Do you want to build a snowman?
is one emotionally grueling
and a heartbreaking film. Its many tragic moments and sequences earn it a place as one of Disney's
saddest and most moving ever made.
The Disney film
- Elsa's story in general. She used to be so close to Anna until her ice powers started to develop and almost kills Anna with them. She has since cut off their relationship and her social life until her powers were accidentally revealed and fled her kingdom in utter fear and shame.
- The fact that Elsa spent most of her life believing that if she touched people, she could kill them very easily. She refuses to touch even her parents, in case she hurts them. She leaves her kingdom when her power is revealed, telling her people not to come near her. She makes a new home for herself, her sister comes to get her and the entire time Elsa tells her to leave so she'll be safe. Sadly, she does end up hurting her sister and the kingdom.
- Then near the end of the movie, the first time she gets to touch her beloved little sister is when Anna has been frozen solid after saving her, and Elsa believes her to be dead.
- Even during the film's happy ending, when displaying her powers to the public, Elsa STILL looks just a little bit nervous, suggesting that it'll take a while before she becomes fully comfortable with using her powers in front of people.
- Word of God says she suffers from anxiety and depression. Even with the happy ending, without modern psychiatry and medication, she's not out of the woods yet, which puts even more of a sad note to this nervousness.
- "Do You Want To Build A Snowman?"
- To prevent Elsa's powers from causing harm to the kingdom, the King and Queen try to teach her to suppress her powers. They close all the windows and doors, shut off the castle from others, and keep the sisters in separate rooms. Anna keeps singing to Elsa to come out and play behind a locked bedroom door for years. To elaborate on this, it's shown that Anna sang for Elsa to come out and play with her when they were little kids, all the way up until she hits her mid-teens. The third time she slides by the door, when they're both older, Anna glances sadly at it and walks away.
- "Okay, bye." She's just so disappointed, and the fact that it's actually a little kid's voice...
- Elsa saying, "No, don't touch me! Please... I don't want to hurt you..." when her father reaches out to comfort her.
- The death of the King and Queen. Anna continues a third verse, this time in a minor tone, as she comes back from the wake, walks up to the door to Elsa's bedroom for the umpteenth time... and sits down at the door, the last lyrics wilting into sobs. Elsa, who can remember the real reason for all this, can hear her right on the other side of the door and cannot bear to answer her. You see Elsa's room covered in frost, emanating from her spot. Remembering that her power stems from her emotions, it's an EXTREMELY effective way to show just how all this affected poor Elsa.
Anna: We only have each other. It's just you and me. What are we gonna do?
- Even worse, Anna returns from the wake alone. Imagine not only not being able to comfort your little sister after a funeral for your own parents, but not even being able to go, for fear of hurting someone else you love.
- Meanwhile, Anna is having to lead a country in mourning alone. The only remaining member of her once-close family won't even stay in a room with her. She's fifteen years old.
- She probably knows there's something badly wrong with her sister, would do anything to help, but for reasons withheld from her, she's been cut totally out of the loop and has no idea why Elsa is the way she is.
- Anna shows no bitterness that she's been left alone to cope with the death of her parents, nearly all of her verse is taken up with begging Elsa to let her give support.
- Elsa was clearly terrified about them leaving, and they promised they'd be back in a couple of weeks. So, through no fault of anyone but the weather, Elsa lost the only people she felt remotely safe with and could trust with her secret. She has no one left but her sister, and she doesn't want to hurt her again.
- The sheer level of hopelessness in Anna's voice during the first lines she sings after her parents die. Note how even from the very start this is one in direct contrast to the energetic, enthusiastic young Anna from the start of the song.
I know you're in there...
People are asking where you've been.
They say "have courage", and I'm trying to.
I'm right out here for you...
Just let me in...
- If you listen carefully, you can hear a sob as Elsa puts her head down at the end.
- "It doesn't have to be a snowman..."
