A popular rumor about Silent Hill 4: The Room — the fourth game in Konami's Silent Hill franchise, and the first to receive a subtitle — says Konami originally conceived it as a wholly original Survival Horror game, but converted into a Silent Hill game during development. In actuality, Konami intended for it to serve as a spinoff/separate Gaiden Game from Team Silent called Room 302. After Konami nixed this plan, it incorporated elements of that game into SH4, which explains why it has several differences in gameplay to previous Silent Hill games (including an on-screen health bar, limited inventory space, and a number of first-person sections).Henry Townshend lives in Room 302 of the South Ashfield Heights apartment complex. One day, he wakes up to discover that he has become trapped in his own apartment: he can't open any of the windows, his telephone doesn't work, nobody outside of the apartment can hear his cries for help, and multiple chains and locks have sealed off his door from the inside.After five days of incarceration, a hole appears in Henry's bathroom wall. With no other choice, Henry crawls inside and finds himself teleported to various locations around the town of Silent Hill. These locations are infected by an evil power that seems to eat away at its surroundings, and force Henry to defend himself from a number of monsters and ghosts that pursue him. As if that wasn't bad enough, in each world that Henry finds himself in, there's always one other person trapped in there with him who ends up dying.That same evil power appears to have taken to stalking what few living humans Henry manages to meet in this strange otherworld, before killing them in a ritualistic fashion. What purpose do these killings have, and how do they tie into Harry's attempts to escape Room 302?The real horror of SH4 comes from the eponymous room itself. Room 302 initially serves as Henry's only safe haven — he can heal injuries and store items found during his excursions into Silent Hill — but as his journey into madness continues, his apartment becomes overtaken by the evil power haunting him in Silent Hill. The room eventually degenerates into something sentient and demonic that will actively hurt Henry unless he can exorcise the forces invading his apartment and defend his last bastion of safety and sanity.SH4 has loose ties to previous Silent Hill games; names and locations that got a brief mention in memos found during past games become fully fleshed out in this game, and the father of James Sunderland (from Silent Hill 2) works as South Ashfield Heights' superintendent.
Silent Hill 4: The Room contains examples of the following tropes:
Advancing Wall of Doom: A variant — during the final battle, Eileen will make an Unflinching Walk towards the giant death machine in the middle of the room. Letting her die nets you either the "Eileen's Death" or the "The 21 Sacraments" ending.
Walter Sullivan was mentioned in Silent Hill 2 in a newspaper clipping. Expanding and rewriting his role has resulted in some continuity problems when you compare him as described in the clipping to the way he's portrayed in this game.
There's also the twin victims mentioned in the same clipping.
Joseph Schreiber is the author of an article about the cult's orphanage in Silent Hill 3.
Asshole Victim: Richard Braintree doesn't engender a whole lot of sympathy in his brief appearances.
While he doesn't display any jerkass behaviour towards Henry when they meet, you can find out in in-game notes and supplementary material that Andrew DeSalvo is a far worse person than Richard, and more deserving of what happens to him: he was a guard at the already horrific Water Prison who went out of his way to abuse the children there, forcing young Walter to drink water with leeches in it, and possibly killing his only friend.
Back from the Dead: All victims of Walter Sullivan, including himself, return as ghosts or monsters. One of the apartment hauntings is even a projection of what Henry's ghost will look like if he gets the "21 Sacraments" Bad Ending.
Bloody Handprint: You can see a whole bunch of them on the wall opposite to your apartment through the peephole. More appear as people start dropping dead.
Boss Arena Idiocy: Neither Walter nor the "god" he summons can be harmed by anything Henry has picked up so far, so the game "helpfully" provides the spears that do damage against said god and eventually allow Henry to fight Walter like a normal boss. It is implied that this (along with giving Henry a chance at all, which the other victims did not have) is a required part of the ritual to summon the god entirely.
It's actually not required, as the spears only appear after you expose the 'god' (really Walter's monstrous corpse) to Walter's umbilical cord that you find in the Superintendent's room, as instructed by the 'Crimson Tome'.
Camera Screw: This game suffers what just might be the worst case of this in the entire franchise. Sometimes the camera follows Henry; sometimes it's fixed at a certain point, and you have to manually get it to focus on Henry again. Combined with Tank Controls, and the direction the controls take you being relative to the camera, it makes even the less tense moments of the game so needlessly frustrating.
