12 Hours Left to Support a Troper-Created Project : Personal Space (discuss)

Tear Jerker / David Bowie

This glam-rocker-and-much-more-besides certainly did some Tear Jerkers. In chronological order:

  • "Space Oddity". The tale of a routine space mission, accompanied by sad music and Major Tom philosophizing — and then "Can you hear me, Major Tom? Can you hear me, Major Tom? Can you" "heeeeeeeeeeeeeeeere... am I floating 'round my tin can..."
    • In the original music video, as Bowie sings that line, his face shows genuine sadness and concern, it looks almost as if he's about to start crying.
    • The true tragedy of this is that the song is two-layered: one is the implied suicide by Major Tom. The other is that the song was released at the very end of The '60s: depending on interpretation, its either about drugs or technology, the two great hopes of the Space Age that never delivered on their Utopian promises. "And I think my spaceship knows which way to go..."
    • Peter Schilling's "Major Tom", a sequel of sorts to this song, can be even more of a Tear Jerker...
    • If you take the interpretation that Major Tom's capsule malfunctioned completely, enjoy imagining his slow, asphyxiating death... alone.
    • There's a Masters of Song Fu challenge that deals with reinterpreting this song, and both have an undertone of loneliness. From Jeff MacDougall's take: "I'm high!/ Can you see me?/ I'm the blink in the night sky./ I'm not afraid./ Everything's clear./ Tell my wife no need for tears."
    • Now in children's book form! And yes, it is somehow more heartbreaking.
    • Now that Bowie is no longer with us, these two lines take on a new, very poignant meaning....
      • "Though I'm past one hundred thousand miles, I'm feeling very still, and I think my spaceship knows which way to go. Tell my wife I love her very much."
      • "She knows."
  • "God Knows I'm Good", from the Space Oddity album. There is something very sad about the tale of a hungry old lady, forced to compromise her values just so she can eat.
  • The imagery in the first verse of "Life on Mars?" (Hunky Dory) is decidedly heartbreaking. It doesn't help that the song is used in some of the more emotionally charged moments of the TV series of the same name.
    • If one wasn't affected by "Life on Mars?" before, the certain associations it acquired in the series finale of the eponymous TV show can add a profound sense of sadness to the song.
    • As if the original version wasn't sad enough, the one Bowie performed on the Tonight Show with Johnny Carson is simply devastating.
      • And topped even that performance when he sang at a hurricane Katrina benefit concert in 2005. Only a year after his heart attack, a worn-out looking Bowie sang alone on stage with just a piano accompaniment. Ever the showman, his hand was bandaged and his eye was made up like it was bruised- to reflect the pain and loss of the victims. This particular troper was in tears!
  • The final song of Ziggy Stardust, "Rock 'n' Roll Suicide". The chorus of "Give me your hands!" before the Last Note Nightmare...
    • The first song, "Five Years", can be pretty depressing too. (The take of Bowie used for the closing repetitions of the chorus sounds the way it does because he was in tears as he sang.)
    • "Ziggy Stardust" itself is sad too; after all, it's about his decline and demise. Made even worse by the Stage live version, which sounds like something fit for a funeral owing to the synthesizers.
  • The entire second half of Low. Four slow, quiet, somber, mostly instrumental, intensely saddening songs. Especially "Subterraneans".
    • "Subterraneans" and "Warszawa" only get even more tear-jerking when you read about the real-life conditions that inspired them (respectively, the plights of East Berlin and Warsaw at the time of the album's recording). As is usual for these things, Wikipedia has more details.
  • ""Heroes"" is more poignant than gloomy, but still a tearjerker.
  • "Ashes to Ashes" (Scary Monsters) — there's something about its understated melancholy that gets to some people.
    "I never done good things
    I never done bad things
    I never did anything out of the blue..."
    • Some more depressing lines — which reference "Space Oddity" — include:
    "I heard a rumor from Ground Control
    Oh no, don't say it's true
    (Later in song) Ashes to ashes, funk to funky
    We know Major Tom's a junkie
    Strung out in heaven's high
    Hitting an all-time low"
  • Here's Bowie's take on Bertolt Brecht's "The Drowned Girl" — a cruelly detailed recounting of a demise.