- And, the suspended chain at the end! The entire song's meter is geared up for Elsa's response to be "yes, I do", but instead the vocals cut off, just before we see Elsa crying on the other side of the door - of course, she wanted to say that too.
- When Anna is talking to Elsa at the party:
Anna: I wish it could be like this all the time.
Elsa: Me, too... but it can't.
Anna: Why not?
Elsa: It just can't!
Anna: ...Excuse me for a minute. (she then walks away feeling dejected and starts crying)
- If you look closely, Elsa looks just as upset by this exchange as Anna, watching after her sister sadly.
- Especially how Elsa goes from smiling fondly at first when answering her sister to a look of anguish when saying "it can't".
- It's heavily implied that a good part of the reason Anna is so quick to rush into marriage with Hans is that she's afraid that she might not get another chance anytime soon, and she's afraid she might not find love at all due to the isolation she's gone through for years. Hence the title "Love Is an Open Door"; all her life, Anna has looked at a closed door.
- Some of Anna's lines in "For The First Time In Forever" (easily missed due to it being a mostly upbeat and happy song) drive this point home once you catch them.
For the first time in forever, I could be noticed by someone!
And I know it's totally crazy/To think I'd find romance/But for the first time in forever/At least I've got a chance!
A chance to change my lonely world/A chance to find true love!
I know it all ends tomorrow/So it has to be today!
- It's made even worse by the original words for that song; the line "a chance to change my lonely world" was, originally: "a chance to leave my sister's world" meaning that Anna blamed Elsa for it all.
- Anna asks for Elsa's blessing for her and Hans' marriage, but she says no because Anna doesn't know Hans long enough. Anna then protests that it is true love.
Elsa: Anna, what do you know about true love?
Anna: More than you. All you know is how to shut people out.
Elsa: (visually hurt but still firm) You asked for my blessing, but my answer is no.
- When Elsa walks away, she announces, "The party's over. Close the gates." Then this exchange happens:
Anna: Elsa, please, I can't live like this anymore!
Elsa: (obviously in great grief) ...Then leave.
(Anna is misty-eyed)
Anna: What did I ever DO TO YOU?!
- So in the above exchange, Elsa really wants Anna to leave, to be safe, and Anna doesn't consider leaving. She wants her sister back.
- It's striking in this scene how much Anna wants Elsa back in her life, when she instantly wants Hans to move in with her and her sister (to which he agrees- to Elsa's horror- 'cos, well, that's what he's like). So she wants someone new in her life to have some fun, but doesn't for a moment want to move away, and feels she's been given a Sadistic Choice by Elsa when, as she sees it, she's being told to choose to either be there for sister or to marry.
- The really sad bit of this dialogue is that it's One Dialogue, Two Conversations. Elsa basically says "You can't marry a man you just met," with the meaning, "He doesn't seem to be the right fit for you. Go and spend a few more years enjoying your life, and then maybe consider settling down to find someone." Anna hears: "Go on then, if you want to live outside my rules, go back to your boyfriend, get out, betray me, I don't care if I have no sister, I'm fed up with you."
- "Let It Go."
- The start is all about fear and loneliness. Indeed, some of the most triumphant lines in the latter sections of the song betray a subtle yet deep-seated bitterness. Here is a webpage that explores the many complicated emotions interacting in this song. It is indeed both triumphant and sad.
- At "Don't let them in..." it's clear that Elsa is emulating her father, telling her never to leave her room and reveal her ice powers, and the lines of that section are a sad Call Back to "Do you Want to Build a Snowman?" and Elsa's part of "For the First Time in Forever". It really shows how deeply her suppression has affected her, being told that such behavior was "being the good girl [she] always had to be", and how happy she is to release her abilities.
- Elsa unconsciously created Olaf, the embodiment of her happy childhood memories with Anna, during the song, which is mostly about how she's never going back and that the past is in the past. Just think about it. Olaf was created out of her memories of the happy times with Anna and longing for the good times they had. Marshmallow was created out of her desire to be alone and to keep Anna safe from herself. And her ice palace? That was created not only out of her desire for isolation, but her desire to be someplace she belongs, someplace where she can't hurt people and still be herself...and yet it isn't- she doesn't realize it, but she's still unintentionally hurting people even from her ice palace.
