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* ''Manga/KomiCantCommunicate'': DownplayedTrope but Najimi's status as the third part of the PowerTrio with Komi and Tadano got phased out in favor of Manbagi's increased prominence. Najimi's quirk of being "Everybody's Childhood Friend" also became less essential to the plot as Komi became more comfortable with her communication skills. Despite this, Najimi still tends to get prominently feature, though now more as [[ComedicReliefCharacters Comic Relief]].
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* The ''Manga/OnePiece'' and ''Manga/CaseClosed'' anime adaptations are a remnant of a past era where other long-runners kept a weekly release schedule, which led to stalling the plot with {{Padding}} and {{Filler}} arcs so that they wouldn't [[OvertookTheManga overtake the manga]]. With more recent anime switching to 12 or 24 episode seasons, the {{Padding}} techniques that were once industry standard have now become extremely apparent with fans believing that the ''One Piece'' and ''Case Closed'' animes would be better off if it adapted to being seasonal series as well.

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* The ''Manga/OnePiece'' and ''Manga/CaseClosed'' anime adaptations are a remnant of a past era where other long-runners kept a weekly release schedule, which led to stalling the plot with {{Padding}} and {{Filler}} arcs so that they wouldn't [[OvertookTheManga overtake the manga]]. With more recent anime switching to 12 or 24 episode seasons, the {{Padding}} techniques that were once industry standard have now become extremely apparent with fans believing that the ''One Piece'' and ''Case Closed'' animes anime series would be better off if it they adapted to being seasonal series as well.
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** Despite being introduced in the Kyoto arc, Mako quickly became a redundant character. Her original purpose was to be Yuri's OnlyFriend with who she had a discussion right before the trip so there would be a justification why the otherwise antisocial Yuri didn't interact with Tomoko so far. Once the Kyoto trip was over, she became a SatelliteCharacter to Yuri and Tomoko's growing social circle rarely having screentime on her own, with the focus going to Yuri and Tomoko developing close friendships with the other girls and each other.
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* The ''Manga/OnePiece'' and ''Manga/CaseCloses'' anime adaptations are a remnant of a past era where other long-runners kept a weekly release schedule, which led to stalling the plot with {{Padding}} and {{Filler}} arcs so that they wouldn't [[OvertookTheManga overtake the manga]]. With more recent anime switching to 12 or 24 episode seasons, the {{Padding}} techniques that were once industry standard have now become extremely apparent with fans believing that the ''One Piece'' and ''Case Closed'' animes would be better off if it adapted to being seasonal series as well.

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* The ''Manga/OnePiece'' and ''Manga/CaseCloses'' ''Manga/CaseClosed'' anime adaptations are a remnant of a past era where other long-runners kept a weekly release schedule, which led to stalling the plot with {{Padding}} and {{Filler}} arcs so that they wouldn't [[OvertookTheManga overtake the manga]]. With more recent anime switching to 12 or 24 episode seasons, the {{Padding}} techniques that were once industry standard have now become extremely apparent with fans believing that the ''One Piece'' and ''Case Closed'' animes would be better off if it adapted to being seasonal series as well.

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* Promotional material and extras from ''Manga/TheDangersInMyHeart'' would still have Ichikawa introducing himself as someone who possess "murderous impulses" despite the fact it was long ago that he dropped his {{Chuunibyou}} antics and some of the material referencing events that happened after he stopped "trying to kill Yamada", some material would also have Ichikawa still calling Moeko "a slut" even when they are pretty much VitriolicBestBuds at worst now and Ichikawa has a much higher opinion of her.

