Eye Scream: An unfortunate real life example happened when a remote-controlled lawnmower accidentally struck a piece of wood and the director of photography lost his eye from the splinters. He sued King for several million dollars (they later settled out of court).
Old Shame: Stephen King likes to say that everyone makes mistakes now and then - "I directed Maximum Overdrive, I know what I'm talking about." He also agrees with most people that he should not have been so coked up while making it. Yeardley Smith reportedly isn't fond of being in it herself.
Self-Adaptation: Stephen King made the movie Maximum Overdrive, loosely based on his own short story "Trucks" from Night Shift. He even released a trailer in which he directly addressed the viewer, boasting that if you want something done right, you've gotta do it yourself. It's the only movie based on his stories that he personally directed and reception was pretty negative, an opinion King himself later agreed with. By his own admission, he was also drugged out of his mind for most of the shoot.
The scene where one of the little league kids gets run over feet first by a steamroller was bowdlerised from the original production cut. The mannequin used for the steamroller to run over had a bag filled with fake blood placed next to its head in order to add to the gore. However, what the crew didn't expect was for the head of the mannequin to explode into a huge mess of fake blood and gore. The crew loved it, but the censors found it too graphic, and ordered for the shot to be cut.
The original scripted ending had the Dixie Boy survivors deal with one last obstacle before escaping, a machine gun mounted coast guard boat. There was also to be one last shot of the city of Wilmington being destroyed by the machines (rumored to have been done via a matte painting).
This film, along with the 1986 Manhunter were originally going to be the last two films that producer Dino De Laurentiis would make with his deal with MGM. However, Dino decided to distribute both films by his own production company De Laurentiis Entertainment Group (originally Embassy Pictures), effectively halting the deal until the 1990s.