- It's actually more depressing if you cut the percussion and listen to the song get performed a cappella. It really drives home how lonely Elsa is up there on the North Mountain.
- After Olaf's song about how much he's going to love summer, Kristoff states "Someone's gotta tell him.", and it takes on a much more somber tone. The song itself is funny but at the same time sad. It seems like such a Tragic Dream.
- The look on Elsa's face when she tells Anna to go home without her. Elsa cares her little sister more than anything, but she's far too afraid of her own powers to let herself be close to her again.
- Elsa being informed that she accidentally created an Endless Winter everywhere, and her realization that no one can be safe from her magic, and she can never truly be free. The worst part is, it completely invalidates "Let It Go."
Elsa: I'm such a fool! I can't be free! No escape from the storm inside of me!
Elsa: I can't control the curse!
Elsa: Anna please, you'll only make it WORSE!
Elsa: There's so much fear!
Elsa: You're not safe here!
Elsa: I CAN'T!!!
- At the end of the song, Elsa turns around and sees Anna doubled over and visibly in pain. She jumps back and looks terrified.
- As she sings "There's so much fear", Elsa looks at her (somewhat distorted) reflection in the ice, like she is wondering if the Duke was right about her being a monster.
- Also, that Elsa is right when she says Anna will only make it worse. Anna is genuinely only trying to help, but her news has basically caused Elsa to have a panic attack and, as most people will tell you, telling someone who's having a panic attack not to panic is in no way helpful.
- Anna's reaction to being deceived by Hans while he's explaining his plan. She can't believe what's going on, and when she does, can't believe what she's hearing.
- Even more distressing, look at Anna's reaction to being asked about Hans when Olaf saves her, "I was wrong about him. It wasn't true love.", "I don't even know what love is." She is still blaming herself and not Hans for what has happened. The full extent of the impact Hans' betrayal has left on Anna can be seen here, when he has managed to humiliate Anna by causing her to feel ashamed of herself for how willing she was to believe he loved her. At the same time, Elsa is so emotionally distant that she feels unloved by her, too. You seriously just want to give the poor girl a hug.
- This also provides more depressing undertones for "Love is an Open Door". Not only was Anna afraid she might not get another chance, she was just as isolated as Elsa her life, so she doesn't know any better. It's easy to forget given how much she just wanted to play with her sister growing up.
- These lines:
Hans (before the reveal): You said she wouldn't hurt you.
Anna: I was wrong.
- All this shutting out on her and yet Anna still cared for Elsa, but her line implies that she has lost faith in her sister after thinking she has deliberately hurt her, both physically and emotionally with her magic, not to mention shutting her out again.
- Kristoff' s expression and this line: "SVEN!" when Kristoff's best friend for years looks like he won't make it (especially when Sven tossed Kristoff away from drowning) and it takes a few seconds before Sven reappears. This brief moment is enough to make anyone cry.
- Kristoff, much like Anna and Elsa, was an orphan who doesn't like other people very much. He falls in love with Anna and leaves her with Hans, thinking his feelings are unrequited, then comes back and sees her turned to ice. Poor guy...
- The scene where Anna is frozen solid. Everything is just so... still. No background music, all the snow suspended in midair ... no sound but Elsa's sobs. It's so still that her crying can be heard from the castle balcony.
- It then adds another level of tearjerking to "Let It Go" when Elsa says they'll never see her cry. Notice that on the totally frozen body of Anna there are thin deposits of fine ice around her eyes. It's possible Anna's been crying as well as she was rushing to save Elsa and her body froze from within, either out of grief or blinking rapidly just trying to see as she crosses the fjord.
