed as a "meh" joke, but it just kept going and going. It's easy to forget he's trying to mock the director, and think he's just having his genuine reaction to the remake. Loud and childish for the sake of humor can only go so far before realizing you're just watching a grown man throw temper tantrums at movies simply because he doesn't like them.
- His Transformers Generation 1 review's Soundwave gag that goes on for way too long.
- First half of "What's Up With The Princess Hate?" was awesome. Second half? Not so much. He makes the unnecessary assumption that most grown women enjoy being called girls, he shows off a bit of a Madonna–Whore Complex by "most women" being pictured with Britney and Kim Kardashian while "there are some who don't" being pictured with a business woman (gorgeous and lipglossed of course), and muddling points gave the impression that women who enjoy princessy things are to blame for society not liking women with power.
- Doug also repeated a mistake he made back in 2009 by including Sally Acorn from Sonic the Hedgehog as one of the princess stereotypes he was complaining about. Sally could not become Queen since her kingdom was basically destroyed and she was already the Freedom Fighter's leader(not Sonic) and strategist. Having the title of Queen would change nothing.
- Tina A and Dawg in the Pearl Harbor skits. Doug has proved he's great at satire, so why these lazy characters that don't do anything but conform to what you're meant to be bashing? That Rachel said afterwards she wanted the stereotypes Gender Flipped and nobody listened to her makes it all the worse. Bye bye days of sympathy towards actresses I guess.
- Speaking of Pearl Harbor: "The Reason You Suck" Speech against Michael Bay for the film and making light of the tragedy. The problem is it feels borderline hollow and hypocritical, as it's started by his Berserk Button being pressed during a scene where a sailor falls into the water and says that he can't swim, with him accusing Bay of not even bothering to do research. The thing is, as several people have pointed out, at the time in real life many sailors actually didn't know how to swim and it being a requirement to join the navy wasn't mandated until after the events of Pearl Harbor, meaning Doug himself didn't even bother to do the research either. It winds up feeling more and more like Doug making light of the whole tragedy just as an excuse to throw yet another insult at a director that's a personal favorite punching bag of his, and it feels outright disgusting.
- The segment of "Doug's Top 10 Favorite Characters" involving Tyrion Lannister, where he gets major facts about him egregiously wrong: Tyrion was not born into the Royal Family (he was the King's brother-in-law and uncle to the successor), nor is Tywin (Tyrion's father) the King (He's a rich and powerful nobleman). For someone who kept gushing about how much he loved the show, you'd think he'd get one of the show's central concepts right.
- "The Looney Tunes Show: Good Or Bad". A particularly ridiculous part of that editorial is when he compares the show to previous Looney Tunes movies and spinoffs (particularly Space Jam, Duck Dodgers and Baby Looney Tunes) to address how hypocritical people are for liking those, but not the show he's mainly talking about. He then goes on to show some particularly stupid clips from each of the pre-mentioned spinoffs, responding to them in the role of a stupid fan who finds them funny. And then he shows a bunch of the main subject's more over-the-top clips and plays some EXTREME MUSIC over them in an attempt to make them look awesome before responding to them as the same stupid fan who claims the Looney Tunes are now dead. If there's one thing I thought Doug was well above, it was using the same kind of manipulative tactics you would find in an early 90s Sega commercial...
- The Rachel scenes and "spirit of the fart joke" bits in the Master of Disguise review. Unfunny, over-long, and the worst part: blatantly an excuse to keep using both actors. Doug, you put a bullet through the head of the show that actually used them. Shoehorning them in at every opportunity is just rubbing salt into the wounds.
- The advertisement at the end of "Did Seinfeld Lie To Us". There's something very wrong with the fact that Doug refuses to talk about The Review Must Go On and leave Ask That Guy on a cliffhanger for months on end... right up until he can get money for both. Not to mention that putting Demo Reel extras with the same production that killed it off so cruelly is pretty damn lazy.
