"There are plausible scientific explanations for everything that followed, but I think it was really just a question of hatred. It is the way of men to make monsters; and it is the nature of monsters to destroy their makers."
— Harlan Wade
First Encounter Assault Recon (F.E.A.R) is a special operations unit working for the United States government. Their purpose: to deal with paranormal threats to national security.As the game starts, the player takes on the role of F.E.A.R.'s new Point Man. In his first briefing, F.E.A.R. learns of a secret military project, Perseus, being run by Armacham Technology Corporation in the city of Fairport. The project, the development of a battalion of telepathically controlled "Replica" Super Soldiers, has gone haywire. The Replica battalion's telepathic commander, an unstable operative named Paxton Fettel, has led them in an uprising. It is now F.E.A.R.'s job to hunt down and kill Fettel, ending the uprising. But things start to get complicated when Alma, a little girl in a red dress, shows up and starts annihilating F.E.A.R.'s 1st SFOD-D ("Delta Force," a real-life U.S. military special operations unit) escorts, then vanishes.F.E.A.R. is a First-Person Shooter set up as a horror movie. The player must survive long enough to unravel the secrets of Project Perseus and its parent, Project Origin, while battling the Replica forces, ATC security teams and experiencing increasingly disturbing visions. It is not a Survival Horror game, however, but a near-future sci-fi action game with strong horror elements.Two mostly non-canon expansions, Extraction Point and Perseus Mandate, have been released. The former chronicles the Point Man's efforts to escape the city following the events of the main game, while the latter concerns a second F.E.A.R. team's attempts to secure sensitive information about Project Perseus near the end of the original game.The sequel, titled F.E.A.R. 2: Project Origin, was released in Spring 2009. In this game, the player controls a Delta Force operative named Michael Becket, who is sent to capture Genevive Aristide, CEO of Armacham Technology. Things get worse. Becket undergoes a brutal surgery and experimentation that leaves him a target for Alma, who hunts him down while he himself tries to evade ATC troops and Replica soldiers in order to destroy Alma for good.The Downloadable ContentF.E.A.R. 2: Reborn was released in Fall 2009. In this DLC, the player controls a Replica called Foxtrot 813, who encounters and becomes Paxton Fettel.F.E.A.R. 3 (written as F.3.A.R. in some ads) was released in June 2011. The story opens nine months after the events of F.E.A.R. 2, with the Point Man being interrogated in an Armacham prison. Paxton Fettel appears, and the two stage an escape, with Fettel accompanying his brother back to the warzone that Fairport has become.Make sure to check out the character sheet. Not to be confused with the name for a certain Ratatta moveset.
Provides Examples Of:
Abandoned Hospital: Once the "tutorial level" is done with, Project Origin properly starts off this way. Until it becomes clear it's not "abandoned" so much as "hastily evacuated" and the guys they're running from are knocking on the door. Plus, as a bonus, it gets subverted when it turns out the entire hospital is itself underground with a fake holographic skyline, presumably to fool all the patients into thinking they're in a normal hospital.
The final levels of Extraction Point take place inside a hospital. Much like with Project Origin however, it's not so much abandoned as it is something else, and in Extraction Point's case it's an intensely eerie gauntlet of the supernatural, decorated with numerous bodies of Special Forces soldiers and enough blood to make one think the blood bank had a recent withdrawal.
Actionized Sequel: F.E.A.R. 3 is more actionized that its predecessors. You're constantly notified of how many points you've accumulated by completing challenges, which gives the whole thing an arcade-y score attack feel. This had a polarizing effect on both critics and gamers in general: the gun combat was fun, really fun, but the scoring mechanic detracted from the creepy feel for some reviewers.
A.K.A.-47: Any weapon resembling a real one, especially those which aren't at the quirky BFG level.
All There in the Manual: The game developers released a great deal of background plot information for the canon game series (especially regarding Armacham, the various Projects and Alma), but only in a promotional pre-order booklet for F.E.A.R. 2: Project Origin.
Animesque: Surprisingly, the series has much in common with anime. The Mega Corp., psychic-powers, villain origins, and military personal bring to mind more than a few similarities with anime such as AKIRA and especially Elfen Lied, and when in slow-mo, the combat has a lot in common with the techniques seen in anime, complete with subtle Speed Lines effects. Not surprisingly, a few names and ideas behind the series were re-used from Shogo: Mobile Armor Division, an earlier FPS from the same developers that was more obviously anime-influenced.
Artifact Title: F.E.A.R. 2: Project Origin has little to do with the First Encounter Assault Recon organization. It does, however, have everything to do with said project.
Artificial Brilliance: The F.E.A.R. A.I. is actually a good example of emergent behavior, which is programmer-speak for "we didn't program it specifically to do that, but for some random reason it does it anyway, and it's really, really cool that it does!". In other words, a relatively simple set of rules intended for a limited set of functions actually provides for more complex behavior than intended. Specifically, the A.I. is programmed for a limited number of simple behaviors: moving in coordinated squads, providing covering fire, seeking cover, and repositioning itself based on the player's movement and position. The A.I. isn't actually programmed to flank or circle behind the player, but its tendency to seek cover and reposition itself based on the player's movements results in flanking and circling behaviors occurring naturally without "conscious" effort on the A.I.'s part (mostly due to the A.I.'s high mobility combined with its preference for seeking lateral cover rather than charging the player directly). In fact, the A.I. of the Replica Soldiers was toted as perhaps the best enemy A.I. seen in a FPS game to date, and it holds up almost a full decade later...
Artificial Stupidity: ...except when it's a fight between two computer-controlled characters, probably because the A.I. has been built to respond to actions undertaken by a human player. If, by any chance, the human player sees two sides duking it out, it'll be nothing more than a simple exchange of bullets, the winner decided by which side manages to put more bullets on target than the other. The bad guys will more likely ignore your friends and go after you, assuming you show up in the same firefight.
Art Shift: The character designs in all three games are noticeably different. There was a deliberate shift in design between F.E.A.R. and F.E.A.R. 2, and the shift in the third game is due to the franchise having been transferred to a different developer. Surprisingly, the art design in F.E.A.R. 3 is largely consistent with that of F.E.A.R. 2; the major, most jarring shift is that Paxton Fettel has a completely different face in F.E.A.R. 3 compared to his appearance in the first 2 games.
Attempted Rape: Any time Becket has to fight Alma hand-to-hand in F.E.A.R. 2.
The ending of F.E.A.R. 2 makes it successful rape...
Autosave: All games in the series autosave after reaching a certain place and sometimes before or after a especially hard fight. The first game also has an option to save manually.
Awesome, but Impractical: Typically applies to the BFGs, especially when you're talking about ammo abundance. As such, they generally suffer from Too Awesome to Use. F.E.A.R. 2's FL-3 Laser and Type-12 Pulse Weapon are notorious examples, the former for its ammo hunger, which is only worsened by its poor aiming system and the latter for its extreme rarity.
Ax-Crazy: The Cultists in 3. They're barely even human anymore.
Babies Ever After: In the Point Man's ending of F.E.A.R. 3, at least, this is implied, as he is shown carrying off his baby sibling after Alma gives birth.
Back Stab: In both games, shooting an unaware enemy typically results in an instant kill. This doesn't work on the Giant Mooks, though.
