They've come for brains. You'll give them... bullets.A series of arcade light gun games starring finely dressed federal agents mowing down armies of zombies. The story content of all four games essentially amounts to:
1) Zombies are being untidy and making an administrative burden of themselves.However, if you still feel more intricate details are needed, we've a page for that.Known for its fast-paced shooting and Multiple Endings, the House of the Dead series is one of those games that many play, but few ever beat (at least not without a small fortune in coins, that is). The first two games (especially the second) were infamous for hilariously bad voice-overs that left you thinking the voice actors must have been instructed to sound as bored as possible, as well as an extremely stilted-sounding translation. If you want to play a shooter game which emphasizes horror and uses traditional zombies, then you are looking at the wrong game. House of the Dead goes in the opposite direction: the majority of zombies in these games either are fast, wield weapons, have supernatural powers, drive cars, or are just very fat. Boss fights are a major example of these deviations with boss creatures barely resembling "traditional" zombies at all, often taking the form of some freakish abomination.None of this stops the series from being fun. Just don't stop here expecting a gripping story, nuanced characters, or some kind of social message. But then again, it is an arcade game which rarely have much of a story.The games in the series are as followed:
2) Sharp-dressed agents of the AMS arrive and resolve to stop the crisis.
3) The villain will mention something about the threat of a Malthusian catastrophe (and the first doesn't even bother with that).
4) But it doesn't matter to the protagonists 'cause they're suffused with the strength to forge on, no matter what! Yeah!
2) Sharp-dressed agents of the AMS arrive and resolve to stop the crisis.
3) The villain will mention something about the threat of a Malthusian catastrophe (and the first doesn't even bother with that).
4) But it doesn't matter to the protagonists 'cause they're suffused with the strength to forge on, no matter what! Yeah!
- House of the Dead: (1998) A mansion that was the base of an experimental operation comes under seige from said experiments. One of the researchers named Sophie manages to call for help to her AMS friends, G and Rogan. They arrive and begin making their way through the mansion to help any researchers they can and put a stop to the mastermind who started it, Curien.
- House of the Dead 2: (2000) Set in Venice (or at least a town like it, it's not really clear). A city comes under attack by zombies and monsters. AMS agents James and Gary, later backed up by Amy and Harry, are sent in to help save the citizens and find out who behind the outbreak.
- House of the Dead 3: (2002) Set 19 years after the second game, the world has been ruined by a zombie outbreak but former agent Rogan has found the source coming from a factory complex. However he and his team of mercenaries go missing when infiltrating the compound. A few weeks later, Rogan's daughter, Lisa and his former partner G manage track him to the factory and invade the building themselves in the hopes of finding him.
- House of the Dead 4: (2005) An interquel set between 2 and 3. Set in 2003, James gets the nagging feeling that the events from the second games aren't over and decides to investigate along with fellow AMS agent, Kate. While visiting one of their European branches, an earthquake traps them underground. After waiting days for rescue, they find they're suddenly besieged by zombies. The two blast their way out and set about trying to find out what's going on.
- The House of the Dead: OVERKILL (2009): A prequel game set in 1991. Rookie agent G is sent to the Louisiana swamps to investigate an outbreak of mutants in the area (aided by a foul-mouthed detective, Isaac Washington) and stop the mastermind, Papa Ceaser. Unlike the last three games, this one was made by London developer, Headstrong Games. Initially released as a Wii-exclusive, it takes the unintentionally bad voice-acting and runs with it, resulting in a B-Movie grindhouse-style presentation. The game's mere existence could qualify as a Moment Of Awesome for the series as a whole. An Updated Re-release, House of the Dead: Overkill - Extended Cut, was later released for the PlayStation 3 with PlayStation Move support. A PC port of the Extended Cut followed just in time for Halloween 2013.
- Zombie Revenge: (1999) A Beat 'em Up released on the arcade and Dreamcast that acts as a side story to the main series with new characters.
- Typing of the Dead (1999), which is basically a re-release of House of the Dead 2, only now instead of bullets you kill with powered keyboards, followed by two sequels, which rehashed House of the Dead 3 and Overkill (Look, don't knock until you've tried it, okay?).
- The Pinball Of The Dead (2002) for the Game Boy Advance. Exactly What It Says on the Tin, a pinball game with the ''House of the Dead'' Theme.