- The Sailor Moon review had a whole article dedicated to pointing out the sexism. Also, putting up sexualized pictures of girls staring sexy-like at the camera while talking about hot-topic subjects like trafficking, ending the whole thing on a pedophile joke, was disturbing, despite the probable intent of showing said images being fairly clear ("Okay folks. here's what hyper-sexualized young girls really look like! Still on board with that?"). The hackneyed jab about women not liking Star Wars was simply the cherry on top.
- The rest of his video on Sailor Moon was basically one huge Wall Banger for any person who actually knew something about the show. Critic's view on the show and getting the simplest of facts wrong felt like a huge indication that he hadn't actually watched the entire show before writing the script, more like he saw the first episode and decided to go from there. (And this was coming from the same guy, shortly after this video, started up Vlogs about watching every single episode of an animated show!) And it likely didn't help that he was focusing on the DIC version of the anime and only gave a short mention of the original Japanese version toward the end, with so much time being focused on sexist jokes and pointing out how sexy the girls were, which wasn't even the point of the entire show. Plus, Doug only found out that it got a much better dub in 2014 after the review was made, making his whole opinion horribly outdated! Critical Research Failure at its finest.
- "Why Is Loki So Hot?" had some bizarre assumptions, like women wanting woobie men because they feel like they'd save said woobie and thus get owed sex, or All Girls Want Bad Boys because they want an attack dog to fight their battles for them. Plus Have I Mentioned I Am Heterosexual Today? tends to be less insulting to queer fans when it's parodied, not played straight like it was here.
- The "Why is Loki So Hot?" editorial is guilty of quite a few of these, including the assumption that every fan that has a crush on a villainous character would automatically date a killer in real life. This article http://greatcinalone23.deviantart.com/art/Loki-and-the-Critic-373537643 analyses some of Doug's comments.
- In "Dawn Of the Commercials", we have the Nostalgia Critic claiming that "men can't be sexually harassed at work by women because they are too dumb to notice that a woman's into them, and only go after women who have no desire for them". Following it up with a sketch of the wicked witch hitting on one of her guards, who completely misses it and instead hits on a woman who insults him. This is repeated twice.
- This is especially bad when you consider that Doug himself has had real life problems with certain female fans sexually harassing him (hell the creation of Hyper Fan Girl is a Take That to those kind of fans) and yet even in the audio commentary for the episode he still doesn't treat the idea of men being sexually harassed all that seriously.
- The Spoony One's bashing on Tron: Legacy. The dude was seriously missing the point of the movie, overanalyzing everything and claiming it didn't "innovate" like the original did, even going so far as to say that "Inception" was "Tron: Legacy done right". First of all, Tron was never meant to be a serious look into the advancements of technology, but an escapist romp into an absurd computer world, so saying that it wasn't "deep" enough is ridiculous. Second, the only "innovation" that the original had was it's graphics, and at the time, it got an Oscar Snub for supposedly "cheating" by use of CG. Third, a lot of his analysis makes no sense; for instance, he claims that the Encom corporates are "evil" for wanting money, and Sam was doing what he was doing to be a "rebel"; the Encom corporates were "evil" because they abandoned Sam's father's ideals for the company and disrespected him by downplaying his part in the company, and Sam didn't trust anyone on the board (including Alan, his sole supporter) to take his interests as the company's primary shareholder seriously - his actions are what any other disgruntled computer techie would do with their brainchild when they're being screwed over by their bosses. Finally, to top off the absurdity, he places the movie on his top 10 worst movies of 2010 for being fanwank slop, yet puts Scott Pilgrim vs. The World on his top 10 BEST movies list for the exact same reason. Trying to have your cake and eat it, too, Mr. Spoony?