- Just as Anna and Kristoff are about to reach each other, Anna happens to see Hans about to chop Elsa in half out of the corner of her eye, and with a last look at Kristoff turns around and runs to save her sister. Once he catches up to them and takes in what just happened to Anna, Kristoff stops short with the most confused, heartbroken expression on his face.
- Olaf being sad. Up until this scene, Olaf had always been happy and cheerful. He just looks so devastated. It's a defining moment for him, showing that this hilarious kiddy character has other feelings too. He truly loves Anna.
Olaf: (sounding like he's about to cry) Anna?
- Olaf melting as summer is restored. Luckily, Elsa fixes that.
- From a very young age, Elsa has been isolated mostly for her own protection, but interpreted it as being to protect others from her. Finding out that she's triggered an 'eternal winter' over her kingdom, and then thinking she's killed her own sister - both the very things she was trying to prevent - leaves her completely shattered. She's lived with the guilt of almost killing her sister since they were children, and was probably reminded of it every time she saw the white streak in Anna's hair. Thinking Anna is dead because of her isn't just horrible, it's the manifestation of her greatest fear.
- The whole nature of the King's relationship with Elsa is heartbreaking. You can tell that the King loves his daughter dearly, and just wants to protect her. Both try to heed the advice of Grand Pabbie the Troll (who says "Fear will be your enemy"), but they both fail so utterly and that failure is the kicker — no matter how hard they tried, the King shutting Elsa off from everyone just made her issues worse. Elsa just kept getting more and more afraid of her powers as they grew stronger, and ultimately continued to force herself in solitude after her father's death. The fact that neither could figure out how to fix her problems no matter how much they tried (a huge part of the conflict of all the characters is the King's own personal failure and weakness) makes you really feel for both characters.
- The situation from Pabbie's perspective. It's shown that these trolls are deeply empathetic creatures (they aren't referred as "the love experts" for nothing), so seeing so much suffering caused by not only a misinterpretation of his warning, but everything he stands for...
- When Grand Pabbie the Troll tells Kristoff that he can't heal Anna, the look on Kristoff's face is heartbreaking.
- After the reveal, Anna nearly freezes to death, completely alone.
- The look on Elsa's face at the party when she accidentally reveals her powers to Anna and everyone there. The expression is nothing but complete horror and fear of what she has just done. Keep in mind the reason for all the neglect Elsa inflicted on Anna, from anyone in fact, is because she was too afraid of exposing her abilities and being shunned because of them. It hammers it in more when Elsa just stares at everyone before suddenly rushing out of the room.
- Even The Stinger has a whiff of sadness to it. Marshmallow tries on the tiara Elsa abandoned and reigns over the ice palace alone; the scene suggests Elsa can take her love with her (Olaf) and tame her anger and fear (Marshmallow) with art and beauty (the Ice Palace) but there's a part of her that will always yearn to be alone, shut off from the promise of happiness and human warmth, and who can blame her after what she has been through?
- Looked at in a different light the scene can be viewed as a happy tearjerker. Now Marshmallow can live whatever life he wishes (just like his creator), and even gets to be king of an ice palace! Maybe Elsa will come back and conjure up a family for him one day.
- After (accidentally and unconsciously) freezing Anna's heart, Elsa tells her and Kristoff to go away; Anna of course is not leaving without her doing something over the Endless Winter and keeps trying to convince her sister to work it out together. Elsa's reply:
How!? What power do you have to stop this winter!? To stop me!?
- Elsa's line in the "For the First Time in Forever (Reprise)" about how she "can't control the curse". To think that Elsa went from adoring her powers and always using them to have fun with her sister to hating them to the point that refers to them as a curse is quite depressing. When she sings "There's so much fear!" she looks at her reflection in a nearby wall. It's as if she's starting to think that the Duke was right about her being a monster...
- A small moment, but still heartbreaking. When Anna is singing the reprise at the top of the stairs (specifically "You don't have to live in fear"), Elsa's gets a pained expression on her face. She looks as if she wants to listen Anna and wants to go with her, but she's just too afraid of bringing harm to Arendelle.
