Trivia / Super Mario Bros.


The series in general:

  • Adored by the Network: Really? The top-selling video game series starring Nintendo's mascot is also the one most beloved and heavily marketed by the company?
  • Cash Cow Franchise: Mario is the best-selling video game franchise of all time, by a MASSIVE margin. Pokémon, which is in second place, only has half the sales (though it is close to beating the main series in sales).
  • Creator Backlash: Shigeru Miyamoto was not pleased with Lost Levels, due to it being a blatant rehash of the original game, as well as too difficult for its own good. He much preferred the U.S. Super Mario Bros. 2.
  • Cross-Dressing Voices:
  • Dawson Casting: Mario and Luigi are 26, and Wario and Waluigi are around the same age. Charles Martinet, who voices all four, is in his 60s, and started voicing Mario in his 40s.
  • Fandom Life Cycle: Stage 5, because the Mario series is basically the most well known, popular video game series in history. Especially true of the 'Mario Mania' years, wherein American children knew Mario better than Mickey Mouse.
  • Flip-Flop of God:
    • Surprisingly enough, the exact relationship between Mario and Peach. Given that in most games, the whole point is to rescue Peach from Bowser. Some games all but outright state that they're an Official Couple while others only have them as Implied Love Interests. Other characters like Luigi and Daisy also muddy the situation.
    • Sources aren't really sure if Wario and Waluigi are brothers or not (although they've mostly settled on not). They also aren't sure if Toad and Toadette are siblings or love interests as well.
    • Is Yoshi a dinosaur or a dragon? Most sources lean towards "dinosaur". As it turns out, he's a T. Yoshisaur munchikoopas.
    • Do Mario and Luigi have last names? Currently, yes: "Mario". So, the movie was right all along!
    • The Koopalings' relation to Bowser. From their introducion in Super Mario Bros. 3 to as late as Super Smash Bros. Melee, they were explicitly stated to be Bowser's own children. Then in 2010 they were retconned into being unrelated to Bowser, but still high ranking members of his army whom he treats as such. Then in 2014, Mario Kart 8 and Super Smash Bros. 4 shifted the relationship again from a definite "No!" to an ambiguous "Maybe" with some of them being labeled as Koopa royalty and their relationship to Bowser being described as "unknown".
    • Is Rosalina really a princess, a queen, or a goddess? What we only know that she is the Mother of the Lumas, with her clothing designs related to royalty. The French localization of Super Mario Galaxy even suggests that Rosalina may be Mario and Peach's daughter from the future, although this hasn't been confirmed or denied in other official releases.
  • Killer App: Along with The Legend of Zelda, this series is usually the one to get the ball rolling in terms of console sales.
  • Milestone Celebration:
    • Nintendo gave Luigi a whole celebration of the 30th anniversary of his debut in Mario Bros. A year-long one.