F.E.A.R. 3 lets you pull off an actual Back Stab, either with the Point Man's knife or Fettel's psychic attacks.
Badass Normal: Delta Force leader Doug Holiday manages to do just fine against everything the supersoldier Replica battalion throws at him, despite not having the superhuman reflexes of the Pointman. Alma pretty much curbstomps him, though. The nameless Delta operative from the PS3 exclusive bonus mission also does pretty good until he and his team get liquified by Alma at the end.
Bad Boss: The Phase Commanders in FEAR 3 who, among other things, threaten dismemberment(!) if their orders are not carried out.
The Bad Guy Wins: Project Origin allows Aristide to try to get her job back, and Alma pregnant with who is essentially the Anti-Christ. Yeah.
Beehive Barrier: The Power Armor and Elite Power Armor units in F.E.A.R. 2 have these as energy shields, while the Replica Assassins have their invisibility shield look like this.
Better to Die than Be Killed: Literally, when playing as Paxton Fettel. If your host body is killed, you lose all your psychic power; burning out means you lose about half of what you need to possess someone. In a firefight, it can be better to burn out of a body instead of allowing it to be killed, because it means you can bodyhop faster, or retain some juice in order to provide support for the Point Man.
Big Bad: Alma, though Genevive Aristide and Harlan Wade are really pushing it.
Then again, Alma does help you repeatedly in Extraction Point by clearing away Replicas and leading the Point Man into areas to navigate his way to pick-up.
F.E.A.R. 3 casts a different light on the overarching narrative, painting Paxton Fettel as the true Big Bad.
Big Screwed-Up Family: Dear lord. Paxton Fettel hopes to have a reunion in F.E.A.R. 3, just in time to greet the youngest sibling.. Fettel even makes a crack about it in Perseus Mandate to the F.E.A.R. Sergeant.
Did I ever tell you about my brother? You remind me of him...I didn't like him either.
I never met my brother, until the day..he killed me. *Eerie chuckle* We're a...complicated family...wouldn't you agree?
Blackout Basement: One paranormal sequence in Project Origin. Expect it to smell like horror.
Body Armor as Hit Points: Averted in the first game, where body armor only absorbs a portion of damage, based on the armor penetration rating of the gun you get hit by. Played pretty much straight in the second game, where only a couple enemy weapons could piece armor at all.
Book Ends: One of the first things the player hears from Fettel in the first game is "They deserved to die. They all deserved to die." One of the last things Fettel says during The Stinger in the Point Man's ending is a repetition of those lines.
Boring, but Practical: While you can carry 3 weapons, you're making it a harder for yourself if 2 of those weapon aren't the shotgun and assault rifle in the first game. These weapons don't do anything special, but they do the job, cover short and medium ranged battles and you can find plenty of ammo. Expect to be juggling weapons as you encounter ammo for them with the cooler guns.
Depending on how accurate a shooter you are, you may wish to switch the assault rifle out with the Penetrator. The Penetrator has better armor-piercing ability at the expense of less readily-available ammunition and much slower fire rate.
FEAR 2 ups the number of weapons you can carry, but you're still probably going to have one of the shotguns and the SMG or assault rifle in two of those slots for the whole game, since ammo is most plentiful for those and they again effectively cover most ranges.
The Riot Shield in the third game. You can't move very fast with it equipped, and it limits your peripheral vision somewhat, but comes with an accurate gun and provides solid protection from attacks coming at you from the front. Also, one of the most reliable ways to take on a Phase Commander is to box him into a corner and just keep the pressure on him while using the shield as cover, occasionally going into slow-mo to heal, and then running away when he's about to explode.
Also from the third game, the Strader Mk. VII pistol. It has readily available ammo, a high rate of fire that that doesn't slow down when using slow-mo, and can kill most Armacham grunts with a single headshot. It becomes a bit less useful with the introduction of the heavy soldiers.
The minigun-wielding Heavy Riot Armor. Aside from having the exact same health level as a normal Heavy Armor these guys pack an absolutely impenetrable shield that covers over half of their bodies, and the guns they carry can tear you up far faster than anything in the game bar mooks with Particle Weapons, Repeating Cannons or Lightning Arc Weapons.
The Nightcrawler Elites have the same Slo Mo ability as the player, which they use to zoom around in short split-second bursts. Running out of slow-mo when fighting them is the red flag for retreating immediately, as you need it for bringing their speed down to your level.
The Remnants (psychic super zombies) in Project Origin.
Bullet Sparks: Taken to a ridiculous degree. Anything you shoot that isn't concrete or flesh will create more sparks than welding. Hell, you can even create sparks by punching something.
Bullet Time: The Point Man and Becket have Super Reflexes, which is depicted in-game by allowing them to temporarily enter bullet time. In F.E.A.R. 3, any time Point Man uses this ability, time also slows for Paxton Fettel- allowing him to use a special psychic shockwave attack.
Button Mashing: Some sequences in F.E.A.R. 2 require you to do this, usually to push... beings away from you.
Monolith considers the two expansions, which were made by other developers, non-canon.
And while those expansions were well crafted and certainly worth playing, on some level it is thankful that they were retconned because that means that Jin and Holiday might still be alive.
F.E.A.R. 3 also largely ignores the events of the first-party F.E.A.R. 2: Reborn DLC, in that Fettel is still an immaterial psychic ghost and seemingly anchored to Pointman, instead of a Psychic Commander reborn in the body of Foxtrot 813. On the other hand, it is hinted that the Fettel the Point Man works with might just be another projection like the Creep, just in the shape and identity of Fettel instead of Harlan Wade.
Elements from the expansions seem to be utilized in the canon storyline, i.e. Fettel's resurrection, the Replica reactivating, the use of plane crashes, hospitals, and subways, the Point Man being separated from the main F.E.A.R. unit and the military, the Origin Ward, the ability to punch open doors, and so on. One can possibly even include Extraction Point in the main canon, if one ignores Jin's death.
Cherry Tapping: It is possible to complete the entire demos of both games with just grenades and melee attacks.
Cliff Hanger: Every game in this series has managed to get away with this to some degree, including the expansion packs and the DLC.
The first F.E.A.R. ends with the Pointman barely surviving the nuclear explosion, only to have the game cut to the credits when Alma appears crawling into the helicopter the player is aboard
F.E.A.R. Extraction Point ends with the Pointman reaching the eponymous extraction point only for the helicopter to explode for no reason right in front of the player, leaving Pointman's fate in the non-canon expansion packs a mystery.
F.E.A.R. Perseus Mandate almost gets away with a closing end.. but The Stinger is pulled and reveals the Nightcrawlers succeeded in their mission of bringing the Senator Paxton Fettel's DNA.
F.E.A.R. 2: Project Origin is probably the biggest if not most dramatic of them all, we're left with a sudden ending of Alma being pregnant!
F.E.A.R. 2: Reborn ends with Foxtrot 813 being possessed by Paxton Fettel, and Fettel proclaiming he is reborn.
Even the supposed series finale F.E.A.R. 3 pulls one off.. in both endings: Fettel's ending is him killing his brother to supposedly possess him permanently, and then goes to take Alma's newborn baby to raise as a pawn. Pointman's ending almost ends with some closure, but The Stinger once again comes in, with Fettel claiming he will have vengeance against Pointman having killed him a second time.
