James Baxter was embarrassed by most of his animation of Ariel, particularly the scene where she says "Daddy I love him!"—in his own words, he said he made her look like a fish eyed freak and apologized to her head animator Glen Keane for drawing her too Off-Model.
Animator Will Finn enjoyed working on The Little Mermaid, but he stated on his Small Room blog that he was not happy with his animation of Grimbsy, saying there are only one or two scenes he did that don't make him cringe today.
Crossdressing Voices: Flotsam and Jetsam, both male eels, are voiced by Paddi Edwards. Averted in the Japanese dub, where they're voiced by Shūichirō Moriyama.
In the Latin American Dub Ursula was voiced by Ángel Garza, who was credited under Serena Olvido.
Cut Song: Eric's "Her Voice", pieces of which can be heard throughout the score as sort of his theme. The musical puts it back in. "Silence is Golden" was an early song for Ursula, cut because the creators didn't like it. The musical has this trope in spades "Where I Belong" (Eric, later restored as part of "Fathoms Below" in the revised production) and Ursula's reprise of "Her Voice" were cut after the tryout in Denver. The post-Broadway revision cut "Human Stuff" and the reprises of "The World Above" and "Sweet Child", and replaced "I Want the Good Times Back" with "Daddy's Little Angel". 3 cut songs that still got to the public, via leaked demo tape are: "Wasting Away", "All Good Things Must End" and an alternate version of "Poor Unfortunate Souls (Reprise)". There are several the public has never heard, such as "That Oughta Show Her" and a reprise for it, and "Ursula's Incantation II".
The "Fathoms Below" number ran longer and revealed that Ursula was actually Triton's sister, making her Ariel's aunt.
A scene just before the concert where Sebastian discovers that Ariel is missing.
An extra bit of "Poor Unfortunate Souls" explaining why Ursula was banished.
More of Sebastian getting lost in Eric's castle.
Sebastian giving Ariel even more advice.
The original climax was slightly different. Ariel would have knocked the Trident out of Ursula's hands to prevent her from attacking Eric, Flounder and Sebastian, but would have been knocked unconscious in the process. Ursula would then fight Eric (in normal size) and Eric would defeat Ursula by obtaining the Trident from Sebastien and using it to impale her. Ursula's shell would then fall to the sea floor, restoring Ariel's voice and bringing her back to life.
In addition, after Ursula's defeat, Ariel would have had a short scene where she she apologizes to Triton.
Ariel transforming into a human at the end would have her walking on the beach singing a Triumphant Reprise of "Part of Your World", which then segues into the wedding.
Development Hell: Walt Disney himself commissioned an early storyboard that hedged much closer to the Andersen original, which the crew of the final version eventually discovered. You can see these sketches on the DVD.
Executive Meddling: Jeffrey Katzenberg caused the animators and others working on the film quite a bit of grief. One memorable instance was his insistence that the whole "Part of Your World" sequence be excised from the film, saying that he found it "boring" and also because he saw a child drop a box of popcorn and then struggle to clean it up during that moment in a test screening. Animator Glen Keane eventually persuaded Katzenberg to let them test the film again with a more adult audience and that scene intact, and the positive response convinced Katzenberg to leave it in. He admitted in a 2006 interview that the whole experience was "deeply embarrassing."
Fake Nationality: Samuel E. Wright, the voice of the Rastafarian crab Sebastian is actually from South Carolina.
Flounder has been replaced various times during the franchise, due to being (most of the time) voiced by a real kid. Jason Marin played him in the first film. Edan Gross played him for the first half of the television series, and was replaced with Bradley Pierce. Courtland Mead voiced him for merchandise released in the `90s (including the Animated Storybook CD-ROM, as well as a few toys), Cam Clarke voiced him in the sequel (due to him being an adult), and Parker Gloris played him in the prequel and the Kingdom Hearts series.
Buddy Hackett did not return as Scuttle for the TV series, so Maurice LaMarche filled in.
In the Norwegian dub, Sissel Kyrkjebø received wide acclaim for her performance as Ariel, but she was replaced by Guri Schanke both in the sequels and the TV series.
The Other Marty: The first choice for Ursula went to drag performer Divine, fresh off of his role in Hairspray, however, he passed away before he could record any lines. Broadway performer Elaine Stritch was chosen next, but due to constant clashes with the crew members, she was replaced with Pat Carroll.
Promoted Fanboy: Pat Carroll had longed to voice a Disney character and being chosen as Ursula was a "dream come true" for her.