  • "Strangers When We Meet" from both The Buddha of Suburbia and 1. Outside is a rather strange example. While it works as a Tear Jerker at the end of the latter musically, its text adds even more to the creepiness of this album if you consider that it's supposed to be sung by the Minotaur character.
  • The album version of "Dead Man Walking" from Earthling is a high-energy Ear Worm. However, the acoustic version makes the lyrics present in the original a clear case of Lyrical Dissonance.
    "And I'm gone, like I'm dancing on angels
    And I'm gone, through a crack in the past
    Like a dead man walking"
  • Many songs from Hours..., especially this live version of "Seven."
    • "Thursday's Child", particularly the video, is another sad song — but is, at least, hopeful.
  • Many songs from Heathen are tearjerkers, especially the title track.
    • The live version of "Slip Away" is particularly heartbreaking, considering it opens with a clip from The Uncle Floyd Show, the song's subject matter, which is - in a weird way - a mediation on death.
    Did you ever stop and think if there wasn't an Uncle Floyd show, what everyone else would be doing?
    • The opening track, "Sunday", was heart-wrenching enough when it was released. Then January 10th 2016, a Sunday, came around...
  • Reality runs headlong into this.
    • "The Loneliest Guy." Even the title is depressing.
    • If we're talking about Reality, we can't forget "Days". "Do I need a friend? Well, I need one now..."
    • As it became clear that nothing would bring him out of his retirement in The New Tens, the final track, "Bring Me the Disco King" went down as his bittersweet, introspective swan song...and then, nearly ten years later, The Next Day said otherwise.
  • The sudden relaunch of the official website, the announcement of The Next Day, and release of its first video on January 8, 2013 jerked a lot of tears worldwide. That "Where Are We Now?" turned out to be such a poignant song/video — specifically the full-body reveal of a melancholy-looking Bowie on the "As long as there's me" [troper's emphasis] line — only made it worse.
  • On January 10th 2016, one simple Facebook status broke the hearts of David's fans.
    January 10 2016 - David Bowie died peacefully today surrounded by his family after a courageous 18 month battle with cancer. While many of you will share in this loss, we ask that you respect the familyís privacy during their time of grief.
    • What's even sadder is that the fans went into a state of denial, asserting that it had to be a hoax. These hopes were squashed by a heartrending tweet from his son Duncan Jones confirming his death.
    • His death makes certain lyrics in his last album, Blackstar (especially in the Title Track), haunting due to the factor that his cancer had been diagnosed 18 months before the album's release.
    Look up here, Iím in heaven
    Iíve got scars that canít be seen
    Iíve got drama, canít be stolen
    Everybody knows me now
    This way or no way
    You know, Iíll be free
    Just like that bluebird
    Now ain't that just like me?
    ("Lazarus")
    The video for "Lazarus", with Bowie singing from a hospital bed, is starting to take on an eerie resonance in the wake of his death.
    • The lyrics of the final track, "I Can't Give Everything Away", as well as the general feel of the song itself, are especially this after his death. The song could be interpreted as his final farewell message to all of his fans over the years.
    I know something is very wrong
    The pulse returns for prodigal sons
    The blackout's hearts with flowered news
    With skull designs upon my shoes
    Seeing more and feeling less
    Saying no but meaning yes
    This is all I ever meant
    That's the message that I sent
    I can't give everything
    I can't give everything
    Away...
    • Confirmed on Facebook by Bowie's long-time collaborator and coproducer of ★, Tony Visconti:
      His death was no different from his life - a work of Art. He made Blackstar for us, his parting gift.
    • And then there's the Bookends feeling of the entire album. The styles of each track go in reverse order of every style Bowie has done throughout his career, before finally ending with a song reminiscent of his Low sound.
    • A few days after the release of Blackstar, it was revealed that Bowie wanted to make another album and made demo recordings of five songs, and called his producer Tony Visconti a week before his death wanting to work again. The fact that he was still working up to the very end and doesn't seem to have been ready to die somehow makes his death feel even more tragic.
    • David will never see his grandchild.

http://tvtropes.org/pmwiki/pmwiki.php/TearJerker/DavidBowie