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* ''Manga/TheDangersInMyHeart''
**
Promotional material and extras from ''Manga/TheDangersInMyHeart'' would still have Ichikawa introducing himself as someone who possess "murderous impulses" despite the fact it was long ago that he dropped his {{Chuunibyou}} antics and some of the material referencing events that happened after he stopped "trying to kill Yamada", some material would also have Ichikawa still calling Moeko "a slut" even when they are pretty much VitriolicBestBuds at worst now and Ichikawa has a much higher opinion of her.her.
** The school library starts out as the most common location in the series, serving as a frequent hangout for Ichikawa and Yamada. Initially for their own individual privacy, and steadily becoming a platform for them to grow closer to the point where Ichikawa worries about Yamada getting banned for bringing snacks in there and no longer having a reason to keep being around him. As the story progresses, their relationship develops to the point where they don't need the library as an excuse to see each other anymore and it's seen less and less outside of extras as they spend time with each-other outside of school. [[spoiler: It later on serves as the spot where Yamada finally confesses to Ichikawa and they become an actual couple.]]
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* The ''Manga/OnePiece'' anime adaptation is a remnant of a past era where other long-runners kept a weekly release schedule, which led to stalling the plot with {{Padding}} and {{Filler}} arcs so that they wouldn't [[OvertookTheManga overtake the manga]]. With more recent anime switching to 12 or 24 episode seasons, the {{Padding}} techniques that were once industry standard have now become extremely apparent with fans believing that the ''One Piece'' anime would be better off if it adapted to being a seasonal series as well.

to:

* The ''Manga/OnePiece'' and ''Manga/CaseCloses'' anime adaptation is adaptations are a remnant of a past era where other long-runners kept a weekly release schedule, which led to stalling the plot with {{Padding}} and {{Filler}} arcs so that they wouldn't [[OvertookTheManga overtake the manga]]. With more recent anime switching to 12 or 24 episode seasons, the {{Padding}} techniques that were once industry standard have now become extremely apparent with fans believing that the ''One Piece'' anime and ''Case Closed'' animes would be better off if it adapted to being a seasonal series as well.
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* ''Anime/PokemonTheSeries'': [[TerribleTrio Team Rocket]] have been this since the organization they belong to have ceased to be the villains of the main games the anime is promoting after [[VideoGame/PokemonGoldAndSilver Generation II]]. The ''Best Wishes''/''Black and White'' series attempted to rectify this by [[ReimaginingTheArtifact giving them actual purpose in the plot]] and then [[PutOnABus attempting to write them out]], but it didn't stick and they returned to TheArtifact status in the ''Pokemon XY'' series. Their high popularity in Japan contributes to why they're series mainstays. That said, there has been in an increase in episodes where Team Rocket only make brief appearances or don't appear at all, so they aren't quite as bad a case of this as they used to be.

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* ''Anime/PokemonTheSeries'': [[TerribleTrio Team Rocket]] have been this since the organization they belong to have ceased to be the villains of the main games the anime is promoting after [[VideoGame/PokemonGoldAndSilver Generation II]]. The ''Best Wishes''/''Black and White'' series attempted to rectify this by [[ReimaginingTheArtifact giving them actual purpose in the plot]] and then [[PutOnABus attempting to write them out]], but it didn't stick and they returned to TheArtifact status in the ''Pokemon XY'' series. Their high popularity in Japan contributes to why they're series mainstays. That said, there has been in an increase in episodes where Team Rocket only make brief appearances or don't appear at all, so they aren't quite as bad a case of this as they used to be. This is all a Downplayed example anyway, as Team Rocket still exists as an organization and functioning entity in the anime continuity.
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** Tomoko's schems to become popular keeped being a recurring plotline a while after the Kyoto Arc where Tomoko gained friends, halfway through the third year it became obvious there was no need for Tomoko to keep doing these plans and the focus went to other facets of her newfound life.
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** Komiyama in particular suffered badly of this. While Tomoki was given some relevance thanks to becoming the central character of an UnwantedHarem involving other recurring characters, Yuu still ocassionally visits Tomoko often noticing [[LampshadeHanging how they are not as close as they used to be]] and Ogino became the default character every time they needed a chapter involving a teacher, Komiyama didn't have any reason to hang out with Tomoko and friends given she still merely tolerates Tomoko and isn't close to any of her friends ([[TheFriendThanNobodyLikes and not of them like her much]]). Yet most larger arcs find a convenient excuse to have her hanging around. Sort of lampshaded in the movie arc where she questioned why she was added into the movie and all Tomoko answer is [[BecauseISaidSo "I needed someone with glasses"]].

