Marshall, by way of a Stable Time Loop, is the source of all weirdness in EerieBear with me on this 'cuz it's a long one. In the Lost Hour, two things are very strongly hinted at. One: Marshall is the milkman in the Lost Hour. Two. The milkman still exists outside of the Lost Hour (as shown by the milkman driving away from the milk bottles on the doorstep at the very end of the episode). This suggests either that, in the future, Marshall goes back in time AND gets caught in the Lost Hour again, perhaps intentionally to guide his younger self, or that, due to the Lost Hour's position outside the normal flow of time, it's possible for the milkman to exist at any point in normal time he desires, as he still ages and then goes back to the Lost Hour, but not traveling backward in time to be there at the right moment. And if Marshall exists as the milkman in Eerie in all points in time, then this provides shocking revelations about the nature of Eerie itself. What hit and killed Trip in 1929 before his letter could be delivered? The milk truck. What hit and killed Devon, allowing his heart to be transplanted into Melanie, Marshall's first love, allowing her to stay alive and share their first kiss? The milk truck. What is the impetus of Marshall, Simon and the cop confronting Todd's dad about his abusive behavior and allows the two to bond? Todd steals and crashes the unattended milk truck. The theory is this. Eerie really is as boring as it appears to be but Milkman!Marshall causes the events to happen to provide his younger self with a fascinating childhood. He hits and kills two children, knowing how they'll affect his younger self; he leaves his milk truck unattended when it's most important and he probably had his hand in other things behind the scenes. Due to the presence of some kind of stable time loop, by being the Milkman and creating the weirdness, the weirdness exists for him to become the Milkman in the first place. This also explains why Marshall seems to be the only one aside from Simon and Dash that realize anything is weird in Eerie. All the weirdness is centralized around him specifically because it's tailor-made for him.
- That doesn't explain Sarah's predicament.
- Also, it is unlikely Marshall will try to murder Devin (who is shown as his good friend) for Melanie who, after all, ends up leaving him. And how do we even begin to explain Bigfoot, Elvis, the conspiring dogs, and general weirdness and of much of Eerie's history and cultural institutions ("Harvest King", "Loyal Order of Corn", "Grungy Bill", etc.)— Clearly the weirdness cannot be the work of a single man! The Milk Truck was probably an in-joke among the creators and nothing more. If there was ever to be an in-series explanation, it would have been far weirder than Marshall the Murdering Milkman!
- It is more likely that Marshall ends up falling in love and perhaps ends up marrying Janet Donner, as Janet was shown to be as resourceful as Marshall himself. Marshall-the-old-man wants to make sure that Marshall-the-boy meets and helps her, fulfilling a predestination loop. This explains why the Milkman/Old-Marshall wanted Marshall to help Janet get home.
Eerie is in close approximation to Indianapolis, IndianaOr more specifically, a suburb (i.e. Fishers, Caramel, etc.), considering it's population size and its building sizes. Another hint/clue is when a dog from The Retainer says "Eerie today, Indianapolis tomorrow!" Though it is just a figure of speech, it makes sense literally as well.
- Eerie is most likely intended as a generic "small town America" locale, but if we were to guess a location, it would be somewhere along I-69 in the North-eastern part of the state. In "Just Say No Fun", the nurse is shown driving north to Canada and in "Tornado Days", the Tornado is said to be moving "North East into lake Erie" (although it cold be a local lake by the name of "Lake Eerie"). Also, Todd is hitchhiking to Indianapolis, implying to it be a little farther away than a city is to Suburb. Regardless of the geographical information in the episodes, the visual aesthetics and culture of Eerie remind me more of say, Muncie or Lafayette than an Indianapolis suburb (although both cities have a lot more people than Eerie's 16,661). Then, there is also the reference to the Middletown studies (which studied Muncie) when Marshall tells us that his dad was required to move to the "statistically most normal place in the United States" as a part of his job.
- Without identifying where The Track has gone, there's no way Eerie can be Indianapolis. As alluded to above, Eerie is an alternate universe Muncie.
"Reality Takes a Holiday" was the mid-season retool incarnate.Think about the Re Tool: As soon as he arrived, Dash X started to pull focus, Fonzie style — a cool, new kid with a bad-attitude and a mysterious past. Why add a character like that when the show was supposed to be about Marshall and Simon dealing with the weirdness of Eerie? One possible answer is maybe someone on high thought the show was ripe for cancellation and handed down notes on what to change to save it. And maybe someone thought the show would be better if it was about Dash instead of Marshall. Now look at the series finale again: Marshall finds out his life is a TV show and he's the star, but another guy is about to take his place with the network's blessing. In other words, it's a retool. The last time we saw Dash, he was alone in the world, relatively powerless and searching for answers about his identity. He was scheming and selfish, but he had a conscience and could be counted on to help Marshall out in life-or-death situations. Now he's being treated like a star and has seemingly managed to bamboozle an entire network into making him the main event, something he's willing to murder Marshall to keep. No hint of guilt or even responsibility from Dash. He seems to only know who he is and what he's capable of once he's aware he's a fictional character. When Marshall runs off, Schaefer makes it clear that if the show doesn't go on, they're cancelled. So Marshall's life and Dash's plan aren't the only things at stake here — the show is over if Dash doesn't win.... And he doesn't. The take-over plan is a bust and Eerie, Indiana is canceled for good. But the show ends on a high note: Marshall is still the star and the show doesn't care if he's doing something "uncool" like going to the movies with his family.
Dash, as seen in "Reality Takes a Holiday," isn't the Dash from Eerie.Why would Dash be the only one other than Marshall to have switched dimensions? Why does he seem to know so much about the NBC-universe, and why do his motivations seem to have done a complete 180? Why is he willing to kill Marshall just to be the star of a show that, in-universe, he wouldn't reap any benefits of? Even though Dash claims to be, well, Dash rather than an actor—he's lying. In actuality, he's the actor Jason Marsden, deluded into thinking that he's Dash (or possible even taking method acting to an extreme, which would be why "Dash" has his own labelled chair on-set). In-universe Dash might not be willing to murder Marshall (if he was, why would he need the pretense of shooting Bigfoot?), but Jason-Dash would.