* When it first hit Japanese airwaves in 1971, ''Anime/LupinIIIGreenJacket'' was met with quite some controversy the content was more adult-oriented than what was usually allowed on the air and eventually succumbed to low ratings, being cancelled after just 23 episodes. Reruns then led to a ''considerable'' increase in popularity and it is now considered a groundbreaking classic, spawning a diverse multimedia franchise with two sequel series, a handful of movies, and dozens of TV specials. ''Anime/LupinIIITheWomanCalledFujikoMine'' actually gets away with much of the adult-content it has because of the fond memories Japan now has for the original anime series.
** This also happened to ''Anime/TheCastleOfCagliostro''. Creator/HayaoMiyazaki's first film flopped when it first ran in Japanese cinemas in 1979, due to being much LighterAndSofter than typical ''Lupin'' fare. Fans stayed away from it, and no one else had any reason to check it out. It was only years later, once the film found an audience outside Japan and Miyazaki had made a name for himself with Creator/StudioGhibli, that people rediscovered ''Cagliostro'' and gave it its current status as one of the true Classics of animated film.
** In the English-speaking world, licensors have been trying to market ''Lupin'' since the early 90's, but always fell short of achieving the popularity they wanted. ''Anime/LupinIIIRedJacket'' got an airing on Creator/AdultSwim, but due to a two-front backlash by modern anime fans against the dated animation and by longtime ''Lupin'' fans who hated [[{{Woolseyism}} the dub]], the show's ratings were low and it was cancelled after airing just 30 of its 155 episodes. Its video release was halted not long after. Even so, that short run was enough to finally earn ''Lupin'' a large enough fanbase to justify a small licensing company, Creator/DiscotekMedia, releasing every ''Lupin'' anime it can get its hands on.
* ''Anime/SpaceBattleshipYamato'' was ScrewedByTheNetwork, airing opposite the very popular ''Anime/HeidiGirlOfTheAlps''. The first season was reduced from 36 to 26 episodes, resulting in a planned appearance by Anime/CaptainHarlock being cut. Later TheMovie become wildly popular and revived the franchise, turning it into one of the most influential anime series in history.
* ''Franchise/{{Gundam}}'':
** ''Anime/MobileSuitGundam'', one of the most influential HumongousMecha series ever, was cancelled three-fourths of the way through the show and given a completely different ending as a result, albeit one believed by many to be superior. Once it entered reruns, it suddenly became tremendously popular and spawned a countless number of sequels and spin-offs (this is one of the major reasons ''Franchise/{{Gundam}}'' has been described as "Japan's ''Franchise/StarTrek''").
** ''[[Anime/MobileFighterGGundam G Gundam]]'' and ''[[Anime/AfterWarGundamX Gundam X]]'' were not well received on their initial release, with ''Gundam X'' being the first (and to date only) ''Gundam'' show since the original to be prematurely cancelled. Now they are thought of as among the best entries in the franchise. In a complete reversal, the manga spinoff of ''Gundam X'' even had its run extended due to being unexpectedly popular. The same could be said for ''Anime/TurnAGundam'', which over time has come to be seen as one of the best in the franchise.
** While it still remains one of the more contentious entries in the franchise, ''Anime/GundamSEEDDestiny'' tends to spark far less hate and InternetBackdraft than it did when it first released. The series' and characters' improved handling in ''VideoGame/SuperRobotWars'', coupled with the even more widely-hated ''Anime/MobileSuitGundamAGE'' have led to a sizable portion of its former hatedom giving it a re-evaluation--many of them still don't ''like'' the series, but it draws nowhere near the level of vitriol that it used to.
* ''Anime/DanganRonpa3'' has a minor example. The ending is still controversial and the issues pointed out are still there and still bother fans, but the following installment, ''VisualNovel/NewDanganRonpaV3'', was so divisive and the fans hate the ending so much that ''[=DR3=]'' got fans back for this.
* ''Anime/SpaceRunawayIdeon'' was in a similar mess, but the fans caught on this time and it was given a full movie for its GrandFinale, despite being cancelled with only a few episodes left.
