Theatre: A Funny Thing Happened on the Way to the Forum
"Tragedy tomorrow, comedy tonight!"
A FarceMusical based on the plays of Titus Maccius Plautus, with a book by Burt Shevelove and Larry Gelbart and music and lyrics by Stephen Sondheim. Set in Ancient Rome, it's about a slave, Pseudolus (Greek, "false liar"), helping his master's son woo the Girl Next Door in exchange for his freedom. Along the way they get involved with the affairs of the houses on either side of them: one is a "house of ill repute" run by Marcus Lycus; the other the home of an old near-sighted man named Erronius (Latin errare, "to wander" or "to make a mistake").Many puns appear in the names of the neighbors alone: Domina (Latin, "Lady," "female master"), the Beloved Smother, Henpecked Husband Senex (Latin, "old man"), the son named Hero, panic-prone slave Hysterium, aforementioned error-prone old man Erronius, love interest Philia (Greek, "love, friendship"), and Miles Gloriosus (Latin, "boastful soldier" and the title of a play by Plautus) the general. He provides the main romantic competition, since Philia is a Bride for Sale and he has just bought her. Meanwhile, Erronius trots around trying to find his lost children, who were stolen in infancy (by pirates!) but are recognizeable by an Orphan's Plot Trinket. And the only reason any of this can happen is because Senex and Domina are off visiting her mother, thus giving Pseudolus and Hero the run of the neighborhood... but Senex finds an excuse to come home and, err, ogle the merchandise, with his wife in hot pursuit (that's for those of you who have no interest in pirates). Of course, Hilarity Ensues.The play opened in 1962, and did well enough to spawn a film (1966) and many revivals. The film was directed by Richard Lester and starred Zero Mostel as Pseudolus (reprising his part from the Broadway production), Phil Silvers as Marcus Lycus (the proprietor of the whorehouse), and Buster Keaton as Erronius in his final film role. The stage version has featured, among others, Zero Mostel, Nathan Lane, Whoopi Goldberg and Gary Chalk.
The song "Comedy Tonight" is addressed directly to the audience, and is about the show itself.
Brick Joke: At one point, Pseudolus disguises himself as a soothsayer and tells Erronius he is under a curse and must run seven times around the seven hills of Rome to end it, in order to get him out of the way so that they can hide someone in his house. He's seen running in the background of several scenes. Eventually, he runs into the rest of the cast, and it is revealed that Miles Gloriosus and Philia are his son and daughter, so they can't marry. Then in the last scene Eronnius counts on his fingers, shrugs, and keeps running. Fade to black.
Early in Act Two, Pseudolus touts Philia's beauty to Miles, saying "If you had been born a woman, you would have been she!" At the end, Miles and Philia turn out to be siblings.
Chekhov's Gun: The passion potion that Senex tells Hysterium to make. Pseudolus ends up drinking it by accident. In the movie, it's Domina who drinks it
Commedia dell' Arte: Many of the characters from the Plautus play "Pseudolus" upon which this is based are probably the Ur-examples of several Commedia dell' Arte types, so it's not surprising that they show up here in spades:
Cute Mute: Gymnasia, mostly with Pseudolus. If you overlook the fact she's actually a tall Amazonian Beauty and more physically fit and proficient with weapons than the entire cast...
Cut Song: "Love is in the Air", "Invocation", and "The House of Marcus Lycus", amongst others — some are included as underscoring, or added to revivals.
Deliberate Values Dissonance: When Pseudolus sings of the things he can do if he is free, they include having a slave of his own. Obviously, he has no problem with slavery when he is not in bondage.
Deus ex Machina: Not in the literal sense (sadly), but Erronius just shows up at the end and solves everyone's problems (including his own) completely by accident. Legendary comedian Buster Keaton played him in the movie so that they could have bits of physical comedy with him throughout.
Legend has it that the director, concerned with Keaton's advanced age, refused to let him do any physical comedy moments. Keaton bribed the cameraman to film him doing some pratfalls anyway and they were worked into the film.
Dirty Old Man: Senex. Domina even sings a song about him with that exact title.
Disguised in Drag: Hysterium's disguising himself as the "dead" Philia. Marcus Lycus also spends the last half hour of the film disguised as a woman in an attempt to sneak into Senex's house while it's occupied by Gloriosus's troops.
The Ditz: The eunuchs. Not to mention Philia and Hero.
Evil Sounds Deep: Miles Gloriosus has the lowest notes, as well as being the closest thing the show has to a bad guy. (Which is to say that he's as bumbling and well-intentioned as the rest of the cast, he just happens to lead a Roman legion.)
In the movie, they even transposed his part down lower, presumably to accommodate the operatic bass (Australian actor Leon Greene) who was cast.
"I Want" Song: "Bring Me My Bride" for Miles Gloriosus; "Free" for Pseudolus.
Karma Houdini: Miles Gloriosus, reputedly the monster who "raped Thrace thrice," and serves as the antagonist for a good part of the play. His ending: Married to beautiful twins and reunited with his long lost family.
Also qualifies under Oedipus Complex and Luke, I Am Your Father, as his children, Philia and Miles Gloriosus, were actually supposed to marry, but he decided to allow Hero to marry Philia after learning that she is actually his sister separated when they were kidnapped.
Love Potion: Actually it's a passion potion, and it causes its eventual drinker to run around the stage yelling "Kiss me! Somebody kiss me, anybody!"
Meaningful Name: if you know Latin and Greek, it's easy to guess people's characters and roles.
And, sometimes, even if you don't. Case in point: one of the protagonists is named Hero.
Meido: Philia's cover story for being in the house when Senex gets home. Well "Everybody Ought to Have a Maid".
Miles Gloriosus: A character in the play has this name, but he's not exactly the stock character. Rather, he's borrowed from the play of the same name by Plautus, which is also the inspiration for the stock character's name.
Mistaken Identity: And how! Senex mistakes Philia for his new maid, Philia mistakes Senex for Miles, Miles mistakes Hysterium for a eunuch, Erronius mistakes Hysterium for a woman, Miles mistakes Domina for a courtesan, and in the final chase scene, everyone mistakes Hysterium and Domina for Philia, since all three are dressed identically. Most of these misunderstandings can be traced back to Pseudolus.
Nonverbal Miscommunication: Pseudolus pretends to be a fortune-teller, while Hysterium pantomimes the correct responses behind the subject's back. Or tries to, anyway.
Pseudolus: You have two kids.
(Hysterium pantomimes muscles)
Pseudolus: A fine strong boy...
(Hysterium pantomimes a girl sticking her hip out.)
Someday This Will Come in Handy: Among the really few skills of Pseudolous there's the absolute mastery of a peculiar form of sign language, spoken by a small population of mute amazons (on the "Island of Silent Women"), one of whom was his nanny as a kid. Guess where his Love at First Sight comes from and what language she uses — Gymnasia the Silent!
Suicide as Comedy: When Hero first learns that Philia has been sold, he tries to stab himself, only to miss (he gets the part of the toga under his arm instead). He tries again a minute later, only for Pseudolus to snatch the dagger and tell him to knock it off.
Also spoofed when it turns out it's against Roman law to commit suicide. You get the death penalty.
The show being the celebration of absurdity it is, there's a lot more grounds to play this than other shows might offer. One example: two characters, who are eventually revealed to be blood siblings, were spotted being played in a community production in Oakland, CA by a white woman and a black man. And, completely aside of other considerations, this made The Reveal of same even funnier.