Angel is 131,400 years old.
During the I'll Cover You reprise, the last line (one of them) is "525,600 Seasons of Love". As it is Angel's funeral, and they are all speaking for her, They're talking of her life. If you multiply 131,400 by four (one for each season), you get 525,600 seasons of love(/life).
To put simply, Angel helped them believe in love, and so all 525,600 seasons of love stands for Angel's life span.
Angel is not her(/his) real name.
It's actually pretty uncommon for a trans/nonbinary to NOT change their name, mostly due to the fact that their name is masculine/feminine so they need to change it so it's easier to identify their gender.
Also, Angel isn't really a common name one would give their child (more common would be Angela or Angelina or something).
- this is actually kind of offensive. Who cares what her parents chose as a name for her. The name she chose for herself is the one that matters. It is her REAL name.
- Unless the the writter of this WMG is using "real name" in the sense of "full name" or "legal name", which is very common in some places. (E.g. "His real name isn't Tommy, it's Thomas. Her name isn't Sam, it's Samantha.") Otherwise, as a name is simply an identifier, any name can be considered a "real" name. For example, this troper was once known exclusively as "the HAMMER!"(relating to a noodle incident) for about a year and a half among his high-school drama department. It fulfilled the functionality of a name, and thus was a "real" name among that group and that time period, but no one would call it it a "real name". TLDR: "real name" is a common slang/idiom for one's legal name.
- I wish to know this noodle incident; please elaborate. Or, in theatre speak: "Tell me more, tell me more."
- Angel is actually kind of a common male name in the Latino community, which is the original Angel and a lot of actors who play Angel's ethnicity. So it's not too odd if Angel is her birth name. It's usually pronounced AANG-HELL. But I can see her changing her name to Angel as well.
Collins is on something throughout the whole movie, or at least on the first Christmas Eve
Need proof? Santa Fe. Think about it.
He did marijuana on-screen during one throw-away line in "La Vie Boheme," so the weaker version of this theory is true in the film.
It's not that farfetched an idea.
- He smokes a blunt and shares it with Angel after the "Today 4 U" number in the movie, so this is probably true in that medium.
Angel is Santa Claus.
...So Santa died of AIDS?
DO NOT WANT.
- Could have resurrected in a different form though ...
Mark is Bi
- And has the hots for Roger.
- This isn't canon?
- Maybe in fanon
- The actors of said in the recent Australian production hooked up.
- Extension: Mark is bi, but has the hots for Angel.
- Evidence: Angel is at the very least Mark's muse, since zir death is what inspires him to finish his work. Mark might not recognize it because it's the nineties, so he might think that he's only attracted to Angel when dressed as a woman, but there's definitely something there.
Both are about people refusing to work (some of them with valid reasons), both have a song called "Santa Fe" praising the city that neither singer has been to, and both feature a main character's supposed betrayal that was actually to help the cause. The characters line up, too:
- Roger = Jack (both harbor dark pasts, bail for Santa Fe, & come back to their friends & loved ones).
- Mark = David (both are Jewish & take care of Roger/Jack).
- Mimi = Medda (duh) + Sarah (Roger/Jack's love interest).
- Angel = Crutchy (the one character everyone likes gets neutralized halfway through both stories & shows up again in the last minute).
- Collins = Boots (friendly, mischievous black guys).
- Maureen = Spot or Racetrack (a little more talk than action).
- Benny = Pulitzer or Weasel (this one's kinda weak, I admit).
- Joanne = ...Um, I can't think of a character that serves her purpose in Newsies...for that matter, I can't think of what her purpose is in Rent, other than to sing the awesome counterpoint on "I'll Cover You (Reprise)" that no one else in the cast can hit.
- And Take Me Or Leave Me. And Seasons of Love (In the movie). And Tango Maureen. And...
- And so Mark isn't with Maureen.
Certain songs were unfinished before Larson died.
I steadfastly refuse to believe that "think twice before you pooh-pooh it" is anything but a temporary lyic. It even breaks up the rhyme scheme.
- ...Except that Larson died the day before the play premiered. It would've made no sense to randomly change the song the actors have been rehearsing for months on the night of the premiere.
- Larson died the day before the first preview at New York Theatre Workshop. It's common to do rewrites during previews; considering that the show was already collecting buzz for a commercial transfer at that point, it's quite likely that Larson (and Michael Greif, and Tim Weil, and everybody else) had a long list of probable revisions to make.
- This is true. I saw a documentary about Jonathan Larson and it said he was working on the show up until his death.
- Yep. And people who knew the show and Jonathan personally say that, if he hadn't died, he would have continued to make a ton of revisions. The man was always looking to make his show better.
That's why Mark doesn't know whether to call Angel "he" or "she" during the funeral, and why Angel dresses as both a man and a woman at different times.
- Makes sense to me. I always figured she was in the grey areas of gender.
Mimi was pretending to have AIDS.
