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This is a "Wild Mass Guess" entry, where we pull out all the sanity stops on theorizing. The regular entry on this topic is elsewhere. Please see this programme note.
Hamlet
Gertrude murdered Ophelia.
She seems to know an awful lot about Ophelia's death - before, during and after it happened. She also doesn't seem that upset. Hmm.

Hamlet is Claudius's illegitimate son, and Hamlet is one of the few people at court who doesn't know it.
  • At least once, Claudius calls Hamlet "our son" when speaking to Gertrude. Maybe a figure of speech ... maybe not.
  • This would explain why the crown went to Claudius instead of Hamlet, and no one appears to have a problem with it. It also explains why, on the other hand, everyone is fine with Hamlet's eventually inheriting the crown from Claudius (mentioned several times).
    • It might also be because Denmark has an electorate system of kingship, as mentioned in the play.
  • It adds layers of ambiguity, guilt, and secrets to Hamlet's Act IV confrontation with Gertrude: think of all the things she could say that might clarify matters, yet leave them even worse.
  • Old Hamlet's ghost knows this, but relishes the chance of using his brother's bastard as his instrument of vengeance.
  • Suddenly, Fridge Horror abounds everywhere one looks.

Hamlet is a robot.
Built by Hamlet Sr., he struggles to understand humans.

Ophelia is pregnant.
Not so much WMG as very strongly hinted...

Horatio is making this whole thing up.
He actually killed everyone. Possibly driven mad by all the angst.

Horatio is a spy for Fortinbras.
He has been secretly manipulating things at court to make Fortinbras's takeover smoother. He pretended he was going to drink the poison because he truly liked Hamlet and wanted Hamlet to still think of him as a friend before Hamlet died. This leaves Horatio alive at the end to report to Fortinbras everything that has happened.

Hamlet and Horatio are lovers.
"Give me that man / That is not passion's slave, and i will wear him / In my heart's core, aye, in my heart of hearts / As I do thee. " - Act 3 Scene 2, 71-74 This wayward passion if of course not appropriate for a prince. But the anxiety of being closeted with his love serves as a major source of his anger and melancholy.
  • ...so Asta Nielsen's Hamlet, but without the gender-presentation/transgender themes. Extremely buyable.

Ophelia was visited by the ghost of King Hamlet after Polonius died.
On that note, said ghost is an Eldritch Abomination who drives whoever it talks to to insanity. That's why it refused to speak to the guards. Lastly, Ophelia realized that the ghost planned to throw Denmark into ruin, so she committed suicide so she wouldn't be a part of it.

The ghost is a hallucination, not the actual spirit of King Hamlet.
It doesn't speak to anyone except Hamlet, and when it does, it doesn't really give him new information. In fact, it tells him exactly what he wants to hear — his reaction is even "I knew it!" Also, not only is it the only character other than Hamlet to label Gertrude and Claudius' marriage as "incest", it actually seems more passionate and vehement about that topic than the whole, you know, murder thing. If it was really the ghost of Hamlet Sr., wouldn't he be more concerned with his brother killing him than his brother marrying his wife (as was standard practice back then)? Hamlet's the one with the "incest" hangup, so the only way this makes sense is if the ghost is a reflection of his own neuroses! And of course, Gertrude can't see the ghost, which is highly suspect given that the ghost is telling Hamlet to take mercy on her in that scene — why wouldn't it show itself to her?

As for the guards, they never appear again after act 1 scene 2. Who's to say they aren't hallucinations either, made up by Hamlet to rationalize the ghost's appearance?
  • This explanation makes a lot of sense thematically, but leaves several plot holes. Even going so far as to assume that the guards are hallucinations, what about Horatio? In fact, what about the entire first scene, in which Hamlet does not appear at all? Why doesn't the play simply start with I.ii?


William ShakespeareWMG/TheaterRomeo and Juliet

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