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** Komiyama in particular suffered badly of this. While Tomoki was given some relevance thanks to becoming the central character of an UnwantedHarem involving other recurring characters, Yuu still ocassionally visits Tomoko often noticing [[LampshadeHanging how they are not as close as they used to be]] and Ogino became the default character every time they needed a chapter involving a teacher, Komiyama didn't have any reason to hang out with Tomoko and friends given she still merely tolerates Tomoko and isn't close to any of her friends ([[TheFriendThanNobodyLikes ([[TheFriendNobodyLikes and not none of them like her much]]). Yet most larger arcs find a convenient excuse to have her hanging around. Sort of lampshaded in the movie arc where she questioned why she was added into the movie and all Tomoko answer is [[BecauseISaidSo "I needed someone with glasses"]].
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* ''Manga/NoMatterHowILookAtItItsYouGuysFaultImNotPopular'' had a notable ToneShift from a MinimalistCast CringeComedy focusing on the attempts of a friendless girl's attempts to become popular to a ComingOfAgeStory focusing on a larger cast, which lead to a lot of early elements from the manga to become less relevant as the story keep going but that since they were major parts of the manga couldn't being deleted altogether.
** The original supporting cast was clearly conceived as characters that would allow having Tomoko someone to talk to without stopping her from being isolated from the rest given that was the premise of the manga. Tomoki was his brother and the only male she could talk to, but also found her insufferable and tried to avert being with her. Yuu was her OnlyFriend and acted as a recurring ThrowTheDogABone to her, but she also went to another school so she couldn't be around all the time. Ogino was her teacher that wanted to help her to make friends, but her attempts to help her tend to lead her to more embarassing situations that the usual so she tries to avert being around her. Komiyama was an old classmate, but also was her SitcomArchNemesis that hated her guts. After the Kyoto Arc however, all of these roles became pointless given Tomoko gained friends in her school that actually liked her so she didn't need to keep talking with Komiyama or Tomoki, Ogino didn't have any reason to keep pestering her around and Tomoko's life improving meant that she didn't need to be [[ThrowTheDogABone thrown a bone]] so Yuu losed any point in the narrative. However, given all of these characters were important parts of Tomoko's life or went to the same school and they were popular characters in their own right there was no convincing way to delete them completely of the manga, so the four characters remain in the story by giving them ocassional days in the limelight or small roles in larger arcs so audiences remember they are still there.
** Komiyama in particular suffered badly of this. While Tomoki was given some relevance thanks to becoming the central character of an UnwantedHarem involving other recurring characters, Yuu still ocassionally visits Tomoko often noticing [[LampshadeHanging how they are not as close as they used to be]] and Ogino became the default character every time they needed a chapter involving a teacher, Komiyama didn't have any reason to hang out with Tomoko and friends given she still merely tolerates Tomoko and isn't close to any of her friends ([[TheFriendThanNobodyLikes and not of them like her much]]). Yet most larger arcs find a convenient excuse to have her hanging around. Sort of lampshaded in the movie arc where she questioned why she was added into the movie and all Tomoko answer is [[BecauseISaidSo "I needed someone with glasses"]].
** After twelve years, Tomoko's still unable to talk with guys and hasn't formed any relationship with any male besides her brother. This element made perfect sense in the early days given it was her SeriesGoal and having NoSocialSkills, but now that her objectives have changed to studying for university, make a movie for the school festival or simply enjoying her remaining time in high school, there's no longer any reason why she keeps being like this other that StatusQuoIsGod.
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* Promotional material and extras from ''Manga/TheDangersInMyHeart'' would still have Ichikawa introducing himself as someone who possess "murderous impulses" despite the fact it was long ago that he dropped his {{Chuunibyou}} antics and some of the material referencing events that happened after he stopped "trying to kill Yamada", some material would also have Ichikawa still calling Moeko "a slut" even when they are pretty much VitriolicBestBuds at worst now and Ichikawa has a much higher opinion of her.
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What's with Yu-Gi-Oh series and people struggling to use the English dub names