    • The 30th anniversary year of Super Mario Bros. saw the release of Super Mario Maker, a level-creating and -sharing game for the Wii U allowing players to make levels in the style of SMB, SMB 3, Super Mario World, or New Super Mario Bros.
  • The Other Darrin:
    • Mario's voice in Saturday Supercade was none other than Optimus Prime himself, Peter Cullen.
    • Toru Furuya provided the voice for Mario in The Great Mission to Save Princess Peach OVA. Surprised?
    • In Mario Party 1 and 2, the Japanese version of Mario Kart 64, and "Mario Kart: Super Circuit", Luigi is voiced by a Frenchman called Julien Bardakoff. His take on Luigi is completely different from Martinet's. You can hear him here. In those same games, German localizer Thomas Spindler voices Wario, so he has a slight accent. It even caused the infamous "D'oh I missed!"/"So ein mist!" Mondegreen.
    • Peach had a much lower voice in Super Mario 64 (provided by Nintendo Localization Director Leslie Swan) and the non-Japanese versions of Mario Kart 64. Her original voice was brought back in Super Mario 64 DS, complete with newly recorded lines for the ending to take the added playable characters into account … and then she's back to her high voice for the subsequent games.
    • In both Galaxy games and in Mario Kart Wii, Rosalina was voiced by Mercedes Rose, but from Mario Kart 7 onwards, she is instead voiced by Kerri Kane. Her voice actor changes yet again to Laura Faye Smith for Super Mario 3D World.
  • Talking to Himself: Yes, most characters are Heroic Mimes, but nonetheless, Charles Martinet voices both Mario brothers, their baby versions, both "Wario brothers", and Toadsworth.
  • Throw It In: Blocks which release multiple coins were originally the result of a glitch and not intended to be in game, but were kept since they were liked.
  • What Could Have Been: Considering how long the series has been around, quite a few examples exist.
  • The Wiki Rule: The Super Mario Wiki. It also has extensive information on the Spinoff games such as Donkey Kong and Wario Land, and related series' such as Super Smash Bros.
  • Word of Dante: Several games have had single Magikoopa characters/enemies which were nameless or seemingly generic, but the fandom has universally decided that they are all Kamek. Some examples include the Magikoopa who was going to be in Mario Kart 64 but was replaced with Donkey Kong; the Magikoopa who blasts Mario away from Peach's Castle in Super Mario Galaxy (a trading card for SMG confirms that it was indeed Kamek); the Magikoopa who aids Bowser in Mario & Luigi: Bowser's Inside Story; and the Magikoopa who was a boss in Yoshis Safari. Two games, Super Mario RPG and Super Princess Peach, do have Kamek in them, but he was unnamed or misnamed in the English versions. Bizarrely, Mario Party DS has him named Kamek, but in Mario Party 9 he is named "Magikoopa" in the North American version … but not the European version.
  • Word of God:
    • Mario creator Shigeru Miyamoto has said in an interview that the Koopalings aren't Bowser's children.
    • The nicknames the developers respectively gave the Blue and Yellow Toads are, allegedly, Buckenberry and Ala-Gold.