Clone Army: The Replicas you commonly fight throughout the series are clones of Paxton Fettel developed by Armacham.
Cloning Blues: Averted by the Replica, to the point that it makes them even more terrifying than you'd think.
They appear to be Fettel's clones, although the ones you actually see unmasked are horribly deformed. There's a strong possibility that those could have been messed up at some point in their development, though, since they aren't part of the main fighting force. The Replica you control in Reborn has a perfect, unmarred Fettel face.
Cloud Cuckoolander: Terry Halford who, in the middle of explaining how to survive Alma's rampage, goes off on a brief tangent about hippos and how, when they fight, "they fling shit everywhere."
Cluster F-Bomb: Colonel Vanek from F.E.A.R 2. To quote his words when you fight him:
Enemies often swear when you shoot them, which can get hilarious in Slow-Mo mode. "FFFUUUUCCCKKKK!" "SSHHHIIIIIIT!" "FFFUUUUCCCKKKK!"
Hell, the Replica will swear at the drop of a hat. Even to each other. "Do you see anything?" "Shut your fucking mouth!"
Snake Fist gets in on it with some of the intel in FEAR 2:
SnakeFist says: ... Anyway, did you see my conclusions? You know, the part where it says PROBILITY OF SUCCESS: 3% / PROBABILITY OF CATASTROPHIC SIDE EFFECTS: 84% [Your status is now set to Away.] SnakeFist says: Bitch SnakeFist says: bitchbitchbitchbitchbitchbitch
The Computer Is a Cheating Bastard: Some enemies can dodge anything from point-blank grenade explosions to lightning. Yes, they dodge lightning. Even more blatant since this is in a game where you can slow the game down to watch your shots make contact, but still not score a hit.
Contagious Powers: At first, the Point Man's superhuman reflexes were what made him unique from everyone else. Now, a whole bunch of people have them... Becket, Keegan, the F.E.A.R. Sergeant, Nightcrawler Elites, the Nightcrawler Commander, even Replica clone soldier Foxtrot 813! The Sergeant and the Nightcrawlers aren't considered canon though, and it's justified in the other cases. Beckett and Keegan get their powers from experimental surgery and Foxtrot 813 is, like all Replica, a clone of Fettel.
Corrupt Corporate Executive: Genevive Aristide in particular, but all of Armacham, really. In F.E.A.R. 2, they send a virtual army of mercenary commandos to snuff out all the evidence of Projects Origin, Harbinger, and Paragon, and the latter theoretically involved the killing of children. (Alma going nuclear had already killed them.)
Aristide isn't worried about a psychopathic dead girl trying to destroy the Earth. She just wants her job back. Stokes lampshades this.
Cosmic Deadline: Quite noticeable in F.E.A.R. 3. The game has a clear beginning, middle, and finale. However, it literally jumps straight from the middle to the finale without any form of transition in between. It's especially jarring since the finale pretty much wraps up the storyline for the entire trilogy of games, so you'd think there'd be more of a build-up to it.
Covers Always Lie: The covers for the expansion packs Extraction Point and Perseus Mandate prominently feature a soldier in the foreground with a large explosion in the background. The implication being that the soldier is the main character. However, they are not. The soldier on the cover of Extraction Point is a Delta operator, not the Point Man, and the soldier on the cover of Perseus Mandate is a Replica Tactical soldier (one of the bad guys!), not the Sergeant. They get away with this because at no point in the game do you get a clear view of your own character. Project Origin has a similar cover, but at least the character shown is actually the character you play as.
Cult: The Fairport civilians who survived the nuclear explosion and were driven insane by Alma appear to have formed these, complete with body mutilations, creation of makeshift temples, and sacrifices.
Damn You, Muscle Memory: The control scheme in F.E.A.R. 3 is identical to F.E.A.R. 2 with one exception-the crouch and melee buttons have switched places.
Darker and Edgier: While the blood and atmosphere was quite bleak in the first game, the disturbing factor continued to grow with each installment. An increasingly apocalyptic atmosphere, more terrifying baddies, betrayal, and rape all contribute.
Death by Sex: This is pretty much what happens if Becket dies trying to fend Alma off hand-to-hand. It is implied that the Telesthetic Amplifier's enhancing of Becket's psychic power is the only thing that lets him survive being raped by Alma at the end of the game.
Death by Childbirth: When Alma finally gives birth in F.E.A.R. 3, her body seems to burn away into red light, and she seems to relax and be at peace. It's not made clear if Alma is actually gone, however.
Decoy Protagonist: Oddly enough, a literal example in Becket. The only reason he's dealing with Alma is because Genevieve Aristide made him a telesthetic beacon so Alma and the Replica troops would be drawn to him. The result is that while Alma is chasing Becket, Aristide can find the Point Man without interference.
Depth Of Field: Used a great deal in F.E.A.R. 2, particularly while aiming, to make the camera focus on what the character is notionally looking at.
Destructible Projectiles: It's also hinted, in fact, that stuff like grenades, mines, bombs and even mid-flight rockets can be destroyed. In other words, you trying to explode an incoming enemy rocket early at its owner's face for a kill is an encouraged mechanism.
Determinator: Alma. Not even being in an induced coma stopped her from trying to get revenge and mind-controlling Paxton Fettel. She literally refused to die for six days without life support, and when she finally did, it didn't slow her down much.
The Replica also fit under this as a whole. Once a psychic commander gives them a task, they will stop at nothing to complete it, at the cost of their own lives.
Dummied Out: This video features some cut dialogue from the Replica soldiers in the first game that indicates originally, the Armacham executive they were looking to capture was actually Harlan Wade. In the final product, it was changed to Norton Mapes.
Easter Egg: There's a bit in Project Origin where you fight from a school stage that was interrupted mid-play. You can hide behind a cardboard donkey, and the Armacham soldiers will immediately say "The ass! He's behind the ass!"
Extraction Point has one in the Hospital level. Shooting a ventilation grate on the wall of an exam room opens up a back wall that leads to Norton Mapes doing a strange little jig. Mostly loved by players because it lets them finally shoot the bastard.
Elaborate Underground Base: Both of the first two games have these, but the one in F.E.A.R. 2 is so huge that it encompasses a whole hospital and you spend nearly a third of the game's levels just getting to the surface. There's even a ridiculously huge underground train network.
Elite Mooks: The Replica become these in F.E.A.R. 3 for ATC. Generally, most squads from Interval 05 and onward will have a mixture of both lighter ATC mercenaries and heavily-armored Replica troops who are far tougher and stronger.
You also have the very elite Phase Casters. These guys have Deflector Shields, a nasty laser weapon, and the ability to summon endless waves of regular Mooks unless you take them out quickly. On top of that, there's the Phase Commanders, who carry F.E.A.R. 3's jacked-up Penetrator and like to taunt you throughout the levels leading up to fights with them.
End of the World as We Know It: The endings of both games. F.E.A.R. ends with Fairport devastated by a nuclear explosion and Alma stowing away on the Point Man's evac chopper. Project Origin ends with Alma pregnant with Becket's child with the implication that the child is a strong psychic already, and she isn't even born yet.