Charge Meter: Interestingly, this game puts a large focus on Henry charging his moves up, to the point that this is the only thing on the HUD aside from his health bar.
Charge Attack: As stated above, a large part of combat. Henry can do the standard build up charge and strike, but he can also build charge over consecutive strikes. This means as he attacks, the charge will continue to build, allowing him to combo into a strong attack. Also, the time it takes to charge is proportional to the weight of the equipped weapon.
Decoy Protagonist: At the beginning of the game, you are actually playing as Joseph Schreiber, gone mad from the room's influence, wandering through Henry's apartment and wondering where all the new items have come from.
Depth Deception: One room in the Water Prison's basement does this. On Henry's first time there, it leads to a locked door that's absurdly huge and is too big for Henry to open. The second time, however, the corridor leading to that very same door is now stretched to a certain length so that by the time Henry and Eileen make it to the other side, it's just the right size for them to go through. However, this time around, there are six Twin Victims blocking the way.
Did I Say That Out Loud: After Eileen and Frank's unsuccessful attempt to open up Henry's apartment door, Frank casually mentions that this situation has happened before and more awkwardly that he keeps a dried-up umbilical cord in his room. Frank quickly tells Eileen to disregard that latter fact afterward. It's actually a Chekhov's Gun.
Dolled-Up Installment: The game was initially conceived as a gaiden game, but was made an official part of the series in the midst of development.
Walter's adult form dies in every ending. Even the one where he wins. Though there is Dead All Along.
A pseudo-case in James Sunderland. His father, your superintendent, says he went to Silent Hill and never returned.
In James's case it's still up for debate as possible that he may still be alive. He may have stayed in the town in the Rebirth Ending and Dena Natali theorized that James may have chosen to cut off all ties to his past in the other endings.
Dream Within a Dream: Played with: Henry can "leave" the apartment through a strange portal in his bathroom to enter the current level, but leaving the level by one of the portals available causes Henry to wake up back in his bed as if the experience was merely a dream. To emphasize how much of a Mind Screw this is, Henry tries taking Eileen with him, but ends up alone back in his apartment. When he returns, Eileen complains that she couldn't see the hole, and that he just suddenly disappeared.
It gets pretty hilarious at one point towards the end. Henry displays some genuine disgust after breaking down the wall to the secret room in his apartment, covering his nose and gagging uncomfortably at the smell. Once he sees the source of the odor — Walter's crucified, decaying body — he goes right back to being bored.
Eldritch Location: The room. And, as revealed late in the game, everything else outside it, too.
Half of the game — the second half, to be precise. On the plus side, your escortee cannot be killed, and is capable of fighting back if provided with a weapon. On the negative side, your escortee can still be hurt (and the amount of damage taken affects the difficulty of the final battle), and providing her with a weapon will often lead to suicidal attacks on things that probably would be best avoided.
Played with for Cynthia, whose escort in the beginning is mercifully cut short when she suddenly has to visit the ladies' room.
Even Evil Has Standards: Even "The Order", a cult fine with drug trafficking, murder, torturing and mutilating children, and half a dozen other Moral Event Horizons, considers the 21 Sacraments "heretical", according to the Crimson Tome.
555: The phone numbers that Henry dials for plot advancement.
Flash Step: As the only ghosts that walk rather than float, Richard and Walter can warp across rooms.
Foreshadowing: On your first venture into Apartment World, a cursory look at one of the rooms shows you that the other rooms appear larger than Henry's. One of Joseph's notes even mentions him sealing off the storage room. On entering Room 302 of the Past, one of the walls has a pickaxe embedded in it, with a note beside it saying, "Why must I destroy this wall?" Once Henry does break down the wall in his own room, he not only finds Walter's corpse, but also the Keys of Liberation which finally allow him to leave his room... and find himself back in Apartment World.
The Twin Victim monsters. While you're out of their attack range, they're pointing at you.
Robbie the Rabbit. Tonight. You.
A shadow of a young boy will appear in the closet, point at you and cry.
Child Walter will also point out of the window in Richard's room. Eileen and Henry live more or less directly in that direction.
Guns Are Useless: In a gameplay sense. Each full reload takes up one of ten inventory slots, and even for the basic handgun, rounds are somewhat rare throughout the entire game. A particular ammo type, however, is very helpful for subduing the ghosts (Silver Bullets). Unfortunately, they're as rare as ampoules.