* Averted with ''Anime/SuperDimensionFortressMacross'', yet another highly influential series. After languishing in DevelopmentHell for a couple of years, the series finally got the greenlight, but was cut down to only 27 episodes. However, the series proved popular enough that it got an extension to 36 episodes halfway through its run.
* Numerous HumongousMecha anime have been pulled from obscurity by ''VideoGame/SuperRobotWars'' like ''Anime/AfterWarGundamX'' and ''Anime/CombatMechaXabungle''.
* The Vehicle ''Anime/{{Voltron}}'' didn't enjoy half the popularity of the Lion Force Voltron. But that's only because it followed the Lion episodes in most markets (in some, it was shown in bits and pieces between several Lion episodes). The Vehicle series wasn't "bad" by any stretch. It simply had the unfortunate tendency to be compared to the "cooler", but more formulaic, Lion series. Kids of that time latched on to the Lion series probably because it had elements that they already identified with: Fairy tales (magic, castles, princesses, evil rulers) and superheroes (the SuperRobot and the FiveManBand). Vehicle Voltron was adapted from the more MilitaryScienceFiction show ''Anime/DairuggerXV'', presenting a more mature HardScienceFiction ''Franchise/StarTrek'' like format. It also had a lot of characters to keep track of on both sides as well as presenting a lot of shades of grey instead of good vs. evil. Kids just weren't yet ready for a cartoon that had a lot of character relationships, politics, and subplots. It was the early 80s after all. Kids like their formulas. They just wanted to see "action". But then ''Anime/{{Robotech}}'' would come along and then they'd be ready. Now Vehichle Voltron is looked at as wrongfully underappreciated. One will also now notice that ''Dairugger'' was far less Bowlderized than ''Golion''which even in its original form was formulaic MonsterOfTheWeek.
* Until a couple of years ago, you couldn't say that you remotely liked Bruce Faulconer's soundtrack for ''Anime/DragonBallZ''. To utter such words would have you mocked for enjoying music that was inferior to the original track and make some fans [[FanMyopia question your fandom.]] Now, Bruce Faulconer's scores are fondly remembered, especially Vegeta's Super Saiyan Theme, Ginyu Transformation, Goku's Super Saiyan 3 transformation, and DBZ Finale. Even those who overall enjoyed the Japanese track better have their favorites and those who don't like Faulconer's work do show some appreciation. Most of this new respect happened because of Kai, which originally had a completely different, divisive, and blatantly plagiarized soundtrack by Kenji Yamamoto. Some fans even wish Faulconer would return to ''Dragon Ball'', thinking his score would go great with Kai. Don't believe us? A simple search of "dragon ball kai with faulconer score" on Website/YouTube should bring up plenty of proof.
** ''Franchise/DragonBall'' in general was this to Western viewers. There have been multiple attempts to bring the franchise stateside, but all have failed. The Harmony Gold dub never officially aired. The [[Creator/TheOceanGroup Ocean Dub]] of ''Anime/DragonBall'' only lasted one season before getting cancelled. A year later, they skipped to ''Anime/DragonBallZ,'' and while it lasted longer, it got cancelled on a cliffhanger due to airing at a poor timeslot. When ''Creator/{{Toonami}}'' [[NetworkToTheRescue picked up DBZ]], the ratings skyrocketed, which allowed the show to get revived with a new English dub by Creator/{{Funimation}}.
*** This, combined with ItsPopularNowItSucks also happened to ''Franchise/DragonBall'', although ''Anime/DragonBallZ'' got it the hardest. During the late nineties and early two thousands, you could ''not'' say you liked ''Dragon Ball Z'' without getting [[FlameWar burnt to a crisp]] by [[FanHater Fan haters]] who viewed every member of the fandom as FanDumb. This wasn't a Sub vs Dub thing either - the franchise ''itself'' was hated so much that even discussions about the video games were often derailed by hatred, very much like how ''Anime/{{Naruto}}'' was treated after 2005, and Dragon Ball Z fans were treated like the [[FanNickname Narutards]] were ten years later. These days, times are much ''much'' different - to the point wherein ''VideoGame/DragonBallFighterZ'' wasn't seen as a niche title like the ''Budokai'' games were. This may have something to due with the [[MemeticMutation memetic]] popularity of ''WebVideo/DragonBallZAbridged'' as well as ''Anime/DragonBallKai'' alleviating the show's [[ArcFatigue main point of criticism]], bringing new people into the franchise.
