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Tear Jerker: David Bowie
This glam-rocker-and-much-more-besides can certainly do some Tear Jerkers. In chronological order:
"Space Oddity". The tale of a routine space mission, accompanied by sad music and Major Tom philosophizing — and then "Can you hear me, Major Tom? Can you hear me, Major Tom? Can you" "heeeeeeeeeeeeeeeere... am I floating 'round my tin can..."
The true tragedy of this is that the song is two-layered: one is the implied suicide by Major Tom. The other is that the song was released at the very end of The Sixties: depending on interpretation, its either about drugs or technology, the two great hopes of the Space Age that never delivered on their Utopian promises. "And I think my spaceship knows which way to go..."
In addition to being a Tear Jerker, the song can also be scary — especially when Mission Control is calling out desperately to Major Tom and being completely unable to do anything. That level of utter helplessness is horrifying in every possible way.
If you take the interpretation that Major Tom's capsule malfunctioned completely, enjoy imagining his slow, asphyxiating death... alone.
There's a Masters of Song Fu challenge that deals with reinterpreting this song, and both have an undertone of loneliness. From Jeff MacDougall's take: "I'm high!/ Can you see me?/ I'm the blink in the night sky./ I'm not afraid./ Everything's clear./ Tell my wife no need for tears."
The imagery in the first verse of "Life on Mars?" (Hunky Dory) is decidedly heartbreaking. It doesn't help that the song is used in some of the more emotionally charged moments of the TV series of the same name.
If one wasn't affected by "Life on Mars?" before, the certain associations it acquired in the series finale of the eponymous TV show can add a profound sense of sadness to the song.
As if the original version wasn't sad enough, the one Bowie performed on the Tonight Show with Johnny Carson is simply devastating.
And topped even that performance when he sang at a hurricane Katrina benefit concert in 2005. Only a year after his heart attack, a worn-out looking Bowie sang alone on stage with just a piano accompaniment. Ever the showman, his hand was bandaged and his eye was made up like it was bruised- to reflect the pain and loss of the victims. This particular troper was in tears!
The final song of Ziggy Stardust, "Rock 'n' Roll Suicide". The chorus of "Give me your hands!" before the Last Note Nightmare...
The first song, "Five Years", can be pretty depressing too. (The take of Bowie used for the closing repetitions of the chorus sounds the way it does because he was in tears as he sang.)
"Ziggy Stardust" itself is sad too; after all, it's about his decline and demise. Made even worse by the Stage live version, which sounds like something fit for a funeral owing to the synthesizers.
The entire second half of Low. Four slow, quiet, somber, mostly instrumental, intensely saddening songs. Especially "Subterraneans".
""Heroes"" is more poignant than gloomy, but still a tearjerker.
"Strangers When We Meet" is a rather strange example. While it works as a Tear Jerker at the end of 1. Outsidemusically, its text adds even more to the creepiness of this album if you consider that it's supposed to be sung by the Minotaur character.
Did you ever stop and think if there wasn't an Uncle Floyd show, what everyone else would be doing?
Reality runs headlong into this.
"The Loneliest Guy." Even the title is depressing.
If we're talking about Reality, we can't forget "Days". "Do I need a friend? Well, I need one now..."
As it became clear that nothing would bring him out of his retirement in The New Tens, the final track, "Bring Me the Disco King" went down as his bittersweet, introspective swan song...and then, nearly ten years later, The Next Day said otherwise.