The series is the Trope Namer for:

This series is the Image Source for:

The Cartoon Series:

Image Source for:

The film:

  • The Alcoholic: John Leguizamo admits in his autobiography that he and Bob Hoskins got through production mostly by being drunk off their asses and (pardon the pun) doing shots in-between shots. In one case, Leguizamo was forced to drive the van while being so drunk that when he swerved, the sliding door crushed Hoskins' hand, hence the inexplicable pink cast Mario has.
  • Box Office Bomb: Budget, $42 million (not counting marketing costs), $48 million (counting them). Box office, $20,915,465.
  • Breakaway Pop Hit: Featuring the hit single "Almost Unreal" by Roxette.
  • Creator Backlash: Shigeru Miyamoto actually admitted that he liked how the movie took creative liberties. Ultimately played straight with Hoskins, Hopper and Leguizamo (the last of whom seems to have eventually warmed up to the film, per this video).
  • Creator Killer: Roland Joffé (The Killing Fields), the producer of the film, never really recovered from the film's failure, though the similarly In-Name-Only adaptation of The Scarlet Letter he directed that was released two years later certainly didn't help. Also, this is the last theatrically released film with which the directing team of Rocky Morton and Annabel Jankel, of whom Bob Hoskins said "[their] arrogance had been mistaken for talent" in a 2007 interview, have been involved to date.
  • Deleted Scene: Nearly a half-hour of footage was cut to give the movie a proper running time. Deleted scenes include:
    • An extended sequence of Koopa chasing Daisy's mother in New York, which featured him gazing admiringly at the buildings which would later inspire his warped construction projects in Dinohattan.
    • Mario and Luigi actually confronting the "Scapelli brothers", Mike and Doug, in the River Front Café. They threaten the café's owner, Pascal, by invoking their boss' name. Pascal takes Mario aside and offers him and Luigi a free lunch to make it up to them, which leads to:
    • An alternate scene of Mario and Luigi eating. Daisy enters the café and uses the payphone inside, slipping on a wet floor as she leaves. Luigi catches her and the movie continues that way.
    • Mario and Luigi getting ready for their dinner date, during which Luigi expresses embarrassment at being a plumber. Mario chastises him and tells him he has no "family pride."
    • An extended sequence in the de-evolution chamber, during which one of the devo technicians is de-evolved into slime. A puddle can still be seen on the floor in the final film.
    • Iggy and Spike get drunk at the Boom Boom Bar and rap, which Lena cites later to Koopa as them "preaching your overthrow."
    • Various assorted scenes, including additional sequences from the cut "family pride" subplot.
  • Development Hell: Went through a rapid version of this, with over a half-dozen different writers, three sets of directors, and both Tom Hanks and Dustin Hoffman expressed interest in playing Mario before executives rejected them. In the end, the script was almost entirely rewritten on set with mutual silence between the cast, director, producers, and Nintendo brass. Then, allegedly due to drinking on set, Jankel ran into Leguizamo with a car, breaking his leg. You can even see the cast in some shots of the movie.
  • Enforced Method Acting: Mojo Nixon, who played Toad, was legitimately terrified of Dennis Hopper's performance as Koopa, particularly the scene where he was de-evolving and strapped to the chair.
  • Executive Meddling: The script by writers Dick Clement and Ian la Frenais was so clever that it inspired Bob Hoskins, Dennis Hopper, and Fiona Shaw to sign onto the project. However, the producers feared it wasn't kid-friendly enough, so they forced heavy rewrites and barred directors Jankel and Morton from contributing to them.
    • Further changes to the script in terms of special effects and character-development severely limited their vision even further.
    • In the end, over twenty minutes of footage was cut to get Mario and Luigi into the parallel world sooner while the atrociously animated intro was inserted to make up for it.
  • Fake American: Say whatever else you will about this film, Bob Hoskins played one so well that between Mario and Who Framed Roger Rabbit, many American kids were genuinely surprised to learn he was actually British.
  • Genre-Killer: For video game-based movies as a whole, for it was one of the first such films of this kind and set a very low standard for future such films to come.
  • Money, Dear Boy: The reason this film has one of the highest Embarrassed Actor Quotients since 1990. Apparently, many very good actors were having critical shortages of money around the same time … both Dennis Hopper and Bob Hoskins admitted they did it for the paycheck (in Hopper's case, it may have been a joke).
    Dennis Hopper: I made a picture called Super Mario Bros., and my six-year-old son at the time — he’s now eighteen — he said, "Dad, I think you’re probably a pretty good actor, but why did you play that terrible guy King Koopa in Super Mario Bros.?" and I said, "Well, Henry, I did that so you could have shoes," and he said, "Dad, I don’t need shoes that badly."
  • Old Shame: John Leguizamo's first leading film role (at least he got the worst out of his way early on). He was nominated for a Golden Globe for Best Supporting Actor for his performance in To Wong Foo, Thanks for Everything, Julie Newmar, the next movie in which he appeared. Bob Hoskins and Dennis Hopper regretted it as well, though they were both well established.