* While ''Anime/DragonBallGT'' is still mostly disliked, or at least considered SoOkayItsAverage, the Super Saiyan 4 transformation is generally considered to be one of its best contributions to the overall lore. When it received canon counterparts in the form of Super Saiyan God and Super Saiyan Blue, the [=SS4=] form set itself apart with its more imaginative design and the fact it recalls the association between Saiyans and Apes. ''GT'' also has the fewest continuity errors, but this didn't save the series from being hit with CanonDiscontinuity to make way for ''Battle of Gods'', ''Resurrection F'', and the newest television series, ''Super''.
* ''Anime/MyNeighborTotoro'', one of Hayao Miyazaki's greatest works, failed to turn a profit on its first release in 1988. Two years later, King Totoro dolls became a hot-selling item and the film gained a re-evaluation, raising Miyazaki's esteem on an international scale.
** Its failure in the initial run probably had something to do with the fact that it was bundled with ''Anime/GraveOfTheFireflies'', one of the most depressing anime in history.
* In another Ghibli example, Disney's dub of ''Anime/CastleInTheSky'' commissioned Joe Hisaishi to rerecord his score with a symphony orchestra exclusively for their release. Miyazaki himself approved of the end result. So did certain critics. Many, many American purists, however, were '''''furious''''', instantly condemning the new score as "a crime against all humanity." The Ghibli Blog infamously even called both the dub and the rescore the equivalent of ''Anime/NausicaaOfTheValleyOfTheWind'''s first American dub, "Warriors of the Wind." Perhaps because of this, Disney reissued the dub without the rescore. Although today there are some fans who still bitterly resent the rescore, ironically, its removal from the dub has caused other reviewers to give it a second evaluation; many recent reviews of the film and the redub now declare the new work as one of the dub's biggest assets, as well as a genuine improvement over the original. Even the rescore has a following of fans, many of who were saddened when it was jettisoned. In fact, the rescore received a soundtrack release in Japan. Up until 2017, the only way to view the film with the rescore was to import the BD from Japan, the UK, or Australia. Gkids has since reissued the film on Blu-Ray, providing viewers with the opportunity to see the dub with either score.
* A bizarre mixture of this and GermansLoveDavidHasselhoff, ''Anime/TheVisionOfEscaflowne''. It actually ''bombed'' during its initial run in Japan (it was seen as a ripoff of ''Manga/FushigiYuugi''), but it proved popular overseas. Likewise, in America, the series was actually cancelled just halfway through its broadcast run. However, the American series at least as aired on television was a [[{{Macekre}} near incomprehensible edit]]. Once people started to see the uncut dub (as well as the subs), it became an anime classic.
* Similar to the Escaflowne example above, albeit to a lesser extent, ''Anime/IeNakiKoRemi'' (or Nobody's Child Remi) was the last series from the ''Anime/WorldMasterpieceTheater'' before their ten year hiatus, and WMT was already having problems before then. The show did horribly in Japan, suffered from despicably low ratings, and was [[TheyChangedItNowItSucks brutally lambasted for massive changes from the original Hector Malot book]] (like changing the main character into a girl, removing the boat, and expanding on one small part of the story and running with it all the way through). The critical reception was so bad, the final three episodes never aired on TV and were straight to DVD instead. Thankfully, thanks to a devoted fansub group, some international attention, and more appreciative fans, it has gotten more positive reception in the form of fans viewing it as its own entity as a cute, charming, somewhat dark series, a good show in its own right, and don't mind that it's not faithful to the source material. Those who like the source material try to view the show as a separate entity and appreciate what it does well, rather than nitpick at everything it did wrong.
* When ''Anime/DigimonTamers'' first aired, many fans of the ''Adventure'' series were disappointed and confused by the lack of relation between the stories, and much of the themes and subtext were lost on younger viewers. Over a decade later, thanks to both access to the Japanese version and a higher demand for more cerebral, deconstructive series, ''Tamers'' has gained a large amount of popularity, and is easily the second most popular Digimon series.