- "You... built me. Do you remember that?" That's the moment Olaf realises that his entire life was nothing more than a passing thought to Elsa. He basically meets his God, and she doesn't remember creating him. note
- You can read that scene as a positive tearjerker: arguably, she remembers just fine, she's just amazed to see that he's alive, as she had no idea that she could create life with her powers. The way she looks down at her hands and smiles as she realizes that she can create as well as destroy is actually a very happy moment.
- A lot of this movie's conflict as shown above stems from good, kind, noble, well-intentioned people whose well-intended actions meet with terrible consequences or are unappreciated (the King and Queen, Elsa) because they are dealing with threats they don't and can't know how to properly deal with. Malicious, malevolent people like Hans and the Duke of Weaseltown can operate with ill intent but still (for so much of the film) come off as though they're doing the right thing to most of the other characters in the film. That might be just enough to send you into a depressive funk.
- When, as children, Elsa accidentally hits Anna, the way she screams "Anna!" is distressing. She was doing a Futile Hand Reach but an ice blast came out of her hand and struck Anna. Then she runs up to her and starts crying over her, which foreshadows the ending where Elsa cries over Anna being frozen solid. Elsa screams "Mama! Papa!".
Elsa: (sobbing) You're okay, Anna. I've got you.
- Although we know that Anna gets better thanks to the promotional art of her as an adult, that doesn't prevent one from believing that Elsa may have done more than harm Anna. The music, Anna's motionlessness, and Elsa hugging her is similar to a scene of someone hugging a deceased loved one. Anna may have possibly died and her parents are quickly taking her to the trolls to bring her back to life before it is too late.
- It's a great source of both Adult Fear and legitimate panic for anyone who has a sibling they love dearly and would be devastated if anything bad happened to them.
- The way that the ballroom is suddenly covered in ice spikes, emanating from Elsa, also adds to the sadness of the scene, reflecting her emotional state. Additionally, it's the first time we see the darker aspects of Elsa's powers; a huge case of Mood Whiplash when compared to a few moments ago, when Elsa was shooting out snow and (less threatening) ice.
- Seeing the then-inert Olaf being destroyed by the spikes. Rule of Symbolism is in full effect here and it only gets worse as Elsa flees. Once she's outside, she accidentally freezes a fountain in front of her people. You can tell it stings when she sees a woman clutch her baby closer in fright, especially since the woman in question has just asked Elsa if she's alright.
- If you look closely, when the woman asks if she's alright, you can see Elsa shake her head "no."
- Right before the reprise of "For the First Time In Forever" Anna reminds Elsa how close they were as children and says they can be that way again. Elsa has a flashback to when she accidentally struck Anna. She answers, "No. We can't." then turns away and tells Anna to leave.
- The fact that Anna doesn't realize why Elsa suddenly cut all ties from her and grows up thinking that Elsa no longer wants anything to do with her sister after having been so close up until that point.
- This is really shown during the ball scene after Elsa's coronation: Anna is placed very close to her sister only to move away slightly. She seems taken aback that Elsa would initiate a conversation between them. The ensuing conversation is rather awkward and stilted on both sides. They've been apart for so long that they rarely ever get to actually be in the same room together.
- Elsa's part in "For the First Time in Forever (Reprise)" when she claims she's fine with her self-imposed exile because she's finally herself. That only specific part has the happiest tone of all of Elsa's lines; and just realizing she's happy being completely and totally alone, away from her only family and the life she knew just to keep them safe, it's heartbreaking.
- After that little moment of happiness, a big Mood Whiplash: the look in Elsa's face while getting away from Anna and telling her to stay away from her because she's dangerous.
Elsa: Just stay away and you'll be safe from me.
- "Anna. Please go back home. Your life awaits." Elsa's expression is simply heartbreaking.
- It's also sad because Elsa is basically saying "Go back to Arendelle, be queen instead of me, marry Hans just like you wanted to." Anna doesn't want any of that... she wants her sister.