- Overall, Bennett the Sage's review of Final Fantasy IX was pretty good. But then, literally as the credits rolled, there was an unexpected Mood Whiplash. Without warning, there's a message in the credits that basically reads "To all you fangirls who think Kuja is hot, just shut up and admit you're a lesbian already." Okay... I know that Kuja is literally the poster guy for Dude Looks Like a Lady, but that's still no excuse for the tons of Unfortunate Implications this statement delivers. First of all, this statement implies that all female fans of Kuja simply like him because he's "hot." Well... this troper is a female, and a Kuja fan; but it's because I think he's a fascinating character. Second of all, it feels like Bennett is saying that girls who like more feminine-looking men automatically like women. So... there's no such thing as Camp Straight, then? Not all men have to fit the general idea of what a man should be like! And it's such a shame too, because besides that one stupid little statement, the review itself was positive. Bennett, I think you're an interesting reviewer; just don't make stupid comments like this anymore, okay?
- Bennett's "review" (or rather a prolonged delay of a review) of Violence Jack is understandable. The anime is very difficult to watch and make fun of due to it's graphic imagery and content. While he did spend the entire video procrastinating, he had good intentions......One problem: Bennett has worked with ''ZoneSama'', who specializes in animations of extremely detailed rape of already-existing animated characters. Massive Hypocrite much?
- The Rap Critic's cameo on Atop the Fourth Wall, where he delivered what has to be the most biased, hateful description of Vanilla Ice imaginable. (We can't even claim Linkara wrote that for him - he's made a point of saying his guests do their own lines.) Not only does he claim the man's entire career was built on racism, but he dismisses Rob Van Winkle's current, rather successful career with a wave of his hand and a "Just some minor hardcore groups" (say what you will about them, the Insane Clown Posse cannot be called "minor"). Yes, Vanilla Ice is an easy target, but this is a masterpiece of spite and Critical Research Failure.
- In Todd in the Shadows' "Top 10 Best Songs of 2012" video, he begins his summary of Bruno Mars' song "Locked out of Heaven" by showing a clip of another Bruno Mars song, "It Will Rain," and declaring "I think Bruno Mars needs to be on Zoloft or something." So... a man who is open with his emotions and not afraid to be passionate with them is automatically depressed?
- On the "Top Worst Songs of 1991" list, he put Bette Midler's "From A Distance" at #2, claiming that the song is implying that God doesn't notice what's going on in our society and doesn't care. Excuse me? No. Todd has misinterpreted the intent of "From A Distance". Did he even pay attention the third verse: "From a distance/You look like my friend/Even though we are at war"? Keep in mind that this song garnered attention during the Gulf War. But in actuality, "From A Distance", despite its preachy lyrics, supposedly empowers and encourages hope deep within the listener no matter how bad society becomes note , and implies that God, who watches from a distance, is proud of you for your good intentions and perseverance.
- Paw Dugan's review of The Princess and the Frog, as many have pointed out, has some pretty glaring mistakes. Right from the start of the review, Paw seems to focus less on the movie itself, and more on how Randy Newman wrote the songs, and that automatically makes them bland and uninteresting. Then he starts playing a character called "The Pedantic Semantic" when the subject of Tiana's race and nationality comes up, where he screws up the nationalities of some of the other Disney Princesses, and claims Pocahontas can't be the first American Disney Princess because "the colonies weren't around at the time." To add insult to injury, Paw makes no mention of the movie's Ensemble Darkhorse, Charlotte; claims Dr. Facilier had no motivation for his actions (he wanted power and made a pact with the voodoo spirits to achieve this); and finally completely fails to address the final two songs in the movie (they're reprises, but still). Oh, and throughout the review, he repeatedly mispronounces "New Orleans". Now, Paw is clearly allowed to express his dislike for a movie, or his dislike for a musician (Newman); that's fine. But when that dislike starts to affect the quality of your work, it's time to step back and take a deep breath. Seriously, Paw; we expect a lot better from you.
- While Linkara is usually a sensitive person, to the point that he apologises when he realises he's offended people, his dismissal of the idea of unhealthy body image of men in comics in his All-Star Batman and Robin #1-2 review comes off as obnoxious. He just dismisses it by saying "Men have it bad too. They have hugely built bodies that we can't hope to compares to" in his whiny voice. This is not an insult. He actually uses the voice he uses when reading annoying characters' lines. He follows by saying that people who say things like that "don't get the problem" and that women are drawn this way "purely for the titillation of the male reader." Apparently problems with one's body image resulting from seeing idealised figures isn't a big problem, and Linkara knows the intent of every artist who has ever drawn FanService-y women.