* The Transformers Anime/UnicronTrilogy. ''Armada'' was downplayed due to its GottaCatchEmAll attitude with Mini-Cons, and ''Cybertron'' for its [[DullSurprise limited animation]]. However, both have picked up in popularity due to later season story lines, and "[[http://tfwiki.net/wiki/Ambush Ambush]]" is considered to have some of the best CG of ANY Transformers media up to that the time. ''Energon'' however, still tends to be received rather poorly.
* In the realm of ''Franchise/PrettyCure'', we have ''Anime/FutariWaPrettyCureSplashStar''. Initially, the series didn't do well, and until ''Anime/SuitePrettyCure'' came along, this series had some of the worst ratings in the franchise's history (though even then, it still did much better then most other series that aired at the time). It was also seen as a bad Retraux of the original two seasons, having the two main character being Nagisa (Saki) and Honoka (Mai) expies, and also garnered some detractors for toning down the realistic Seinen elements of the original, as well as favoring zippy flight and beam spam over hard hitting fisticuffs for quite a bit of the show's run as a result of MoralGuardians attacking the original show and its sequel. After GrowingTheBeard, it still never made as much money as the original series or series after it ever did, regardless of quality (even when it didn't make '''10 Billion Yen''' that year, it still made more money then most other big anime franchises could even dream of making, just not as much as what Toei wanted). As the years have gone by since then, however, the fanbase sees the series with much more prestige, due to managing to make Saki and Mai their own characters, Michiru and Kaoru being the first true DarkMagicalGirl characters introduced in the franchise, the latter half of the series gaining back some more classic elements, like hard hitting attacks, and many of the elements introduced here being mixed in with these original elements, setting new standards for the series to have when it comes to the fight scenes, and the villains as a whole are considered much more memorable, well written, and generally menacing in their own way and not too wooden either. It is currently held on many fan lists as amongst the best seasons in the franchise, alongside the likes of the EnsembleDarkhorse of the franchise, ''Anime/HeartCatchPrettyCure'', which says quite a bit for the series after its initial sour reception amongst the fanbase.
* A rare character example: Minmay from ''Anime/{{Robotech}}'' was one of the most hated characters ever, partly due to her whiny voice provided by Creator/RebeccaForstadt (who, to say it politely, was ''not'' the most suited actress for the role), the bad quality of her dubbed songs, and her [[TheDitz overall ditziness]]. But over the years, people who once hated her have now warmed up to her and see her more as a goofy but good-hearted girl who was unable to cope with the insane situation she found herself in.
** That Creator/ADVFilms was given the go-ahead to make an uncut dub of the original ''Anime/SuperDimensionFortressMacross'' and cast Minmay with an actress who actually knew how to make her likeable (Mari Iijima, her original Japanese VA) didn't hurt either.
* ''Anime/{{Robotech}}'' saved from obscurity ''Anime/SuperDimensionCavalrySouthernCross'' entirely (it wasn't well liked and was cut short with no obvious ending) and possibly ''Anime/GenesisClimberMospeada'' (which is at least rumoured to have a small cult following in Japan).
* ''Manga/JoJosBizarreAdventure'' has always been popular in Japan, but it took a while for it to catch on in the west. While it was never hated in western countries, it was always pushed aside by other Magazine/ShonenJump series and remained a CultClassic at best, thanks to [[NoExportForYou a lack of localization]] (primarily due to the [[ShoutOut/JoJosBizarreAdventure character names]] creating [[ScrewedByTheLawyers a gigantic mess of legal issues]]), although MemeticMutation caused a bump in popularity in the early 2000's. Then it gained a proper anime (as opposed to 13 half-hour [=OVAs=]) in 2012, and because it came nearly 25 years after the manga started, it has no {{filler}} and it doesn't have to worry about [[OvertookTheManga taking a different path in the story]]. Because of this and [[VideoGame/JoJosBizarreAdventureAllStarBattle the tie-in game]], [=JoJo=] became exponentially more popular in TheNewTens, an era where fellow Shonen series were starting to fall off in popularity.