- When they are closing all the windows and doors, you see the girls' room. Anna and Elsa used to share a room and in the overhead shot, all of the stuff on Elsa's side of the room vanishes. Then, when Anna wants to go play with Elsa, she runs to her room, only for Elsa to look away sadly and shut the door on her without a single word. This leaves Anna saddened and standing still in shock, wondering what she did wrong. (Imagine "When She Loved Me" only ten times sadder).
- When Elsa wakes up in a cell after getting knocked out by the chandelier. From her "My God, What Have I Done?" when she sees outside the window to her sadly tugging on the chains holding her back.
- Later in that same scene, when Hans tells her to stop the winter.
Elsa: Don't you see? I can't...
- And it gets sadder. When Elsa demands to know why he brought her here, Hans says he couldn't let them kill her. Elsa's response to this? "But I'm a danger to Arendelle." She's saying she should've been killed. In other words, Elsa became suicidal.
- Frozen and Tangled being in the same universe isn't sad on its own, but then someone decided to make this.
- As of a reveal of Word of God on reddit, them being in the same universe does indeed fall into Tear Jerker territory. Remember how the King and Queen of Arendelle died in a storm? Where were they going? A wedding. Look at how similar the King of Arendelle is to the Queen of Corona, and the fact that Rapunzel and Eugene are at Elsa's coronation. If this confirmation further supports the theory that Rapunzel is Anna and Elsa's cousin... the King and Queen died while travelling to see the wedding of their niece, who had been abducted as a two month old and had been held captive for 18 years prior to the wedding... that revelation turns Tangled's ending into a Downer Ending when you look at it from the perspective of their sister kingdom.
- Or, alternately, if Once Upon a Time was taken as canon, they were trying to find a way to more properly control Elsa's powers because when her aunt had a similar loss of control over her own powers, she accidentally killed her own sister Helga.
- At the beginning of the movie, Grand Pabbie the troll tells Elsa (who, remember, is about nine years old at this point) and her parents, "Fear will be your greatest enemy," and thinks, oh, hell, it's a great idea to accompany this with a conjured image of Elsa being killed by an angry mob. The poor girl is terrified, and buries her face in her father's chest. This is also almost certainly the thing that spurs the King and Queen to isolate Elsa from others, for fear that the vision comes true, and creating an entirely new set of problems.
- When Anna, Kristoff, and Olaf reach Elsa's ice castle, Anna noticeably hesitates to knock on the door, and when she does and it opens, she says, "It opened. That's a first." Think of how long she's been knocking on Elsa's door, only to have it always stay closed, shutting her out...
- Pulling double duty as a tear jerker and heartwarming moment, Agdar has gotten a lot of flak from viewers who feel he is responsible for Elsa's situation. On the contrary while the results are questionable, there is no doubt he loves Elsa in spite of everything. When he tells her "Getting upset only makes it worse, calm down", his words may seem harsh, but the way he rushes over to her, to hold her close and reassure her that it'll all be alright in spite of the risk to his own person just drips of a concerned and conflicted parent. Given how alien the problem is (a daughter being born with unexplained ice powers) to everyone, it's understandable that not everyone would know how to deal with it.
- During the coronation, Elsa wears her hair like her late mother.
- Elsa fighting the Duke's men, or rather, before. When they spot her, she runs away and pleads with them to leave her alone when they catch up to her. Keep in mind up until this scene, Elsa had never intentionally used her powers for the purpose of doing harm to others. It's obvious she does not want to fight, but they don't leave her any choice.
- Manipulative Bastard that he is, Hans. He spent his whole life ignored and overshadowed by his 12 older brothers, and it's been confirmed by Word of God that he indeed grew up without love, sparking his desire to take the Arendelle throne in the first place. His actions are still inexcusable, but taking his glaringly relatable backstory into account, you can't help but feel terrible for the guy anyway. Elaborated on in this analysis here.