The ending of Extraction Point, or at least it's a possible prelude to the end.
"A war is coming. I've seen it in my dreams. Fires sweeping over the earth, bodies in the streets, cities turned to dust... retaliation."
Enemy Chatter: Replica and Armacham troops regularly communicate through radio conversations that you can overhear.
Evil Counterpart: The final battle against Keegan in F.E.A.R. 2. Well, not so much evil as succumbing to The Virus, but he has the same powers as you do (plus the ability to clone himself!) and are more or less in the same boat, so it seems to count.
Evil Laugh: Paxton Fettel gets in a few good ones in F.E.A.R. 3. He also chuckles evily any time he possesses an enemy.
Evil Tower of Ominousness: In F.E.A.R. 3, a huge tower in the center of the city seems to be the focal point of the game, with Alma's portal apparently being right above it, and the cutscenes showing you progressing closer and closer to the tower with it being presumably your final destination. however, in one of the last levels the tower turns out to have absolutely no bearing on the plot, having been something of a red herring, and collapses without you even setting foot inside. The game continues on for 2 more levels.
Evil Versus Evil: In the first two games, the Replica soldiers and the ATC forces are hostile to each other as well as to the player, and you will occasionally encounter gun battles in progress between the two.
Expansion Pack: Two for the first game: Extraction Point and Perseus Mandate.
The Point Man is never seen without his facemask in the first game.
Averted in the sequel with Sergeant Becket, though the restrooms you can view yourself in are dark.
The third game finally averts this, showing both former protagonists' faces.
The Sergeant from Perseus Mandate actually has a full model, face included, though as with the base game, you can never actually see much more than your arms and legs. Interestingly enough, he's black.
Faking the Dead: In the third game, the cultists will often pretend to be one of the many corpses littering the environment, only to get up and attack when you get close.
Fan Disservice: Alma walks around completely naked in her "adult" form, but all of the scenes involving her nudity are rather...disturbing. We also can't forget that she ends up raping you. And she's been dead for 20 years. And in the first game she's your mother.
Fiction 500: Armacham's reach and power seems to be expanding with each installment. They're practically an N.G.O. Superpower by F.3.A.R., as they appear to have their own personal army, and be in military control (as in, openly flying armed helicopters, driving armored personnel carriers, and patrolling the streets with mercenaries in ATC uniforms) of the slums of an unspecified city in an unspecified Spanish-speaking country.
Foreshadowing: Perseus Mandate. Done twice to enforce Chen's eventual death.
The F.E.A.R. Sergeant sees a vision of an underground area (which is revealed to be a research facility later on), where he helplessly watches Chen get pulled down in a puddle of black liquid.
During a detour to yet another underground area to survive a nuclear explosion, Chen disappears from the Sergeant's sight, only to show up dead in a pool of blood a couple of hallways later.
Four Is Death: A (possibly) unintentional example in Perseus Mandate. Interval 4, Devastation, takes place right after the city is razed by the Origin explosion, there is only one fight with "human" enemies in the whole interval (the rest is against Alma's supernatural apparitions), and Lieutenant Chen dies.
Gatling Good: The TG-2A Minigun in the Vivendi expansions. It's as heavy as the Type-7 Particle Weapon, the heaviest gun in the first game, and its ammo is rare, but needless to say things facing the business end tend to die rather quickly, be it human or ghostly apparition. Ironically, the Quick Melee done with it when the Player Character is crouching is the fastest in the franchise, even faster than bare fists.
In the Point Man's ending, he shoots Fettel repeatedly in the head until he goes down, just like all the Armacham mooks up to that point. In Fettel's ending, he possesses the Point Man, just like he's been doing to the Armacham mooks to that point.
Gameplay and Story Segregation: In the F.E.A.R. 3 cutscenes, it's made abundantly clear that no one else can see Fettel except for Pointman, not even a powerful psychic like Becket. In actual gameplay, every basic Armacham mook can both see Fettel and fill him full of lead.
Gas Cylinder Rocket: One particularly noisy but strangely harmless example in the Vivendi expansions, notably Extraction Point. The green gas canisters seem to be just to show off the engine's Wreaking Havok capabilities with their erratic trajectories (and make a ton of noise).
Go Out with a Smile: In the Point Man's ending for F.E.A.R. 3, after Alma gives birth and he picks up the newborn, she visibly relaxes and seems to be at peace, before disappearing.
Grand Theft Me: This is Paxton Fettel's plan for Foxtrot 813, or, in short, you, in Reborn. In F.E.A.R 3, he can do this to enemies to fight alongside The Point Man.
Guns Akimbo: The Point Man can wield two pistols at once. Lampshaded in the manual, because apparently he was trained for it specifically because of his heightened reflexes. Gets really silly/fun when he's dual wielding fully automatic pistols in the console ports - which apparently Holiday can do too. This returns in F.E.A.R. 3.
Gun Fu: Especially when dual-wielding in slow-motion.
Happy Place: The recurring hill, tree, and swingset in Project Origin is the closest thing Alma has to one.
You come across it in Project Origin. It's a small, sad and sits in the corner of a small concrete ditch.
If you walk up to it then Alma appears right behind you. Without any of the Interface Screw that is associated with the hallucinations.
Harder Than Hard: Extreme difficulty in the first game; enemies do roughly the same amount of damage you do, resulting in you having roughly the same durability as a basic enemy Mook (the difference being there's one of you and hundreds of them). Hard mode in Project Origin was transformed into Harder Than Hard with the version 1.02 patch, which causes all enemies to do about 300% normal damage (i.e. you die in about 8 assault rifle shots or 10 submachine gun shots, and you're pretty much screwed if you take a single shotgun blast or sniper rifle shot).
Heal Thyself: The first-aid kits scattered around the levels.
Heart Container: Health and Reflex boosters in the first game, Reflex boosters only in the second.
Hellish Copter: The choppers in this series have a recurring habit of getting blown up or crashing into things. Reaches ludicrous levels in F.E.A.R. 3.
Heroic Mime: The Point Man and Becket never speak (nor do any of the bonus mission or expansion pack characters (i.e. Doug Holiday, Delta Force Operative, FEAR Sergeant) when you control them. Oddly, averted with Replica clone soldier Foxtrot 813, who does talk (and is pretty badass). Paxton Fettel talks all the time in F.E.A.R 3, whether you're playing him or not. Whether he's "heroic" is another matter entirely.
Alma herself in the F.E.A.R. 3 Fettel ending. It's incredibly ironic seeing Fettel possess Pointman and devour Alma alive since Alma's psychic power over him is what drove Fettel into becoming an insane cannibal to begin with.
Hope Spot: So, Becket's even more powerful than Paxton Fettel, and there's even a 50% chance he's psychically powerful enough to fight Alma and make her head explode? Yeah right, like they'd really let you kill the series mascot. Sure enough, in the end you're not even given a chance to try.
In Perseus Mandate, Chen is dragged offscreen and attacked by the same creatures that killed Holiday and Jin in Extraction Point. There's a lot of off-screen shooting and screaming, then suddenly Chen emerges victorious and even manages a cocky quip. About five seconds later he's viciously killed by yet another new enemy type.
