. There may be unmarked spoilers.
In the scene at the party, there was a little kid who seemed absolutely fascinated with Mozart's musical games. Was that supposed to be the young Beethoven? He would have been about the right age...
Everything in the film really happened.
This film will eventually lead to Salieri's work being a regular part of classical orchestra repetoires.
If it hasn't already.
- It's certainly helped. When the movie came out, Salieri was relatively obscure but now there are hundreds of recordings of his work available.
Salieri is yanking around that priest with a story of how he murdered Mozart.
Think about it — Salieri must have known about the rumors saying that he murdered Mozart. Now, here he is in the film — old, alone and forgotten — and here comes a young priest who fancies himself "musical", so Salieri decides to test him. The young priest is totally unfamiliar with any of Salieri's work. So he plays a piece of Mozart's. And the priest has heard that Salieri has said that he killed Mozart. Salieri's response is not to confess his deed; he says, "You've heard that?" And Salieri proceeds to spin a tale of jealousy and murder to further embellish his own reputation — if he can't be remembered as being a greater composer than Mozart, then he wants to be known as the man who murdered the greatest composer of his age.
- In the stage play it's made clear by the end that the public doesn't take his story seriously at all. There is no priest but rather Salieri is narrating to the audience, so the ambiguity more pronounced in some ways.
- Seriously, did you see that guy? Think about it: he's crazy, crude, unconventional, and that's what made him so great! If he wasn't the inspiration for her, Gaga's probably a reincarnation of Mozart.
- Word of God possibly was not anticipating The Lady, but did suggest that composers like Wolfie were the rock stars of their time...
- You could probably say the same thing about Lisztomania or someone like Paganini - even moreso because these were high-profile performers into their adulthood.
- Michael Jackson is probably a better comparison. They were child prodigies who started performing at an early age. They often performed with their siblings. They had complex relationships with their stage dads. They were even more successful as adults but also had reputations as strange manchildren who didn't know how to properly act in public. They both got up to their eyeballs in debt. They both died at a fairly young age (35 in 1791 was probably closer to how 50 was in 2009) under somewhat suspicious circumstances.
Somebody in the movie did poison Mozart
- The movie mostly ascribes Mozart's failing health due to natural causes and the stresses of working on the Requiem. However, the maid briefly mentions to Salieri that Mozart is regularly taking his "medicine" which makes him worse. This is never brought up otherwise. Perhaps somebody (Salieri, the maid, or even Constanze) is introducing small amounts of poison each time?