AIDS was becoming more sympathizable as drug use was becoming more scorned, and she could take advantage of that if she pretended to have AIDS and downplayed (or outright hid) her heroin addiction. If she met and became involved with someone who actually did have AIDS/HIV, it would give her a way to start a relationship that would feel meaningful and eventually fulfill the death wish that she had until Roger's song and Angel's memory/spirit brought her back)
(a death wish which was at least very, very
vaguely implied in the play, if I'm not reading too much or too little into parts of her character). Using prescription-grade stimulants (amphetamine-type) under the guise of AZT would help her counteract the more obvious side effects of heroin use and withdrawal while still leaving her to her weakening and wasting away. This would only work on people who walked into it assuming she was telling the truth and didn't know about the heroin use or who assumed she got AIDS as a result of something like needle-sharing (because who would ever lie that they had AIDS
?); a former heroin addict and current AIDS sufferer knew and/or assumed that she was a heroin addict didn't realize she (supposedly) had AIDS until she stopped for an "AZT break". Her collapse on Christmas Eve, which I assumed to be an overdose? Was just an overdose.
Despite creating and (on a whim) making a case for the guess as an Alternate Character Interpretation
, I didn't believe this myself
until I came to this point: If she had AIDS, why would Benny sustain a relationship with her? It's not for sex, since nothing
was ever given to indicate that he had AIDS/HIV (Yes, I do understand that even back then when treatments weren't as advanced as they now, many people were willing to trust thin, easily-broken latex barriers for long-term protection against this sort of thing). Status? She was a possibly-former stripper- or "[[Insistent Terminology
S&M dancer]]"- who last year had the purported best hindquarters in the area but was canonically wasting away. A relationship built on love and mutual respect? Unless they both felt like lying about it in the same way, for some odd and so far obscure reason, this is definitely
not the case. Spite? He didn't seem to care enough about Roger in particular to take her away with the sole purpose of causing him pain. The only reason I could figure for their relationship as it was shown (aside from the above parenthetical) was if Mimi didn't have AIDS and Benny knew.
During "What You Own", Mark is considering suicide.
Throughout the song, he's been singing about "living in America". Then, in the film version, he's standing on the edge of the roof and declares, "I quit," and switches to singing about dying for the next verse. It might not come across like that in other productions, but the fact he's standing at the edge of a
roof in the film suggests he might be thinking about jumping.
Angel is male-identified
There seems to be debates about hir gender. It seems like ze only uses female pronouns in drag, which is a common things for drag queens and crossdressers.
I know the Life Support names vary by production, and "Ali" can be stand-alone or short for other things, but going by the script it's spelled the same way it would be as a nickname for "Alison"
- Which could also justify the Fridge Logic of Benny cheating on her with Mimi even though Mimi has AIDS.
- Doesn't Ali vanish during one of the later songs when it implies the people in life support are dying?
Mark dies at the end of La Vie Boheme
Throughout the show, Mark is probably the most clean character: we never see him drink or smoke, he doesn't have AIDS, he's straight, he does nothing romantically to any character, he's Jewish, etc. So, by "La Vie Boheme," he's realized that his life has no meaning and he's done nothing interesting but film his friends. So he finally snaps and sings "La Vie Boheme," swearing more than he ever does anywhere else in the show. He drinks himself to death in the song, and dies.
"Seasons of Love" is his funeral.
From that point on, Mark is a ghost only seen by Roger. No one else interacts with Mark except one instance during Mimi's death when Joanne yells up into their apartment, "Mark! Roger!," which could be her correcting herself out of habit. The final Tune Up is Roger playing Mark's unreleased footage for the first time.
Buzzline left messages but never got a response from Mark since they didn't know he died.
- This theory doesn't make much sense, as almost everything that happens to him in act 2 contradicts this. He clearly interacts with other people in act 2, going to buzzline with Joanne and eventually working there, he attempts to calm everybody down in "Goodbye Love," and he tries to help Mimi in the same song. ("I know a place/a clinic) In the stage version Mark's mom calls, and there's no way she wouldn't know if he had died. Finally, if he had died, the final documentary would've been about people living in New York instead of focusing on Angel's life (and other people with HIV), as he only realized the idea in "What You Own". I'm not entirely sure where you got this idea from.
Angel didn't mean to kill Evita.
Angel was paid to play drums outside Alison and Benny's place as revenge for all the noise their dog made. Normally, a dog in this situation would just "join in" by barking. No one expected the dog to "commit suicide" by jumping. Either Evita got so excited by the noise of the drums she didn't realize how close to the edge she was or someone up there (Benny?) got sick of the noise and punted that akita to her death.
- That would be a nice idea to exonerate Angel of any murderous intent, but the lady's instructions in Today 4 You make the intention of killing the dog, not just giving the neighbors a taste of their own medicine, pretty explicit.
This akita, Evita, just won't shut up.
I believe if you played non-stop that pup
Would breathe its very last high-strung breath.
I'm certain that cur will bark itself to death.
After quitting his job, Mark cuts together a documentary showcasing the horrors of AIDS and its victims' attempt to stay optimistic in the face of their terminal illness. This groundbreaking docudrama (dedicated to Angel) is Mark's breakthrough feature, and he goes on to a successful career. The show is a stylised representation of the film he makes.
- Which is why it's not weird that he's narrating everything, even when he doesn't appear to be filming! You are so brilliant, I could kiss you!