- When the King and Queen are preparing to set sail on their fateful voyage, Anna runs into their arms and gives them a great big hug. Elsa, on the other hand, merely bows before them, afraid to even hold her own parents. This is also the last time she ever sees them alive, meaning she was never able to give them a farewell embrace.
- The draft screenplay for "For The First Time In Forever" uses the lyrics "A chance to leave my sister's world, A chance to find true love" instead of "A chance to change my lonely world, A chance to find true love". In the draft, Anna thinks that she has to leave Elsa behind in order to find "true love", when it's been there all along. Meanwhile, Elsa's singing about being "the good girl [she] always has to be", not being able to show her love for Anna.
- "The sky's awake."
- "Elsa. I'm scared."
- For a fanwork example, we have this comic (WARNING! SPOILERS!).
- This Tumblr fancomic adding even more emotions to Elsa and Anna's initial reunion.
Anna: I BURIED OUR PARENTS ALONE, ELSA!
- As another fan-produced example, the Frozen VHS Trailer, which plays some of the most emotional scenes of the movie against Foreigner's "I Want To Know What Love Is." The "VHS" part of the title refers to the use of fuzzy videotape quality and some idents from the Walt Disney Masterpiece Collection to evoke memories of growing up during The Renaissance Age of Animation. (Warning: The editor also invoked Trailers Always Spoil in order to evoke advertising from that era!)
- There are additional tearjerkers that pop up in alternate-language versions of the film.
- In the French version of "Let It Go", Elsa doesn't say "the cold never bothered me anyway." Instead, she says "for me, the cold is the price of freedom."
- In the Japanese version of "For The First Time In Forever," Anna doesn't say "for the first time in forever," she says "for the first time in my life." At the end of the Japanese version of "Let It Go", Elsa declares "I'm fine as I am!"
- In the French version of "Do You Want To Build A Snowman," Anna doesn't say "we used to be best buddies, and now we're not," she says "we used to be sisters and friends, but that's over." She's so little she doesn't think they're sisters anymore after Elsa shuts her out. Also, instead of saying "Okay, bye" she says "think of me."
- The Swedish version has its share as well. Instead of "For the first time in forever" Anna simply sings "For the first time ever". Instead of "Conceal, don't feel. Don't let them know - well now they know" Elsa sings "Show nothing, whatever you do - everything is ruined" and instead of "Let it go, let it go" she sings "Break loose, break free".
- Even the name of the Completely Different Title in Cantonese is sadder - "Lock of the Frozen Heart"; the first lines become "The freezing winds are chilling my heart...it feels like falling out of the world, all I see is emptiness in the mountains of snow.", she says how she is even more scared now alone. Instead of "Conceal, don’t feel, dont let them know. Well, now they know" it is "bury the past, forget the beginning...forgetting who I am". This really drives home how the development of her powers made Elsa lose who she was.
- "I have to forget the invisible lock to be the real me...no one wants to be trapped and locked inside your heart."
- "Forget the sadness of the past...who am I? A whole new me...I refuse to conform."
- "Relive the dawn and live again."
- Despite the similarities of the two languages, the Mandarin version took a lot less liberties (cultural differences), but yet, instead of "Couldn’t keep it in, heaven knows I tried" it is "only heaven knows the pain I have went through" (with "pain" being the last, plummeting syllable, no less). Instead of "Let it go, let it go, can’t hold it back anymore", it adds melancholy notes: "whatever it goes...there is no way to go back".
- The Taiwanese version makes "I don't care what they are going to say" more wistful by changing it to "I thought I cared about someone once".
- The Polish version of Elsa's part in "First time in Forever" translates roughly as "Let nobody know, don't reveal anything. No feelings- from this day on it's how you are supposed to live. Without dreams, without words, don't give yourself up to tears". And there's a reprise where she explicitly tells Anna that "curse calls for victims" and "here's (just) a death in tears".