- Jim Sterling made a similar claim in his "Sexualisation and Men?" video, claiming that the men aren't there for female gamers to gawk at, unlike female fanservice characters. While he's not entirely wrong in this regard, both Linkara and Sterling both seem to disregard the entire aspect that the idealized male form is still a sexual object for people. For straight women and gay men, they can still take it as fanservice even if it's not intended as such, and for straight men, it's a nearly-impossible appearance that it's also rooted in society's expectations of what an attractive male should look like! So, yes, while men like Kratos aren't there for eye candy, their appearance is still sexualized to a very gross degree!
- The end of the King of Worms arc turned out to be a massive Anti-Climax. Aside from the King's ridiculous appearance (its supposedly horrible face was a shiny version of the "Comedy" mask in the famous Comedy and Tragedy symbol), the final battle boiled down to the King touching Linkara's head, seeing some weird images, and then flailing around without actually doing anything while the heroes shot him. The epilogue was a bit better, but promptly shot itself in the foot by setting up Lord Vyce as the villain again. One suspects Linkara's out of ideas.
- The Sibling Rivalry review for Man of Steel. Not that they panned it because they're completely entitled, but the Walkers spend less time actually reviewing the movie and more bashing the people who enjoy it, with Doug openly hoping that they pissed the majority audience off. Weird coming from the guy who kept trying to preach Fan Hatering being wrong.
- Film Brain's little diatribe in To Boldly Flee, stating that Britain hasn't contributed anything to culture apart from comedic crossdressing and the Spotted Dick dessert is just, so wrong that whomever wrote it really needs to get out from under their rock. Guess they've never seen Monty Python, Fawlty Towers, The Office, Extras, Hot Fuzz, Shawn of the Dead, Sherlock, Dr Who, A bit of Fry and Laurie, Harry Potter, Lord of the Rings, and a myriad of other things that I guess the writer was just too lazy to even think about.
- While very obvious, Chad Rocco's exaggerated criticisms towards My Little Pony: Friendship Is Magic has caused great ire for some people due to his intense bashing over the show's change in style following Season 1. While some of his criticisms were a bit explained around the mid second season, sometimes he explained it with little to no reasoning why he despised an episode, the most known is his criticism towards "Luna Eclipsed" (which debuted Princess Luna's full on appearance), where he hated the episode simply for Luna's redesign, same could be said with his hatred towards both parts of "A Canterlot Wedding" simply because of the introduction to Princess Cadence and Shining Armor, who he hated due to being "abruptly introduced without indication". Eventually he seemed to have what fans feel is a huge Creator Breakdown around the introduction of Season 3 where he started to criticized every single episode before becoming a fledged Fan Hater when "Magical Mystery Cure" dropped. Since then, Chad has considered his time as a fan of the show as an Old Shame and spends half of his time insulting the show just to anger his brony fans.
- He has what appears to be a major case of Double Standards. One common excuse he's given for the show supposedly losing all its quality is it "focusing too much on trying to sell toys". However, he's a fan of Teenage Mutant Ninja Turtles (2012), which is also Merchandise-Driven, and though it's not based directly off a toyline like MLP the toyline does heavily influence the new show, which is why a new mutant or mutation is introduced nearly Once an Episode. Furthermore, I asked him about one of the more controversial changes in that series ( namely the one where it's been revealed that April has always been a half-Kraang mutant and has psychic powers) and he said that it had potential to turn out interesting. Keep in mind that when it came to MLP he flipped his lid over the tiniest change the show had and officially jumped ship after Twilight becoming an alicorn. So according to him it's okay for one cartoon to be influenced by the toyline and have major changes to its canon, but not another?
- Phelous seems to have garnered negative attention as of late following his departure from the site, the fact he keeps doing rather crude Take Thats to his old crewmates doesn't help the matter either, especially towards Doug and how much he hates the Troubled Production of To Boldly Flee.