The Real Inspector Hound
is a play by Tom Stoppard
, first produced in 1967. The play revolves around two critics, Moon and Birdboot, attending the opening night of the titular Play Within a Play
(a transparent Agatha Christie
spoof) before gradually getting sucked into the action themselves.
- As You Know: Parodied to the hilt. All the characters in the Play Within a Play indulge in this.
"I'm a friend of Lady Muldoon, the lady of the house having just made her acquaintance through a mutual friend, Felicity Cunningham"
"Major Magnus, the crippled half-brother of Lord Muldoon who turned up out of the blue from Canada"
- Calvinball: The game of "Pontoon Bridge" in the play-within-the-play.
- Chekhov's Gunman: Played with.
- Closed Circle: The play-within-the-play is a murder mystery of the "isolated house cut off by bad weather" variety.
- Cut Phone Lines: In the play-within-the-play, the murderer cuts the phone wires of Muldoon Manor. It fails to prevent the phone from ringing again later in the scene after the play reboots.
- Lesser Star: Moon is only the deputy critic (to Higgs) and feels bitter about that - he gets his own Character Filibuster on the plight of the understudy. Still at least he isn't Puckeridge - the understudy's understudy.
- Metafictional Title: The Real Inspector Hound is the title of both the play itself and the play-within-the-play.
- Mr. Exposition: Mrs Drudge can hardly open her mouth without emitting poorly-shoehorned-in exposition.
I'm afraid there is no one of that name here, this all very mysterious and I'm sure it's leading up to something, I hope nothing is amiss for we, that is Lady Muldoon and her houseguests, are here cut off from the world, including Magnus, the wheel-chair-ridden half-brother of the ladyship's husband Lord Albert Muldoon who ten tears ago went for a walk on the cliff and was never seen again.
- Old Dark House: Muldoon Manor in the play-within-the-play.
- Once More With Clarity: Done with a twist in the second act. Within the first act of the show on stage, there are several non-sequitur lines by the characters. In the second act, when Birdboot, and later Moon, join the cast onstage, these events are replayed again with expanded dialog that alternately makes more sense and comes off as even more non-sequitur.
- One Scene, Two Monologues: The early conversation in which Moon reflects on the plight of the understudy theatre critic while Birdboot explains his designs on the play's leading lady.
- Repeating so the Audience Can Hear: Every telephone conversation in the play-within-the-play.
- Shout Out: The whole play is a parody of The Mousetrap with references to The Hound Of The Baskervilles dotted throughout.
- Show Within a Show
- Straw Critic: Moon is an incredibly anally retentive over-analytical type who insists on comparing the play they are watching to the works of Sartre. Birdboot is a Dirty Old Man who gives high praise to any actress he fancies seducing.
- Stylistic Suck: The whole of the Play Within a Play.
- The Tape Knew You Would Say That: The radio announcement in the play-within-the-play. (Made doubly fun by stage directions which suggest that the radio voice be pre-recorded for the show.)
Radio voice: The killer has been spotted in the vicinity of isolated Muldoon Manor.
Mrs. Drudge: Muldoon Manor?
Radio voice: Yes, Muldoon Manor.
- What Do You Mean, It's Not Symbolic?: Moon's approach to his reviewing what is basically a simple countryhouse whodunnit.
"Already in the opening stages we note the classic impact of thee catalystic figure - the outsider - plunging through to the centre of an ordered world and setting up the disruptions - the shock waves...But there is more to it than that"