- House of the Dead 4 Special (2012): A rare arcade that serves as a continuation of the original 4th installment, this time the game being made into a motion ride of sorts that switches between two screens as the zombies come after you. This included in the PlayStation 3 version of House of the Dead 4 download on the PlayStation Network.
- House of the Dead EX (a.k.a Loving Deads: House of the Dead EX) (2009): A rather comical departure for the series that puts you in the role of two runaway undead lovebirds as they face against adversaries who try to split them apart. Unlike the last games, this one is more of a mini-game compilation. Sadly never saw a release outside of Japan... Legally note
- The Sega Superstars series features House of the Dead cameos, the most prominent being Sonic & Sega All-Stars Racing, with three tracks taking place in the Curien Mansion and the aforementioned runaway undead lovebirds as playable racers. The sequel, Sega All Star Racing Transformed only featured one track and dropped the two from the roster however.
- And lastly, Zombie Revenge's Rikuya makes an appearance in the crossover game Project X Zone, with a stage set in the titular House.
How could anyone do this?
open/close all folders
- Achilles' Heel: All bosses (even monsters with supposedly "unknown" weaknesses) have these. Usually some form of note would appear to highlight the weakness, although the exact nature of the clue varies from game to game: the first two HOTD games make use of research notes, while HOTD 4 has a PDA scan. HOTD 3 and Overkill don't even come up with an excuse for what's giving the heroes a hint.
- The Chariot, the first boss in the first game, has a bloody crevice on its chest armor. Once it sheds off the armor, you can shoot it anywhere.
- One of the best examples: Hierophant, a hideous aquatic reptilian thing whose ribcage opens up every time it takes a breath for an easy potshot at its heart. It's one of the easiest boss battles in the series.
- While each game's final boss will always have an "Unknown" weakness, one glance at them will pretty much give away where you must plug it with bullets.
- Action Girl: Lisa Rogan in 3, Kate Green in 4.
- Adjustable Censorship: You can typically change the blood color from red to green. The Saturn port also allows blue and violet blood.
- Always Night: The first game takes place during the course of a single night. Overkill is also mostly night, until the final boss battle.
- An Axe to Grind: In all the games, often in a cross position to force the player to blow off the head or shoot their guts until they keel over.
- Arc Words: In the fourth game, "Hope."
- Artifact Title: It's more like "ridiculously huge mansion of the dead", even in the first game. The second and fourth games are more along the lines of "City of the Dead". At the very least, the third game somewhat counts, as it takes place in a gigantic skyscraper.
- Averted if you interpret 'house' in the classical sense, a la The Fall of the House of Usher. It then becomes "The Place Where the Dead Are In Charge", which fits excellently.
- Badass Normal: All of the main protagonists. Lampshaded in OVERKILL a ton.
- "The G stands fo' GENOCIDE, muthafucka!"
- Boom, Headshot: The best way to kill the zombies.
- Boss Subtitles: Each boss fight is prefaced with a profile of the boss with its weak points highlighted.
- Boss Warning Siren: Every boss in the first 4 games as their names and weakpoints are noted. A heartbeat in the first two, a dull beeping in 3, and the protagonists' PDA beeping as it scans the boss in 4.
- Canon Discontinuity: The manual for the Saturn port of HOTD1 made rather blatant references to G having "metallic"-tasting blood and behaving "mechanically", implying he was a robot or cyborg. Needless to say, this was never followed up on.
- Chainsaw Good: Ironically for a zombie work, this trope is put to use by the undead; most entries of the series have at least one type of zombie wielding a chainsaw with intent.
- Even the bosses get to have some fun, notably Strength and The Empress in HOTD 2 and 4, respectively.
- Crippleware: The first game's demo was time-limited; a big timer counted down from three minutes, and the game would quit once the timer reached zero. The hack-savvy player who used a memory location editor to freeze the timer would find out that the timer was the only thing crippling the game; with it out of the way, it was possible to play the game to the end.
- Critical Existence Failure: Nearly every single boss and every single protagonist. Characters in 4, at least tend to gripe when their health is low.
- Damsel in Distress: Sophie Richards in the first game. Also, you will find those (either civilians or your partner) who will need rescue throughout your mission. Saving them nets you a life bonus most of the time. Subverted in III, in which it's your partner that you rescue, and even then, they're only in trouble for a few seconds, retreating back to you regardless of whether you succeed or fail. On top of that, Thomas Rogan is the one in distress, and it's his Action Girl daughter to the rescue (along with his old AMS buddy, G). Avoided outright in 4, in which there's nobody to rescue.