* ''Anime/YuGiOhGX'' seemed to struggle with handling certain characters as the series drifted away from its episodic school-slice-of-life origin, generally having them serve as {{Combat Commentator}}s at best. Asuka's main hook (finding the fate of her brother) got resolved about two-thirds of the way into the first season, and consequently left her with very little to do in the rest of the series aside from chasing off suitors and getting brainwashed into a cult. Kenzan no longer had much purpose once the Society of Light arc ended, as his deal of being ImmuneToMindControl came up only once afterward. Misawa was meant as a rival but quickly got displaced by more important ones, and his later character arc was basically one long LampshadeHanging on how he had no real purpose anymore and had fallen OutOfFocus, before he was written out completely.
* ''Anime/YuGiOh5Ds'' somehow had this happen to its entire ''premise''. The original concept of the series, as seen in the title and created by Kazuki Takahashi, was that there were five individuals known as the Signers who used their mystic dragon powers to battle ancient threats. However, the main mystical threat of the series, the Earthbound Gods, was defeated less than halfway through the series, and most of Takahashi's concepts and characters were exhausted. From then on out, the main characters almost never used their Signer abilities (Aki, the most overtly powerful one, was even depowered without explanation for most of the show's last third), and most of their opponents had absolutely nothing to do with the Signers or mysticism in general. The show also largely jettisoned the concept of the Signers working as a team, with nearly everything from then on out being accomplished by Yusei, Jack, and Crow (the latter of whom wasn't even a Signer until it had stopped being relevant). Despite the clumsy ReTool, the series seemingly continued to advertise itself as being about the Signers. By the end of the series, [[ArtifactTitle there weren't even five Signers - there were six.]]

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* ''Anime/YuGiOhGX'' seemed to struggle with handling certain characters as the series drifted away from its episodic school-slice-of-life origin, generally having them serve as {{Combat Commentator}}s at best. Asuka's Alexis's main hook (finding the fate of her brother) got resolved about two-thirds of the way into the first season, and consequently left her with very little to do in the rest of the series aside from chasing off suitors and getting brainwashed into a cult. Kenzan Tyranno no longer had much purpose once the Society of Light arc ended, as his deal of being ImmuneToMindControl came up only once afterward. Misawa Bastion was meant as a rival but quickly got displaced by more important ones, and his later character arc was basically one long LampshadeHanging on how he had no real purpose anymore and had fallen OutOfFocus, before he was written out completely.
* ''Anime/YuGiOh5Ds'' somehow had this happen to its entire ''premise''. The original concept of the series, as seen in the title and created by Kazuki Takahashi, was that there were five individuals known as the Signers who used their mystic dragon powers to battle ancient threats. However, the main mystical threat of the series, the Earthbound Gods, was defeated less than halfway through the series, and most of Takahashi's concepts and characters were exhausted. From then on out, the main characters almost never used their Signer abilities (Aki, (Akiza, the most overtly powerful one, was even depowered without explanation for most of the show's last third), and most of their opponents had absolutely nothing to do with the Signers or mysticism in general. The show also largely jettisoned the concept of the Signers working as a team, with nearly everything from then on out being accomplished by Yusei, Jack, and Crow (the latter of whom wasn't even a Signer until it had stopped being relevant). Despite the clumsy ReTool, the series seemingly continued to advertise itself as being about the Signers. By the end of the series, [[ArtifactTitle there weren't even five Signers - there were six.]]



* ''Anime/YuGiOhVRAINS'' underwent a heavy retool before the series was even made, which significantly altered its premise and main character, seemingly with the intent of distancing itself from the prior ''ARC-V'' after that show suffered [[SeasonalRot a major backlash]]. However, two major characters remain that seem to be orphaned from this concept: Go Onizuka and Aoi Zaizen, who are both entertainers with prideful, glitzy public personas and feel like they'd be right at home in ''ARC-V''. ''VRAINS'' in its final form lacks any other signs of those themes, and consequently, both Go and Aoi, despite being prominent early on, are fairly infamous for the show not knowing how to handle them once it got into its actual narrative.

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* ''Anime/YuGiOhVRAINS'' underwent a heavy retool before the series was even made, which significantly altered its premise and main character, seemingly with the intent of distancing itself from the prior ''ARC-V'' after that show suffered [[SeasonalRot a major backlash]]. However, two major characters remain that seem to be orphaned from this concept: Go Onizuka George Gore and Aoi Skye Zaizen, who are both entertainers with prideful, glitzy public personas and feel like they'd be right at home in ''ARC-V''. ''VRAINS'' in its final form lacks any other signs of those themes, and consequently, both Go George and Aoi, Skye, despite being prominent early on, are fairly infamous for the show not knowing how to handle them once it got into its actual narrative.
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* ''Manga/AyakashiTriangle'': Reo was made a regular character to be a romantic rival to Suzu, mostly set apart by being more openly sexual and having no issue with [[GenderBender Matsuri being turned into a girl]]. However, ''Suzu herself'' eventually fell in love with girl Matsuri as well and grew a lot more aggressive. This made Reo fairly redundant and rarely used. This did, however, give Reo one major appearance focusing on her abilities as a ninja instead of as a love interest.
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* One of ''LightNovel/{{Slayers}}'''s most famous running jokes is the otherwise overconfident Lina Inverse's [[ACupAngst sensitivity about her endowment]]. While it's reasonable in the novels and comic, it seemed a case of HollywoodHomely in animated form only rationalized by her bawdy and ridiculously curvy cohort Naga. As the show usually compensated by enlarging everyone ''else'', one suspects it was ExecutiveMeddling in order to make a heroine a bit more cute to the television audience.