Throw It In!: Ursula's "Pathetic." from her Villain Song lyrics aside to Flotsam and Jetsam was actually ad-libbed by Howard Ashman while he was coaching Pat Carroll.
Troubled Production: Because of how labor intensive it would have been. Disney sent the animation of the bubbles to a Chinese-based facility, which just so happened to be located near Tiananmen Square just as the Beijing student uprising occurred. Everything ultimately went according to plan, but the labor was what convinced the studio to make the full transition to Pixar's CAPS digital ink-and-paint for future films.
Unfinished Episode: There were plans for comics to expand on Ariel's mother. It was scrapped for being too dark. The character was later expanded on in Ariel's Beginning, the third movie, but vastly different. In the comic, dubbed Portrait of Life, her name was Atlanta and she befriended a human named Duncan. She dies saving Duncan from an avalanche Triton made. In the movie her name is Athena and she dies by being crushed by a ship, saving her oldest daughter.
Ursula's design was going to be based off a lion fish or rockfish in the original stages of development. Another idea was for her to have a snake-like appearance. When the artists saw a documentary on octopi, they realised the tentacled appearance worked much better for the character they were trying to create. Saleen, a villain from the Aladdin TV series, is based off Ursula's old concept art.
A deleted draft detailing an alternate version of the ending had Ariel and Flounder trying to rush to the wedding barge only for Glut (the shark from earlier in the film who got stuck in an anchor ring) to ambush them, causing Flounder to gain a second wind, deliver an already exhausted Ariel to the ship, and bait Glut into chasing him with the barrel still lassoed onto his back (hint: it's actually a gunpowder barrel), causing Glut to bite the barrel and get caught in an explosion (reminiscent of how The Shark died in Jawsnote directed by Katzenberg's future business partner Steven Spielberg ).
Ariel was imagined as a blonde early on, but the animators didn't want to be seen as ripping off Splash too closely.
During the production of Ariel's Beginning: a storyboard◊ from the film was presented. It appears that someone has Eric, Ariel and Sebastian hunting for a white whale and Sebastian isn't happy about it. There's also a woman in the storyboard who gets seasick like Grimsby in the beginning of the first film. It's implied that some talking parrot character will not get along with Sebastian and it's also stated that Ariel and Sebastian are "still angry with Eric". This was intended for another idea called "Arielís Undersea Adventures".
Ariel was originally going to lose her Seashell Bra after first being transformed into human, and sport Godiva Hair for the rest of the sequence. For whatever reasonnote Potential Fanservice issues, difficulty animating, budgetary constraints (Katzenberg was doing some severe editing with everything including schools of fish to keep the movie underbudget), this idea was abandoned.
Ariel's mother had a different backstory. One concept created by Peter David had her called Atlanta, and while she would've had some resemblance to Ariel, was going to have brown hair (young Triton had red hair, just like in the show). She befriended a human artist Duncan, and once he starts painting her, becomes famous. His rival Kole, jealous of his fame and discovering the mermaid, tries to kill him by pushing a boulder above him. But Atlanta performed a heroic sacrifice and pushed him out of the way. Triton kills Kole and spares Duncan, but takes his painting. After a week of solitude (that a 6 year old Ariel convinces him to get out of) his hair turned gray, and now has a hatred of humans.
Vanessa's role went through a few radical changes. She would originally only lightly hypnotise Eric and merely persuade him to choose her over Ariel - as opposed to her outright mind control in the final film. Eric would introduce her to Ariel, and would actually try to comfort her as she runs away crying, but Vanessa would kiss him to distract him (she would also wear a scarf to hide her necklace from Ariel). At the wedding, she would be more wary of fighting back - afraid of blowing her 'sweet little girl' cover. And in this case she would be busted by her true reflection being shown in sea water that some of the creatures had brought on board. For some reason in this version, Ariel doesn't get her voice back until the end of the film.
Vanessa and Eric's wedding was originally scripted to happen in the castle, with Ariel watching from upstairs. Presumably they changed it to the boat to add a sense of urgency.
Ursula's death was supposed to have her getting impaled by the trident itself - essentially what happens to her in Kingdom Hearts II (which is based on the original storyboard). This was apparently changed because the animators saw Die Hard and got inspired. She was also not originally supposed to have remorse for accidentally killing Floatsam and Jetsam. Ariel would also die during this ending, and Triton would use the trident to resurrect her.
Sebastian was written to have an English accent at first. However they decided to make him Jamaican, so as to have a calypso-themed song in "Under the Sea".