- The French version of "Let It Go" is "Liberée, Delivrée" - "freed, saved". In the reprise of "For The First Time In Forever", "I'm such a fool, I can't be free" becomes "Ni liberée, ni delivrée" - "Neither freed nor saved".
- Also from the reprise, instead of "No escape from the storm inside of me...", Elsa sings the French equivalent of "Tell me how I cannot despair..", showing just how close she was to the Despair Event Horizon .
- A fan wrote a reprise for "Do You Want to Build a Snowman" that Elsa would sing when Anna is completely frozen. Another fan gave it a voice.
- Another fan created this song as a counterpoint to Anna's verses in "Do You Want to Build A Snowman". Similar feelings were felt (that it would have made the film even stronger).
Anna...Yes, I know you're out there.
I hear you every day.
I want to tell you everything.
I really wish that I could say...
I want to be beside you, to help you through, believe me I need you too...
I wanna build a snowman... [sobs]
- A fan made song of a reprise of this song from Elsa after Anna is magically frozen. The fact that there's no music makes the scene all the more heartbreaking.
- The cut song "Life's Too Short", predecessor to the "For the First Time In Forever" reprise, which has the sisters arguing and calling each other out on their flaws. They basically go from happy reunion to stomping all over every Berserk Button they have. In the space of a couple minutes, they go from "Life's too short to miss out on a sister like you" to "Life's too short to even have you in it," and then heart freeze, full stop end of song.
Elsa: Sadness swirls within me like the snow; I've frozen out the only friend I'll ever know..
- To say nothing that, given the timing of the reprise, "life's too short" would have been Anna's last words, after Hans betrays her:
Anna: Life's too short to be such an oblivious fool, so reckless that I couldn't see.
Life's too short to be so desperate to be loved that I only ever thought of me.
I wish I saw things clearly, I guess I'm just not that sort,
Now all I know is life's.. too.. (gasp).. short.. (silence)
- But it does add a Hope Spot, as the music starts to instrumentally reprise "Do You Want To Build A Snowman?", which would have been followed by Olaf coming in to rescue her.
- This fan-made music video uses Jasmine Thompson's "Drop Your Guard" to effectively represent Anna trying to convince Elsa to open up and embrace love.
- The fanfic For the Last Time in Forever serves as a tragic Alternate Ending for the film, with the Hope Spot that Elsa (not referred to by name) will one day be able to successfully thaw Anna's frozen heart and return spring to the frozen wasteland of Arendelle (and it was implied near the end that she was getting close). But just reading this through and seeing what actually could've been is enough to make one's heart ache.
- If you follow up on the series Once Upon a Time, it's been revealed that just before Elsa and Anna's parents died, they came to accept Elsa for who she was and didn't WANT her to have to conceal her powers. The movie showed them leaving on a boat presumably to go somewhere, but going by the show, it's quite possible that the King and Queen realized Elsa needed to be herself in order for her powers to stay in check and were on their way BACK to Arendelle to let her know that. Then came the storm, and their ship capsized, and well, the message didn't get received...
- You thought "Do You Wanna Build A Snowman" was tragic enough? Try watching it with no background instrumentals. Highlights include Anna and Elsa's parents' deaths and their subsequent funeral occurring in near total silence and Anna sighing sadly when she decides not to knock on Elsa's door.
- On a scale of 1 to 10, how would you rate your pain?
- While the first half of "We Know Better" focuses on young Elsa and Anna's strong bond and is actually pretty funny, the second half of the song (which wasn't released on the deluxe soundtrack) is a dark reprise, where the townspeople start to distrust 12 year old Elsa due to her powers. So Agdar and Idun tell 9 year old Anna to try and be more lady-like to set a better example for her sister, resulting in the rest of the song showing the two girls getting older and becoming more distant. The townspeople befriend and like Anna, but see Elsa as a freak. You can listen to it here.
- A lot of the comedic parodies of "Do You Want To Build A Snowman" find they just can't stop the final verse from being anything but utterly tragic, even if the first two managed to be hilarious.