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* One of ''LightNovel/{{Slayers}}'''s ''Literature/{{Slayers}}'''s most famous running jokes is the otherwise overconfident Lina Inverse's [[ACupAngst sensitivity about her endowment]]. While it's reasonable in the novels and comic, it seemed a case of HollywoodHomely in animated form only rationalized by her bawdy and ridiculously curvy cohort Naga. As the show usually compensated by enlarging everyone ''else'', one suspects it was ExecutiveMeddling in order to make a heroine a bit more cute to the television audience.
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* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident with a mirror that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all of the completely unrelated {{Filler}} breaking up the storylines and the removal of all of the concrete references to ''what'' the mirror incident did. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" with some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].
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* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident with a mirror that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all of the completely unrelated {{Filler}} breaking up the storylines and all of the concrete references to ''what'' the mirror incident did being removed. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" with some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].

to:

* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident with a mirror that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all of the completely unrelated {{Filler}} breaking up the storylines and the removal of all of the concrete references to ''what'' the mirror incident did being removed.did. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" with some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].
Is there an issue? Send a MessageReason:
None


* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident with a mirror that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all the completely unrelated {{Filler}} breaking up the storylines and all of the concrete references to ''what'' the mirror incident did being removed. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" with some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].

to:

* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident with a mirror that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all of the completely unrelated {{Filler}} breaking up the storylines and all of the concrete references to ''what'' the mirror incident did being removed. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" with some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].
Is there an issue? Send a MessageReason:
None


* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident with a mirror that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all the completely unrelated {{Filler}} breaking up the storylines and all of the concrete references to ''what'' the mirror incident did being removed. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" and that she has some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].

to:

* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident with a mirror that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all the completely unrelated {{Filler}} breaking up the storylines and all of the concrete references to ''what'' the mirror incident did being removed. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" and that she has with some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].
Is there an issue? Send a MessageReason:
None


* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all the completely unrelated {{Filler}} breaking up the storylines and all of the concrete references to ''what'' the mirror incident did being removed. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" and that she has some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].

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* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident with a mirror that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all the completely unrelated {{Filler}} breaking up the storylines and all of the concrete references to ''what'' the mirror incident did being removed. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" and that she has some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].
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* The final arc of ''Manga/KaitouSaintTail'' kicks off when Asuka Jr. makes the observation that Saint Tail is an "[[WorshippedForGreatDeeds ideal]]" that's dehumanizing the human BeneathTheMask, has an OhCrap moment because of how much he's ''really'' caught onto the resemblance between Meimi and Saint Tail, and eventually [[spoiler:has a LoveEpiphany]] based on a certain incident that tipped him off to her identity. But if you're watching the anime adaptation and don't know anything about the original manga, good luck getting this reading out of it, because almost every single subplot that makes the scenario work is impossible to get out of the anime due to all the completely unrelated {{Filler}} breaking up the storylines and all of the concrete references to ''what'' the mirror incident did being removed. The result: while a key factor was Meimi's [[InsecureLoveInterest lack of self-worth]] having gotten so severe that she was [[OneDialogueTwoConversations completely misinterpreting]] what he'd said and assumed he was calling Saint Tail his "[[HasAType ideal type of girl]]" and that she has some kind of freak coincidental resemblance to some other girl he likes, because anime viewers don't have the right context to know what the intended interpretation was, they're probably going to ''also'' read it the way Meimi does despite this not actually making sense within the story, and thus decide that [[AdaptationalDumbass Asuka Jr. must be a confused idiot]].

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