A parody roleplaying game available on Xbox Live Indie as well as on Steam on the PC. The game takes place after a nuclear apocalypse wipes out mankind, leaving the undead to rebuild society. The main character is a heroic skeleton named Dem. A sprightly ghost girl named Sara forcibly joins him on a quest to explore ruins and other such heroic nonsense.Available for only 80 MSP, about a dollar, and taking about 5-10 hours to beat (depending on how deliberate you are at grinding and exploring). Designed with a deliberately nostalgic-retro vibe with few animations and many "modern" conveniences such as improved pacing, quicker turn-based combat mechanics, and a capped number of Random Encounters in an area, the game was viewed favorably by reviewers and has sold over 40,000 copies. The developers even noted that about two-thirds of gamers who tried the demo ended up buying the already-cheap game anyway.Since then, the creators have released another game with equal levels of snark and parody called Cthulhu Saves The World. Yes, the title is indeed accurate in regards to the plot. Both games are also available on Steam in a two-for-one pack, so you don't need an XBOX to play them; once again, they are still almost absurdly cheap for the content. The PC versions even include new content, such as new party members, more dungeons, and an alternate campaign in Cthulhu Saves The World.
Tropes used in Breath of Death VII: The Beginning:
Absurdly Spacious Sewer: Zeboyd would like you to know that, due to legal obligations, they were forced to include one of these levels.*
It's a joke, of course.
After Combat Recovery: After each fight, you regain full hit points and a few magic points. In the late game, you'll be scrambling to keep your magic points afloat.
After the End: Post-apocalyptic Earth is full of monsters, magic, and the undead. But it's pretty okay otherwise.
Anachronism Stew: Pre-apocalyptic technology, including robots and laser weapons, are sprinkled around the world, which has otherwise regressed to vaguely medieval levels.
Bittersweet Ending: The party ends up sacrificing themselves (and, by extension, their whole timeline) so the last human can undo the event which created their world in the first place, saving the world (for the humans). You get memorialized for your efforts, though.
Blatant Lies: Using Poison on a boss returns a message that he's immune, then the boss gets hit for damage at the end of every turn anyway.
At one point your party members ask the narrator where they're supposed to go next to advance the plot. The narrator gladly obliges.
Later on, your characters make remarks about how short the game is and whether it was worth the $3 it cost the player to buy it.
But Thou Must: No story-relevant choices are actual choices, from the beginning up to the end. For example, when given the choice to give up the crystals and completely erase the hero's timeline, the player is given a choice between "Yes" and "Sure".
Boisterous Bruiser: Erik. An unusually snazzy one, as his armors are progressively fancier suits and his ultimate weapon is a chainsaw axe.
Disc One Nuke: Lita's early weapon, the Shotgun could be considered the best item in the whole game. A measly +20 Strength, but can hit all enemies. At the end of the game, you're going to see groups of 4+ enemies constantly. Add in the level-up bonus of +1 Hit she can get, and suddenly it's double the damage - around 250 per monster. With this you can go through the final dungeon without using any magic.
Engrish: Parodied, naturally. Imps use poorly-localized magic spells (Foiya Boru!).
Evil Counterpart: You fight your evil dopplegangers at one point.
Failure Is the Only Option: You know how a lot of games put chests or locked doors in early towns you can only open much later by going back? You will never be able to open them in this one.
Well, the party consists of a Skeleton, a Ghost, a Zombie, and her. There's not a lot of blood to be had.
Giant Space Flea from Nowhere: Most of the bosses come out of nowhere with no narration beyond "you feel the presence of a terrifying [monster]" including the final boss who is some random reaper-like thing called Ultimate Evil.
Heroic Mime: Parodied. Dem can not speak, due to lacking a tongue and vocal chords. Yet you hear his inner monologue often. However, everyone interacts with him like he's a classic Heroic Mime, even if it runs counter to what he's actually thinking.
HP To One: The final boss has an attack that does this.
100% Completion: Played with: Pretty much every town torments you with a chest or locked door you will never be able to open.
Interface Spoiler: The descriptions on weapons and armor dutifully inform you of who can equip them, even if you haven't met them yet.
Beating the Bonus Dungeon nets you Excalibur, which is appropriately awesome.
Kleptomaniac Hero: Averted when you discover a shiny golden loot chest in a village building, only for your main character to proclaim his refusal of involuntary donations to the saving-the-world arsenal.
Loophole Abuse: Since random encounters are limited and can be triggered manually if you desire, it's a viable strategy to simply park by a save point and trigger encounters over and over again until you've hit the limit, using the unlimited MP you get from the save point to spam your most powerful spells and win with ease.
No Hero Discount: Lampshaded with weaponsmiths, averted with inns. One NPC comments that weaponsmiths will never give you a discount no matter how famous your are, but inns let you sleep free on account of being famous.
Our Zombies Are Different: Erik. He's outrageously French and hypothetically a Casanova. Unfortunately, he's prone to blurting out "LE BRAINS!" now and then.
Plot Coupon: There are crystals to collect! Good thing they're all in one place already.
Random Encounters: Present, but refreshingly limited. There's a set number in each area, and once you've done enough the attacks stop. You can even trigger them manually with the Fight command, which also works once you've exhausted the limit. The limit is in the hundreds in the open, but limited to about 20 or so in most dungeons.
Ret Gone: You do this to yourself so the human race can be revived.
Retraux: The game is an 8-bit throwback with 16-bit-quality monster and character portraits.
Some enemies have attacks in Engrish on purpose, such as "Fureezu Aro", as a reference to translation errors in old 8-bit/16-bit games.
Required Secondary Powers: Dem can't actually speak, on account of lacking nearly every part of human anatomy required to do that. Luckily his party has a telepath, and the player gets to hear his thoughts.
Satire/Parody/Pastiche: The game is a pastiche of NES-era RPG mechanics and a parody of 16- and 32-bit RPGs.
Shallow Love Interest: Parodied with Dem and Sara. They're arbitrarily granted the True Love power near the end, though Dem's last words—so to, uh, speak—may imply it's not so arbitrary after all...
Space Filling Path: If an area has enemies you can bet that you will need to snake your way through it. The city ruins are especially contrived with shrubs and overturned garbage cans teaming up to barely block your path and force you to tour every building in the city to reach the goal. This is necessary as a good amount of distance can be covered between random encounters. It's not so bad if you grind through the encounters first, which just makes finding the right path a minor chore.
Take That: Dem grumbling about the shortness of the game is a jab at players who complain about the (fairly modest) price of Indie games.
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