- David Versus Goliath: There's always at least one giant-sized boss.
- Dead Weight: Fat zombies are the earliest kind of Giant Mook, taking a few more body shots than normal enemies. The manual explains that a mutant's health is directly proportionate to its mass. They're also fast.
- Taken Up to Eleven with the morbidly obese boss Temperance, who runs around and can turn himself into a bowling ball of undead fat. And is completely bulletproof.
- Disney Villain Death: The Hanged Man from the first game. Twice. Also Caleb Goldman in 2.
- Dull Surprise: The voice acting of the earlier Ho TD installments ranges from bad to abysmal; in II the heroes don't sound the least bit fazed by the fact that they're literally standing in the middle of a citywide zombie outbreak; James in particular dishes out some of the most jarring and out-of-context lines in the game.
- Goldman himself falls under this, with some of his lines muddled so badly it sounds as if he's speaking through a broken voice recorder.
- Dynamic Difficulty: Playing with a second player makes the games MUCH harder. So if you don't want to die twice as often, don't play with a second player unless said player is just as competent as you (and heavens help you should you start a two-player game in order to dual-wield on the arcade machine).
- Also, the better you play in a stage, the faster the boss will be. It's not very clear how it works, because sometimes he'll slow down when you fail to survive an attack. It's most notable with the Magician, whose movement aura is a different color based on whether it's in "easy" or "hard" mode.
- Elemental Powers: The final bosses typically have one of these.
- Evilutionary Biologist: Both Goldman and Curien.
- Fat Bastard: Temperance and the Lobber. Also the fat zombies from the third game.
- Fire, Ice, Lightning: The final bosses of the first, third, and fourth games; The Magician manipulates fire, The Wheel of Fate manipulates lightning, and The World manipulates ice. The final boss of the second game is a crystalline humanoid, similar to The World.
- For Massive Damage: Weak points for bosses and headshots for normal zombies.
- Government Agency of Fiction: The AMS, which almost every protagonist and heroic supporting character works for. It's never explained precisely what they do beyond shoot zombies and mutants.
- Greater Scope Villain: The limping man featured in the endings of the third and fourth game. Nothing much is still not known about him but it's implied he's responsible for Curien and Goldman's action and might even tie into Clement from Overkill as well.
- Hostage Spirit Link: In 1 and 2, shooting a civilian takes off one life. Averted in III, where shooting your partner in a rescue scene does nothing. 4 has no one for you to rescue.
- Humanoid Abomination: The typical appearance for the end bosses. Also, the Star, who has uncanny abilities.
- Kevlard: Temperance (a morbidly obese zombie) from House of the Dead 4. Even though you could actually stop him from attacking you by shooting his head, it was impossible to do any real damage to him via your bullets. You had to drop a clock on his head to beat him.
- Obese enemies in the second and third game also tank in more damage. A headshot was needed or they'd ram you.
- Kill 'em All: Allegedly, Goldman's Zombie Apocalypse plot in 2 and 4 is a subversion of this.Goldman: "I do not wish to kill all humans. I only wish to revert to them to their natural state."
- Ludicrous Gibs: In every game.
- Also subverted in the same game with bosses: normal mutants will blow up into gooey pools of blood and flesh, but the bosses (even those who seem quite prone to explode into pus like the Lobber and Mother) simply fall down.
- Mad Scientist: "Yes! ...These are the kinds of breakthrough results that are possible when experiments are carried out scientifically, without undue mushy sentiment for the Human test [subjects] or other ridiculous ethical qualms..." (Journal Entry). Dr. Curien speaking of some of his zombie creations from the PC version of the first game's manual.
- He got even worse, as the flashbacks to before the incident in HOTD 3 show, complete with mad laughter.
- Monstrosity Equals Weakness: Almost every boss in any given game will be some form of mutant freak, but the final boss will look like a shiny humanoid. The exceptions are the original game's Magician and Overkill's Mother.
- Mook Chivalry: Some zombies will wait until you kill the largest threat (like axe-wielding zeds or barrel-throwing fatties). Only one zombie can typically be in attacking range at once, so it's possible to disable one, quickly reload, then finish it off with the rest of the new mag used for the ones behind it.