Humanoid Abomination: Alma progresses to one by the events of Project Origin and hits full-on Reality Warper status by F.3.A.R. Also, there's the Creep, which is so horrifying that it frightens Alma. And for good reason: it's the twisted personification of all the worst aspects of her father.
Humongous Mecha: The Replica battalion has a number of powered armored troopers. A new form is added for additional "fun" in Extraction Point. You get to pilot one in F.E.A.R. 2 and two more in F.E.A.R. 3.
I Am Your Father: As it turns out, Paxton Fettel is Alma's son. But wait! It gets better; he's also the Point Man's younger (by one year) brother, meaning that for the first game, that creepy little girl who seems like she's trying to kill you is YOUR MOTHER. This also makes Harlan Wade his grandfather and Alice Wade his (unknowing) aunt. Story-wise this would seem to imply that Alma's actions against the Point Man in the first game where all about trying to get her first-born son back (the flashback to his birth does show her screaming for them to "GIVE ME BACK MY BABY!").
The Immodest Orgasm: Alma does this while raping Becket at the end of F.E.A.R. 2. The sound itself, however, is distinctly unsexy.
Implacable Man: The Creep in F.E.A.R. 3 aka the psychic memory of Harlan Wade.
Alma herself also counts, as not even the explosion of the Project Origin facility slows her down.
Improvised Weapon: Most of the weapons used by the cultists in F.E.A.R. 3. Fettel can use these whenever he possesses a cultist.
Incredibly Lame Pun: The award for finishing the second game (and the name of the last level) is "Climax." This is the level where you get raped.
Towards the end of the third game, the Point Man falls off a bridge and into water. Fettel appears before him and says, "If this is part of your plan, I'd say things are going...swimmingly."
Infinity+1 Sword: The Pulse Weapon in Project Origin can turn an entire room full of enemies into crispy skeletons with one shot... and you only get fifteen shots in the entire game.
Insurmountable Waist-Height Fence: No matter what high explosives or rocket launchers you are carrying, you can't blow open things that aren't meant to be blown open.
This gets even worse in Extraction Point, where two people you could have saved stand behind a chain link fence so they cannot be reached, but at least you can open some doors with explosives.
I'm A Humanitarian: Fettel displays some cannibalistic tendencies, mostly with the intent of 'absorbing' his victims' knowledge. Whether this actually works or not is not discussed.
Interface Screw: Your interface glasses act weird whenever Alma is around or you run into a EMP grenade.
It's Up to You: Your SFOD-D escorts have a bad habit of being wiped out as a level loads. In Perseus Mandate, friendly soldiers do help you out in a few firefights, but they're not exactly very good.
Kansas City Shuffle: The background material reveals that the entire ordeal Becket goes through in Project Origin is all planned by Genevive Aristide to distract Alma so Genevive's goons can retrieve and weaponize the Point Man.
Kick the Dog: Near the end of F.E.A.R. 3, Paxton Fettel kills Sgt. Becket for reasons which in hindsight seem entirely pointless. It serves to remind us that, despite the sincere help he's provided (including saving Point Man's life at least 3 times), Fettel is still an insane psychopath.
Kill 'em All: Extraction Point ends with EVERYONE that survived the original game dead.) (Perseus Mandate ends on a more upbeat note; not only does almost everyone survive to the end and escape, but also the ghost of the one guy that did die shows up and seems to say goodbye and congratulate you for making it.
Ditto for Project Origin. By the endgame everyone in Becket's squad has been killed except Sergeant Morales, with the Lieutenant's fate up in the air, as she was gut-shot and bleeding out.
Lack of Empathy: Genevieve "I Don't Care That There's An Insane Ghost Running Around Killing People, I Have A Resume To Protect" Aristide.
Late-Arrival Spoiler: The official website for F.E.A.R. 3 explicitly notes that The Point Man and Fettel are brothers and that their mother is Alma, these being the major spoilers of the first game. It doesn't say a whole lot else though.
Leitmotif: Alma gets a rather touching one in the sequel, which serves as the game's main music theme. The ATC faction, in particular Colonel Vanek, have a 4-note militant trumpet one.
Letters 2 Numbers: Instead of F.E.A.R. 3 (like F.E.A.R. 2 before) they went with F.3.A.R.
Light-Flicker Teleportation: Alma likes to move suddenly closer when the lights go out... more prevalent in the first game than the later ones.
Literally any weapon in the entire series is capable of doing this to enemies when you're using bullet time. Seems appropriate, given Monolith's earlier first-person shooters.
The Elite Powered Armor from Project Origin and the Enhanced Power Armor from F.E.A.R. 3 come with infinite-ammo gatling guns that are capable of ripping apart most enemies.
In F.E.A.R. 3, if Fettel uses a melee attack at close range while suspending an enemy, said enemy will explode.
Made of Iron: The Point Man survives being blasted out of a third story window by a massive explosion... and doesn't even have a scratch on him afterwards. He tops it off later in the game by surviving a nuclear blast, and in Extraction Point is actually blown out of a subway tunnel by a huge bomb, flies several dozen feet through the air, and finally lands on the roof of a nearby parking garage (granted, the last two cause him to black out for a while).
In Perseus Mandate, the Nightcrawler Commander final boss can survive more damage than a Power Armor mech unit!
While escaping an exploding facility in Project Origin, Becket steps on a collapsing floor, falls a few dozen feet, and bounces off a steel I-beam. While that'd easily be enough to break a normal person's spine, Becket pulls himself up and continues forward (granted, he does seem to pass out briefly).
Mama Bear: Alma. Do. Not. Mess with her kids. She exhibits this behavior toward Becket, too; at one point she kills an Abomination controlling Replicas trying to kill him. The reason doesn't become apparent until later on.
Mana Meter: The Point Man and Becket have a 'reflex' meter which allow them to enter Bullet Time mode, where they move much faster than their enemies until it drains. The Sergeant from Perseus Mandate and Foxtrot 813 from Reborn have this as well, and all four are capable of increasing the length of it by picking up reflex boosters.
Marionette Motion: The undead soldiers under the control of the Remnants move this way.
McNinja: The Replica Assassins, who having cloaking devices and move insanely fast, were apparently developed as a result of research into operating in zero gravity environments.
Mega Corp.: Armacham is ridiculously well-equipped and has massive resources. In the first game, it's almost reasonable, with only a few lightly-armored security troops and one Elaborate Underground Base. But by Project Origin there are no fewer than fiveElaborate Underground Bases, the ATC Black Ops units are pretty much a self-sufficient Private Army that could probably conquer most third-world countries, and there are several thousand Replica troops minimum, with their own mixture of armored support and aircraft. And its implied they virtually own Fairport.
By the timeframe of F.E.A.R. 3, the only people left in Fairport are Armacham goons.
Mêlée à Trois: Put together, the whole plot of F.E.A.R. from 1 to 3 is a fight between the U.S. Military (F.E.A.R. and 1st S.F.O.D.-D.), the Armacham Technology Corporation, the Replica battalion, Alma's apparitions and cultists, the Creep, and, if you count F.E.A.R.: Perseus Mandate, Senator David Hoyle's hired Nightcrawlers. Owing to Artificial Stupidity, any firefights between computer-controlled soldiers would be a simple exchange of bullets and nothing else.
