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"Endgame" also featured two Janeways: one is from the far future who travels back in time to speed Voyager's return.
Actor Allusion: "I've always liked Klingon females. You've got such... spunk." This is spoken by a Female Q to Lt. Torres in "The Q and the Grey." Not only did the actor playing Q (Susie Plakson) previously play a Klingon on TNG, she played a Klingon-human hybrid, like Torres.
Creative Differences: There was a lot of infighting amongst the show's staff. Both cast and the writing crew, not to mention the executives at UPN. Robert Beltran and Ron D. Moore are among the better known examples of internal dissent.
Shortly after DS9 wrapped, Ron D. Moore was invited to come over from CBS and work for Rick Berman; Brannon Braga wasn't particularly happy about Moore's hiring. Moore soon left the show "under a cloud", as the trade papers took it. He was reportedly unhappy with the atmosphere of the writer's room and his relationship with Braga became unworkable; it got the point where Braga relocated the meetings with staff to his house (to which Moore was not invited). Once Moore grasped he had no input and was expected to be a nodding head, he left.
Star Trek has always thrived in syndication, beginning with TOS re-runs and continuing with the monster-of-the-week approach that had proved so successful on TNG. Berman later mused that VOY's mixed reputation was not, as his critics surmise, a sign of changing attitudes toward television but rooted in the setting: The episodic format did not play well in the uncharted Delta Quadrant, therefore VOY would have been better served staying in familiar ground. The workings of Rick Berman's mind can be endlessly debated, but suffice to say, between a horrendous shooting schedule and those TNG veterans put in charge of scripts and directing, nobody was apt to fix what wasn't broke.
Little did Rick Berman suspect that when he cast the star of Night of the Comet to be his Number One, he had unwittingly birthed Winnebago ManIN SPACE. Not long into VOY's run, Robert Beltran (Chakotay) stopped playing Mister Nice Guy and openly expressed his loathing of the show's plot, his co-stars (he only signed on to act alongside Geneviève Bujold), the producers, himself for playing such a formulaic role, and most of all you for watching it (causing some disillusioned Trekkies to flee a convention in tears). His co-stars fired back in separate interviews, and the showrunners publicly told him to muzzle it, but they refused to grant Beltran the satisfaction of killing him off. Beltran saw out the entirety of his contract. This would not be the last time actors rebelled against Brannon Braga — see Enterprise.
Doc Oho: "Robert Beltran has resigned himself to the fact that Voyager is never going to be the vehicle he hoped it would be and so he limps his way through each episode praying for the end. Watch the way he enters the bridge around 11 minutes 50 seconds into the episode and tries to give a technobabble explanation about why he vanished in the turbolift. Clearly he has nothing but contempt for the vacuous dialogue he is being given to say."
Years later, Beltran claimed on Reddit that the public took his "flippant" comments too seriously and that his overall experience with the show was positive.
Garrett Wang was somewhat lethargic himself, which is part of the reason why Harry Kim was never promoted. The producers didn't fire him, either (for publicity reasons), but he pointedly did not direct a VOY episode despite many requests. He, too, made several heated statements to Trek fanzines about the people involved in production. Absence makes the heart grow fonder, though, and since then Wang has softened his reminiscences about the show.
Tim Russ, who auditioned repeatedly for various Trek productions and is one of its biggest fans, says he was drained working on the set and flat out of juice; he doesn't even bother to hide his indifference in his DVD interviews.
Remember how an additional cast member and second pilot revitalized Deep Space Nine? Well, lightning managed to strike twice, but Seven's arrival only aggravated the prexisting tensions in the cast. Mulgrew was reportedly ticked off about a number of executive decisions—the firing of Jennifer Lien, Jeri Taylor's habitual lateness in delivering scripts, shifting focus away from Janeway and toward Seven of Nine—and it's a wonder she didn't pop a blood vessel from frustration. But more turmoil was to come: Seven's screentime began to mysteriously (and steadily) rise not long after Jeri Ryan began dating the co-executive producer, Brannon Braga. With the rest of the bridge crew (namely Dawson, Russ, Wang, and Beltran) now thrown under the bus, the set became very tense indeed. Rick Berman, in one of his rare inspired decisions, took advantage of the animus developing between his performers to pair Janeway/Seven up as much as possible, creating a memorable double act. Mulgrew later admitted the character saved VOY from cancellation, but confessed she resented sacrificing time with her family for a TV series Janeway no longer starred in. Jeri Ryan's recollections of those four years are equally polite—and equally frosty.
The Danza: Kate Mulgrew was hired as a last minute replacement for Nicole Janeway (played by Geneviève Bujold) and she asked to have the first name changed to her full first name, Kathryn. Janeway's first name had originally been Katherine (note the different spelling) while the series was in development, but was changed to Nicole when the French-Canadian Bujold was cast in the role. The creators asked Mulgrew which of the two she would prefer, and she opted for a slightly altered version of the originally planned name.
Defictionalization: Paramount put out a Captain Proton paperback in '99. It is purposefully bad.