- Multiple Endings: Every game has a few: one which is canon, a few which aren't, and one which is possibly canon but also extremely confusing.
- Ninja Pirate Zombie Robot: Late game zombies in the first game will sometimes have robotic arms. And in any stage in Goldman's skyscraper, you get to fight alien/zombie/robot things.
- Nintendo Hard: By far one of the most difficult Light Gun Games around. Many a player has witnessed the second game's continue screen no less than 10 times in a single run.
- In the actual arcade stands, at least. The PC versions are easy with practice, since you can see where you're aiming and there are shot types in the first game (such as G's extremely powerful derringer). It also helps that you don't have to take your aim off-target to reload here.
- One-Letter Name: Agent G.
- 1-Up: All games in the series have life pickups hidden under certain objects. In the original two games, rescuing certain civilians will grant you an extra life, and you can gain more at the end of the stage depending on how many of them you've saved. In III, extra lives are earned by rescuing the other player and getting good grades. In 4, because there are no rescue opportunities, your only non-item source of lives is getting B grades and higher. Overkill goes for a more traditional health bar, where you start each chapter with a full bar and can only replenish lost sections by shooting medkits hidden throughout the levels.
- Our Zombies Are Different: The series is very ambiguous as to what type of zombie it's using. In the first game and in Overkill they're explicitly the products of mad science, but after that it's anyone's guess. They cause a Zombie Apocalypse, implying infectious zombies (and Goldman gets zombified in the second game's bad ending), but Goldman's laboratories are still hanging around with copies of Curien's notes. The boss monsters and robotic foes that still fight likes zombies aren't helping.
- Pinball Spinoff: The Pinball Of The Dead, duh.
- Raising the Steaks: This series has undead fauna all over the place: bats, owls, spiders, frogs, scarabs, vultures, piranhas, sloths, leeches, crows. The first game even featured winged zombie dobermans.
- Removing the Head or Destroying the Brain: The classic. Shoot here to destroy them quickly.
- The battle against Team Judgment is one where this doesn't work. Because Kuarl (the 10-foot tall armored zombie) doesn't have a head!
- Spiritual Successor: Vampire Night, a joint effort between Sega and Namco that utilized similar gameplay and boss encounters and was similarly goofy in terms of voice acting and translation. "We're not what we were 300 years ago." "Yeah." "The girl, she changed us. She gave us the warmth of that of a human."
- Tarot Motifs: Every boss in games 1 through 4 is named after a tarot card of the Major Arcana. As of the fourth game, only three Tarot cards haven't had their names used: the High Priestess, the Moon, and the Devil. The bosses in OVERKILL don't follow this pattern — but they weren't developed by Curien or Goldman.
- Theme Naming: The bosses of the first four games are named after Tarot cards.
- Throw a Barrel at It: Some fat zombies do this rather often. Other zombies also do the same.
- Title of the Dead
- Transformation Trauma: The bad endings have Goldman or a character close to the protagonists turn into a zombie, who is usually promptly shot off screen.
- Twenty Minutes into the Future: The House of the Dead III is set in the year 2019; the first two games were simply set in Next Sunday A.D.. Confusing matters is the fact that the fourth game takes place in the year 2003 and was released in 2005, and that Overkill takes place in 1991 and was released in 2009.
- Warmup Boss: Each game has one boss with a relatively easy weak point and predictable movements to start you off, and often has the basic types of zombie before that.
- What Happened to the Mouse?: Where did Kate Green go after 4? It's explained in the Special Edition game, where she teams up with G immediately after the events of that game.
- In the second game, James Taylor and Gary Stewart serve as the protagonists. In the fourth game, James returns, but Gary seems to have simply disappeared along with Amy & Harry, who were Supporting characters.
- Zombie Apocalypse: Duh. Much more egregious in House of the Dead 3 - the world was overrun, and yet no one can use anything actually descriptive in regards to the zombies. And in Overkill, well, they're mutants.
House of the Dead
- Badass Longcoat: Rogan.
- Big Bad: Dr. Roy Curien in this game due to unleashing on the zombies on his employees when he feel he no longer had need for them upon completing Magician.
- Big Boo's Haunt: The mansion could be considered a more "mundane" version of this trope. There are lots of physical undead, but no ghosts or any other type of spirit. However, the Magician possesses psychic powers.