Mercy Kill: Keegan finally regains himself briefly during the last fight of F.E.A.R. 2 and begs Becket to put him out of his misery, which Becket obliges with a pistol (provided the player button-mashed enough).
Mind Rape: Often, repeatedly. And in one case, quite literally.
Mind Screw: The final battle and ending of F.E.A.R. 2: Project Origin makes this one as literal as humanly possible.
Mood Dissonance: The whole series alternates between creepy "haunted house" moments and frantic gunplay against human soldiers. The tone of the two don't necessarily meld, but clash. This may be entirely intentional, because although you can wipe out a small army with ease, what good is your gun against a ghost?
Mook Maker: In F.E.A.R. 3, the enemy "phase caster" troops apparently teleport fresh soldiers into battle.
Mood WhiplashLatin chanting begins as you make your assault on the Amplifier, slaying dozens of Replica in your last ditch effort to destroy Alma, then you get in the APC and shoot a bunch of Replicants with the heavy machine gun to almost comical heavy metal, along with one of your squaddies cheering you on, yelling such taunts as "I hear bullets taste like chicken!" and "Sit the FUCK down!" , and then it swings straight back into Alma mind raping you.
Musical Spoiler: The scare chords seem to give away more scares than they create in Project Origin.
Inverted in the sequel, where you most definitely find Redd Jankowski's body.
Nice Job Breaking It, Hero: So, the Point Man overloading the vault reactor and nuking Auburn helped us how exactly? Thousands of people are dead, Armacham has free reign in the chaos to destroy evidence of their involvement and Alma wasn't harmed in the slightest.
Nightmare Sequence: Some of the Point Man and Becket's hallucinations. Possibly Project Origin's ending.
In F.E.A.R., several psychic vision sequences in the final Interval inexplicably make all of Point Man's weapons vanish and equip him with a pistol.
F.E.A.R. 2: Project Origin strips Becket of his gear after the first level, as he is critically injured by the nuclear explosion (from the first game) and taken to Armacham's hospital where he later wakes up.
In F.E.A.R. 3, Point Man manages to lose his entire inventory at the beginning of every single level. In the later levels he at least starts out armed, but often only with a basic pistol and submachine gun at most. An attempt is made to justify this by having nearly every level begin with Point Man recovering from some destructive event, such as a helicopter crash, a flood, falling off a bridge, etc, in which he'd naturally lose much of his gear.
Noodle Incident: Perseus Mandate hints that F.E.A.R. used to have had hard times doing their work. This one incident is only referred to as 'Amarillo', and according to Chen's opinion, even getting dragged into the dark and almost being mauled by Shades isn't quite as bad as it was. Betters has a few words about it as well:
Betters: I want him taken into custody. That means alive...I don't want a repeat of Amarillo.
Chen: That was an accident.
No OSHA Compliance: A lot of the environments seem to be designed to facilitate gameplay more than for their ostensible purpose. At one point in the first game, Point Man has to climb up a ladder in an elevator shaft, which leads to a closet, which leads to an office area. The doors are all unlocked, meaning that anyone can just mosey into the closet, misstep, and then fall to their death.
No Sell: In Perseus Mandate, Nightcrawler Elites are unaffected by your Slo Mo power, and continue to move and fire at normal speed, because they have their own Slow Mo power.
Not So Different: By the end of F.3.A.R, Fettel's motivations are not dissimilar from Harlan Wade's, with him echoing Wade's line regarding them becoming "like gods." It is hinted that the "ghost" of Fettel might just be an amalgam of the darker aspects of Fettel's personality and memories and given form and purpose by Alma's powers, like the Creep was for Harlan Wade's memories and personality.
Obvious Pregnancy: Alma at the end of Project Origin. To put it nicely, the end of the game has some unfortunate implications. In short Alma is quite obviously pregnant mere seconds after raping Becket. May be an aversion of the Law of Inverse Fertility since Alma clearly wanted the child and one can assume Becket didn't. This could quite possibly lead to the End of the World as We Know It since it's implied that Becket is close to if not at least as powerful a telepath as Alma, making their child an insanely powerful psychic being. Possibly justified as Alma is a psychic and her being obviously pregnant could simply be an illusion to show off the fact that she is.
F.E.A.R. 3's official site confirms that nine months have passed since the events of the first game, though it makes no mention of Becket. The rapidly-ticking clock seen within the final battleground would imply that Becket was sealed within the amplifier for those nine months, though it seemed to him to be a few minutes, tops.
Offscreen Teleportation: Most of Alma's schtick mainly boils down to this. Genevive Aristide pulls one off herself in the finale of Project Origin.
Oh, Crap!: When you fight Col. Vanek in Project Origin, you have to button mash to fight him hand-to-hand. The final sequence has you force his own shotgun to his head. You are treated to a close up view of the state-of-the-art face control technology slowly make his expression go from homicidal rage to a pitiful, realistic look of total fear, and if you tap fast enough you blow off his head. Manage to keep tapping fast on seeing that face?
One-Hit Kill: Several of the Melee attacks on weaker foes, including the sliding ankle kick of death.
Fettel has a unique one wherein if you psychic lift an enemy and then use a melee attack while close to them, they simply explode.
One-Man Army: The Point Man, as well as Becket. Holiday also gets this status in the Xbox 360 port, where he manages to take down several dozen Replicas, multiple Heavy Armors, and an Assassin without any slow-mo powers.
Our Ghosts Are Different: Ghosts are capable of forming physical bodies, becoming pregnant, and bearing children. It is not made clear if this is possible for all ghosts in the setting or simply something that Alma can do, considering her Reality Warper powers.
Over-the-Shoulder Murder Shot: Early on, Paxton Fettel is occupied over a labcoat's body. He looks back at the camera to reveal the blood smeared around his mouth.
The Replica EPA from Project Origin and its successors, the Power Armor and Enhanced Power Armor from F.E.A.R. 3 . They comes with a rechargeable Deflector Shield, unlimitedgatling gun and missile rounds, and an auto-repair system that can fix the damage from anything that doesn't literally blow the mech to pieces.
Private Military Contractors: ATC's Security and Black Ops units. Its Replica soldiers were intended to be marketed as a PMC. Armacham also has a more conventional PMC element that appears in F.3.A.R. that acts as a private conventional military. They were the only side with PMCs, until the somewhat more superior Nightcrawlers hired by Senator Hoyle in the non-canon Perseus Mandate expansion came along.
Product Placement: All of the intel laptops are Alienware and the desktops are Dell. In Perseus Mandate, nearly every computer screen has an XFX screen saver going on.
Psychic Powers: Paxton Fettel, Alma. The Point Man has them too, manifesting in his reflexes. Becket possesses psychic potential, but he doesn't get Bullet Time until after he undergoes the Harbinger treatment.
Punch Packing Pistol: When only one is used, the Rakow AT-14 pistol is but a humble popgun with actually decent damage. Going Guns Akimbo, however, doubles the ammo capacity to a lot more than the mid-game Penetrator rifle can hold without sacrificing reload speed, and increases the fire rate while still keeping it perfectly controllable. This combination makes the pistols a valuable asset throughout the first generation of games, and the best weapon to use in Slow-Mo. See Boring, but Practical above: it's no surprise to see many, many players on Youtube ignore novelty weapons (which includes most of the BFG's) in favor of the "AT-14 pistol/G2A2 rifle/VK-12 shotgun" combo from start to finish.