Executive Meddling: Many creative decisions came about due to VOY being a network-owned show, unlike TNG and DS9. This led to some unusual—and at times, bizarre—decisions from UPN and Paramount both:
Several scenes in the pilot had to be reshot because the studio vetoed Kate Mulgrew's hairstyle.
The divisions between the Starfleet and Maquis officers were originally going to be more pronounced, but after the pilot, the network asked for this to be changed. The divisions were made more minor in Season 1 and largely ignored afterwards.
The infamous Rick Berman luncheon. Shortly before shooting began, Berman got the cast together and told them the Powers That Be wanted the aliens to be the show's real stars, and that the human characters were forbidden to steal the spotlight. (Presumably because Star Trek's previous breakout characters, Spock and Data, weren't human.) Indeed, it became difficult for the writers to save money on bottle episodes—typically character/psychological dramas—without attracting the ire of executives, and as such they found a loophole by switching focus to the EMH (originally intended as a Drop-In Character) and adding a mini-Borg Collective to their "alien" roster.
Fake Nationality: Garrett Wang is Chinese-American, while "Kim" is a common Korean name (The character was born in South Carolina).
Fan Dumb: According to Wang, the introduction of a female Captain was met with a parade of angry letters, mostly from people whom we might classifiy as "MRAs" in today's parlance.
Chakotay is often called 'Woodentop' (or variations thereof) due to his acting skills (or, more charitably, the limits the scripts imposed on the skills he had). More affectionate nicknames one might hear include Chak/Chuck, Commander Tat-face, and maybe Commander Studmuffin.
Neelix has one too. But it's not really repeatable in polite company... (HINT: It has to do with how useful his mind is, and what his head looks like...) SF Debris prefers to call him "Hedgehog," or "S**thead."
Harry Kim is called, both by people who hate and love him, "The Dweeb."
Follow the Leader: A Season Seven two-parter, "The Workforce", is a fairly obvious clone of Stargate SG-1's "Beneath the Surface" which aired a year before. SG-1 also attempted a very similar episode to "Drive" called "Space Race"....
It's safe to say that Trek and Stargate borrowed liberally from each other. Colm Meaney (O'Brien from the previous two Trek series) turned up as Cowen, a head honcho of the Genii (themselves a guerrilla outfit similar to the Maquis). In turn, Voyager used the telltale blue tunnel effect from Stargate for their more-advanced "slipstream drives" and "tranwarp conduits".
On a subtler note, "In the Flesh" seems to be taking inspiration from The Truman Show with its rotating day/night Earth replica cooked up by Species 8472.
The Other Darrin: Alice Krige was brought back to play the Borg Queen for "Endgame". Susanna Thompson originally auditioned for the Queen in First Contact, but came back when Krige was unavailable to shoot VOY.
Promoted Fanboy: Unlike most Star Trek actors, Tim Russ came into the series as a full-fledged Trekkie. He would get into arguments over how a Vulcan would behave, but still his portrayal of Tuvok was likely the best Vulcan performance since Leonard Nimoy and Mark Lenard. In fact, Russ' first try at getting into Trek was auditioning for Geordi La Forge in Star Trek: The Next Generation. He would eventually do a small guest star role there (funnily enough, as a villain who gets nerve-pinched) and on Star Trek: Deep Space Nine, as well as play a bridge officer on the Enterprise-B in Generations.
Real-Life Relative: Q's "teenage" son was played by John DeLancie's actual son Keegan DeLancie. This was apparently somewhat of an accident; Keegan happened to be among the actors being considered for the role and the producers made it clear they didn't want him cast just for the joke. As it turned out Keegan won them over on the part and the existing Father/Son dynamic only made the episode better.
Science Marches On: Distant Origin has a species of reptilian aliens, one of whose scientists discovers the remains of a Red Shirt from a previous episode. They express surprise that the being, whom they note is a distant cousin of theirs, is an endotherm (warm-blooded). This was in 1997, prior to the knowledge of dinosaurs being probable endotherms was common knowledge.
Star-Making Role: Seven of Nine for Jeri Ryan. While still busy, for a time in the late 90's she was everywhere.
Troubled Production: Due to the cost of building VOY's bridge, converting the old TNG sets, reshooting the scenes shot with Geneviève Bujold and Janeway's hair debacle, some very pricey special effects scenes and a substantial amount of location filming, "Caretaker" had a final budget of US$23 mil, making it the most expensive episode in the history of Star Trek. When adjusted for inflation, it proved even more expensive than The Wrath of Khan. A running gag on-set was, "I wonder if we'll get this pilot shot before the series is over."
Wag the Director: Kate Mulgrew is a tough customer who knew what she was getting into with the Star Trek "boys' club." The second season episode "Death Wish" is apparently where she'd had enough; Q's outrageously (and unceasingly) sexist dialogue wasn't as amusing as Michel Piller had hoped.
According to Trek legend, Mulgrew's reaction to being handed a padded bra was to march into the writer's room and slam it on the table. When asked about the story, Picardo said it probably didn't happen but conceded that "it sounds like her."