- Boss Rush: You're forced to re-fight the Chariot and Hangedman in the final chapter before fighting the Magician.
- The Dev Team Thinks of Everything: Playing as Secret Character Sophie gives her a unique animation when jumping down hatches; she puts a hand over her skirt to prevent the upward-angled camera from getting a Panty Shot.
- Disposable Woman: Sophie in the original game gets kidnapped by the Hangedman, and is axed by the Chariot just before you fight him as the first boss, driving Rogan to seek revenge. This can be subverted if you're good enough at the game.
- Power Pincers: One of the enemies in the first game has a kind of "scissor claw" that it can launch at you from a distance.
- Revenge: Rogan's motive against Curien when Sophie is seemingly killed by Chariot. The fourth chapter is even titled "Revenge".
- Secret Character: Sophie, a female researcher, and alternate versions of Rogan and G could be used in the game (both Arcade & ports) if a code was used.
- Title Drop: The last chapter is literally "The House of the Dead".
- Turned Against Their Masters: The Magician kills his creator, Curien, upon his activation deeming him as nothing but a lower lifeform.
House of the Dead 2
- Breaking Speech: The revived Magician gives one to James and Gary before the fight starts, again followed by their retort after they beat the crap out of this Humanoid Abomination.
- Big Bad: Caleb Goldman who starts a zombie rampage in a city as the start of what he considers punishment to humanity for abusing nature.
- Boss Rush: During the last levels, you'll have to face a revived Judgment, Hierophant, Magician, and Tower before dealing with the final boss.
- Corrupt Corporate Executive: Goldman appears to be one, but then turns out to be much worse.
- Duel Boss: Judgement is composed by a small imp, Zeal (who resembles a tiny Hangedman) and Kuarl, a giant, axe wielding suit of armor.
- Final Exam Boss: The Emperor will turn his metal orbs into some of the previously killed bosses, and you can repel them by hitting their weak spots.
- Fish Person: The Hierophant, the second boss, is an aquatic reptilian beast who carries a trident.
- Gaia's Vengeance: Goldman's motive for his bringing about a Zombie Apocalypse.
- Giant Space Flea from Nowhere: Magician's re-appearance in the next to last level has this written all over it.
- Headless Horseman: In HOTD 2, the first boss, Team Judgment, consists of a headless suit of armor (Kuarl) controlled by a flying goblin (Zeal) that you have to hit.
- Hockey Mask and Chainsaw: Strength, the fourth boss, dons this. It's gets blasted off during the fight however since his head's his weakpoint.
- The Imp: Zeal, one of the two beings who make up Team Judgment.
- Infant Immortality: Subverted, where child characters are just as readily murdered by the undead if you are not quick on the trigger.
- Knight Templar: Goldman. He wanted to protect nature. Okay. But did he have to go as far as
killing off the human race"reverting them to their natural state"?
- Ominous Owl: The Moowls, which are zombified owls found in the second game.
- Omnicidal Maniac: Goldman. His boss creations fit more, though.
- Piranha Problem: The Mofish, which resembles a mutant piranha. These foes are found in the canals and leap at the players to take bites out of them. They are also seen during the fight with the Hierophant.
- Sand Worm: The Tower is a roaring, five-headed worm-dragon-snake-hydra-thing. After you kill four of its heads, the main one will slither away to the next arena, where you'll have to finish him off. Depending on the path you took, the arena could even be a large sand pit that he burrows through.
- This Is da Faynl Bawdl: Before the final boss.Goldman: Show yourself! Our new ruler, the Emperor!
- Well-Intentioned Extremist: Goldman believes his actions are for the good of the planet, and he would rather have an artificially-induced apocalypse to bring human population to levels he considers acceptable than have a real disaster or ecological pollution wipe them off the face of the Earth.
House of the Dead 3
- All Hallows' Eve: The game literally takes place on October 31, 2019.
- After the End: By this point in the series, the Zombie Apocalypse has gone global. It's lasted sixteen years.
- Appendage Assimilation: The giant wall of faces of The Sun from the third game.
- Big Bad: Curien again, albeit in a mutated form.
- Book Ends: The prologue chapter and the end of the final chapter in III take place in the same areas.
- Bond One-Liner: Kate Green has one with "How do you like my low fat, all lead diet?" after dropping a huge clock on top of Temperance's head.