* ''Anime/IdolmasterXenoglossia'' was bashed by fans of the [[VideoGame/TheIdolmaster original game]] for being an InNameOnly adaptation when it first came out. Nowadays it's seen as a more decent robot anime ''as long as'' you don't consider it as an adaptation of ''IDOLM@STER''. This is mostly because there has since been a [[Anime/TheIdolmaster more faithful adaptation]] and because Xenoglossia was directed by Nagai Tatsuyuki, who later went on to direct other animes, most notably ''[[Anime/AnoHanaTheFlowerWeSawThatDay Anohana]]''.
* The ''{{Anime/Pokemon}}'' anime's ''Orange Islands'' arc was originally disregarded as {{Filler}} that didn't really amount to anything since the Gym challenges weren't always actual battles and the League itself wasn't based on an in-game region. Nowadays, whenever a debate starts concerning Ash's competence as a trainer, people will often mention it immediately, since his victory there technically means Ash qualifies for the title of Champion, and that also marks the first real sign of his growth as a Pokémon Trainer. It is also pointed out that the Orange Islands brought several fan-favourites such as Ash's Lapras, Ash's Snorlax, and the Crystal Onix, and that the battle between Ash and Drake was the series' first full battle.
** More fans overtime have been starting to consider the controversal ''Black and White'' series an example of this trope. While it did several things wrong, [[FandomBerserkButton particularly with Ash]], it also did several things right that have continued to be done to great effect in the subsequent ''XY'' and ''Sun and Moon'' series - namely, a better series structure and pace, a more faithful rendition of the region from the video games, the regular formula for {{Filler}} episodes being mostly dropped in favor of more inventive situations, Team Rocket not appearing in every episode and not [[SpotlightStealingSquad taking up too much unneeded time]] in episodes they do appear in, Team Rocket [[NotSoHarmlessVillain being more competent]], and introducing much longer [[StoryArc story arcs]] (the Meloetta arc and the ''Episode N'' arc) which were the predecessors to the ''Z'' arc of ''XY'' and the Cosmog arc of ''Sun and Moon''. Some will argue there were even things that it did better than other series, such as a more even group dynamic. Essentially, it is viewed as the reverse of FranchiseOriginalSin - even if it is not considered good overall, it originated many popular trends used in subsequent entries in the series.
* In TheSixties, ''Anime/HolsPrinceOfTheSun'' had an horrifyingly TroubledProduction, suffered lots of ExecutiveMeddling and bombed as a result. Now it's considered as one of the most classic anime movies ever.
* Back when it first aired in 1984, the obscure mecha series ''[[SuperHighSpeedGalvion Galvion]]'' bombed horribly leading to it getting CutShort and cancelled at 23 episodes, leaving many plot threads hanging. Nowadays, the show has become a cult classic among mecha fans in recent years due to [[https://www.youtube.com/watch?v=lurMLaFQJZU its opening]] and its unique concept. Said cult status led to the series having new toys and an production artbook released as well as giving the show an official soundtrack release in 2009 [[note]] prior to this there were just vinyls of the opening, ending and insert songs [[/note]] and it's first official home video release in 2013 on Blu-ray, a treatment that some more popular series have yet to receive.
* When it was initially released, the second season of ''Anime/YuGiOh5Ds'' was not well received due to the many odd choices, dropped plot points from the first season, and odd pacing. The series final boss, Z-One, was received about as well as any Yugioh final boss character (that is, not well at all). However with the advent of just how much TroubledProduction was at play, up to and including ''cast members being connected to cults'', fans have become a lot more forgiving for it and praise the parts of the second series that were done well more. Z-One has also gotten a better reception over time, in part because his deck, the Timelords, becoming popular as the members of the archetype were released in real life, and partially because his FinalBoss duel was looked at more fondly in comparison to the disliked Don Thousand and controversial Zarc duels of later series and the duel against Darkness in the previous GX series (mostly because Z-One's cards, while being powerful, were no where near as ludicrous, designed to be 'you cannot play the game' in effect, and having a visually interesting theme as the above three).
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