Chester Gould - In addition to creating the strip, he acted as the sole artist until 1977, though was assisted by various others including Dick Moores, Rick Fletcher and Dick Locher.
Rick Fletcher - After assisting Gould for the better part of two decades he took over as the main artist in December 1977. His work took Gould's basic style and improved it, with particular attention to detail with weapons and technology; unlike most of the other artists, he also generally depicted Tracy as having his eyes open (Gould and Staton having his eyes closed the vast majority of the time, and Locher being about 50/50). His tenure ended with his death in early 1983.
Dick Locher - An assistant under Gould in the 1950s, and also a noted political cartoonist. His art style was much simpler and more stylized than his two predecessors, though still generally strong until the late 2000s, when his advancing years took their toll on the art quality. He retired in early 2011.
John Locher - Dick Locher's son, who alternated art duties with his father starting in 1985. The long-term plan was for him to take over as sole artist, a plan which was sadly ended when he died aged just 25 in mid-1986.
Ray Shlemon - Uncreditedly drew a few strips in 1986 while Dick Locher was mourning the loss of his son. Afterwards, he hung around as an inker and general art assistant until 1990.
Jim Brozman - Joined as co-artist with Dick Locher in 2009, and stayed with the strip until Locher's retirement two years later. He was able to improve the strip's art a little, bringing a more solid inking style and covering up some of the more glaring flaws, though he never worked as a penciller, limiting just how much he could do.
Joe Staton - The strip's current artist, who has a style more reminiscent of Gould and Fletcher, though still identifiably his own.
Author Existence Failure - Three times. Rick Fletcher, who replaced Chester Gould as artist, died in 1983, and writer Mike Kilian died in 2005. Probably the most tragic instance came in 1986 with the premature death of John Locher, who was in the process of taking over the strip's art duties from his father.
Creator Breakdown - Gould actually thought turning a strip about an urban cop into a science fiction series on the moon was a good idea. Then again, given the sheer volume of contempt Gould had towards various 1960s Supreme Court rulings regarding due process rights all criminals have, Gould probably thought turning the book into a sci-fi strip would be better for his mental health.
Judging by the decline of the strip's artwork quality from 2006 to 2011, some fans consider Dick Locher to have suffered one of these, most likely because he experienced both the death of both his son (John Locher, who was co-artist in the mid-80s) and one of his closest friends (Mike Kilian, who was the writer between 1992 and 2006) while working on the strip.
Executive Veto: Dick Tracy had such a moment when the creator, Chester Gould, put Dick in a truly inescapable Death Trap. Gould was so stumped for a solution that he decided to have Tracy Break The Fourth Wall and address Gould himself who literally extends his hand to lift the Detective out. His publisher, Joseph Patterson, rightly concluded that this was an dumb idea and ordered Gould to redraw the section into something, anything, else.
Keep Circulating the Tapes: Sadly, collections of the various Dick Tracy comic strips are few in number and those few that DO exist, largely focus on the early 1930s era. In particular, Max Collins' critically acclaimed run on the strip has only had three printed volumes, though some of his strips appeared in other collections.
This is becoming a subverted trope, as since 2006, IDW has been publishing the "Complete Chester Gould's Dick Tracy". Sixteen volumes (covering the start of the strip in 1931 to Mid-May 1956) have been released. The intent is to produce the series until the entire Gould Run (up to December 1977) has been covered.
Sadly, though, these strip volumes keep going out of print and the prices on Amazon and other such sites go up drastically. However, they bring back these strip volumes eventually.
Also, you can probably pick up some of those little issues of the Dick Tracy comic books, which are actually the Dick Tracy comic strips in a compressed, Comic Book styled format.
Money, Dear Boy - Whenever the intros to the Dick Tracy books and articles regarding Tracy talk about Chester Gould, they tend to point out that Chet did not see himself as an artist creating a fictional narrative to entertain audiences, but rather as a businessman creating a product designed to sell newspapers.
All-Star Cast: Though many of the biggest stars had relatively small roles.
Development Hell: The film switched studios, writers, and directors multiple times, especially since Beatty refused to make the film realistic and gritty, and eventually helmed the film himself. Beatty hoped to make a sequel, but Disney had no interest after the film didn't pull the kind of numbers Batman did despite an all-out marketing blitz. The film rights to the property have been in legal battle for the last twenty years as Beatty and The Tribune Co. have continued to try to stake their claim to it, with Beatty finally winning in March 2011. He hopes to finally make a follow-up to the film, but has not indicated when he would begin pre-production or a script.
Stillborn Franchise: Disney/Touchstone had hoped that Tracy would become the Indiana Jones of the '90s. However, while the movie did light the box office on fire (contrary to popular belief), there were legal issues between Warren Beatty and Tribune Co. over who had the rights over the franchise that ensued for two decades.
It was actually the highest grossing film of Warren Beatty's career and the ninth highest grossing film of that year, so it was probably due more to the rights issue than the box office.
However, virtually every report in the industry had Disney aiming for Batman-esque numbers (of which it did under half of Burton's film). It's not that the film did poorly, it's that it came in well under what the studio was hoping for considering its budget and gigantic marketing blitz (Disney spent another $54 million on marketing in addition to the film's $47 million budget). Chairman Jeffrey Katzenberg told the New York Times, "We made demands on our time, talent and treasury that, upon reflection, may not have been worth it."
Brooke Shields almost secured the role of Breathless, but was changed nearly last-minute because producers thought she was too young for the role.
Danny Elfman originally proposed a darker, more Gershwin-inspired score that was very different from the one heard in the movie proper. He later released it on Volume 1 of his compilation album, Music for a Darkened Theater.