- Determinator: Death, the huge security guard zombie. He will suddenly pop out of the ground and keep running after you for the first and second levels before finally dying.
- Gameplay and Story Segregation: In the final chapter, Daniel takes over as the new Player 2 character partway through. For whatever reason, he inherits G's remaining lives.
- In the Blood: Daniel struggles with this, but gets over it after blowing up the zombie-android resurrection of his father.
- Level Select: In House of the Dead III, the player can select which of three levels they want to play next after entering the facility.
- Love Makes You Evil: Roy Curien in regards to his son. He went into forbidden research to find a cure for him but it drove him mad in the process.
- One-Hit Polykill: Because of this particular game's usage of shotguns rather than pistols or machineguns, you can hit two targets with a single shell. Doing so awards the "Twin Shot" bonus.
- One-Winged Angel: Wheel of Fate could be considered Curien's One Winged Angel form.
- Plant Person: One of the levels is an lab overrun with plant growth. There, you'll encounter enemies who seem to be the result of zombies fused with plant life.
- Though it's technically not a person per se, The Sun is a living plant-like abomination.
- Shotguns Are Just Better: III uses shotguns instead of the handguns of the prior two installments.
- Shut Up, Hannibal!: Lisa Rogan and Daniel Curien, son of the infamous doctor deliver their own retort to the final boss of HOTD 3 before punctuating it with a shotgun blast to the face.Lisa: This is our future, we'll handle it ourselves. You've got bigger problems to worry about!
Daniel: You're not my father!
- Well-Intentioned Extremist: We learn Curien's backstory here. He was trying to find a cure for his son, though he went off the deep end.
House of the Dead 4 and Special
- Anti-Frustration Features: In 4, a quick puff of blue/orange flame bursts from each enemy and blackens them the instant they're killed, so even if a zombie is still standing while it goes through its death flops, the player knows to stop wasting time shooting at it and immediately start targeting the next threat. Considering the sheer number of simultaneous enemies this installment throws at you, it's easy to see why this feature is extremely helpful.
- Big Bad: Goldman, posthumously. You're more over fighting his contingency plan then him.
- Boom, Headshot: Emphasized in this game with bonuses for nailing consecutive headshots. In order, the bonuses are "GOOD" (1 hit), "GREAT" (2 hits), "AMAZING!" (3 hits), and "PERFECT!" (4 or more hits).
- Bond One-Liner: Lisa Rogan tries to pull these off at regular intervals. Highlights include "I never was any good at gardening", after blowing away a giant evil plant, and "When a lady says no, she means it!", regarding a rather persistent security guard... with a giant stick.
- Continuity Nod: The final levels of 4 take place in the same area, and play just like, the final levels of 2.
- Duel Boss: Lovers, a pair of mutated tarantulas in the second level of the game.
- Feed It a Bomb: Justice, the first boss, can be instantly defeated if you chuck a grenade in its mouth.
- Gainaxing: Disturbingly applied with the Temperance boss.
- Gameplay and Story Segregation: At the end of the fifth chapter, James is struck by one of The Star's finishing attacks, and he's shown visibly limping throughout the next chapter. Not only does Life Meter not reflect this in the subsequent chapter, he is able to shoot as well as he did before.
- Giant Spider: The Lovers are two huge tarantulas (a small male one atop a larger female) who constantly spawn spiderlings. There's also the Hermit in the first game.
- Gosh Dang It to Heck!: Inexplicably, "darn" and "heck" are littered throughout the dialogue, without any real profanity. One wonders if the ludicrously profane dialogue in Overkill was meant to make up for this.
- Heroic Sacrifice: James blows himself up along with Pandora's Box at the climax of 4's story to keep The World from evolving further in it's weakened state.
- Just Before the End: House of the Dead 4 which takes place slightly during whatever catastrophe befell the world.
- Midquel: Set between the second and third game.
- More Dakka: The default weapon in this game is a machine pistol with 30-bullet clips. 4 SP gives you 100 bullets in one clip.
- Motive Rant: Employs a heavy retcon to give Caleb "loyfe cycle" Goldman a lot more menace; the start of each chapter flashes back to the events of HOTD 2, showing Goldman quietly seething behind his desk about how mankind's arrogance and greed will doom the entire planet. The final level reveals he's been speaking to James Taylor and Gary Stewart, who have him at gunpoint.