Redemption Equals Death: Harlan Wade... In his eyes, at least. From most other perspectives, it is hard not to see his final actions as egotistically making everything worse just for a bit of closure for himself.
Redshirt Army: The members of Delta Force (1st SFOD-D) who are assigned to assist the F.E.A.R. unit die quickly and in droves; it's rare to have one who is not Holiday survive the first scene he appears in, assuming he wasn't already dead when you found him. Much less of a case with Dark Signal.
Rogue Agent: The Point Man is this as of F.E.A.R. 3. He also doesn't appear to have had a shave or haircut in those nine months.
Room Full of Crazy: In F.E.A.R. 3, the main menu shows the Pointman and Fettel as children in their Armacham holding cell. As you level up your profile by earning points, Fettel will gradually fill the room with insane scrawls of Alma, monsters, and hellish landscapes. Once the scrawls get big enough, Pointman will be visibly frightened and ends up hiding in a corner as Fettel's scribbles take over the entire room.
School For Scheming: Wade Elementary. Test subjects for TK become psychopaths. Then again, if you've played the first game, you should automatically know anything associated with the Wades is bad news.
Second Hour Superpower: In the second game, Becket gets his power in the second level after his surgical operation.
Sequel Difficulty Drop/Sequel Difficulty Spike: F.E.A.R. 2: Project Origin is noticeably easier than the first game; health and armor pickups restore 100% instead of just a partial amount, enemies can survive less damage, and the developers have admitted that the A.I. was dumbed down to compensate for the slower aiming of a console controller compared to mouse aiming. Conversely, F.E.A.R. 3 brings the difficulty level back up, with dramatically improved A.I. that's noticeably faster, smarter, and more mobile than in Project Origin. Also, while you have regenerating health, you no longer have armor, and can survive less damage in one go.
Sequel Escalation: The first game had somewhat slow-paced combat and claustrophobic level design. Project Origin ramped up the combat and setpieces, included a few open-air combat sequences, and even threw in two mecha-piloting sequences. The third game takes it even further, with most of the combat taking place in city streets and wide-open spaces, more insane setpieces, very intense combat, and yes, more mecha-piloting.
Sequel Hook: In F.E.A.R. 3, during the Point Man's ending, Paxton Fettel's monologue during the video of his synchronicity even has him swearing revenge on the Point Man for killing him again.
Sexy Walk: Alma tries this throughout F.E.A.R. 2 as she stalks Becket. Key word: tries.
Sealed Evil in a Can: Alma was put in an induced coma and sealed in a telesthetic suppression field after Armacham found her psychic powers too overwhelming to control. It didn't stop her. Dual credit for unsealing her goes to Genevive Aristide and Harlan Wade.
Shell-Shock Silence: While not particularly overwhelming, mild ones will happen if you stand next to an exploding warhead.
Shotguns Are Just Better: The VK-12. Accurate, powerful, plentiful ammo, fast reload... several reasons, really. The Ultra 92 follows the same path. Coincidentally, both are made by the same manufacturer, Vollmer.
Shout-Out: The subway levels in Project Origin look exactly like the subway levels from Condemned: Criminal Origins. Given that Monolith made both games, it's highly likely they used the same level resources.
Many of the weapons in Project: Origin are apparently manufactured by companies from Shogo: Mobile Armor Division, Monolith's first 3D first person shooter. Snake Fist is even wearing a Shogo 2 T-shirt. Also, newspapers found throughout the game make reference to the formation of the UCA, the One World Government from Shogo.
While Monolith explicitly rejected the plotline of the 2 outsourced F.E.A.R. expansion packs as noncanonical, Project Origin has several scenes and gameplay additions that echo similar ones introduced in the expansion packs, indicating there's not complete bad blood between the teams. Examples include the laser weapon, being able to melee open doors, the hospital and subway levels, and the crashing airplane.
The RebornDLC has Fettel posessing the player Foxtrot 813's body in a church, which could be an allusion to Fettel's first appearance in Extraction Point.
A radio report referencing Shogo can be heard in a secret room in one of the final levels of F.E.A.R., after which the Shogo theme song plays.
Instead of Starbucks, Project Origin has "Boomer's Coffee". Doubly amusing in Reborn when it shows up and you're playing as a clone soldier.
The "Armacham" name, along with the basic idea behind the MOD-3 Rocket Launcher and the MP-50 cannon, originated from Shogo.
The Delta Force commander in the first game is called A. Shepherd.
Look carefully at the desks you pass in the first game. The mounds of paperwork include T.P.S. Reports (and a memo regarding them). One desk even has a red stapler on it.
One of the weapons used by the cultists-and Paxton, when he possesses them-in F.E.A.R. 3 is the crowbar. The achievement for killing 20 enemies with a crowbar is called "Head Crab Removal".
One of the cheats in the first game ("kfa") references the "mpkfa" cheat from Shogo and Blood, which itself was a reference to the "idkfa" cheat from Doom.
One of the magazines in the first game has a cover that reads "Event Horizon Found." While that might by itself refer to the black-hole phenomenon, the second game has "Liberate tutame ex infernis" written in blood, in the room in which Becket first fights Abominations. That same room also has "Can he see?" written in blood, and whomever "he" may be in-game (Becket himself?), it functions nicely as a Shout-Out to the fate of Sam Niell's character.
One of the lab machines in the first game (and the second) has the serial number "8311-XHT" stamped on it. Read backwards, it is THX-1138.
The elevator descent into the Vault in the first game is very similar to Tetsuo's descent into Akira's holding cell.
Spiritual Successor: To Shogo. Not only does it contain many similar weapons and make references to it, both are pastiches of a popular genre of Japanese entertainment (Humongous Mecha anime in Shogo vs. J-Horror movies here).
Squishy Wizard: In F.E.A.R. 3, Paxton Fettel has less health than the Pointman and can't use guns, but compensates with an assortment of psychic powers including firing psi blasts, throwing explosive barrels (plus grenades and gas tanks) with telekinesis, possessing enemies to use their weapons and abilities, and being able to see and use hidden paths.
Stalker with a Crush: Alma, toward Becket. But the reason doesn't become apparent until later in the game.
Steam Vent Obstacle: Played around with - steam itself is rarely directly harmful to you, but half the time when you do see it something invariably explodes near it and replaces it with fire, which is the real obstacle you need to get around.
At the end of the first game, Genevieve Aristide and the unnamed U.S. Senator discuss the fallout from the events the uprising, with Aristide mentioning that the "First Prototype" was a complete success.
At the end of the third, a video is shown of Paxton Fettel's first Synchronicity Event.
At the end of Perseus Mandate, it's revealed the Nightcrawlers suceeded in bringing the Senator the DNA of Paxton Fettel.
Stopped Clock: In F.E.A.R. 2, all clocks are stopped as a result of the events of the first game.
Suddenly Voiced: Becket gets a few lines in F.E.A.R. 3. The Point Man, however, gets none, even though he has been given a face.
Suicidal Overconfidence: F.E.A.R. 3's Phase Commanders have no concept of retreat (even if the city is self-destructing around them) and insist everyoneHold the Line, thinking that they're more than a match for you, even if other Phase Commanders have tried and failed.