    • As noted under Creator Backlash, Leguizamo, who became Older and Wiser, is far less negative about the movie nowadays.
    • Conversely, many of the non-leads have stated it was one of their favorite movies to work on. Some even say it is their favorite movie.
  • Prima Donna Director: Rocky Morton and Annabel Jankel. As per being the creators of Max Headroom, they saw Super Mario Bros. as a subversive, gritty sci-fi film à la Blade Runner; everyone else saw it as a dumb movie based on a video game kids seemed to like. There was even one incident where they poured scalding hot coffee over an extra's head simply because they thought he didn't look dirty enough. The end result of their work fittingly torched their careers.
  • Sequel Gap: The webcomic began publishing two decades after the original film's release.
  • Sequel Hook: Daisy dressed as Ripley. According to co-writer Parker Bennett, this was literally lifted from Back to the Future.
  • Stillborn Franchise: The movie's troubled production, box-office failure, and resulting mandate from Nintendo ended the production of a sequel, and dashed studio chairman Jeffrey Katzenberg's dreams of bringing Nintendo products into Disney's business model. More drastically, it put Nintendo off licensing their products for live-action films to this day.
  • Troubled Production: As Dennis Hopper put it, "It was a nightmare, very honestly, that movie. It was a husband-and-wife directing team who were both control freaks and wouldn't talk before they made decisions … I was supposed to go down there for five weeks, and I was there for seventeen. It was so over budget."
    • This interview reveals more of this film's troubled production.
    • To cut a long story extremely short, it's safe to say that literally everything that could go wrong did go wrong. The script changed several dozen times, including by the day during filming, the directors and writers being forbidden from interacting, the directors being locked out of the editing booth during the editing process until they got the Writer's Guild to back them up, and gigantic amounts of Executive Meddling.
  • What Could Have Been: Multiple figures were once involved in the project, from the directors wanting Kevin Costner for Koopa, Dustin Hoffman lobbying for the chance to play Mario as a treat for his kids, and Harold Ramis, the producers' original choice for director (contrary to popular rumor, Danny DeVito was never a choice for the role of Mario).
    • As far as casting Mario, Tom Hanks was initially hired for the role, but was fired and replaced with Hoskins, whom the executives thought was more profitable. In addition to Costner, Arnold Schwarzenegger and Michael Keaton were considered for Koopa.
    • An early draft of the script shows that Bowser only disguises himself as a human in his first two scenes, the Princess character is named Hildy, and Bowser wants to marry her in order to obtain the Crown of Invincibility with which to take over the Mushroom Kingdom. Actual game enemies such as Piranha Plants and Thwomps make appearances, Toad accompanies the Marios throughout their journey as a main character, a baby dinosaur named Junior thinks Mario is his mother, Luigi gets Raccoon Power at one point, one of Bowser's lackeys (a possible prototype for Kamek) tells Mario "Your Princess Is in Another Castle", Mario and Luigi sing a Villain Song for Bowser, Bowser ends up falling into a pit of lava … In other words, this draft is much more faithful to the games.
    • Five early scripts, including the aforementioned Fantasy script, can be read on The Super Mario Bros. The Movie Archive's Scripts page.
    • According to this issue of TV Guide, the movie was originally planned to be released in 1991 and would have been animated.
    • Jerry Goldsmith was attached to score the film but pulled out due to scheduling conflicts (Alan Silvestri filled in).
    • Mario's character was written differently before Bob Hoskins was attached to the role. Screenwriter Parker Bennett described him as "Bill Murray-esque", closer in age to Luigi,note  and that they had Bruno Kirby in mind for the role.
      […]what we decided is, "Okay, Mario has a big chip on his shoulder about being a plumber. He’s inherited his dad’s business [and] it’s not what he wants to do"; it’s sort of a It's a Wonderful Life thing with Jimmy Stewart at the bank when he wants to be traveling the world.
      […] And in the end he learns through the adventure that he’s the greatest plumber in the world and he needs his brother and they’re a team together and that was sort of what we were trying to do for that.
    • The biggest one was the reason Jeffrey Katzenberg bought the rights to this film for Disney. Had the film been successful, the Walt Disney Company would have then started efforts to market Nintendo and their franchises, led (of course) by the Super Mario franchise, in the Disney Theme Parks. Katzenberg and Disney Animation were also working with Sega to a limited degree for the same reasons with the Aladdin video game,note  and both attempts virtually faded when Katzenberg departed the company the next year (the anti-film mandate from Nintendo also helped thwart Katzenberg's end goal for the movie).

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