- Multi-Armed and Dangerous: Justice is a huge, four-armed zombie brute who chases you around a sewer.
- Non Standard Game Over: Failing to stop The Magician's last-ditch attack in part 4 SP allows it to create dozens of clones of itself, which presumably kill the heroes and go on to destroy humanity, and you have a ten-second margin for error to prevent itnote .
- Nostalgia Level: The fifth and sixth chapters of 4 are designed to harken back to the final stages of 2 (particularly the fifth chapter but the sixth also has shades of it as well). Justified because they literally are the same areas (the DBR Corporation skyscraper).
- Scenery Gorn: Kate and James get a very nice view of the burning shell of Venice at the end of 4's fourth chapter.
- Shut Up, Hannibal!: The final chapter to HOTD 4 reveals that Goldman (in flashbacks) has been ranting to James Taylor and Gary Stewart; the original protagonists who ruined his plans in HOTD 2. James' response to Goldman's elaborate rant?James: Is that all you have to say, Goldman?
- Wrestler in All of Us: Justice will resort to dropkicks later in his fight.
Typing of the Dead
- Dolled-Up Installment: Quite literally, these games are basically the same as their originals only with the focus on typing rather then shooting and some silly cosmetic changes (the agents having keyboard packs as weapons, zombie carrying things like frying pans and form mallets, etc).
- Content Warning: One of the paragraphs Typing of the Dead has the player type during the Strength boss fight is the game's Content Warning.
- Dancing Mook Credits: The Typing of the Dead rewarded you for typing out an entire section of credits with a dancing zombie. Up to 10 or 12 zombies in all!
- Evil Lawyer Joke: One of the Typing of the Dead chain sentences during the Strength battle says that animals do not practice cannibalism - the last sentence is "and you'd never see a lawyer bite a snake."
- Lighter and Softer: The story of the games still play out as normal, but the keyboard and foam weaponry, not to mention some of the phrases they make you type pretty much offset the mood.
House of the Dead EX
- Anti-Frustration Features:
- If you're playing two players and one side manages to complete the objective before the other, they're allowed to keep going to help the other side out and win the minigame.
- Failing a mini-game and re-trying it will give you an additional bonus such as lower difficulty or the goal being closer to reach.
- Fail the game but choose to continue will allow you a mini-game where you can earn an extra life.
- Cute Monster Girl: Zobiko is a Cute Zombie Girl. And a protagonist.
- The Cameo: Gary, James and Kate show up in the "Detective Zobiko" minigame.
- Faking the Dead: The Star helps the couple this way at the end of the game by reporting to the scientist they perished in the The World's final explosion attack.
- Heel–Face Turn: Zombio was meant as a guardsman to Zombiko but, seeing that the two have a lot in common, abandoned his post to flee with her. Justice (yes the same one from 4), likewise becomes a ally to them. And the Star in the final battle again The World.
- Huge Guy, Tiny Girl: Zombio is a pretty huge guy and Zobiko is a very petite girl.
- I Want My Beloved to Be Happy: The Star is enamored with Zobiko but she constantly makes it obvious she's not interested. Upon see the lengths Zombio and she are willing to go for each other he helps them against the final boss, saves them from his final attack then let's them leave, reporting back to the scientist that they perished in an explosion.
- Let's Get Dangerous: Whenever you put a coin in, Zombio and Zobiko shout out "Get Ready!"
- Lighter and Softer: It takes a more comical approch to the series. Heck the tone is more of a love story then a horror motif.
- Mini Game Game: Mostly a compilations of mini-games using the gun and foot pedal. Though the final boss is a straight up gun fight akin to the original series.
- Something Completely Different: The House Of The Dead EX. You have light guns, but that's about as far as the similarity goes. It's not only lighter and softer, but is filled with childish cutscenes which are mostly 2D anime/manga style stills, toned down violence, and aside from that, there's the genre change from rail shooter to minigames.
- Tomato Surprise: Zobiko is actually a clone of the the mad scientist's deceased wife.
- Traintop Battle: The final battle is set on top of a cable car that the couple were forced to climb onto to escape the zombie horde. The World later picks it up during the fight and The Star holds it up from underneath it to give the couple a foothold to stand on to finish the fight.
Hee hee hee! Seems like my advice had no effect. Suffer, like G did.
- Dogs of the AMS. It's time they made a move.