Before getting the role of The Doctor, Robert Picardo originally auditioned for the role of Neelix.
The Caretaker and his mate, Susperia, were intentionally written with the ability to return Janeway's crew to Earth instantly if ratings plunged.
Braga did say that if Voyager was up to him, the show would have frequently been like the fan favorite episode "Year of Hell": enemies on all sides, dwindling resources, and crewman pushed to the ends of their rope.
Michael Piller also favored an increasing sense of desperation. Additionally, he pushed for a growing cast of less-than-sterling crewmen like Seska, Jonas, and Suder. Jeri Taylor disliked each of these characters and killed them all off in time for Season Three. Brannon Braga also categorically stated that he doesn’t like threading other writers' arcs or characters into his own episodes, so the serialized approach was thrown out.
This greatly changed the outcome of the Season Two closer "Basics". Piller's script originally had Maj Cullah and Seska's baby dying, and Seska escaping with Lon Suder in tow; As it turns out, the exact opposite happens. The showrunners wanted to close the book on the Kazon due to plummeting ratings.
At the end of season three, either Harry Kim or Kes was slated to be killed off to make room for new character Seven Of Nine. Neither were killed off in the season finale, but the more likely candidate, Harry Kim, was seriously injured so that he could die in the fourth season premiere. Between seasons, Garret Wang ended up listed on Entertainment Weekly's list of 100 Hottest Celebrities, and the Executives mandated that he had to stay — so they wrote out Kes instead. This is especially ironic given Rick Berman's mandate that the alien characters be more interesting than the human ones.
According to Jennifer Lien, she had recently given birth before her audition. The execs were thus floored when her breasts shrank down to normal size.
"Non Sequitur" was originally supposed to feature Counselor Troi as the one grilling Harry Kim in the alternate timeline instead of yet another random Admiral. The creators were unable to get Marina Sirtis on short notice. (She did appear with Reg Barclay a few seasons later.)
Jeri Ryan has said that she read two different scenes when she auditioned for Seven of Nine. One was the rather notorious Do You Want to Copulate? scene, which ended up being filmed (and she admits to hating it to this very day.) The other was apparently a really beautiful, touching scene where Seven first experiences laughter, and she seems to honestly regret that scene never made it to film. Other actresses who auditioned for Seven were Hudson Leick and Claudia Christian.
When the Borg tactical cube was in the planning stages, Doug Drexler sketched up a "pyramid" version; this was a joke, to reference the first UPN logo, which consisted of a circle (the Borg sphere), a triangle (the "Paramountain"), and a square (the Borg cube). It was only a joke sketch though.
Garret Wang campaigned to be the first homosexual in Starfleet, but the execs said no way. (Technically, Jadzia Dax was the first bisexual in Starfleet, owning to her species' gender-flipping attributes and long lifespans.) Wang's own view is that Harry's a closeted gay man who pursues unattainable women as a means of avoiding his feelings for Tom. Later, Dominic Keating came away with a very similar impression of his own character's psychological makeup — see Enterprise.
Robert Beltran jokingly said in one interview that Chakotay was a homosexual. For fans of slash fiction, this is the last bit of evidence needed to confirm that Chakotay and Paris are bitter ex lovers, and that Seven is merely his beard.
Word of Saint Paul: Second-hand sources from Trek conventions has it that Kate Mulgrew (Captain Janeway) believes her character is bipolar due to the inconsistent characterization. There's no real way to corroborate it, but we do know that Mulgrew found the Captain's waffling to be wearisome on her thespian talents.
You Look Familiar: Robert Duncan McNeil previously appeared on TNG as a headstrong, feckless cadet in "The First Duty". Both he and Tom Paris were caught covering up a piloting error which resulted in the deaths of some crewmen. Reasons for not simply bringing back the Nick Locarno character have varied. In any event, despite beginning the series as a prison inmate, ex-terrorist, and undercover informant, by episode two Tom Paris was pretty much unrecognizable from his role in "Caretaker" (Tom would never nod along and help cover up someone's killings, let alone hatch the idea himself!), much less Locarno.
Cracked: Tom actually appears as the same character in a TNG episode, but was given a new name for Voyager to avoid paying royalties to a former writer, because fuck, all writers are loaded.
As mentioned above, Tim Russ played a pair of small-time crooks on both TNG and DS9 (one human, the other Klingon) before landing a regular role as Tuvok. He also played a nameless Lieutenant on the bridge of the Enterprise-B, just shortly before Captain Kirk got blown out into space. The 30th Anniversary episode, "Flashback", contained a nod to Russ' cameo in that film by placing Tuvok on the bridge of Sulu's ship, the Excelsior, during the events of Star Trek VI: The Undiscovered Country.
Martha Hackett (Seska) had two appearances as T'Rul, a friendly (well, sort of) Romulan attache who entrusts Sisko with the Defiant's cloaking device (DS9). Her performance was strong enough to earn her notice from upstairs, and she was greenlighted for a role on VOY.