Super Not-Drowning Skills: Due to a developer oversight, swimming is a free action in the first generation. You can stay underwater until your entire skin prunes, you won't have to come up for air.
Super Soldier: The Replica soldiers, as well as the Point Man, and the entire Project Harbinger team. The Point Man takes this up a notch in 3: at the highest level, he has Wolverine's level of Regenerating Health, can kill with a single kick, enter Bullet Time for 13 seconds at a time and take shotgun blasts without flinching.
Elite Mooks: The Replica Elite, who carry the aforementioned repeating cannon BFG. In the sequel, they wear metal armor suits and can soak more than twice as much damage as a standard Replica soldier.
Giant Mook: Replia Heavy Armor soldiers are more than 6 and 1/2 feet tall, wear a heavy suit of armor plates, can absorb more than a full drum mag of assault rifle fire before dying, and in the expansion packs some are armed with miniguns.
Superpowerful Genetics: Becket and Alma's kid apparently has inherited both of their powers, squared, seeing as it has developed the ability to speak before even being born.
Surprisingly Sudden Death: Alma in the first game, when she murders your squad at the water treatment plant. A Replica Assassin also kills Snake Fist in the same sudden manner.
In F.E.A.R. 3, this role is played by "The Creep", a powerful, individual apparition unlike any of Alma's usual spooks.
Take Cover: One of the gameplay changes in F.3.A.R. is a cover system that lets you pop a little bit around a corner and back just to peek if you don't want to just blast away.
Tempting Fate: On the freeway battle in Interval 06 in the third game, an Armacham pilot will call out over the radio that "He can't take two of us!" right before two armored helicopters go after you while you're in an EPA. Guess what happens next.
A document in F.E.A.R. 2 claims that Alma was first sealed in the Vault in 1987 (two days before her eighth birthday), and she gave birth to the Point Man when she was fifteen. Monolith has confirmed that the Point Man is 31 years old during the events of the first game, which sets the story right around the year 2025. This is further supported by the dates on the cameras in FEAR 3, which show both Paxton Fettel and the Point Man in November of 2005, making their younger versions that appear in the flashbacks 10 and 11 years old, respectively.
Uncanny Valley: Alma and the Replica were deliberately designed to be this way in-universe. Even in her "healthy" adult form in FEAR 2, Alma is just...off enough to make it clear that she's not natural.
The Unfavourite: For Harlan Wade, the Point Man was this when compared with his brother.
Understatement: Snake Fist, regarding Alma: "They took her babies away. She didn't like that."
Unstoppable Rage: Alma. In fact, calling it that is probably a massive understatement. That girl is pissed.
Updated Re-release: The first game oddly has two, the "Platinum" and "Ultimate Shooter" collections. The only difference is the first is in disc form and includes a bonus episode of the P.A.N.I.C.S. machinima, while the second is for digital distribution.
Upgrade vs. Prototype Fight: In the first game, the Point Man, who is the first attempt by Armacham to create a psychic commander, manages to overcome Paxton Fettel, the second and successfull attempt, despite lacking overt psychic powers and thus being considered a failure.
Urban Warfare: The majority of battles take place in homes, office buildings, warehouses, malls and underground tunnels. Most of the setting, in fact, is in tight spaces.
Videogame Flamethrowers Suck: The Napalm Cannon in Project Origin has wonky hit detection, a relatively low rate of fire, and does fairly mediocre damage. The ammo's also extremely rare after the first level it shows up in.
The Virus: Alma gets upgraded to The Virus status in F.E.A.R. 2, especially with regards to the members of your squad after they get subjected to the "Harbinger" treatment. And poor citizens of Fairport turned into ghosts or zombies.
Visible Invisibility: Replica Assassins have a slight Predator-like distortion effect to the cloaking devices, but it's actually subtler and more difficult to spot compared to similar enemies in other games in the genre. This is mitigated by the fact that the Assassins will flicker in and out of their invisibility briefly when they make sudden movements, i.e. leaping to attack, punching the player, or detaching from walls. In F.E.A.R. 2 the cloaking effect is more visible, with a faint blue blooming effect surrounding the Assassin that is easier to spot if you're standing still and watching for it, but it never fades out when making sudden movements. In addition, shooting them releases some form of electromagnetic interference that blurs the area around your goggles where they're located, which can potentially let the Assassin slip away while you're disoriented.
Spencer Jankowski in the first game. It's heavily implied that he was killed by Alma, but the reason for seeing his apparitions throughout the game as well as his vital signs remaining active is never elaborated upon.
Word of God confirmed he's dead; the player was originally intended to find his body, but it was cut when it was realized it was much scarier without it.
Since Extraction Point is non-cannon, Sergeant Douglas Holiday is also a victim of this trope.
Norton Mapes. He is probably dead, but this is never confirmed. It should be noted that the non-cannon Extraction Point shows him to be still alive.
In Project Origin, in the beginning of the second level an ATC Black Ops lieutenant named Samuels shows up briefly, and is mentioned in dialogue a couple of times later. He has his own unique character model (whereas all other non-plot-important characters are carbon-copies of each other), which makes you think he'll show up again later in the game. He's never seen again.
Manuel Morales, the driver of the Dark Signal squad, in Project Origin. After dropping off Becket and Stokes at the Still Island facility he is never seen again.
Lieutenant Keira Stokes. However like Mapes and Jankowski, she is probably dead.
Genevieve Aristide after the second game is not so much as mentioned. In that same vein, the mysterious Senator that she was working with in the first game also was forgotten, except for the Perseus Mandate expansion of debatable canonicity.
What the Hell, Player?: At the beginning of the first level of Project Origin, Redd Jankowski (younger brother of Spen Jankowski from the first game) calls you out if you start acting bizarrely — i.e. swimming in the fountain, or blowing up a few cars.
In the first game, during the part where you use the elevator along with Alice Wade, leaving the elevator to fight the Replicas will result on getting comments from Alice like "You're going to get us killed!". And, after you've killed all the attacking Replicas, she says "You don't have to kill everyone!". Justified, as she's scared of getting killed and isn't used to the whole "Getting escorted by one guy who has to kill serveral soldiers to make sure you don't get killed"-thing.
Where The Hell Is Fairport?: The precise location of Fairport is unspecified, and the city itself is so generic that it could be anywhere in the United States. F.3.A.R. implies that it is located somewhere in the southern parts of the country, as the Point Man is able to fly a helicopter from the prison in the unspecified Spanish-speaking country to Fairport.
Who Forgot The Lights??: The game lets the player set the light level, but encourages just barely enough light to see. It's more atmospheric that way, after all.
Why Couldn't You Be Different?: Harlan Wade has extremely little affection or caring for Alma or her children, and despises them for what they have become.
"My children... Alma... you were to be my legacy... but you are all monsters."
Your Head A Splode: In F.E.A.R. 2 scoring a headshot with a sniper rifle would blow an enemy's head clean off. In F.3.A.R. , this can be done with any sufficiently powerful weapon.
In the stinger of the third game for the Point Man ending, this is taken to hilarious extremes, as soldiers pour into the room with tranquilizer guns and repeatedly have their heads blown up by Fettel.