Guns are not entirely useless, though, as handgun rounds can penetrate through enemies.
In the second half of the game, after the apartment turns on you, the various Worlds are connected via a spiral staircase.
Human Sacrifice: Walter is trying to complete a ritual called the 21 Sacraments to "purify" his "mother", which consists of killing 21 people based on certain characteristics about them. Including himself, halfway through.
King Mooks: Cynthia, Jasper, Andrew, and Richard. Unlike the other ghosts, they possess long-range attacks and are more resilient. Here's hoping you have at least 4 out of the only 5 Swords of Obedience!
Late-Arrival Spoiler: Eileen survives Walter's murder attempt, and you eventually get the privilege of taking her with you all the way through your second run-through of all the previous levels.
Having Eileen in the room with her giant head. Neither of the characters bat an eye or even react to it, which makes it eerier. And the heavy breathing and moaning, not to mention her eyes following Henry, doesn't help, either.
Henry can (initially) see and hear the outside world just fine while trapped in his apartment, leading the viewer to assume he's just been locked in (with perhaps some small supernatural push to keep anyone from hearing his calls for help). The world outside his window grows more desolate as the game progresses, and then he finds the key that unlocks the front door, only to stumble out and find that his apartment has been in the otherworld the entire time, still somehow able to see the normal world from inside the apartment. What.
Ms. Fanservice: Cynthia until she dies and becomes a malevolent ghost.
Cynthia and Eileen can have alternate costumes that have notable jiggle increases. And if you don't immediately trigger Cynthia's introductory cutscene by walking up to her, she's actually dancing while wearing her extra costume!
"Mother": Eileen is alive, but decides to stay in South Ashfield. The ending title implies that Walter might still be a future threat to both her and Henry, and that she isn't completely free of Walter's influence. For this ending, Eileen must survive, but Room 302 must remain haunted.
"21 Sacraments": Walter finally enters Room 302, after having killed Henry in a very brutal fashion. As with "Eileen's Death", Eileen dies from her wounds. He's still not smiling, however. To get this, let Eileen die, and ignore the hauntings in Henry's room.
Mundangerous: When Henry returns from the Hospital World, the ceiling fan in the living room collapses and the air becomes heavy. At this point, the room becomes more vulnerable to ghosts.
Orphanage of Fear: So much so, it almost makes you feel sorry for Walter. Almost. Alessa is even mentioned in one note.
Sanity Slippage: Eileen's dialogue and actions tend to shift quite a bit depending on how "damaged" she is; she'll be more and more "in tune" with Walter Sullivan, and in the worst case, he'll have pretty much overshadowed her own consciousness entirely. This can be (temporarily) mitigated, however, with a Holy Candle.
Shame If Something Happened: Looking through the peephole after Richard's death, you will see a message scrawled over the bloody handprints — " better check on your neighbor soon!" — just before Eileen gets brutally attacked.
Sinister Subway: Including a maze of half opened and closed subway cars, populated by unkillable ghosts who can phase between cars and cause you damage with mere proximity. Fun times. Even more so when you're on the Escort Mission phase.
Speech Impediment: Jasper Gein's got a pretty bad stutter. Notably, after he's set on fire, he's not stuttering.
Unusually Uninteresting Sight: That one room in the hospital (see the page picture). Whether alone or with Eileen, Henry has absolutely nothing to say about a freakishly large and familiar-looking head whose eyes follow Henry around, not to mention the incessant moaning. Unlike anyone who's ever played the game and stumbled into that...
Villain Protagonist: It becomes increasingly clear throughout the game that Walter is the main character, and Henry is just an important co-star.
There's more in the Prison World depending on which cell you enter.
Wham Episode: That cute next-door neighbor you've been watching throughout the first half of the plot gets brutally attacked, and from then on your room will no longer heal you automatically, and can also be affected by hauntings (worse if you accepted Walter's creepy doll).
Wild Wilderness: There are a few levels, like the graveyard and outside the train station, that fit this well. They are secluded, you fight monsters, and no one notices. Of course, it's also in another realm of existence, but still.
Yin-Yang Clash: If you boil it down, the story is about the battle between someone desperate to leave his apartment against someone who will do anything to get in.